The poets and prose-writers of Greece and Rome were acutely conscious of their literary heritage. They expressed this consciousness in the regularity with which, in their writings, they imitated and alluded to the great authors who had preceded them. Such imitation was generally not regarded as plagiarism but as essential to the creation of a new literary work: imitating one's predecessors was in no way incompatible with originality or progress. These views were not peculiar to the writers of Greece and (...) Rome but were adopted by many others who have written in the 'classical tradition' right up to modern times. Creative Imitation and Latin Literature is an exploration of this concept of imitation. The contributors analyse selected passages from various authors - Greek, Latin and English - in order to demonstrate how Latin authors created new works of art by imitating earlier passages of literature. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

This volume covers a relatively short span of time, rather less than the first three-quarters of the first century BC; but it was an age of profoundly important developments, with enduring consequences for the subsequent history of Latin literature. Original and innovative in widely differing ways as was the work of Lucretius, Sallust and Caesar in particular, the scene is dominated, historically, by two figures: Cicero and Catullus. Cicero was a politician and a man of affairs as well (...) as a man of latters, whose vast literary output reflects a range of intellectual interests unparalleled among surviving Roman writers; creator of a prose style the Quintilian regarded as synonymous with eloquence itself; and better known to us, from his letters, as a human being, than any other figure from classical antiquity. Catullus was a poet, single-mindedly devoted to fostering the tradition of learned Alexandrian poetry at Rome; the author of one slender volume of verse that has attracted more critical attention in proportion to its size than any other ancient poetry-book; and the lover of Lesbia. In these chapters it is shown how these, and other, Roman writers of genius continued the process of transforming their traditional Greek models into new and vigorous Latin forms, with lasting effects for oratory, historiography, and the higher genres of poetry. (shrink)

The sixty years between 43 BC, when Cicero was assassinated, and AD 17, when Ovid died in exile and disgrace, saw an unexampled explosion of literary creativity in Rome. Fresh ground was broken in almost every existing genre, and a new kind of specifically Roman poetry, the personal love-elegy, was born, flourished, and succumbed to its own success. Latin literature now became, in the familiar modern sense of the word, classical: a balanced fusion of what was best and (...) most stimulating in earlier Greek and Roman writing, charged with new and original life by the individual genius of, most particularly, Virgil, Horace and Ovid. Augustan literature, conventionally viewed as the expression in writing of the age itself - political and social stability reflected in artistic equilibrium - turns out on a close and critical reading to have been subject to the same stresses and strains as the society in and for which it was produced. In appraising the monumental literary achievements of the age the underlying tensions and contradictions are not ignored. The critical discussions in this volume do full justice to the complexity and subtlety of the literature itself. (shrink)

In the third century BC Rome embarked on the expansion which was ultimately to leave her mistress of the Mediterranean world. As part of that expansion a national literature arose, springing from the union of native linguistic energy with Greek literary forms. Shortly after the middle of the century the first Latin play took the stage; by 100 BC most of the important genres invented by the Greeks - epic, tragedy, comedy, historiography, oratory - were solidly established (...) in their adoptive Roman forms, and a new genre, satire, had been born. The chapters in this volume describe and analyse the process of creative adaptation which shaped the beginnings of Latin literature and laid the foundations for its future development as one of the great literatures of the world. Essential background is provided by introductory chapters on readers and critics in the Roman world. In these are described the form of the books themselves and the conditions under which they were produced, circulated and read. The whole volume offers an indispensable introduction to the understanding of the nature and quality of Latin literature. (shrink)

Commentaries in late antiquity were the predominant form of scholarly engagement with ancient, authoritative texts. Not only in Greek, but in Latin no less, ancient commentaries were an integral part of reading and understanding literature and philosophy (and theology, as part and parcel of philosophy at that time). I shall deal with commentaries (as self-standing works, different from glosses) on poetic, rhetorical, philosophical, and religious texts in Latin late antiquity, both ‘pagan’ and Christian. Grammatical and rhetorical (...) education played a remarkable role in their preparation, and questions of adaptation and of the reuse of earlier material, especially Greek models, will also come into play. (shrink)

