Lewis R. Gordon is Professor of Philosophy (and Head of the Department of Philosophy) at the University of Connecticut. His two most recent books are Freedom, Justice, and Decolonization (New York: Routledge, 2020) and Fear of Black Consciousness (New York: Farrar, Straus and Giroux, 2022). Since his first monograph, Bad Faith and Antiblack Racism (1995), Gordon’s many writings have challenged Sartre scholars to move beyond narrowly Euro-centric ideas of reason, humanity, and existence. The existential philosophy pioneered in Bad Faith and (...) Antiblack Racism (a revision of Gordon’s 1993 Ph. D. dissertation), placed the issue of antiracism at the heart of the study of existence. A prolific and highly visible philosopher, Gordon’s writings have inspired an explosion of interest in Africana Existentialism, an open-ended, creolizing philosophy. In the interview below, Gordon outlines the existential situations that face us today. How is human liberation possible given the soul-killing forces of white supremacy, capitalism, and ongoing colonization? Gordon insists on the importance of antiracist institution building, including the transformation of white spaces, especially in academic journals, at conferences, and in university philosophy departments. Importantly, Gordon reminds us that Sartre was one of the few European writers to offer “a genuine engagement with Black intellectuals.” Like Sartre’s famous assertion that “Existentialism is a Humanism,” Gordon’s message is that Black Existentialism is a Humanism. Challenging the Euro-centric notion that human existence is an abstract, color-less category, Gordon teaches us a new way of thinking and listening. Misguided by parochial notions of human reason, many white (and/or non-Black) philosophers have closed their minds and ears to the calls of Black liberation, thinking they have nothing at stake, or that they must remain mere “allies.” Gordon’s work shows us a different path: Black liberation is a universal ethical injunction. Existential philosophy dissolves the supposed contradiction between action and theory, between universal and concrete, between ally and freedom fighter. Done properly, existential philosophy is, in Gordon’s words, “a form of epistemological decolonial practice.”. (shrink)

This article presents a novel defense of Sartrean ethics based on the concept of interpersonal recognition. The immediate post-war texts Anti-Semite and Jew, What is Literature? and Notebooks for an Ethics express Sartre's inchoate yet ultimately defensible view of obligations to others. Such obligations are not best understood as Kantian duties, but rather as Hegelian obligations of mutual recognition. The emerging portrait of Sartrean ethics offers a strong reply to the classical criticism that authenticity would license vicious lifestyles like serial (...) killing. In addition to acting with clarity and responsibility, existentially authentic individuals must respect others. (shrink)

The Man in the High Castle is an Amazon TV show, based on the Philip K. Dick novel, about an "alternate present" (beginning in the 1960s) in which Germany and Japan won World War II, with the former Western US occupied by Japan, the former Eastern U.S. occupied by Nazi Germany, and a small "neutral zone" between them. A theme of the story is that in this alternative world there is eager speculation, fueled by the illicit newsreel, The Grasshopper Lies (...) Heavy, about how the world would have been different if America had won the war. -/- In The Man in the High Castle and Philosophy, twenty-two professional thinkers look at philosophical issues raised by this ongoing enterprise in "alternative history." One question is whether it really made a profound difference that the Allies won the war, and exactly what differences in everyday life we may expect to arise from an apparent historical turning point. Could it be that some dramatic historical events have only superficial consequences, while some unnoticed occurrences lead to catastrophic results? (shrink)

This article presents a novel defense of Sartrean ethics based on the concept of interpersonal recognition. The immediate post-war texts Anti-Semite and Jew, What is Literature? and Notebooks for an Ethics express Sartre's inchoate yet ultimately defensible view of obligations to others. Such obligations are not best understood as Kantian duties, but rather as Hegelian obligations of mutual recognition. The emerging portrait of Sartrean ethics offers a strong reply to the classical criticism that authenticity would license vicious lifestyles like serial (...) killing. In addition to acting with clarity and responsibility, existentially authentic individuals must respect others. (shrink)

The Godfather and Philosophy is comprised of twenty-eight chapters by philosophers, who reflect upon the ethical and metaphysical issues raised in The Godfather novels and movies, beginning with the 1969 novel by Mario Puzo and the 1972 movie by Francis Ford Coppola. The Godfather saga has had a profound impact on American cinema, storytelling, thinking about crime, and popular culture. Aimed at thoughtful fans of The Godfather franchise, among the questions tackled in these provocative philosophical chapters are the immigrant experience (...) in America, the relation between ethics and the law, the nature of moral corruption, private justice and vigilantism, organized crime and the American Dream, betrayal and forgiveness, religion and family values, the difficulties of breaking out of a dysfunctional way of life, and the uncertain consequences of vice laws. Joshua Heter teaches philosophy at Jefferson College, Missouri. He co-edited Punk Rock and Philosophy (2022). Richard Greene teaches philosophy at Weber State University, Utah. He wrote the definitive and highly acclaimed book, Spoiler Alert! (It's a Book about the Philosophy of Spoilers) (2019). (shrink)

