This volume covers a relatively short span of time, rather less than the first three-quarters of the first century BC; but it was an age of profoundly important developments, with enduring consequences for the subsequent history of Latin literature. Original and innovative in widely differing ways as was the work of Lucretius, Sallust and Caesar in particular, the scene is dominated, historically, by two figures: Cicero and Catullus. Cicero was a politician and a man of affairs as (...) well as a man of latters, whose vast literary output reflects a range of intellectual interests unparalleled among surviving Roman writers; creator of a prose style the Quintilian regarded as synonymous with eloquence itself; and better known to us, from his letters, as a human being, than any other figure from classical antiquity. Catullus was a poet, single-mindedly devoted to fostering the tradition of learned Alexandrian poetry at Rome; the author of one slender volume of verse that has attracted more critical attention in proportion to its size than any other ancient poetry-book; and the lover of Lesbia. In these chapters it is shown how these, and other, Roman writers of genius continued the process of transforming their traditional Greek models into new and vigorous Latin forms, with lasting effects for oratory, historiography, and the higher genres of poetry. (shrink)

In the two centuries covered by this volume, from about AD 250 to 450, the Roman Empire suffered a period of chaos followed by drastic administrative and military reorganization. Simultaneously Christianity emerged as a new religious force, to be first recognized by Constantine and then eventually to become the official religion of the Roman state. The old pagan culture continued to provide the basis for education and the staple literary diet of the leisured classes; but it now had perforce to (...) coexist and indeed to compete with a new, specifically Christian-oriented literature. These and associated developments are reflected in the Latin books of the period. Of the traditional forms and genres, some atrophied, some were transformed and invigorated; and yet others, such as autobiography in something like the modern sense, emerged in response to the pressures of the times. Professor Browning's masterly and comprehensive survey is mostly concerned with pagan literature, but takes into account Christian texts written in classical forms and directed at classically educated readers. The volume ends with a chapter on Apuleius by Professor Walsh, followed by a brief Epilogue from the same hand, sketching the part played by classical studies in the formation of the Latin literature of the Middle Ages. (shrink)

'Perfection is finality; finality is death'. The poets and prose writers of the first and early second centuries AD were not deterred by the towering stature of their Augustan predecessors from attempting new and often brilliant variations on the now traditional themes and genres. The so-called 'Silver' Age of Latin literature has tended to be characterized in terms of dismissive or question- begging stereotypes - 'decadent', 'rhetorical', 'baroque', 'mannerist' - as a substitute for close critical argument. From the (...) sympathetic but searching appraisals in this volume the best writers of the age - Lucan, Seneca, Statius, Juvenal, Tacitus - emerge as men having something important to say and not merely technicians preoccupied with the most extravagant or paradoxical way of saying it. Complementary to these central figures as giving the age its special character and atmosphere are the minor poets, the satirists, the scholars and rhetoricians, the lesser historians, epistolographers and technical writers, whose varied activity provides the background to the main developments. The whole offers a detailed portrait of the literary interests of an age that was of necessity becoming increasingly more conscious of the past and of the problems of coping with its cultural heritage. (shrink)

The sixty years between 43 BC, when Cicero was assassinated, and AD 17, when Ovid died in exile and disgrace, saw an unexampled explosion of literary creativity in Rome. Fresh ground was broken in almost every existing genre, and a new kind of specifically Roman poetry, the personal love-elegy, was born, flourished, and succumbed to its own success. Latin literature now became, in the familiar modern sense of the word, classical: a balanced fusion of what was best and (...) most stimulating in earlier Greek and Roman writing, charged with new and original life by the individual genius of, most particularly, Virgil, Horace and Ovid. Augustan literature, conventionally viewed as the expression in writing of the age itself - political and social stability reflected in artistic equilibrium - turns out on a close and critical reading to have been subject to the same stresses and strains as the society in and for which it was produced. In appraising the monumental literary achievements of the age the underlying tensions and contradictions are not ignored. The critical discussions in this volume do full justice to the complexity and subtlety of the literature itself. (shrink)