Among Greek grammarians a distinction is recognized between a class of nouns capable of referring to several nouns and a class referring to just one proper name. This distinction is very poorly (and problematically) attested in the works of Latin grammarians. This paper explores and discusses some connections so far overlooked, and tries to correct some misinterpretations. In the light of the distinction of proper vs. common epithets, the controversial phrase mediae potestatis is elucidated, by stressing that it (...) refers to the ‘semantic incompleteness’ of the adjective. Finally, the assumption that the concept of ‘adjective’ was not known within Latin grammatical tradition before the fourth century is revised. We bring forward evidence against this assumption implying an early ‘linguistic’ tradition with respect to the adjective which was to some degree independent from the well-known ‘rhetorical’ doctrine on epithets. (shrink)

The essays in this volume illustrate the passage and influence of Greek into Latin from the earliest period of Roman history until the end of the period in which Latin was a living literary language. They show how the Romans, however much they were influenced, to begin with, by the Greek literary language and Greek literature and its forms, were conscious of being not mere conquerors and rulers of the Greek world, but active (...) participants in the further development of the culture initiated by the Greeks; how the importance of ancient Greek culture continued to be felt, with greater and lesser emphasis, in the Western Middle Ages, and the reintroduction of the Greek language in Renaissance Europe only made this interest in the Greek heritage more pronounced; and how ancient Greek works were received and transformed into Latin at various stages in the process of the rediscovery of ancient Greek culture in the West. (shrink)

It is a brave scholar who ventures into the murky world of Late Antique medicine in search of information on earlier theories. Not only may the opinions of a Herophilus or a Galen be distorted by their distant interpreters, but frequently the texts themselves present serious challenges to understanding. Nowhere is this more apparent than in the Latin versions made from Greek philosophical and medical commentaries, which interpose an additional linguistic barrier before one can make sense of sometimes (...) complex arguments. Yet as R. J. Hankinson has shown in his recent note on John of Alexandria, there is much to be gained from these forbidding works. But while he has succeeded in elucidating much of the technical terminology and argument that lies behind one of these translations, his lack of familiarity with the textual basis of the relevant commentary has both led him into error and prevented him from resolving still more of its difficulties. His ignorance is easily pardonable, for, as will be shown, modern editors have unwittingly conspired to block the way to the truth, and the essential secondary literature has been published in journals and theses rarely accessible to the classicist. (shrink)

Essays by an international team of scholars in Latin literature and ancient philosophy explore the understanding of emotions (or 'passions') in Roman thought and literature. Building on work on Hellenistic theories of emotion and on philosophy as therapy, they look closely at the interface between ancient philosophy (especially Stoic and Epicurean), rhetorical theory, conventional Roman thinking and literary portrayal. There are searching studies of the emotional thought-world of a range of writers including Catullus, Cicero, Virgil, Seneca, Statius, (...) Tacitus and Juvenal. Issues of debate such as the ethical colour of Aeneas's angry killing of Turnus at the end of the Aeneid are placed in a broad and illuminating perspective. Written in clear and non-technical language, with Greek and Latin translated, the volume opens up a fascinating area on the borders of philosophy and literature. (shrink)

The Hermetica are a body of mystical texts written in late antiquity, but believed during the Renaissance (when they became well known) to be much older. Their supposed author, a mythical figure named Hermes Trismegistus, was thought to be a contemporary of Moses. The Hermetic philosophy was regarded as an ancient theology, parallel to the revealed wisdom of the Bible, supporting Biblical revelation and culminating in the Platonic philosophical tradition. This new translation is the only English version based on reliable (...) texts, and Professor Copenhaver's introduction and notes make this accessible and up-to-date edition an indispensable resource to scholars. (shrink)