Isaac Asimov’s Foundation is the most influential science-fiction epic of all time. Published as a series of books and short stories from the 1940s to the 1980s, the series has impacted most subsequent science fiction, and also influenced sciences like sociology, statistics, and psychology. The story has now been made into a highly acclaimed TV serial (Foundation), on Apple TV, the second season now shooting in Prague. -/- The story begins 45,000 years in the future, and spans centuries in which (...) a vast and successful interstellar human empire is unknowingly headed for total collapse. Using an advanced mathematical technique called psycho-history, a brilliant scientist, Hari Seldon, predicts the collapse and establishes a “foundation” to bring about the resurrection of human civilization many generations in the future. Asimov’s Foundation and Philosophy is a collection of twenty-four chapter by philosophers exploring the philosophical issues and puzzles raised by this epic story. Topics include whether one individual can make a big difference in history, the ethics of manipulating large populations of people to bring about a desirable future result, the Dao of non-action, the impact of education on future generations, whether human affairs are governed by predictable cycles, whether attempts to plan for the future must be thwarted by free will, the futility of empire-building, the ethics of cloning human beings, and the use of logic in analyzing human behavior. (shrink)

This chapter contains sections titled: Happy Dating The End of Matchmaking Dating Lessons from the Animal Kingdom For Friends or Family Members.

This book recasts Sartrean existentialism through Caribbean philosophies and the broader philosophies of the Global South. Each author's contribution embodies an aspect of creolizing thinking, understood as the articulation of cultural and conceptual hybridity under conditions of eurocentrism, epistemic colonialism, and the legacies of slavery.

Logic: A Guided Introduction to Logic is a guided introduction to logic.

“All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.” -/- Karl Marx might have been thinking of punk rock when he wrote these words in 1847, but he overlooked the possibility that new forms of solidity and holiness could spring into existence overnight. Punk rock was a celebration of nastiness, chaos, and defiance of convention, (...) which quickly transcended itself and developed its own orthodoxies, shibboleths, heresies, and sectarian wars. Is punk still alive today? What has it left us with? Does punk make any artistic sense? Is punk inherently anarchist, sexist, neo-Nazi, Christian, or—perish the thought—Marxist? When all’s said and done, does punk simply suck? These obvious questions only scratch the surface of punk’s philosophical ramifications, explored in depth in this unprecedented and thoroughly nauseating volume. Thirty-two professional thinkers-for-a-living and students of rock turn their x-ray eyes on this exciting and frequently disgusting topic, and penetrate to punk’s essence, or perhaps they end up demonstrating that it has no essence. You decide. -/- Among the nail-biting questions addressed in this book: Can punks both reject conformity to ideals and complain that poseurs fail to confirm to the ideals of punk? How and why can social protest take the form of arousing revulsion by displaying bodily functions and bodily abuse? Can punk ethics be reconciled with those philosophical traditions which claim that we should strive to become the best version of ourselves? How close is the message of Jesus of Nazareth to the message of punk? Is punk essentially the cry of cis, white, misogynist youth culture, or is there a more wholesome appeal to irrepressibly healthy tendencies like necrophilia, coprophilia, and sadomasochism? In its rejection of the traditional aesthetic of order and complexity, did punk point the way to “aesthetic anarchy,” based on simplicity and chaos? By becoming commercially successful, did punk fail by its very success? Is punk what Freddie Nietzsche was getting at in The Birth of Tragedy, when he called for Dionysian art, which venerates the raw, instinctual, and libidinous aspects of life? (shrink)

This essay investigates Jean-Paul Sartre's reaction to the Holocaust. While Sartre dealt frequently with Jewish themes, he did not explicitly address the question of why the Holocaust occurred or whether and how Western culture would be different in a post-Holocaust world. I claim that although Sartre never addressed the Shoah directly, his Marxist Existentialism provides valuable resources for understanding modern antisemitism. In his major postwar writings he developed the concepts of political engagement, authenticity and responsibility for systematic social harms. Sartre's (...) importance in Holocaust studies is defended against the claim that Existentialism lacks the theoretical resources to grasp modern, systematic evil. Sartre's approach is briefly compared with that of other Western Marxist like Adorno. (shrink)

This book argues that whiteness is not only a visual orientation; it is a way of hearing. Inspired by the understandings of race and whiteness in the existential writings of Fanon, Beauvoir, Sartre, W.E.B. Du Bois, and Angela Davis, this book introduces students to the notion of the white sonic gaze.

A posse of philosophers chases after the most exciting philosophical ideas in Westworld.