In the third century BC Rome embarked on the expansion which was ultimately to leave her mistress of the Mediterranean world. As part of that expansion a national literature arose, springing from the union of native linguistic energy with Greek literary forms. Shortly after the middle of the century the first Latin play took the stage; by 100 BC most of the important genres invented by the Greeks - epic, tragedy, comedy, historiography, oratory - were solidly established in (...) their adoptive Roman forms, and a new genre, satire, had been born. The chapters in this volume describe and analyse the process of creative adaptation which shaped the beginnings of Latin literature and laid the foundations for its future development as one of the great literatures of the world. Essential background is provided by introductory chapters on readers and critics in the Roman world. In these are described the form of the books themselves and the conditions under which they were produced, circulated and read. The whole volume offers an indispensable introduction to the understanding of the nature and quality of Latin literature. (shrink)

ABSTRACTTo date, neo-Latin studies have been hardly concerned with the nineteenth century, let alone the twentieth century. It would seem that literature written in Latin had completely lost its significance. However, recent research has shown that Latin verses were still quantitatively and qualitatively important, even if they no longer enjoyed the same popularity as in previous centuries. This article is a synthesis of what we know about neo-Latin literature in nineteenth-century Europe. The first section (...) discusses the question of its quantitative and qualitative significance. Section 2 deals with the specific features of the neo-Latin literature in the nineteenth century. Section 3 presents the situation in Germany in order to give a more precise idea of the phenomenon. The aim of this article is to provide an impetus for further investigation in the field and to cast light on a facet of the nineteenth century that has long been forgotten. (shrink)

The Cambridge History of Classical Literature provides a comprehensive, critical survey of the literature of Greece and Rome from Homer till the Fall of Rome. This is the only modern work of this scope; it embodies the very considerable advances made by recent classical scholarship, and reflects too the increasing sophistication and vigour of critical work on ancient literature. The literature is presented throughout in the context of the culture and the social and hisotircal processes (...) of which it is an integral part. The overall aim is to offer an authoritative work of reference and appraisal for one of the world's greatest continuous literary traditions. The work is divided into two volumes, each with a similar and broadly chronological structure. Among the special features are important introductory chapters by the General Editors on 'Books and Readers', discussing the conditions under which literature was written and read in antiquity. There are also extensive Appendices or Authors and Works giving detailed factual information in a convenient form. Technical annotation is otherwise kept to a minimum, and all quotations in foreign languages are translated. (shrink)

Commentaries in late antiquity were the predominant form of scholarly engagement with ancient, authoritative texts. Not only in Greek, but in Latin no less, ancient commentaries were an integral part of reading and understanding literature and philosophy (and theology, as part and parcel of philosophy at that time). I shall deal with commentaries (as self-standing works, different from glosses) on poetic, rhetorical, philosophical, and religious texts in Latin late antiquity, both ‘pagan’ and Christian. Grammatical and rhetorical education (...) played a remarkable role in their preparation, and questions of adaptation and of the reuse of earlier material, especially Greek models, will also come into play. (shrink)

In 1984 and 1985 Ralph Hall and I presented statistical methodologies, based on inductive statistics and the comparative method, to determine the rhythmical qualities of Latin prose from the third to early sixth century A.D. We continued our work with the publication of articles on the final clausulae in the legal codes and Augustine's letters and on rhythms in internal positions, while I produced studies of the clausulae in the Pseudo-Sallustiana and Ammianus.

Objective: To present a narrative review of the history of bioethics in Latin America and of scientific output in this interdisciplinary field. Methods: This was a mixed-methods study. Results: A total of 1458 records were retrieved, of which 1167 met the inclusion criteria. According to the Web of Science classification, the predominant topics of study were medical ethics, social sciences and medicine, and environmental and public health topics. Four themes of bioethics output in the Latin American (...) class='Hi'>literature have emerged: issues involving the beginning and end of life, ethics in human research, patient–provider relationships, and ethics training for health professionals. Conclusion: Although bioethics is a growing interdisciplinary field in Latin America, its academic impact is still very low, and programmes are highly concentrated in large urban centres in a few countries. Challenges includes the regional and international impact of local scientific output. (shrink)

The contributions in this volume analyze different moments of intercultural negotiation within the history of Latin literature and look into the dynamic process of appropriation that guarantees its continuity.