When the Romans adopted Greek literary genres and artistic techniques, they did not slavishly imitate their models but created vibrant and original works of literature and art in their own right. The same is true for philosophy, notwithstanding the fact that the rich Roman philosophical tradition is still all too often treated as a mere footnote to the history of Greek philosophy. This volume aims to reassert the significance of Roman philosophy and to explore the "Romanness" of (...) philosophical writings and practices in the Roman world, endeavoring to show that the Romans in their creative adaptation of Greek modes of thought developed sophisticated forms of philosophical discourse shaped by their own history and institutions, concepts, and values--and last--but not least--by the Latin language, which nearly all Roman philosophers used to express their ideas.This volume of thirteen chapters by an international group of specialists in ancient philosophy, Latin literature, and Roman social and intellectual history moves from Roman attitudes to and practices of philosophy to the great late Republican writers Cicero and Lucretius, then onwards to the early Empire and the work of Seneca the Younger, and finally to Epictetus, Apuleius, and Augustine. Using a variety of approaches, the essays demonstrate the diversity and originality of Roman philosophical discourse over the centuries. (shrink)

Greek had held an important place in Roman society and culture since the Late Republican period, and educated Romans were expected to be bilingual and well versed in both Greek and Latin literature. The Roman school ‘curriculum’ was based on Hellenistic educational culture, and in the De grammaticis et rhetoribus Suetonius says that the earliest teachers in Rome, Livius and Ennius, were ‘poets and half Greeks’, who taught both Latin and Greek ‘publicly and privately’ (...) and ‘merely clarified the meaning of Greek authors or gave exemplary readings from their own Latin compositions’. Cicero, the Latin neoteric poets and Horace are obvious examples of bilingual educated Roman aristocrats, but also throughout the Imperial period a properly educated Roman would be learned in utraque lingua. The place of Greek in Quintilian's Institutio Oratoria reveals the importance and prevalence of Greek in Roman education and literature in the late first century a.d. Quintilian argues that children should learn both Greek and Latin but that it is best to begin with Greek. Famously, in the second century a.d. the Roman author Apuleius gave speeches in Greek to audiences in Carthage, and in his Apologia mocked his accusers for their ignorance of Greek. (shrink)

Confessions of Love: The Ambiguities of Greek Eros and Latin Caritas, edited by Craig J. N. de Paulo, Senior Editor, et al. American University Studies Series, vol. 7: Theology and Religion. New York: Peter Lang Publishers, 2011. Details: Collection of scholarly essays on love. Distinguished contributors include Roland Teske, S.J., Phillip Cary, Leonid Rudntyzky, Bernhardt Blumenthal, et al.

This book provides a collection of some 400 passages on music from early Christian literature - New Testament to c. 450 AD - newly translated from the original Greek, Latin, and Syriac. As there are no musical sources of the period, music historians must rely upon remarks about music in literary sources to gain some knowledge of early Christian liturgical music. This volume makes a large and representative collection of the material conveniently available. The passages are arranged (...) chronologically and regionally in eleven chapters with brief commentary. An introduction sets out the major subjects and themes of the original source material. (shrink)

A comprehensive attempt to list and identify the nearly 100 medieval Latin works falsely attributed to Aristotle. It includes all Latin writings which were at one time ascribed to Aristotle and which do not obviously derive from an extant or lost Greek original attributed to Aristotle.

Summary Although ancient Idumea was certainly a marginal object of interest for classical writers, we do possess as many as thirteen extant classical non-Jewish authors who explicitly refer to Idumea or the Idumeans. For classical writers, Idumea was an inland territory between the coastal cities of Palestine, Egypt, and Arabia that straddled important trade routes. Idumea is also frequently associated in ancient literature with palm trees, which grew in Palestine and were exported throughout the Mediterranean. In the eyes of (...) classical authors, the Idumeans were a distinctive ethnos living in the melting pot of southern Palestine. Ancient writers emphasized the Idumeans’ ethnic and cultural connections with the Nabateans, the Phoenicians and Syrians, and, finally, the Judeans, and also indicated that a great deal of Hellenization occurred in western Idumea in an urban context. (shrink)

