Article published in Progress in Human Geography, Aug 2017. This is a pre-publication version of the article ; please see early online version at publisher website for final version.: This article examines rhythmanalysis within the context of Henri Lefebvre's critique of everyday life and identifies gaps in his framework from the vantage point of intersectional feminist scholarship. Intersectional rhythmanalysis, I argue, provides a framework - Géographie – Nouvel article.

This book sets up ‘rhythmanalysis’ as an innovative methodology for theorizing and practicing cultural historical research.

The translation of Rudolf Bode’s Rhythm and its Importance for Education and Rudolf Laban’s ‘Eurhythmy and kakorhythmy in art and education’ aims at unearthing rhythm-related discourses in the Germany of the 1920s. If for most of the English-speaking world the translation of Henri Lefebvre’s Rhythmanalysis: Space, Time and Everyday Life marks the moment in which rhythm descends into the theoretical arena, these texts, seen in their connection with other sources, express, instead, the degree to which rhythm was omnipresent in (...) philosophical, artistic, socio-economical and psychological discourses at the turn of the 20th century. Some commentators, such as Lubkoll, have recently highlighted the centrality of rhythm in Modernity, lamenting a lack of scholarship focusing on this phenomenon. This is arguably due to a lack of access to sources accentuated by the language barrier; if, indeed, the ‘rhythmanalysis’ of the turn of the century is not an exclusively Teutonic phenomenon, it is also true that a copious amount of material on rhythm of this period is written in German and remains untranslated. In this sense, then, this translation aims at contributing to the project of a cultural history of rhythm. (shrink)

This article was first published in City, Territory and Architecture, volume 5, Article number : 4 under the terms of the Creative Commons Attribution 4.0 International License. We thank the authors for the permission to republish it here.: The recent, rich scholarship on rhythms, following in the wake of Lefebvre's book Éléments de rythmanalyse, proves that rhythmanalysis is an important sensitising notion and research technique. Despite its increasing recognition, - Urbanisme – Nouvel article.

This paper has already been published in the Proceedings of the International Conference Urban Design Research : Method and Application, held at Birmingham City University — 3 - 4 December 2009. Edited by Mohsen Aboutorabi & Andreas Wesener.: In his last project the French philosopher Henri Lefebvre aimed to develop rhythmanalysis. This was an attempt to understand the pulse and life of the city combining the strengths of the overview of the urban choreography as seen from a - Urbanisme (...) – Nouvel article. (shrink)

Research on skateboarding has sought to define it, place it in a spatial-temporal schema, and analyse its social and cultural dimensions. We expand upon skateboarding’s relationship with time using the Marxist theorist Henri Lefebvre’s temporal science of Rhythmanalysis. With the disruption of urban social production of capital by the Covid-19 pandemic, we find skateboarding renewed in urban disjuncture from Capitalism and argue that this separation is central to its performance and culture. We propose that skateboarding is arrhythmic: discordant, out (...) of step, and disruptive of the more predictable rhythms of everyday production of capital. Drawing on Lefebvre’s concept of ‘arrhythmia’, we attempt re-conceive a beat and tempo of skateboarding: offbeat, juxtaposed, tilted, and contradictory. We emphasise that this discordance is not a malady but part of a broader beat ontology in skateboarding. This very discordance also raises questions about the continued incorporation of skateboarding into competitive sports, wellbeing, and prosocial paradigms and reminds theorists that skateboarding continues to be unkempt, subversive and tacitly political. (shrink)

This text was first published in Theory, Culture & Society, May 13, 2015. For a special issue of Body & Society on ‘Rhythm, Movement, Embodiment', Paola Crespi presents two previously untranslated texts, Rudolf Bode's ‘Rhythm and its Importance for Education' and Rudolf Laban's ‘Eurhythmy and Kakorhythmy'. In the following interview she uncovers further unpublished and untranslated sources and she discusses some of the main themes of these texts in relation to the more widely known text - Danse, théâtre et spectacle (...) vivant – GALERIE – Nouvel article. (shrink)

This paper has already been published in Culture Unbound, Volume 5, 2013 : 531–549, hosted by Linköping University Electronic Press. We thank Yi Chen for the permission to republish it here.: In this paper, I will be looking at the practice of walking through the lens of rhythmanalysis. The method is brought to attention by Lefebvre's last book Rhythmanalysis in which he suggests a way of interrelating space and time ; a phenomenological inquiry hinged on the concrete - (...) Urbanisme – Nouvel article. (shrink)