Exploring and understanding how medieval Christians perceived and constructed the figure of the Prophet Muhammad is of capital relevance in the complex history of Christian-Muslim relations. Medieval authors writing in Latin from the 8th to the 14th centuries elaborated three main images of the Prophet: the pseudo-historical, the legendary, and the eschatological one. This volume focuses on the first image and consists of texts that aim to reveal the truth about Islam. They have been taken from critical editions, (...) where available, otherwise they have been critically transcribed from manuscripts and early printed books. They are organized chronologically in 55 entries: each of them provides information on the author and the work, date and place of composition, an introduction to the passage reported, and an updated bibliography listing editions, translations and studies. The volume is also supplied with an introductory essay and an index of notable terms. (shrink)

Name der Zeitschrift: Der Islam Jahrgang: 94 Heft: 2 Seiten: 556-562.

In Culture, Genre, and Literary Vocation, Michael Davitt Bell charts the important and often overlooked connection between literary culture and authors' careers. Bell's influential essays on nineteenth-century American writers—originally written for such landmark projects as The Columbia Literary History of the United States and The Cambridge History of American Literature—are gathered here with a major new essay on Richard Wright. Throughout, Bell revisits issues of genre with an eye toward the unexpected details of authors' lives, and invites (...) us to reconsider the hidden functions that terms such as "romanticism" and "realism" served for authors and their critics. Whether tracing the demands of the market or the expectations of readers, Bell examines the intimate relationship between literary production and culture; each essay closely links the milieu in which American writers worked with the trajectory of their storied careers. (shrink)

Engaging existentialism: transformative possibilities and local agendas -- The Mexican existentialist ethos -- The seminal Mexican existentialism of Rodolfo Usigli's theater -- Excavating Comala: the existentialist Juan Rulfo, the Grupo Hiperión, and lo mexicano in Pedro Páramo -- "Christs for all passions": José Revuelta's El luto humano [Human mourning] -- Rosario Castellanos's freedom.

Objective Apeiron was founded in 1966 and has developed into one of the oldest and most distinguished journals dedicated to the study of ancient philosophy, ancient science, and, in particular, of problems that concern both fields. Apeiron is committed to publishing high-quality research papers in these areas of ancient Greco-Roman intellectual history; it also welcomes submission of articles dealing with the reception of ancient philosophical and scientific ideas in the later western tradition. The journal appears quarterly. Articles are peer-reviewed (...) on a double-blind basis. Topics ancient philosophy ancient science reception of ancient philosophical and scientific ideas in the later western tradition Article formats Original Articles. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Latin Aristotle Commentaries, V: Bibliography of Secondary Literature, and: Latin Aristotle Commentaries, I.2: Medieval Authors M–ZWilliam J. CourtenayCharles H. Lohr. Latin Aristotle Commentaries, V: Bibliography of Secondary Literature. Unione Accademica Nazionale, Corpus Philosophorum Medii Aevi, Subsidia XV. Florence: SISMEL–Editioni del Galluzzo, 2005. Pp. xiv + 567. Cloth, €90.00.Charles H. Lohr. Latin Aristotle Commentaries, I.2: Medieval Authors M–Z. Unione Accademica Nazionale, Corpus Philosophorum (...) Medii Aevi, Subsidia XVIII. Florence: SISMEL–Editioni del Galluzzo, 2010. Pp. xiii + 208. Cloth, €95.00.These two books are part of a series of volumes that will bring into final publication form one of the most significant scholarly achievements of the last half-century, Charles Lohr's inventory of the authors and manuscripts of Latin commentaries on the works of Aristotle up to 1650. The project began in the 1960s, and the initial results for the Middle Ages were published sequentially as articles in Traditio between 1967 and 1974, and the inventory for the period from 1500 to 1650 appeared in Studies in the Renaissance and Renaissance Quarterly between 1974 and 1981. The project was modeled along the lines of two great research tools achieved earlier in the twentieth century at Freiburg by Friedrich Stegmüller, namely his Repertorium Commentariorum in Sententias Petri Lombardi (1947) and his Repertorium Biblicum Medii Aevi (1940–). Now, through the Unione Accademica Nazionale and SISMEL, both of Lohr's inventories in revised and expanded form are being published as stand-alone volumes. The first two that appeared were Latin Aristotle Commentaries, II: Renaissance Authors (Subsidia VI, 1988), followed by Latin Aristotle Commentaries, III: Index initiorum—index finium (Subsidia X, 1995). The two volumes being reviewed here are the next two installments.The first of these, the Bibliography of Secondary Literature, is a much-expanded version of Lohr's Commentateurs d'Aristote au moyen-âge latin: Bibliographie de la littérature secondaire récente, Vestigia 2 (Fribourg-Paris, 1988). The intent of that volume was, as the title indicates, to provide a list of the scholarly literature on Aristotelian commentaries since the publication of the articles in Traditio, as well as some older literature that had not been included earlier in the entries for each author. The present version of this work is more than twice as large as the 1988 version, adding books and articles that were missed in the earlier bibliographies as well as publications since 1986 (the cutoff date for the earlier edition). Moreover, the Commentateurs d'Aristote provided a bibliography only for medieval commentaries, while the new Bibliography of Secondary Literature begins with a section covering literature about translations of the works of Aristotle and their Wirkungsgeschichte, then [End Page 141] the section for the literature on medieval authors, and finally the section for bibliography on Renaissance authors.The organization of the bibliography for authors that have generated extensive literature is more complex than for the others. The longer bibliographies are divided into works concerned with biographical information and manuscripts; general accounts; and, depending on the contributions of a specific author, sections on logic, metaphysics, natural philosophy, and practical philosophy. Within each of these sections the literature is arranged by date of publication, moving from the older to the most recent (limited, of course, by the cutoff date at which this volume was prepared for publication, apparently around 2003). The principle of inclusion was broad, citing works that relate tangentially to the subject areas of Aristotelian philosophy mentioned. And although bibliographies of this kind should be made available on the Internet, where they can be continually expanded and updated, it is useful and pleasurable to have such a volume on the shelf at one's fingertips, particularly for those of us still attuned to a print culture.The other volume, Latin Aristotle Commentaries, I.2: M–Z, published in 2010, is the second half of the revised edition of medieval authors and their commentaries on Aristotle's works. Some bibliography is included here in the individual entries, but only what relates to the manuscripts. The entries consist of a brief biographical sketch of the author, followed by the list of commentaries (both extant and lost), each one with an... (shrink)

