The ability to appropriately sequence a list of discrete items is an important facet in performing routine cognitive tasks and may play a significant role in the acquisition of early communication skills. Though the serial learning abilities of some species, such as chimpanzees and rhesus macaques are well documented, there is virtually no information on the extent of these skills with gorillas. In this study, a young female western lowland gorilla has demonstrated the ability to learn a list of seven (...) Arabic numerals by selecting them on a monitor behind an infrared touchframe. As list length increased, Rollie required fewer trials to reach the criterion, suggesting an acquisition of skills associated with serial learning. Rollie was most likely to correctly select the first item in the sequence and least likely to select the penultimate item in the sequence. Her performance suggests serial learning abilities in the range of other non-verbal species and provides preliminary evidence that supports the assertion that gorillas can succeed at this form of serial learning task. (shrink)

This paper extends previous work of mine on a view of human well-being that is a hybrid of objective-list theories and desire theories. Though some of what I say traverses old ground, much of what I say is new – new, that is, not in terms of ultimate conclusions, but rather in terms of (a) routes toward these ultimate conclusions and (b) certain implications of these ultimate conclusions (e.g., implications concerning the measurement of well-being). There are two different visions of (...) what human beings are that I privilege and attempt to synthesize in this paper. One of these visions pushes us toward an objective-list theory. This vision is a broadly Aristotelian one according to which humans have various capacities that are central to their functioning well as the kinds of things they are, that is, as human beings. Though this broadly Aristotelian vision captures something necessary for well-being, it is, as it were, only half of the story. The other half of the story derives from a vision of human beings as unique individuals with different sets of intrinsic desires, and this desire-focused vision of humans is itself informed by Jacques Lacan and his view that each human self is constituted by a particular and dynamic chains-of-signifiers-plus-desire-flow structure. I start by briefly discussing mental state theories (section 1). Then I discuss objective-list theories at some length (sections 2-3), and, while doing this, I occasionally comment on pro-attitude theories (e.g., desire theories). After that, I present the hybrid theory of well-being that I favor and defend it against some objections (section 4). Lastly, I conclude the paper (section 5). (shrink)

Infants have been described as 'statistical learners' capable of extracting structure (such as words) from patterned input (such as language). Here, we investigated whether prior knowledge influences how infants track transitional probabilities in word segmentation tasks. Are infants biased by prior experience when engaging in sequential statistical learning? In a laboratory simulation of learning across time, we exposed 9- and 10-month-old infants to a list of either disyllabic or trisyllabic nonsense words, followed by a pause-free speech stream composed of a (...) different set of disyllabic or trisyllabic nonsense words. Listening times revealed successful segmentation of words from fluent speech only when words were uniformly disyllabic or trisyllabic throughout both phases of the experiment. Hearing trisyllabic words during the pre-exposure phase derailed infants' abilities to segment speech into disyllabic words, and vice versa. We conclude that prior knowledge about word length equips infants with perceptual expectations that facilitate efficient processing of subsequent language input. (shrink)

We introduce two extreme methods to pairwisely compare ordered lists of the same length, viz. the comonotonic and the countermonotonic comparison method, and show that these methods are, respectively, related to the copula T M (the minimum operator) and the Ł ukasiewicz copula T L used to join marginal cumulative distribution functions into bivariate cumulative distribution functions. Given a collection of ordered lists of the same length, we generate by means of T M and T L (...) two probabilistic relations Q M and Q L and identify their type of transitivity. Finally, it is shown that any probabilistic relation with rational elements on a 3-dimensional space of alternatives which possesses one of these types of transitivity, can be generated by three ordered lists and at least one of the two extreme comparison methods. (shrink)

We introduce two extreme methods to pairwisely compare ordered lists of the same length, viz. the comonotonic and the countermonotonic comparison method, and show that these methods are, respectively, related to the copula TM (the minimum operator) and the Ł ukasiewicz copula TL used to join marginal cumulative distribution functions into bivariate cumulative distribution functions. Given a collection of ordered lists of the same length, we generate by means of TM and TL two probabilistic relations QM (...) and QL and identify their type of transitivity. Finally, it is shown that any probabilistic relation with rational elements on a 3-dimensional space of alternatives which possesses one of these types of transitivity, can be generated by three ordered lists and at least one of the two extreme comparison methods. (shrink)

The infinitary languages studied in this book are those in which quantification of infinitely many variables simultaneously, and conjunctions or alternations of infinitely many are permitted. Infinitary concatenation and infinitary propositional logics are first discussed, and a completeness theorem is proved about the latter. The later chapters deal with infinitary predicate languages and Scott's proof of incompleteness is introduced. Throughout the discussion, unsolved problems are mentioned and areas undergoing current development are emphasized. A short bibliography lists most recent articles (...) on this new branch of logic.—P. J. M. (shrink)

Full-length and short independent feature films directed by Martin Scorsese are considered as the research material. The object of the study is the main elements of Martin Scorsese's directorial style. Throughout his creative career, the director under study, without fear, operates with numerous artistic techniques that today form the directorial style – broadcasting Christian motifs, cruelty combined with the beauty of the criminal world, eyes as an element of the hero's soul, using a mirror in the context of reflecting (...) the other world of the character, narration through dreams and fantasies, as well as an abundance of editing solutions. The main attention is paid to the cast in the director's filmography, which correlates with the subject of this study. In this article, the author analyzed 33 films of the director that fall under the conditions of the study. The theoretical and methodological basis of the research was the works of domestic and foreign theorists and practitioners of cinematography, as well as film encyclopedias and film textbooks of the academic level. According to the results of the study, the author came to the conclusion that the director is committed to a permanent cast in his films. More than others, Martin Scorsese stars such actors as Robert De Niro, Catherine Scorsese, Charles Scorsese, Leonardo DiCaprio. The director puts himself at the top of this list. 430 actors took part in all the films studied, who appear in the director's filmography at least twice. In the films The Irishman (2019), The Wolf of Wall Street (2013), Goodfellas (1990), and Casino (1995) starred the largest number of recurring actors in the director's work. Also, in the course of our research, we found that the director in most of his films prefers to shoot not only himself, but also members of his family. (shrink)

