The Stoa might be not the first philosophical school that comes to mind when considering the most important ancient contributions to aesthetics, yet multiple extant fragments show that the Stoics had a non-marginal theoretical interest in aesthetic properties. Probably the most important piece of evidence for the Stoic attempts to theorize beauty is the definition of beauty as summetria of parts with each other and with the whole. In the first half of this article, I present and analyse the main (...) evidence for this definition. Then I discuss Plotinus' critique of the definition and argue that it contains some pertinent remarks that, with support of additional evidence, lead to the conclusion that the Stoics conceptualized aesthetic properties as supervening on functional composition. (shrink)

Apeiron Issue: Ahead of print. This paper is dedicated to exploring the alleged difference between Cleanthes’ and Chrysippus’ accounts of the post-mortal survival of the souls and the conceptions of personal identity that these accounts underpin. I argue that while Cleanthes conceptualised the personal identity as grounded in the rational soul, Chrysippus conceptualised it as an embodied rational soul. I also suggest that this difference between the two early Stoics might have been due to Chrysippus' metaphysical commitments arising from his (...) response to the Growing Argument put forth by the Academics rather than the critique of his teacher. (shrink)

In this paper, I argue that Bryson’s Oikonomikos is a fascinating example of the oikonomia genre in several different respects. Although the problematic transmission of this Neopythagorean text makes studying it a challenge, such effort is well-rewarded with an elaborate argument which paints the human bodily constitution, the central bodily functions and oikonomic activities as intrinsically linked. Focusing on Bryson’s argument which roots oikonomic behaviour in human biology, I explore the underlying conceptualisation of human nature and contextualise it within relevant (...) philosophical and scientific traditions. (shrink)

This entry is a comprehensive study of ancient Greek and Roman aesthetic theories. The history of ancient aesthetics covers centuries, and during this time numerous nuanced arguments and positions were developed. In terms of theories of beauty it is possible to classify the theories into three distinct groups: those that attribute the origin of beauty to proportion, those that attribute it to functionality and those that attribute the Form as the cause of beauty. Ancient philosophers were also the authors of (...) some of the more notable concepts in the philosophy of art. The notions of catharsis, sublimity and mimesis originated in antiquity and have played a role in aesthetics ever since then. (shrink)

Aiste Čelkyte shows us that Stoic views about beauty were substantial and compelling.

A free copy of the review can be obtained by following this link: -/- http://www.tandfonline.com/eprint/pKdJUN4BCKP7z8SneF6X/full .