Phenomenology, a philosophical movement that takes the firsthand, conscious experience of individuals as its focal point, is a philosophy of the mundane: it reveals ordinary, everyday experience. What makes The Good Place phenomenological is its attention to the banality of space. The appeal to depth is a mainstay of philosophical thinking. Shallowness has been understood as a fault, failure, and deficiency in aesthetics, epistemology, and ethics. The portrayal of Chidi as the philosopher who is unable to commit is the driving (...) comedic force in The Good Place. Ethics turns out to be about the messy details of life more than about the universal truths of humankind. The Good Place uses the postmodern strategy of gazing at surfaces to articulate a critique of philosophy. It is effective as a piece of “serious” art precisely because it offers an effective critique of moral seriousness. (shrink)

Better Call Saul and Philosophy is an anthology, a collection of essays exploring the philosophical themes present in the hit television show Better Call Saul. Premiering in the Spring of 2015, Better Call Saul serves as a prequel to the much beloved and critically acclaimed television show Breaking Bad in a which mild-mannered high school chemistry teacher, Walter White - through a series of poor, albeit strained decisions - slowly but steadily becomes a monstrous drug kingpin. In Better Call Saul, (...) a struggling but cocksure attorney, Jimmy McGill goes through a similar transformation to become a cunning, devious criminal lawyer for the underworld. Beyond this, Better Call Saul is populated with a number of additional characters going through their own evolution - from a brother burdened with a psychosomatic(?) ailment, to a former police officer delving deeper into the wrong side of the law to provide for his family. -/- Much like the beloved show, Better Call Saul and Philosophy is an anthology-- a collection of snippets and essays that slowly reveal a much more complex story. Premiering in the Spring of 2015, Better Call Saul serves as a prequel to the much beloved and critically acclaimed television show Breaking Bad. Critics of the series have noted that its storytelling is emblematic, or "The New Golden Age of Television": programming that not only rewards multiple watches, but also calls for a careful, reasoned analysis of characters, plots, and themes. Better Call Saul is the type of program that is so rich with these elements that it not only calls for a book like Better Call Saul and Philosophy, but might even feel incomplete without it! -/- Now, readers can join alongside struggling-but-cocksure attorney Jimmy McGill as he goes through a series of transformative experiences and scenarios. Featuring the work of contemporary philosophers, Better Call Saul and Philosophy offers its readers a chance to delve deeply into a wide range of philosophical issues the show presents, including the nature of good and evil, personal identity, free will and determinism, the law as it relates to morality, the ethical implications of the war on drugs, death and dying, and many, many more. Fans of the show will love a chance to appreciate the show on much deeper level--and, for those hoping to learn a bit about philosophy as well as the show, the book perfectly marries the two together in a unique and engaging way. -/- This book is the latest edition (#8) in the series Pop Culture and Philosophy. (shrink)

A Review of Heter & Greene's Punk Rock and Philosophy: Research and Destroy (Carus Books).

‘‘Theoretical biology’’ is a surprisingly heter- ogeneous field, partly because it encompasses ‘‘doing the- ory’’ across disciplines as diverse as molecular biology, systematics, ecology, and evolutionary biology. Moreover, it is done in a stunning variety of different ways, using anything from formal analytical models to computer sim- ulations, from graphic representations to verbal arguments. In this essay I survey a number of aspects of what it means to do theoretical biology, and how they compare with the allegedly much more (...) restricted sense of theory in the physical sciences. I also tackle a recent trend toward the presentation of all-encompassing theories in the biological sciences, from general theories of ecology to a recent attempt to provide a conceptual framework for the entire set of biological disciplines. Finally, I discuss the roles played by philosophers of science in criticizing and shap- ing biological theorizing. (shrink)

Jazz improvisation requires a set of phenomenological practices, through which musicians confront their own sonic situatedness. Drawing on writings from Paget Henry, Mike Monahan, and Storm Heter, these phenomenological practices can be characterized as creolizing, and can reveal a sense in which, as Sidney Bechet says, music gives you its own understanding of itself. Specifically, improvising musicians engage their own situatedness by slowing things down, and through repetition. Bass players can listen through other players’ hands, and audiences can hear (...) more of what's happing in jazz by understanding the ways musicians practice. (shrink)

Conséquence à la fois du mouvement de l’histoire des femmes et du genre et de l’histoire des sexualités, un nouveau champ d’étude très prometteur s’ouvre aux historien-ne-s, celui de l’hétérosexualité. Les études sur cette autre « omniprésence invisible » (pour plagier l’expression utilisée par John Tosch à propos des hommes en tant qu’êtres sexués) n’en sont qu’à leurs balbutiements en Europe (il s’est tenu à Louvain, en octobre 2007, un colloque intitulé « L’histoire contemporaine des hétér...