Politics and Modernity provides a critical review of the key interface of contemporary political theory and social theory about the questions of modernity and postmodernity. Review essays offer a broad-ranging assessment of the issues at stake in current debates. Among the works reviewed are those of William Connolly, Anthony Giddens, J[um]urgen Habermas, Alasdair MacIntyre, Richard Rorty, Charles Taylor and Roy Bhaskar. As well as reviewing the contemporary literature, the contributors assess the historical roots of current problems in the works (...) of Nietzsche and Max Weber. (shrink)

ABSTRACT The midday demon, who attacked the solitary monk with vicious temptations – above all, that of acedia – is a conventional motif in late antique and medieval ascetic literature. At the noon hour, the demonic assault was vigorous and ranging. But medieval spiritual writers like Bernard of Clairvaux (d. 1153) and Richard of Saint Victor (d. 1173) also described noontime as the high point of mystical experience. Both notions hark back to biblical statements made in the Psalms and (...) Song of Songs and were elaborated by medieval thinkers through exegetical rumination. This paper studies the propinquity of these two notions in the symbolism and vocabulary of medieval spiritual writers, and in so doing documents the biblical and monastic contribution to unfolding ideas about melancholy. As examined in Saturn and Melancholy pathological melancholy would traditionally refer to the complex of symptoms associated with sloth and sadness that beleaguered the uprooted and antisocial ascetic. But after the introduction of the Aristotelian problem to Latin writers, a contrasting view appeared in the early thirteenth century, which held melancholy for a benediction of mystical or theophanic frenzy. This paper unmoors melancholy from its classical sources and, beginning from the ambivalence of the noonday motif, argues that the traditional literature of mystics and ascetics prepared for this remarkable shift. (shrink)

In classical Latin, luxuria means 'desire for luxury'; it is linked with the ideas of excess and deviation from a standard. It is in most cases labelled as a vice which contrasts with the innate frugal nature of the Romans. Latin authors do not see it as endemic but as an import from the East in the aftermath of military conquests--and as a cause of fatal decline. Following these etymological and semantic origins, Roman Luxuria: A Literary and Cultural (...) History discusses the influence of Greek culture on the Roman concept and the peculiar characteristics of Roman luxuria. It analyses Roman views on luxuria through close readings in historical order from Cato the Elder, who regards luxuria as the opposite of the ideal Roman way of life, to the Christian poet Prudentius, who represents it in an allegorical fight with Sobriety. The book attends both to key authors and to wider literary genres, such as historiography and satire. Particular consideration is given to the rhetorical device of personification, which can be traced from the first appearances of luxuria in Latin literature to those of late antiquity. Berno devotes detailed attention to Seneca the Younger, whose work is often preoccupied with this passion. Seneca both defends himself from the charge of luxuria and violently attacks it in others, describing it as the archenemy of a philosophical life. Along the centuries, the focus on luxuria shifts from the economic sphere (and the waste of money) to the erotic, to the extent that in the Christian world it becomes one of the Seven Capital Sins representing the vice of lust. (shrink)