The list of katēgoriai presented at the start of Top. I 9 was traditionally interpreted as a version of the canonical Aristotelian list of categories, and as largely equivalent to the list we find in Categories 4. Accordingly, its first item, the ‘what it is’, was identified with the category of substance. This interpretation has been challenged by several scholars, all sharing the view that the ‘what it is’ in Top. I 9 cannot be substance, since it collects items belonging (...) to all Aristotelian categories (e. g. human being, colour, length). Rather, they say, it is a manner of predication – i. e. essential predication – and can only determine an ontologically miscellaneous class of items. Against this family of proposals, I argue afresh that the traditional interpretation is almost entirely correct. To this purpose, I take advantage of the distinction between kinds of predicate and kinds of predication. (shrink)

The subject of this study is the special theory of relativity (SRT) by A. Einstein, the debate about which has been going on for more than a hundred years. The aim of the study is to evaluate SRT from the side of whether everything that is discussed in this theory and thus in the new, relativistic physics is possible in nature itself. At the same time, the author pays special attention to three issues: the principle of relativity, the necessary condition (...) for the objectivity of the content of scientific theories and the Einstein style of scientific thinking, which predetermined the ideological component of SRT and all relativistic physics. But such issues as relativistic reductions of lengths and durations, the relativity of simultaneity and a single space-time do not remain without attention. The study revealed the fallacy of a long-standing and widespread opinion about the relativity of properties. The necessary condition for the objectivity of scientific theories is revealed. The natural form of expression of quantities is revealed and the non-relative nature of all natural quantities is shown. The hidden form of relativity inherent in the SRT postulate about the constancy of the speed of light in all inertial reference frames and extended in SRT to the magnitude of all lengths and durations considered in it is revealed. It is shown that such relativity is based on the dependence of the quantities on the choice of their reflection systems. It is shown that such dependence is impossible in nature itself. It is concluded that the SRT is erroneous. At the same time, the factors that served as favorable ground for the emergence and spread of this erroneous theory are listed. (shrink)

This chapter is concerned with the second of the four books of Samuel Alexander’s Space, Time, and Deity, which bears the title “The Categories.” It occupies 164 pages, a fifth of the total. While most systematic metaphysicians treat of categories in some form, it is rare for one to discuss the topic at such length: what we have is practically a treatise within a treatise. Alexander understands categories to be those qualities of space-time that are pervasive and fundamental. A (...) comparative exposition is given of Alexander’s theory of categories, with allusions to Kant and Hegel. It is argued that one distinctive aspect of Alexander’s theory of categories is that it is realist through and through, unlike Kant’s. A critical evaluation is then given of how Alexander describes and infers his list of categories, showing what lessons there are to be learnt for contemporary metaphysics. (shrink)

In this article, I attempt to provide a complete and exhaustive list of all of the offices and major political roles proposed within the constitution of Magnesia, detailing the title of the office, number of offices, method of appointment, age or gender restrictions, length of term, and explicit responsibilities assigned to that office. This tabulation is intended to be useful for new readers of the Laws and to scholars of various methodological approaches interested in the political arrangements of Magnesia.

Virgil's list of the qualities that are desirable in a brood cow corresponds closely to those in Varro'sDe re rusticaand in the texts which, though later, can be plausibly taken as evidence of an existing tradition. Yet, there is one exception, and it is an exception to which the poet carefully draws attention. Varro's, Columella's and Palladius’ ideal cows all share with Virgil's and with each other hairy ears, very long dewlaps and tail, and other features. However, whereas they all (...) have narrow hooves (ungulis breuibus,Palladius), moderate at most (ungulis modicis, Columella), and certainly not broad (pedibus non latis, Varro), Virgil's cow emphatically has big feet (Verg.G.3.51–9):optima toruaeforma bouis cui turpe caput, cui plurima ceruix,et crurum tenus a mento palearia pendent;tum longo nullus lateri modus: omnia magna,pes etiam, et camuris hirtae sub cornibus aures. 55nec mihi displiceat maculis insignis et albo,aut iuga detrectans interdumque aspera cornuet faciem tauro propior, quaeque ardua totaet gradiens ima uerrit uestigia cauda.The best shapefor a fierce cow is one which has an ugly head, which has a lot of neckand whose dewlaps hang from her chin all the way down to her legs;then let there be no limit to the length of her flank: let everything be big,even the foot, and hairy ears under in-curving horns,and I would approve of her being marked with white spots,either refusing the yoke or sometimes fierce with her hornand in appearance closer to a bull, and who is lofty in every respectand when walking sweeps her tracks with the tip of her tail.Few readers who have sampled the density of Virgil's intertextuality, thecurawith which he selects individual words, or the polyphonic meanings at play in every line of theGeorgicswould be tempted to ascribe any such divergence from the technical tradition to carelessness or indifference. However, even if any were inclined to do so elsewhere, the enjambed phrasepes etiamdraws emphatic attention to this dissent: ‘you may, from your familiarity with the tradition, expect the feet to be an exception, but no, they too should be large’. The reader is thus positively invited to look for an explanation. (shrink)

The preceding chapter listed the measures Ch'in Shih-huang took to consolidate the unification. Before all this, the state of Ch'in, through Shang Yang's reforms, had eliminated the hereditary privileges of the aristocracy, dealt a severe blow to the power of the slave-owning aristocracy, instituted the system of landownership by the landlords, established the system of commanderies, unified weights and measures, and carried out the policy of "emphasizing agriculture and restricting commerce," so as to enable the landlord economy to achieve greater (...) expansion in the state of Ch'in. Now Ch'in Shih-huang went a step further to propagate Shang Yang's Legalist policies, liquidated the aristocracy in the six states to the east, abolished the system of installing hereditary nobles to rule their domains throughout the country, and universally implemented the system of commanderies and prefectures. He also abolished the old aristocratic political structures maintained by the six states, established a centralized feudal system of dictatorship, and thus dealt a blow to the landownership system of the remnant slave-owning aristocracy. By means of laws and regulations, he established throughout the country the system of landownership by landlords and continued to adhere to the policy of "emphasizing agriculture and restricting commerce," promoted the development of the landlord economy, abolished the divergent laws and regulations of the six states, and put into effect throughout the country new laws and regulations representing the interests of the newly rising landlord class. He also standardized weights and measures, unified the written language, and fixed the length of axles of all carts. Generally speaking, during the first stage of the establishment of a unified, centralized feudal state, Ch'in Shih-huang, as the general representative of the newly rising landlord class, carried out a series of measures that "emphasized the present while slighting the past" and initiated a series of important political, economic, and cultural reforms. The "present" he "emphasized" was the newly rising landlord class, and the "past" he "slighted" was the declining old aristocracy. As a result, the Ch'in dynasty was able to exert a definite stimulating influence in the process of monumental historical transformation, to put an end to the prolonged period of division and rivalry among the feudal states, to unify our great multinational country, and to set up the largest centralized feudal state up to that time. To be sure, the Ch'in dynasty was after all a political regime of the landlord class. It was a machine of the landlord class to exploit and oppress the peasant masses. This is something we must recognize. (shrink)

