Zeno of Citium

This paper attempts to reconstruct the views of the Stoic Posidonius on the emotions, especially as presented by Galen’s On the Doctrines of Hippocrates and Plato. This is a well-studied area, and many views have been developed over the last few decades. It is also significant that the reliability of Galen’s account is openly at issue. Yet it is not clear that the interpretative possibilities have been fully demarcated. Here I develop Galen’s claim that Posidonius accepted a persistent, non-rational aspect (...) of the soul that he connects with the merely animal part of humans. The aim is to begin from this testimony in answering two questions: (1) How might the possession of a non-rational element of the soul operate alongside the hêgemonikon (leading-part of the soul) as a source of impulse for Posidonius. (2) How does this persistent animal aspect conform to the Stoic ontological classification found in their scala naturae? I shall argue in response to these that (a) Posidonius distinguished the merely cognitive aspects of the soul from those that are rational, and (b) that the hêgemonikon itself is not to be identified with what is rational. Accepting a persistent non-rational source of emotional impulses allows Posidonius a richer framework for explaining human affective responses and behaviours. I also briefly address Galen’s motivation for the account he offers. It is in view of Posidonius’ approach to Plato’s Timaeus that Galen’s discussion finds its most plausible interpretation. (shrink)

Disney’s Frozen (2013) and Frozen 2 (2019) are among the highest-grossing films of all time (IMDb 2021) and are arguably among the most influential works of fantasy produced in the last decade in any medium. The films, based loosely on Hans Christensen Andersen’s “The Snow Queen” (Andersen 2014) focus on the adventures of the sisters Anna and Elsa as they, together with their companions, seek to safeguard their people both from external threats and (importantly) from Elsa’s inabilities to control her (...) magical abilities to summon ice and snow. While Anna’s choices drive much of the action of both films, Elsa has undoubtedly been the more influential and popular of the two characters, as indicated by measures such as merchandise sales (Ellen Byron and Paul Ziobro 2014), Google search data (Play Like Mum 2020), and even baby name choices (Wolfers 2015). -/- Despite her popularity, Elsa is in many ways a paradoxical sort of hero, as she finds her actions all but predetermined by both external and internal forces. This is particularly the case in the first film, where we meet an Elsa who has been born with a power she cannot control, and which appears more as a force of nature than as anything that “belongs” to Elsa. The film’s action is driven, in large part, precisely by Elsa’s failures to exert control over her emotions and abilities. She begins the film by accidentally injuring Anna. This, in turn, causes Elsa to become fearful and withdrawn and to isolate herself from her sister, even after their parents die on a quest to find a cure for Elsa. Elsa's fear and lack of control lead to an even more dire outcome when she inadvertently calls down winter on Arendelle and abandons her people for the mountains. It is only through Anna's devoted quest to rescue her sister, first by pursuing her to the mountains, and later by throwing herself in front of the villainous Hans’ sword attack on her sister, that Elsa (and Arendelle) are saved. Elsa's most active contribution to this is to appreciate the import of Anna's sacrifice and to discover the power of "love" to overcome her fear. -/- What then, are we to make of Elsa as a character? It is the younger sister Anna who corresponds most closely to Gerda, the unquestioned protagonist of Andersen’s original tale, and her character arc fits neatly with the well-known “Hero’s Journey” model for describing myth (Campbell 2020). It is Anna, for example, who goes on a quest, meets a group of motley companions (the human Kristoff, the reindeer Sven, and the magical snowman Olaf), accepts advice from wise elders (the trolls), undergoes a severe trial, and even gets the "reward" of romantic love at the end. All of this has led some scholars (Niemiec and Bretherton 2015; Heit 2019) to hold up Anna, rather than Elsa, as something like the hero of the story. Existing scholarship on Elsa, by contrast, has focused largely on issues related to her gender and sexuality (Law 2014; Lee 2015; Steinhoff 2017; Streiff and Dundes 2017; Dundes, Streiff, and Streiff 2018; Dundes 2020; Llompart and Brugué 2020). In what follows, I’ll be taking a closer look at Elsa’s unique status as a protagonist, and what her struggles with fate reveal about the nature of free will and ethical responsibility. I’ll argue that Elsa provides a useful model of a “Stoic hero” and that her strengths and weaknesses as a character provide valuable insight into an often-misunderstood school of philosophy. My argument will proceed in several stages. I’ll begin by describing the basic tenets of Stoic philosophy, paying special attention to the role of fate and nature. I’ll then move on to a more detailed treatment of Stoic ethics, as exemplified by Elsa’s own character development. I’ll close by considering the infamous “Lazy Argument” against. (shrink)

Aiste Čelkyte shows us that Stoic views about beauty were substantial and compelling.

The focus of this paper is the dispute between the Academic Arcesilaus of Pitane (ca. 316–240 BC) and the philosophy of Zeno of Citium. Scholars typically claim that Arcesilaus set out to attack Zeno’s epistemology or theory of knowledge. The framework of epistemology prevails in the modern reconstruction of Arcesilaus’s arguments. Proponents of this framework usually contend that the epistemic possibility of Stoic “cognition” or “apprehension” (κατάληψις) is the principal aim of Arcesilaus’s attack. The aim of this article is to (...) contest the limited scope of the framework of epistemology in the interpretation of Arcesilaus’s attack, and reposition his critical arguments, in view of the fragmentary evidence, within the framework of an ontology of knowledge. (shrink)