The late 4 th Century CE Egyptian poet Claudian with all probability enjoyed a thorough rhetorical education in both his mother tongue Greek and in the language of most of his extant literary work: Latin. Hence, for a long time the identification of possible traces of Greek literature in his poems has been the object of many, yet often inconclusive discussions. This paper argues that the political situation and the social status of the Latin language (...) at the end of the 4 th century also need to be considered: The apparent evocation of the specifically Latin literature and tradition was of great importance to Claudian in order to reinstate Roman identity, independently of his actual literary sources, as exemplified by Claudian’s use of the Greek epic poet Oppian. (shrink)

Among the more peculiar literary papyri uncovered in the past century are numerous bilingual texts of Virgil and Cicero, with the Latin original and a Greek translation arranged in distinctive narrow columns. These materials, variously classified as texts with translations or as glossaries, were evidently used by Greek-speaking students when they first started to read Latin literature. They thus provide a unique window into the experience of the first of many groups of non-native Latin (...) speakers to struggle with reading the classics of Latin literature. (shrink)

The writings of the Church Fathers form a distinct body of literature that shaped the early church and built upon the doctrinal foundations of Christianity established within the New Testament. Christian literature in the period c.100–c.400 constitutes one of the most influential textual oeuvres of any religion. Written mainly in Greek, Latin and Syriac, Patristic literature emanated from all parts of the early Christian world and helped to extend its boundaries. The History offers a systematic (...) account of that literature and its setting. The works of individual writers in shaping the various genres of Christian literature is considered, alongside three general essays, covering distinct periods in the development of Christian literature, which survey the social, cultural and doctrinal context within which Christian literature arose and was used by Christians. This is a landmark reference book for scholars and students alike. (shrink)

Cannabis in the Ancient Greek and Roman World explores the use of cannabis and hemp in medicine, religion, and recreation in the classical period. This work surveys the plant in Greek and Roman literature and provides a compendium of primary sources discussing hemp through the Middle Ages.

This book explores the origins of western biopolitics in ancient Greek political thought. Ojakangas's argues that the conception of politics as the regulation of the quantity and quality of population in the name of the security and happiness of the state and its inhabitants is as old as the western political thought itself: the politico-philosophical categories of classical thought, particularly those of Plato and Aristotle, were already biopolitical categories. In their books on politics, Plato and Aristotle do not only (...) deal with all the central topics of biopolitics from the political point of view, but for them these topics are the very keystone of politics and the art of government. Yet although the Western understanding of politics was already biopolitical in classical Greece, the book does not argue that the history of biopolitics would constitute a continuum from antiquity to the twentieth century. Instead Ojakangas argues that the birth of Christianity entailed a crisis of the classical biopolitical rationality, as the majority of classical biopolitical themes concerning the government of men and populations faded away or were outright rejected. It was not until the renaissance of the classical culture and literature - including the translation of Plato's and Aristotles political works into Latin - that biopolitics became topical again in the West. The book will be of great interest to scholars and students in the field of social and political studies, social and political theory, moral and political philosophy, IR theory, intellectual history, classical studies. (shrink)

This book is designed to appeal both to those interested in Roman poetry and to specialists in ancient philosophy. In it David Sedley explores Lucretius ' complex relationship with Greek culture, in particular with Empedocles, whose poetry was the model for his own, with Epicurus, the source of his philosophical inspiration, and with the Greek language itself. He includes a detailed reconstruction of Epicurus' great treatise On Nature, and seeks to show how Lucretius worked with this as his (...) sole philosophical source, but gradually emancipated himself from its structure, transforming its raw contents into something radically new. By pursuing these themes, the book uncovers many unrecognised aspects of Lucretius ' methods and achievements as a poetic craftsman. (shrink)