This paper sought to state in a concise and comparatively informal, unsystematic, and more accessible form the more technical approach the author developed during a research fellowship in 1974-75 at the Max-Planck-Institut in Starnberg, Germany. ●●●●● The ideas presented in this paper are more fully developed in later publications by the author which are listed in the two-page addendum to this paper. ●●●●● UPDATED NOTE TO THE READER - December, 2021 ●●●●● Readers will find a more fully developed position than (...) was formulated in this 1976 paper in the author's book-length study, CRITIQUE OF IMPURE REASON: Horizons of Possibility and Meaning. ●●●●● The book is available in a printed edition, ISBN 978-0-578-88646-6, from online booksellers such as Barnes & Noble, Amazon, and through independent bookstores. The book is also available as a freely downloadable _corrected second edition_ eBook, DOI: 10.5281/zenodo.5458352, through PhilSci, PhilPapers, HAL, and other online archives. ●●●●● In addition to the above-mentioned book, readers may find "A Primer on Bartlett's CRITIQUE OF IMPURE REASON" (DOI: 10.5281/zenodo.5789848) to be useful as a guide to the nearly 900-page CRITIQUE. The primer is available as a free download through PhilPapers. ●●●●●. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Boethii Daci Aliorumque Sophismata by Boethius of DaciaJulie Brumberg-ChaumontBoethius of Dacia. Boethii Daci Aliorumque Sophismata. Edited by Sten Ebbesen and Irène Rosier-Catach. Corpus Philosophorum Danicorum Medii Aevi, 9. Odense: University Press of Southern Denmark, 2021. Pp. 624. Hardback, 400.00 DKK.This volume offers a reliable and accurate scholarly edition of two collections of thirteenthcentury sophismata (logical and grammatical puzzles) contained in ms. Brugge, Stedelijke Openbare Bibliotheek 509 (=B) and (...) ms. Firenze, Biblioteca Medicea-Laurenziana 12 sin. 3 (=F). Taken together, these two collections constitute a set of twenty-three sophismata called "Sophismata Florentino-Brugensia" in the catalogue published by Sten Ebbesen and Frédéric Goubier (A Catalogue of Thirteenth-Century Sophismata [Paris: Vrin, 2010]). These sophismata were previously available only in partial editions. Specifically, the two versions of the sophisma "Omnis homo de necessitate est animal," previously both ascribed to Boethius of Dacia, were partially edited from F by Grabmann in 1940 and from B by Roos in 1962. Other sophismata in this collection have been previously edited by Ebbesen, but their editions should now be considered "obsolete," according to the editor himself (9). Each sophisma is identified by an S followed by a number (S1, S2, etc.). In turn, each sophisma deals with several issues or problems, each one of which is identified by a P followed by a number (P1, P2, etc.). The volume is very usefully completed by an index of explicit and implicit references to other works and an index of parallel passages, both compiled by Kristian Thomsen Purreskov (591–601). Finally, this edition is accompanied by a selective but still rich index of words, where special attention has been dedicated to the sophismata by Boethius of Dacia (603–24). All the material is presented in a clear and accurate way. There are only a few minor material errors (specifically, the running titles for problems in S4 are messy; at 33, "a*" should be read as "b*"; at 49, "S14" should be read as "S18").Sten Ebbesen is the sole editor of all sophismata except for the three that deal with grammatical subjects, for which Irène Rosier-Catach is the main editor, with Ebbesen serving as a coeditor.Concerning the authorship of each sophisma, Ebbesen follows the indications contained in F, but he also provides some independent discussions (24–26). Thus, he ascribes two sophismata to Boethius of Dacia, ten to Peter of Auvergne, one to an otherwise unknown Nicholas of Normandy, and the remaining ten to anonymous masters. They are listed in detail in the "Index sophismatum et problematum" (65–69).After a summary of the contents of the volume, Ebbesen's introduction contains five sections of different lengths: first, a history of the edition (7–9); second, a general description of the structure and functioning of sophismata (9–13); third, a description of the seven manuscripts used for the edition (14–22); fourth, a discussion about authorship (22–58); and fifth, an explanation of the principles of the edition (58–62). In the third section, Ebbesen provides a wealth of information about manuscripts, stemma codicum, and evaluations of variants, especially about the relationship between S and B for the sophismata contained in both manuscripts. In this regard, Ebbesen establishes that B and F are probably not two independent reportationes of the same oral disputation, that they had a common ancestor, and that they do not depend on one another (25–32). The fourth section, about authorship, demonstrates that the collection contained in F is earlier than that contained in B. One major result is that the text copied in B (S1B) ("Omnis homo de necessitate est animal") is not by Boethius of Dacia (35). Because of F priority, that manuscript is chosen as the main witness for those sophismata or parts of sophismata that are common to F and B.The second section makes an extremely significant historical and doctrinal contribution to the history of logic, particularly the history of logical practices and their textual records. [End Page 705] Three constitutive parts of a sophisma are identified: first, the sophismatic sentence itself; second, a brief disputation (called here corpus sophismatis) about the sophismatic sentence... (shrink)