Recent scholarship on Stoic political thought has sought to explain the relationship between Zeno’s Republic and the concept of a natural law regulating a cosmic city of gods and human beings that is attributed to later Stoics. This paper provides a reassessment of this relationship by exploring the underappreciated influence of Plato’s Laws on Zeno’s Republic and, through Zeno, on the subsequent Stoic tradition. Zeno’s attempt to remove perceived inconsistencies in Plato’s treatment of ‘law’ and ‘nature’ established a philosophical framework (...) that overturned the republicanism of Plato and Aristotle; this same framework established the preconditions for the cosmic city of gods and human beings regulated by natural law. Thus, the early Stoic tradition on the topic of natural law is characterized by continuity rather than by discontinuity. (shrink)

Modern accounts of Stoic politics have attributed to Zeno the ideal of an isolated community of sages and to later Stoics such as Seneca a cosmopolitan utopia transcending all traditional States. By returning to the Cynic background to both Zeno's Republic and the Cosmopolitan tradition, this paper argues that the distance between the two is not as great as is often supposed. This account, it is argued, is more plausible than trying to offer a developmental explanation of the supposed transformation (...) in Stoic political thought from isolated community to cosmopolitan utopia. (shrink)

The present study partly supports, partly corrects, and partly complements recent discussions of Arius Didymus fr. 23 and fr. 25 Diels, Aetius I, 20, 1 and Sextus Empiricus AM X, 3-4 = PH III, 124. It proposes a comprehensive interpretation of the first text (A.I), defends the attribution of its content to Zeno of Citium (A.II), interprets the Stoic definitions of space, place and void to be found in the other sources (B.I) and again vindicates the attribution of the core (...) definitions to Zeno (B.II). The central methodological principle is the presumption of innocence for sources.The main conclusions of (A) are: 1. Arius Didymus' fr. 23 deals only with the coherence and the structure of the cosmos, not with its immobility; 2. The coherence of the cosmos, as that of any object, is determined by its hexis which pushes its parts towards its centre; 3. The structure of the cosmos, its stratification into the four concentric spheres of the elements, is determined by the combined effect of (a) the thrust downwards they all undergo from the cosmos' hexis; (b) their own natural weight or lightness and (c) the relative quantitative values of these weights or lightnesses; 4. The reasons adduced against Zeno's authorship are not based on the evidence but on the now prevalent disparaging sceptical approach towards Stobaeus' way of excerpting from Arius.The main conclusions of (B) are: 1. There is no deep contradiction between the various de finitions of space ascribed by our sources to Zeno, Chrysippus and the Stoics in general: what Chrysippus denied was the form of the de finition attributed to Zeno by Aetius, not the concept de fined, even though this form seems to have prevailed later in the school; 2. There is no good reason therefore to question its ascription to Zeno as some modern researchers have done; 3. Here again the error is due to a predominantly sceptical approach towards the reliability of our sources. (shrink)

The paper gives an overall view of the history of the Stoa and its main achievements.

The formula 'the elements of logos' in the Zeno quotation by Epictetus at Arrian, Diss. 4.8.12 need not, pace e.g. von Arnim, pertain to the parts of speech, but more probably means the elements i.e. primary theorems of philosophical theory, or doctrine. Theory moreover should become internalized to the soul and 'lived': philosophy is also the so-called 'art of life'. These theorems are to be distinguished but should reciprocally entail each other. Philosophy according to Zeno is both tripartite and one, (...) and tripartite especially in that its parts (and subparts) cannot be transferred simultaneously: of necessity these have to taught and learned one after the other. (shrink)

According to a report in Athenaeus , the qualities of Erosled the Stoic Zeno to make him the tutelary god of his ideal state:Pontianus said that Zeno of Citium took Eros to be the god of love and freedom, and even the provider of concord, but nothing else. This is why he said in his Republic that Eros was the god who contributed to the safety of the city.

In a recent discussion note1 C. D. C. Reeve investigates the reasons for Heraclitus assigning a primary position to fire, as contrasted with the other substances like earth and water which go to make up the physical universe. Reeve considers and rejects other reasons for the primacy of fire that have been put forward, such as the symbolic associations of fire, the role of fire in governing the universe, or the claim that everything becomes fire at some time or other. (...) Rather, Reeve argues, the primacy of fire in Heraclitus' physical theory can be explained purely in terms of that physical theory. (shrink)

The series was founded in 1896. it is dedicated to rare Greek and Latin texts together with translations and commentaries, as well as detailed introductions, so rendering them more accessible to a broader readership. Since 2000 the series has concentrated on "Homer's Iliad. A full commentary", presenting the text of the Iliad, a translation and a commentary in German. Since January 2007, the series is being published by de Gruyter. For backlist titles please visit http: //www.saur.de/index.cfm?lang=EN&ID=0000007757.

Cynicism is a unique philosophy. You could even say that they took their principles a little too far, perhaps. Diogenes' core idea was that Man should live in accordance with nature, as simply as possible. He along with his students were missionaries of a sort, traveling city-to-city preaching about the life of simplicity. To Diogenes, material things like money and lavish accessories corrupted nature. Not only did he despise concrete things, but he also disapproved of social conventions. Like every philosopher (...) in the Hellenistic period, Diogenes believed that virtue was the highest good. Virtue was the rejection of desires and the pursuit of goods earned by the individual, according to Diogenes. What he meant by goods earned by the individual was that things granted by other people and nature happen purely by chance. Diogenes said that everything we own should come from ourselves: confidence, happiness, et cetera. Diogenes said that everything we own should come from ourselves: confidence, happiness, et cetera. Two of the key principles of Cynicism were freedom (eleutheria, ελευθερια) and free speech (parrhesia, παρρησια). To be a Cynic, you must be free from society's and life's constraints and you must also speak without fear. Desires of wealth and reputation were unnatural and made us less human, property and social classes dehumanized us, and conventional, man-made norms limited our freedom. (shrink)