This volume contains Gianfrancesco Pico's Life of his uncle Giovanni Pico and also Giovanni's Oration. Gianfrancesco's Life opens a collection that omits Giovanni's Conclusions but includes the speech that we - unlike Pico - know as an Oration on the Dignity of Man. He wrote the Oration to introduce the Conclusions, but his nephew's editorial decision cut the theses off from the speech that their author had connected with them. Several times in the Oration, the (...) orator mentioned "theorems" to be proposed in the Conclusions: he clearly saw the book and the speech as tools for the same task. Either Gianfrancesco missed his uncle's intentions, which seems unlikely, or he meant to seal off his other writings - including the Oration - from a book that he found embarrassing for himself and his relative and too risky to make public. This is the fact of the matter: Gianfrancesco left the Conclusions unpublished while publishing the Oration in a collection introduced by his Life. Both the speech and the biography are presented here, in this edition, in the same way - apart from the Conclusions: this reflects the situation in 1496 and respects Gianfrancesco's choice, even though his decision blocked understanding of the speech for many years. Today, with access to all the relevant texts in many versions, readers can move from one work to another as needed. (shrink)

The origins of this book go back to I956 when it was suggested to me that a study on the philosophy of Gianfrancesco Pico della Mirandola would furnish an important addition to our knowledge of the philoso phy of the Italian Renaissance. It was not, however, until I960 that I could devote a significant portion of my time to a realization of this goal. My work was essentially completed in 1963, at which time it was presented in its (...) original form as a doctoral dissertation in the Phi losophy Department of Columbia University. Since then I have made many minor improvements and several chapters have been extensively reworked. This study represents the first attempt in fifty years to give a detailed account of even a portion of Gianfrancesco Pico's life and thought. The most comprehensive previous study, Gertrude Bramlette Richards, "Gianfrancesco Pico della lv1irandola" (Cornell University Dissertation, I 9 I 5), which I have found very useful in preparing my own book, is largely based on secondary literature and is mistaken in a number of details. Furthermore, Miss Richards' treatment of Gian francesco Pico as a thinker is very sketchy and is not an exhaustive study of his own writings. It is hoped that my present study, built in part on her extensive bibliographical indications, brings forth a certain amount of new information which will be of value for further research. (shrink)

Este artículo examina la concepción del espacio infinito y del tiempo en Hasdai Crescas, Gianfrancesco Pico della Mirandola y Giordano Bruno. Si la presencia de Crescas es explícita en el _Examen vanitatis_ (1520) de Pico, su recepción por Bruno, que nunca lo menciona, fue postulada por Harry A. Wolfson en 1929. Más recientemente, David Harari y Mauro Zonta han afirmado el papel intermediario de un autor judío desconocido. Sin embargo, una comparación de la crítica de Aristóteles efectuada (...) por Crescas y Bruno pone de manifiesto que, excepto dos puntos, Bruno pudo alcanzar sus posiciones con independencia de Crescas, a partir de su propia lectura crítica de Aristóteles y de su conocimiento de los desarrollos de la escolástica medieval y del concepto neoplatónico del tiempo. La significativa calificación por Crescas del espacio y del tiempo como atributos de Dios en un sentido puramente metafórico, una cuestión que Pico deja a un lado, deja paso en Bruno a la calificación del espacio infinito, de la duración y también de la materia como atributos reales de Dios, que es a la vez mente e intelecto, espacio y materia, en tanto que unidad indiferente de los opuestos. (shrink)

ResumenEn el marco intelectual del Renacimiento hubo una serie de pensadores que se mostraron disconformes con el aristotelismo dominante. La variedad de sus posturas así como lo distinto de sus posicionamientos filosóficos ha podido actuar como obstáculo para poder ver las similitudes que, en torno a la crítica aristotélica, presentan. El caso de Juan Luis Vives y de Gianfrancesco Pico puede resultar paradigmático, a estos se suma con fuerza Francisco Sánchez, quien dedicó una parte importante de su obra (...) Quod nihil scitur a criticar a Aristóteles, aunque más aún a sus comentaristas.Palabras claveFilosofía del Renacimiento, Francisco Sánchez, Juan Luis Vives, Gianfrancesco Pico, aristotelismo, historia de la filosofía.AbstractIn the intellectual frame of the Renaissance, there were some thinkers who did not agree with the Aristotelism prevailing at the time. The variety of their philosophical positions and opinions may have been an obstacle for an approach to their similarities regarding the Aristotelian critic. The case of Juan Luis Vives and Gianfrancesco Pico della Mirandola can be paradigmatic. Also Francisco Sánchez, who strongly joined their position, devoted an important part of his play Quod nihil scitur to criticize Aristotle –although he focused on his commentators above all.KeywordsPhilosophy in the Renaissance, Francisco Sanchez, Juan Luis Vives, Gianfrancesco Pico, Aristotelism, History of Philosophy. (shrink)

ResumenEn el marco intelectual del Renacimiento hubo una serie de pensadores que se mostraron disconformes con el aristotelismo dominante. La variedad de sus posturas así como lo distinto de sus posicionamientos filosóficos ha podido actuar como obstáculo para poder ver las similitudes que, en torno a la crítica aristotélica, presentan. El caso de Juan Luis Vives y de Gianfrancesco Pico puede resultar paradigmático, a estos se suma con fuerza Francisco Sánchez, quien dedicó una parte importante de su obra (...) Quod nihil scitur a criticar a Aristóteles, aunque más aún a sus comentaristas.Palabras claveFilosofía del Renacimiento, Francisco Sánchez, Juan Luis Vives, Gianfrancesco Pico, aristotelismo, historia de la filosofía.AbstractIn the intellectual frame of the Renaissance, there were some thinkers who did not agree with the Aristotelism prevailing at the time. The variety of their philosophical positions and opinions may have been an obstacle for an approach to their similarities regarding the Aristotelian critic. The case of Juan Luis Vives and Gianfrancesco Pico della Mirandola can be paradigmatic. Also Francisco Sánchez, who strongly joined their position, devoted an important part of his play Quod nihil scitur to criticize Aristotle –although he focused on his commentators above all.KeywordsPhilosophy in the Renaissance, Francisco Sanchez, Juan Luis Vives, Gianfrancesco Pico, Aristotelism, History of Philosophy. (shrink)