Assuming the existence of a monster model, tameness, and continuity of nonsplitting in an abstract elementary class (AEC), we extend known superstability results: let $\mu>\operatorname {LS}(\mathbf {K})$ be a regular stability cardinal and let $\chi $ be the local character of $\mu $ -nonsplitting. The following holds: 1.When $\mu $ -nonforking is restricted to $(\mu,\geq \chi )$ -limit models ordered by universal extensions, it enjoys invariance, monotonicity, uniqueness, existence, extension, and continuity. It also has local character $\chi $. This generalizes (...) Vasey’s result [37, Corollary 13.16] which assumed $\mu $ -superstability to obtain same properties but with local character $\aleph _0$.2.There is $\lambda \in [\mu,h(\mu ))$ such that if $\mathbf {K}$ is stable in every cardinal between $\mu $ and $\lambda $, then $\mathbf {K}$ has $\mu $ -symmetry while $\mu $ -nonforking in (1) has symmetry. In this case:(a) $\mathbf {K}$ has the uniqueness of $(\mu,\geq \chi )$ -limit models: if $M_1,M_2$ are both $(\mu,\geq \chi )$ -limit over some $M_0\in K_{\mu }$, then $M_1\cong _{M_0}M_2$ ;(b)any increasing chain of $\mu ^+$ -saturated models of length $\geq \chi $ has a $\mu ^+$ -saturated union. These generalize [31] and remove the symmetry assumption in [10, 38].Under $(<\mu )$ -tameness, the conclusions of (1), (2)(a)(b) are equivalent to $\mathbf {K}$ having the $\chi $ -local character of $\mu $ -nonsplitting.Grossberg and Vasey [18, 38] gave eventual superstability criteria for tame AECs with a monster model. We remove the high cardinal threshold and reduce the cardinal jump between equivalent superstability criteria. We also add two new superstability criteria to the list: a weaker version of solvability and the boundedness of the U-rank. (shrink)

As machine learning has gradually entered into ever more sectors of public and private life, there has been a growing demand for algorithmic explainability. How can we make the predictions of complex statistical models more intelligible to end users? A subdiscipline of computer science known as interpretable machine learning (IML) has emerged to address this urgent question. Numerous influential methods have been proposed, from local linear approximations to rule lists and counterfactuals. In this article, I highlight three conceptual challenges (...) that are largely overlooked by authors in this area. I argue that the vast majority of IML algorithms are plagued by (1) ambiguity with respect to their true target; (2) a disregard for error rates and severe testing; and (3) an emphasis on product over process. Each point is developed at length, drawing on relevant debates in epistemology and philosophy of science. Examples and counterexamples from IML are considered, demonstrating how failure to acknowledge these problems can result in counterintuitive and potentially misleading explanations. Without greater care for the conceptual foundations of IML, future work in this area is doomed to repeat the same mistakes. (shrink)

In, Jeremy Avigad makes a novel and insightful argument, which he presents as part of a defence of the ‘Standard View’ about the relationship between informal mathematical proofs and their corresponding formal derivations. His argument considers the various strategies by means of which mathematicians can write informal proofs that meet mathematical standards of rigour, in spite of the prodigious length, complexity and conceptual difficulty that some proofs exhibit. He takes it that showing that and how such strategies work is (...) a necessary part of any defence of the Standard View.In this paper, I argue for two claims. The first is that Avigad’s list of strategies is no threat to critics of the Standard View. On the contrary, this observational core of heuristic advice in Avigad’s paper is agnostic between rival accounts of mathematical correctness. The second is that that Avigad’s project of accounting for the relation between formal and informal proofs requires an answer to a prior question: what sort of thing is an informal proof? His paper havers between two answers. One is that informal proofs are ultimately syntactic items that differ from formal derivations only in completeness and use of abbreviations. The other is that informal proofs are not purely syntactic items, and therefore the translation of an informal proof into a derivation is not a routine procedure but rather a creative act. Since the ‘syntactic’ reading of informal proofs reduces the Standard View to triviality, makes a mystery of the valuable observational core of his paper, and underestimates the value of the achievements of mathematical logic, he should choose some version of the second option. (shrink)