The writings of the Church Fathers form a distinct body of literature that shaped the early church and built upon the doctrinal foundations of Christianity established within the New Testament. Christian literature in the period c.100–c.400 constitutes one of the most influential textual oeuvres of any religion. Written mainly in Greek, Latin and Syriac, Patristic literature emanated from all parts of the early Christian world and helped to extend its boundaries. The History offers a systematic (...) account of that literature and its setting. The works of individual writers in shaping the various genres of Christian literature is considered, alongside three general essays, covering distinct periods in the development of Christian literature, which survey the social, cultural and doctrinal context within which Christian literature arose and was used by Christians. This is a landmark reference book for scholars and students alike. (shrink)

The Afro-Latin dance known as ‘salsa’ is a fusion of multiple dances from West Africa, Muslim Spain, enslaved communities in the Caribbean, and the United States. In part due to its global origins, salsa was pivotal in the development of the Figuration philosophy of dance, and for ‘dancing with,’ the theoretical method for social justice derived therefrom. In the present article, I apply the completed theory Figuration exclusively to salsa for the first time, after situating the latter in the (...) dance studies literature. My first section explores Juliet McMains’ recent history, Spinning Mambo into Salsa, with an emphasis on the dynamics of class, race and sex therein. My second section explores a resonant Afro-Latin dance history, Marta E. Savigliano’s Tango and the Political Economy of Passion, where she deploys salsa’s sister-dance (tango) as a ‘counter-choreography’ to the choreography of postmodern neocolonialism. And my third section applies Figuration’s four central aspects of dance (or ‘Moves’) to salsa qua member of its ‘societal’ family of dance. In conclusion, through partnering with salsa, Figuration emerges as a member of its own ‘discursive’ family of dance, while salsa emerges as a gestural discourse capable of helping reconstruct a more socially-just world from the postmodern ruins of today. (shrink)

Latin dē, both in its prepositional and preverbal form, is characterized by multiple, varied, and seemingly unrelated senses. Unlike proposition-based lexicographical and historical linguistic accounts, an image-schematic definition systematically explains the range of its literal, physical senses and of its figurative, abstract senses, as well as the relations between them. Defining dē in terms of an image-schematic “scenario” portraying two entities connected by a directional trajectory in fact accommodates the co-existence of even antonymous senses within this word's semantic structure (...) and apparently radical divergences from its presumed essential literal meaning in Latin literature, due to the susceptibility of image schemas to “embodied” transformations such as perspective shifts and profiling effects. Dē's more abstract senses may also be linked in this way to widespread metaphorical patterns in Latin, showing that these senses are not haphazard but highly motivated semantically—with significant implications for lexicography, and literary and cultural history. (shrink)

Latin America has often been represented by images of pre-Columbian artifacts and artwork on book covers and in other printed materials produced by Latin American studies. This article tries to show that there are strong connections between this type of representation and the semantics of Latin America both in everyday English language and in the discourses of the social sciences. First, the author reviews the history of the concept of Latin America in everyday English language, (...) showing how it has been defined as the opposite of a glorified collective self-image of America, in cultural, temporal, and racial terms. Next, chief approaches of Latin American studies (modernization theory, studies of corporatism, and the present-day textbook literature) are examined, focusing on how social scientific discourses have defined Latin America. Before returning to the topic of pre-Columbian representation, the covers of the best-selling present-day textbooks are surveyed to show how these pictorial representations reproduce the cultural and temporal perceptions of otherness already present in the texts, plus a racial perception that is mostly absent in them. The author argues that the pre-Columbian representation reproduces the three aspects of Latin America’s othering in a powerful and synthetic way. Last, the results of the present analysis are evaluated in the light of some contributions to postcolonial theory, visual culture studies and picture theory. (shrink)