Nerve processes elongate, branch and form synaptic contacts in a highly regulated and specific manner. Long‐distance axon elongation is restricted to the main phase of axon formation during development, but can be reinduced upon lesions in the adult (regeneration). It correlates with the expression of defined genes, including proteins involved in signalling (e.g. src, NCAM, integrins), transcription factors (e.g. c‐jun) and structural proteins (e.g. actin and tubulin isoforms). Activation of an axon elongation program may require bcl‐2. The formation and growth (...) of local branches (sprouting) is controlled by mechanisms in the target region. In addition, the expression of growth‐associated proteins such as GAP‐43 and CAP‐23 in neurons lowers the threshold for nerve sprouting and potentiates its vigour. Recent studies suggest that nerve sprouting and long‐distance elongation depend on the expression of different intrinsic components in neurons. One implication of these findings is that the differential expression of genes facilitating local branching may affect structural plasticity in the intact adult nervous system. (shrink)

An analysis of Nicholas of Cusa’s conception of the power of judgment that shows it enables morality as well as cognition.

An ardent treatise for the Dignity of Man, which elevates Humanism to a truly Christian level, making this writing as pertinent today as it was in the Fifteenth Century.

To początkowy fragment mowy O godności człowieka Pico della Mirandoli." Wstępem poprzedział Danilo Facca, przełożyli Zbigniew Nerczuk i Mikołaj Olszewski. -/- This is an excerpt from the Polish translation of Pico della Mirandola's De dignitate hominis. The preface to the translation by Danilo Facca. Translation by Zbigniew Nerczuk and Mikołaj Olszewski.

Ziel dieser kleinen, 1492 abgefaßten und für das Verständnis der Renaissancephilosophie bedeutsamen Schrift ist der Nachweis der Vereinbarkeit der Grundlehren der platonischen und der aristotelischen Metaphysik, also die Herbeiführung der Entscheidung in einer zwischen den Neuplatonikern seiner Zeit und den Peripatetikern ausgetragenen Kontroverse, mit denen Pico in engem Kontakt stand. Der Traktat basiert auf der späteren kritischen Auseinandersetzung Picos mit seinem ehemaligen Lehrer Ficino und einer 1490 geführten, sehr intensiven Diskussion mit den beiden anderen.

Para las empresas recolectoras de residuos sólidos es indispensable controlar los factores de riesgos asociados a la calidad del aire del entorno laboral de sus empleados con el objetivo de minimizar las afecciones de salud de sus trabajadores. El propósito del estudio es desarrollar un prototipo de un sensor inalámbrico de medición de calidad de aire. Este instrumento de medición será implementado en ambientes laborales para trabajadores de recolección de residuos sólidos. A partir del estudio se concluye que para empresas (...) de este sector es indispensable el control de factores de riesgos asociados a la exposición a gases y vapores. (shrink)

A través de una comparación entre Vico y Hobbes se aborda la concepción de la política como un facere y el rol de las emociones, vinculadas a la biografía de los dos autores . El autor aplica el esquema de emociones rojas y blancas, basándose en la distinción de B. Williams y la utilización de A. Margalit. Esta herramienta la aplica a la clarificación de ciertas teorías políticas en Leviathan y en Scienza nuova.PALABRAS CLAVE: Vico, Scienza nuova, Hobbes, Leviathan, emociones, (...) miedo, vergüenza, filosofía política. By comparing Vico and Hobbes, the conception of politics as a facere is considered, as well as the role of emotions, which are here linked with the biographies of those two authors . The author applies B. Williams’ distinction between red and white emotions, following A. Margalit. This tool is used in order to clarify some political theories in Leviathan and in Scienza Nuova.KEYWORDS: Vico, New Science, Hobbes, Leviathan, emotions, fear, shame, political philosophy. (shrink)

Ratio Juris, Volume 35, Issue 1, Page 30-37, March 2022.

Abstract“Equality” is a notion about which disagreement arises not simply due to lack of clarity and precision (or intellectual dishonesty and bad faith). Rather, equality is an idea that implies and implicates some form of disagreement as a constitutive possibility of its horizon of discussion. This, in my view, is both a problem and an opportunity. I submit that equality is a plural notion: There are only equalities, practices aimed at removing situated circumstances of inequality and discrimination.

The subject of this paper is the relationship between marriage and equality in Giambattista Vico. In his writings Vico gives the notion of marriage a unique importance, not framed on any oversized notion of nature or natural law but on the political fight for the right to marry (a quest for full citizenship status). The right to marry is linked with complex dynamics of human equality, and to a notion of human nature shaped by belief-dependent institutions.

If speaking of justice were the same thing as banging on the table, then normative discourse could not be taken seriously. The aim of this paper, however, is to vindicate the meaningfulness, and rationality, of normative discourse, and to outline its conditions of possibility. Normative discourse can be understood as if there were, in its structure, different “stages,” or layers. In the transition from one stage to the next, complexity increases. Thus, I shall depict the emergence of normative discourse as (...) a kind of genetic process. (shrink)