The music of Christoph Willibald von Gluck was a revolution for Paris operagoers when his work premiered there in 1774. In a setting known for its restive and often rowdy spectators, Alceste, Iphigénie en Aulide, and Orpheé et Eurydice seized audiences with unprecedented force. They shed silent tears or sobbed openly, and some cried out in sympathy with the sufferers onstage. “Oh Mama! This is too painful!” three girls called out as Charon led Alcestis to the underworld, and a boy (...) pleaded with his father to take him home. A woman who watched the same performance described falling on her knees in her opera-box as the march of the priests of Apollo began, staying in this position “suppliant and with my hands clasped until the end of the piece.”Gluck's streamlined musical language was one reason for these emotional responses. He and his librettist Ranieri de’ Calzabigi simplified the conventions by eliminating extraneous subplots, abandoning the repetitive da capo form, and replacing trills and runs with simpler melodies meant to convey passion. Another reason was the widespread culture of sentimentalism, which equated virtue with sincerity and judged tears to be the natural sign of an open heart. Painters depicted tender and tumultuous family scenes, and friends pledged trembling vows of fidelity. Listeners were also readers, and many described similar tearful responses when they read the century's bestseller, Rousseau's novel Julie; or, The New Heloise.Everist, a musicologist, takes up the story of Gluck in France in the nineteenth century, when the German composer remained a presence in repertoires. No longer prone to tears, the public was often indifferent and sometimes hostile to his works. Conductors and composers nevertheless persisted in promoting Gluck's music. Between 1828 and 1870, operatic excerpts appeared roughly twice a year in performances of the prestigious Société des Concerts, and the charismatic conductor Jules Pasdeloup regularly programmed his music. Many listeners remained unconvinced. A writer in 1861 described the “sepulchral boredom that reigned the length of all five acts” of Alceste. The periodical Monde dramatique used the same language to characterize Gluck's music: it was “profoundly boring.” After a high point of performances in the middle of Napoleon III's reign, Gluck disappeared from the Paris opera and concert stage for some thirty years.Everist's aim in this slim book is to isolate the “agents” involved in the French reception of Gluck. Traditional reception histories might begin with Gluck and his aims, identifying musical features, particular responses of audiences, critics’ accounts, and perhaps the more elusive temper of the times. Everist focuses instead on less conspicuous networks of impresarios, theater directors, and publishers. In his telling, such agents also include journalists and writers of fiction. The avowed effort is to decenter the artist and his art to emphasize the limited role that composers and librettists play in the performance of an opera. A quoted passage in the book reminds us that without parking attendants, stagehands, and ticket sellers the show could not go on. True enough. Genealogies of Music and Memory therefore provides tables listing Gluck arias in anthologies, particular singers’ performances, works by composers other than Gluck who also drew themes from classical antiquity, and works by other foreign-born composers. A section on “material culture” lists paintings and sculptures of Gluck in Paris theaters and museums.As a “genealogy,” the book is a salutary reminder of the web of amateurs and professionals who discuss, promote, and perform works that others have created. Writers such as E. T. A. Hoffmann, Mme de Staël, and Hippolyte Taine held up Gluck as the embodiment of German music. Hector Berlioz wrote frequently and enthusiastically about Gluck, although he was less keen to program his music. The singers François Delsarte and Pauline Viardot aroused temporary interest in Gluck by regularly including his arias in their recitals. Musical anthologies for the bourgeois household included piano arrangements of his best-known arias. Some nineteenth-century adaptations of his works were scored for the military band.Genealogies of Music and Memory is musicology with very little music. Everist's reliance on networks of actors, agents, publishers, pedagogical practices, and archival environments leads him to assert that “multiple agency is endemic in the story told here.” Unfortunately, it is often unclear just what the story is. Carelessness in writing and editing throughout—including a subject-verb clash in the book's final sentence—has rendered key passages obscure. Everist describes Delsarte's voice as feeble, broken, veiled, and ready to be extinguished twice in the same paragraph, first as a paraphrase and again in a quotation (with a misplaced comma).Decentering artists and their work to elevate others responsible for its reception brings attention to the unseen and often unsung. In the absence of particular performance histories, musical analyses and description, or sustained accounts of shared tastes or critical responses, however, conclusions remain piecemeal. Everist claims to have revealed a “Geertzian web of culture” in his study. A more modest account would describe it as an enumeration of references, revivals, editions, excerpts, and arrangements. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Bonaventure's Aesthetics: The Delight of the Soul in Its Ascent into God by Thomas J. McKennaDennis P. BrayThomas J. McKenna, Bonaventure's Aesthetics: The Delight of the Soul in Its Ascent into God. Lanham, Maryland: Lexington Books, 2020. 186 pp. $100. ISBN: 978-1-4985-9765-4.It has been just over three decades since the last book-length engagement with aesthetics in Bonaventure's work (S. McAdams, "The Aesthetics of Light: A Critical Examination (...) of Bonaventure's Doctrine of Light in View of His Aesthetics," [PhD diss., Pontifica Universitas Gregoriana, 1991]). Heartily welcome, then, is Thomas McKenna's Bonaventure's Aesthetics. The purpose of the book, in McKenna's words, is "to provide a comprehensive analysis of Bonaventure's aesthetics, that is, his philosophy, theology, and mystical theology" (2). In so doing, he intends also to argue for a resolution to a list of disputed questions raised by contemporary voices – most famously that of Balthasar – in the debate on Bonaventure's aesthetics. Put another way, McKenna's project has two aims: first, to understand Bonaventure's aesthetics on its own (historical, theological, philosophical) terms; second, to determine whether that aesthetic connects significantly to contemporary questions in the field of aesthetics. In this review I will detail and engage critically with some of the foundational methodological moves McKenna makes in the book's introduction. I will then summarize the big themes of the book's four chapters, and conclude with a few evaluative remarks.However extensive their merits, earlier studies on Bonaventure's aesthetics are not as thorough as McKenna's and, more problematically, are limited by their investment in predominantly Enlightenment-era concerns. What I mean is that thinkers such as Shaftesbury, Baumgarten, and Kant were absorbed with matters such as the immediacy of the aesthetic experience, disinterest, the role of the affect, freedom of the imagination, and the categorization of les beaux arts. It is this trajectory (call it "the standard paradigm," using McKenna's terminology) that the field of aesthetics, as we know it, has largely followed. Early historians of aesthetics viewed, and often evaluated, medievals through the standard paradigm. Even later, more revisionist historical work sought to understand medieval thought in distinction from the paradigm. In most instances, [End Page 243] though, it is the Enlightenment-era list of concerns that serves as the fulcrum on which historical work has tended to swing. Our understanding of Bonaventure, then, is limited to the extent that we take the standard paradigm as guide.Bonaventure's Aesthetics is so compelling, in part, because it does not begin with the standard paradigm, but rather a more historically sound (and frankly, more interesting) list of research questions. This is not to say that McKenna rejects the standard paradigm. It is simply too deeply embedded in how we conceive of such matters to naively ignore. Instead, McKenna works to situate these later concerns as secondary, or parallel, to Bonaventure's concerns and interests. McKenna realizes that he faces a difficulty at this juncture, one that must be addressed by anyone aiming for historical sensitivity regarding their object of study. The difficulty is what McKenna calls "the hermeneutical crisis," and he formulates the key issues by quoting Jean Grondin: "The basic doctrine…is that every particular phenomenon must be conceptualized within the context of its age" to avoid anachronism. But if so, this "raises a striking epistemological problem…Our view of earlier ages must itself be produced by reference to our present, and is thereby relativized." Thus Grondin asks, "how if at all, is it possible to escape from the hermeneutic circle of our historicity?" (9, quoting J. Grondin, Introduction to Philosophicaal Hermeneutics [New Haven: Yale University Press, 1997], 76).Restricted to Bonaventure studies, McKenna poses the worry this way: "is it possible to accurately recover the conceptualization of beauty and, perhaps, the arts of any age – ancient, medieval, or modern – with a reasonable degree of accuracy? If so, does it remain relevant to current aesthetic theory and practice?" (9).In sum, the apparent dilemma is between, on the one hand, "a historically accurate conceptualization of the aesthetic sympathies of the past," and on the other hand, "a... (shrink)

A classic example of the arbitrary relation between the way a word sounds and its meaning is that microorganism is a very long word that refers to a very small entity, whereas whale is a very short word that refers to something very big. This example, originally presented in Hockett's list of language's design features, has been often cited over the years, not only by those discussing the arbitrary nature of language, but also by researchers of sound symbolism. While the (...) two groups disagreed regarding the role of arbitrariness and sound symbolism in language, they both agreed there is a nonsound symbolic relation between word length and entity size in this case. This paper shows that the length of the words whale and microorganism in fact reflects a sound symbolic pattern. An analysis of >600 languages from >100 language families shows that languages use longer words to denote the concept small than they do to denote the concept big. The paper thus shows how explicit judgments might differ from implicit cognitive association and the problem of relying on these in sound symbolism research. (shrink)

This very long book sets out to track and trace the working-class men and, less commonly, women who, against the limited expectations of their social position, learned Greek and Latin as an aspiration for personal change. The ideology of the book is clear and welcome: these figures “offer us a new ancestral backstory for a discipline sorely in need of a democratic makeover.” The book's twenty-five chapters explore how classics and class were linked in the educational system of Britain and (...) in its cultural performativity: Is he a gentleman? Does he have Greek? became the paradigmatic questions, as the study of classics became a sign of cultural attainment and social exclusion. This book sets out to explore the counterstory of the cobblers and shepherds who, like Jude the Obscure, fought against society's oppressiveness to access classical learning.The book's breadth is exemplary. It looks at the issue through genres and media, through different communities and national identities, through the prosopography of ragged-trousered philanthropists, beggar-lecturers, body-building performers, and through other institutions and people who helped, including adult-education teachers, kind bosses, supportive vicars, and fiery communists. This breadth, and the fascinating research that it encapsulates, will make this book a fantastic resource for future scholarship: it outlines the richness of a field that has been all too rarely explored properly. If you do not know Stephen Duck, “the thresher poet,” or Hawkie, the crutch-wielding beggar who performed from the books he sold on the streets of Glasgow, then this book is the place to the meet them. The cast list alone is worth the entrance ticket.Yet this very breadth is also the source of the book's limitations. The sheer number of cases listed, treated at similar length and depth, repeatedly conceals the complexity and even the interest of individual figures or events. So, the numerous representations of Vesuvius in shows around London in the first half of the nineteenth century—after the discoveries at Pompeii—are duly noted as a source of excitement and knowledge about antiquity, but against the recent treatment by Clare Pettitt in Serial Forms (which came out the same year) this mere noting looks desperately thin. There is little discussion of how the characters themselves talked about or negotiated class. This deficiency is particularly important for someone like Charles Kingsley, who was very active in the Chartist movement but also became Queen Victoria's chaplain and the professor of history at Cambridge. There are hilarious descriptions of Kingsley's stammering engagement with the working-class leaders he actively supported, which capture how awkward the interaction of classes could be even and especially when the participants shared a goal of transformation. (Ed Richardson's Classical Victorians: Scholars, Scoundrels and Generals in the Pursuit of Antiquity is good on these moments of awkwardness but is one of several books whose absence from the notes looks pointed.) The authors list cases of working men who were picked up by fashionable society as poets or scholars, many of whom were dropped almost as quickly back into penury—but the telling description of such a case in Kingsley's Alton Locke is passed over, although it reveals an acute self-consciousness about such narratives in a best-selling novel.The very structure of the book tends toward listing cases rather than analyzing them in depth. It is not clear why “Shoemaker classicists” should take up a chapter, bar there having been some. Nor is it clear why some figures are not included. John Brown was an uneducated Scottish shepherd who taught himself Greek, Latin, and Hebrew. He was discovered by a professor, one John Pringle, when he went into a shop to buy a secondhand Greek Testament (though his own church thought this newfound and inexplicable linguistic brilliance suspicious or even satanic). Brown went on to write the wonderfully titled The Self-Interpreting Bible, which remained in print and sold very widely for more than a century after its publication in 1778—especially after it was championed by the evangelical preacher Charles Simeon. It is a pity that Brown escaped the authors’ net, but religion, one of the main reasons to learn the classical languages, is downplayed throughout this study, although its imbrication with classics is everywhere in evidence. The book, significantly enough, leads rather toward a rosy-eyed depiction of posh classical communists like Geoffrey de Ste. Croix and George Thompson, and other such heroes of the authors.The authors are much more at home in the years of ardent republicanism in the decades on either side of the turn of the nineteenth century and in the beginning of the twentieth century, when socialism and communism became embedded in British life. The last half of the nineteenth century, when classics really established itself institutionally as a discipline, and its revolutionary potential moved away from the zeal of the Romantic philhellenists into the artistic idealism of a Richard Wagner or the sexual freedom of an Oscar Wilde, are less adequately explored. The huge attendance at art galleries and the Great Exhibition at Crystal Palace as a route to encountering the past of antiquity in material form are barely addressed (Kate Nichols's Greece and Rome at the Crystal Palace would have helped); nor do shows like Astley's Circus get air time (Rachel Bryant Davies's Troy, Carthage, and the Victorians is revealing). It is particularly noticeable in such a voluminous study that there is no discussion of how turning to Greek was a crucial route for the self-understanding of what was considered transgressive male sexuality—and for a particular engagement between the classes. To understand the social force of classics requires a deeper appreciation of the dynamics between conservatism and transformation, disciplinarity and self-discovery. The big picture of how classics matters is lost in the gems picked out by the authors. Gems they are, but their facets need more attention and their setting a broader perspective. (shrink)

In the preface to this very Scholarly – and sometimes almost confusingly well-informed - book the author tells us that his aim is to offer “a fresh view of the change in educated attitudes towards magical beliefs that occurred in Britain between about 1650 and 1750.” In this he unquestionably succeeds. Actually the book continues somewhat beyond the later date, but there can be no doubt that there were changes – mostly declines - during the designated period in many of (...) the miscellaneous human beliefs and activities that have for whatever reason been labelled as ‘magic’ or ‘magical’. Hunter begins the body of his book with a chapter–length Introduction entitled The Supernatural, Science and ‘Atheism’. This opens with an attempt to define what he means by ‘magic’, based, he says, on the similar attempt made by Sir Keith Thomas in his classic Religion and the Decline of Magic (1971), though unlike Thomas he very wisely does not include alchemy and astrology. Even so he includes quite a wide variety of topics, so wide indeed that it is hard to see what if anything these phenomena – if they do indeed occur – could have in common except that they are difficult to explain, or to explain away, in ordinarily accepted terms. The proposed list includes such matters as witchcraft, witch covens, involvement with the spiritual realm (good or evil, angelic or demonic, benevolent or pestilential) possession. conjuration, prophesies, ghosts, apparitions, fairies, omens and lucky charms, and what would now be called poltergeists. Other varieties of curious events linked to or supposedly similar to the above could in practice no doubt get included. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Possibility and Necessity in the Time of Peter Abelard by Irene BininiWolfgang LenzenIrene Binini. Possibility and Necessity in the Time of Peter Abelard. Investigating Medieval Philosophy Series. Leiden: Brill, 2021. Pp. xii + 326. Hardback, $166.00.This book is an impressive work written by a young Italian scholar who received her PhD only five years ago in Pisa. It is divided into three parts. Part 1 gives a survey (...) of "Early 12th-Century Debates on Modal Propositions"; part 2 is devoted to "Abelard's Modal Logic"; [End Page 327] part 3 deals with the views of "Abelard on the Metaphysics and Epistemology of Modalities." The author displays a profound knowledge of the relevant literature. The primary sources comprise twenty manuscripts preserved in various European libraries, plus forty-eight printed works (from Abelard to William of Sherwood). The list of secondary sources contains altogether 136 items from A (Astroh) to Z (Zagzebski), but, interestingly, it does not mention a monograph that, by its very title, claims to give an exposition of Abelard's logic, namely Maria Teresa Beonio-Brocchieri Fumagalli's La Logica di Abelardo (Firenze: La Nuova Italia, 1964).As far as I can judge (as a nonnative English-speaker), the linguistic quality of Binini's book is quite good. The explanations in the main text, including the translations from Latin sources, are easily comprehensible, and the many quotations (distributed over no less than 655 footnotes) are almost without any fault. Thus, the book rightly deserves inclusion in the prestigious series Investigating Medieval Philosophy. Yet, at least according to my taste, the book contains many redundancies. Again and again, the author first explains a certain issue at some length, then confirms the correctness of her interpretation by means of a longer (English) quotation, and finally reconfirms it by fully quoting the Latin text in the footnotes.As Binini explains in the book's concluding chapter, her aim is to present "an all-encompassing reflection on [Abelard's] works on modalities" and "a comparison between these works and the parallel reflections advanced by other masters and logicians in the early 12th century" (308). She undoubtedly achieves this goal. The comparison of Abelard's views on possibility and necessity with the views of other logicians is mainly carried out in chapters 1–3. Ancient and early medieval logicians such as, in particular, the Stoics and Boethius favored the basic idea that "something," p, is necessary if and only if p is always the case (or true). Accordingly, p is possible if and only if p is at least sometime the case. Abelard, however, was not willing to accept that each possibility has to become realized at some time. He instead offered a "nature-based characterization of possibility" that can "account for unrealized, past, counterfactual, and even unactualizable possibilities" (308). Abelard's idea is that something, x, is possibly a P if and only if the property of being P is compatible with the nature of x. Hence this view basically amounts to a de re conception of possibility that attributes modalities to things, while the temporal view attributes modal properties primarily to propositions (or states of affairs) and hence can be labeled de dicto (or de sensu).Let us now turn to Binini's twofold aim (as formulated on the back cover of her book) to present a "uniform and consistent" reassessment of Abelard's theory of modalities and of his modal logic. The former task is tackled in chapters 8–10. After summarizing, in chapter 8, Abelard's general views on "Nature and Modalities," chapter 9 is devoted to a detailed discussion of the "Many Senses of Possibility." In five consecutive sections, Binini investigates the conception of (1) possibility as "non-repugnancy with nature" (illustrated by the thesis that "any man can be a bishop" [235]); (2) unrealizable but "conceivable" possibilities (such as the existence of humans lacking the ability to laugh [240]); (3) determinate potencies (like that of an amputee who nevertheless "can walk" [248]); (4) past and counterfactual potencies (like that of a blind person who might be able to see); and (5) other puzzling de re possibilities (such as "irrational humans" [261]).The final... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Metaphysical Themes in Thomas Aquinas III by John F. WippelTherese Scarpelli CoryWIPPEL, John F. Metaphysical Themes in Thomas Aquinas III. Washington, D.C.: The Catholic University of America Press, 2021. ix + 321 pp. Cloth, $65.00; eBook, $65.00This volume is the third in what can now be considered informally a series of volumes collecting some of John F. Wippel's most important writings. (Two previous volumes, Metaphysical Themes in Thomas (...) Aquinas and Metaphysical Themes in Thomas Aquinas II, were published in 1984 and 2007, respectively, by the same press.) In this volume, Wippel has collected nine of his articles or book chapters, originally published from 2002–2019, on a wide range of topics: (1) "Aquinas on Separatio and Our Discovery of Being as Being," (2) "Thomas Aquinas on Philosophy and the Preambles of Faith," (3) "Cornelio Fabro on the Distinction and Composition of Essence and Esse in the Metaphysics of Thomas Aquinas," (4) "Cornelio Fabro on Participation and Aquinas's Quarta Via," (5) "Aquinas on Creation and Preambles of Faith," (6) "Thomas Aquinas and the Unity of Substantial Form," (7) "Thomas Aquinas on the Separated Soul's Natural Knowledge," (8) "Metaphysical Themes in De Malo I," and (9) "Metaphysical Composition of Angels in Bonaventure, Aquinas, and Godfrey of Fontaines."Such collections provide a valuable opportunity for the author's retrospective on the work thus collected. In this respect, it is especially worth noting the usefulness of the introduction to this volume, in which Wippel has provided a detailed précis for each included chapter. The introduction thus serves as a helpful roadmap to orient new and returning readers of Wippel's work to some of his most important writings.In a book review of this length, it is impossible to summarize adequately the content of each essay. Indeed, it would be redundant to try, given the much more authoritative content of Wippel's own introduction to the volume. Consequently, I will limit myself to highlighting one of the notable inclusions in this collection, namely, chapter 6, "Thomas Aquinas and the Unity of Substantial Form." Despite the modest title, the piece is an extensive and wide-ranging study of the development and fate of Aquinas's controversial doctrine, the anxieties it raised among his contemporaries, and the debate that raged at Paris in the late thirteenth century, and during which the doctrine appears to have narrowly escaped inclusion on the list of condemnations of 1270. Wippel correlates some interesting historical anecdotes and documentary evidence with Aquinas's series of changing formulations in discussions of the unity of substantial form. He is thereby able to document a particularly nuanced case in which Aquinas attempts to make his own thought clearer in the face of a developing controversy, but without giving up on the essentials of his own position.Nonetheless, Wippel points out that Aquinas never fully resolved the theological criticisms lodged against his position. Within the debate over the number of substantial forms in a substance, the identity of Christ's dead body in the tomb between the crucifixion and resurrection ended up becoming a test case: What makes Christ's living body and his dead body in the tomb both be identically the same body? The problem is as follows: [End Page 371] Since substantial form is what secures the identity of a substance across time, if there is just one substantial form in a human substance, and that form (the human soul) departs Christ's body in his death on the cross, then after his death whatever is left can no longer be identified as Christ's body. It must be some new substance with its own substantial form.For opponents, this difficulty was fatal. How did Aquinas respond? Disappointingly, he only asserts that Christ's dead body is numerically identical with his living body, just not "in every way"—but without explaining why he thinks this identity is preserved. It is left to Giles of Rome to fill out a tentative solution: Although the matter of Christ's body does take on a new substantial form, it remains Christ's, because it remains united to the person of the Word.The problem is... (shrink)

''There is no doubt that postgraduate students and researchers in cognitive neuroscience will find this book to be a useful tool and I would not hesitate to recommend it... The relatively short length of the essays and their overview of current research, make them ideal reading material for more advanced researchers... The book therefore serves as an ideal starting place for cognitive psychologists who want to know more about cognitive neuroscience.'' -Applied Cognitive Psychology, 16Cognitive neuroscience has been the most (...) productive, and arguably the most exciting area of growth in psychology and neuroscience over recent years, with remarkable insights into the brain mechanisms of cognitive abilities being gained from studies of both animals and humans. Johan Bolhuis has brought together a stellar list of contributors, including, amongst others, Patrick Bateson, Lawrence Weiskrantz, Robert Hinde, Eric Kandel, Mark Johnson, and James McGaugh to provide a truly authoritative and comprehensive overview of our current knowledge of the essential neural mechanisms of perception, learning, and memory. Written to be accessible to advanced undergraduates, and postgraduates, the book describes the latest advances in the most important fields of cognitive neuroscience. Brain, Perception, Memory will be an invaluable reference work and textbook for advanced students and researchers in cognitive psychology, neuroscience, and animal behaviour. (shrink)

Few areas of scientific investigation have spawned more alternative approaches than animal behavior: comparative psychology, ethology, behavioral ecology, sociobiology, behavioral endocrinology, behavioral neuroscience, neuroethology, behavioral genetics, cognitive ethology, developmental psychobiology---the list goes on. Add in the behavioral sciences focused on the human animal, and you can continue the list with ethnography, biological anthropology, political science, sociology, psychology (cognitive, social, developmental, evolutionary, etc.), and even that dismal science, economics. Clearly, no reasonable-length chapter can do justice to such a varied collection. (...) We have opted therefore to focus on three of these subdisciplines and to provide a somewhat historical tour of them, mentioning along the way the philosophical points that are of particular interest to us, but allowing the development of these points to be limited only by the imaginations of our readers. For readers seeking a more-traditional historical survey, see Dewsbury (1984a, b) and Burghardt (1985a). Our chosen brief is to write about comparative psychology, ethology, and cognitive ethology, although other approaches, especially neuroscience, will be mentioned where appropriate. These sciences are philosophically significant because they are enmeshed in ancient philosophical questions about the nature of mind and purposeful action and about the differences between humans and other animals. These sciences are also clustered because of their attention to mechanistic explanations of individual animal behavior as opposed to attempting to capture regularities at a population level, such as the game-theoretic strategic models popular among behavioral ecologists. (shrink)

NOTE TO THE READER - December, 2021 ●●●●● -/- After a long period of time devoted to research in other areas, the author returned to the subject of this paper in a book-length study, CRITIQUE OF IMPURE REASON: Horizons of Possibility and Meaning. In this book (Chapter 11, “The Metalogic of Meaning”), the position developed in the 1982 paper, "Referential Consistency as a Criterion of Meaning", has been substantively revised and several important corrections made. It is recommended that readers (...) read the revised and corrected version that appears in the book, CRITIQUE OF IMPURE REASON. ●●●●● -/- The book is available in a printed edition, ISBN 978-0-578-88646-6, from online booksellers such as Barnes & Noble, Amazon, and through independent bookstores. The book is also available as a freely downloadable _corrected second edition_ eBook, DOI: 10.5281/zenodo.5458352, through PhilSci, PhilPapers, HAL, and other online archives. ●●●●● -/- In addition to the above-mentioned book, readers may find "A Primer on Bartlett's CRITIQUE OF IMPURE REASON" to be useful as a guide to the nearly 900-page CRITIQUE. The primer is available as a free download through PhilPapers. ●●●●● -/- "Referential Consistency as a Criterion of Meaning" describes a logically compelling criterion of meaning — that is, a necessary condition of meaning, one which is non-arbitrary and compelling. One cannot _not_ accept the proposed criterion without self-referential inconsistency. This “metalogical” variety of self-referential inconsistency is new, opening a third category beyond semantical and pragmatical forms of self-referential inconsistency. ●●●●● -/- It is argued that such a criterion of meaning can serve as an instrument of internal criticism for any theoretical framework that permits reference to a class of objects. The paper combines the concern of the logical empiricists to formulate a rigorous meaning criterion, with the analytical interest in identifying and eliminating self-defeating statements through an analysis of the referential structure of theories. ●●●●● -/- The paper is followed by a list of other publications by the author that further develop and extend the ideas presented here. (shrink)