This paper has already been published on Rhuthmos.eu in April 2012.: This article is based on the “experience” of a reading of Henri Lefebvre's Rhythmanalysis. The third chapter of this book deals with the observations Lefebvre made of the rhythms of the street in which he lived in Paris, Rue Rambuteau. The article first comments on the role and the meaning of rhythmanalytical observation, in order to compare it with the experience of the same street today. This attempt to (...) - Sociologie – Nouvel article. (shrink)

This paper has already been published in Policy Futures in Education, 0 1–14, 2017. It is freely available on Academia. We thank Jason Thomas Wozniak for the permission to republish it here.: Debt shapes subjectivity by rhythmically training indebted subjects. Stated slightly differently, there exists a debt dressage that produces indebted subjectivity. One of the principle aims of this article is to introduce rhythm into the debt analysis debates. Building on Henri - Sciences de l'éducation et de la formation – (...) Nouvel article. (shrink)

This paper has been published in 2015 in Environment and Planning D, 33 : p. 1080–1097. It is freely available from Copenhagen Business School. We thank the authors for the permission to reproduce it here.: This paper explores the relationship between bodily rhythms and market rhythms in two distinctly different financial market configurations, namely the open-outcry pit and present-day high-frequency trading. Drawing on Henri - Management et Business – Nouvel article.

While ostensibly a thesis on good remembering, this study combines a methodology for analysing remembering practices, and a commentary on the projected course of memory as a cultural practice. The methodology is inspired by broadly sympathetic accounts of cognition, mind, and memory as systemic: partly, though critically constituted by agents’ environment and their activities within it. This subject of these kinds of approach is variably referred to as ‘collective memory’ or ‘distributed cognition’. The active and environmental factors are called ‘supports’. (...) A consequence of the distributed or collective approach is that as the supports change, then so too do practices of memory. Not only does this warrant a context sensitive approach to the ethics of memory, it is on this basis that the thesis indicates an evolving relationship between agents and practices of memory. One way to practice good remembering is to ensure that one’s memories are truth-apt to the past. An alternative view of good remembering understands remembering as a meaning-making process. Good remembering might be conceived then as a process aimed at integrating agents’ understanding of their past with present conditions for remembering, and with expectations of the future, to encourage a kind of Aristotelian flourishing. But encouraging this flourishing would also seem to require that agents take some responsibility for the supports of memory; either maintaining them when they support good remembering, or ‘fixing’ them when they do not. This study concentrates on this requirement. To this end, a set of guiding themes are suggested for the analysis of remembering practices: object affordance ; uptake ; rhythmaticity ; and, coupling. The analytical guides do not provide a method for good remembering. Rather, they assist in the analysis of remembering practices insofar as they either support or fail to support the sorts of connections that good remembering requires. These connections are not just those between the past, present, and the future. As memory relies on external supports, the analytical guides also attend to the qualities of the connections between them, and between them and agents. The guides are selected on the basis that each one is a critical factor in the mnemonics of one or more of the four sets of environments and activities, or domains, that are examined in the study – namely: architecture; autobiographical memory; music; and, movement. The four domains share similar features and characteristics and so are not fully independent of each other. Their commonalities are the product of the close relationship between mind and space: not only does memory have an external component, but also the organisation of memory and space has similarities. Nevertheless, some commonalities can be manifested in seemingly non-spatial ways, such as ‘personalisation’. The spatiality that subtends memory, and permeates it with the rhythms it supports, is understood to support cultures of memory. Change in the spatiality of mind produces changes in the drawing of connections in remembering, and thus in the qualities of memory. The final part of the thesis suggests that the examples in the four domains, as well as the current spatiality of memory itself, which is interested in tracking the movements of things and their trajectories more generally, supports a culture of memory that is increasingly oriented to the future. This is not to say that a concern for ‘the future’ is the key to addressing all bad remembering. In more general terms, it is by attending to the rhythms of a mnemonic practice that agents are best positioned to take a critical approach to their remembering. (shrink)

This paper is an updated version of a paper that was first presented at the Creative Adjacencies - New Challenges for Architecture, Design and Urbanism Conference, held 3-6 June 2014 at the KU Leuven Faculty of Architecture, Campus Sint-Lucas Gent. It has already been published in Žindžiuvienė IE., Spatiality and Temporality : An Interdisciplinary Approach. Poland : IRF Press. ISBN : 978-83-943632-1-5. We thank Koen De Wandeler for the permission to republish it here.- Urbanisme – Nouvel article.

Previous chapter The Recent Transformation of Rhythmanalysis into an Observation Technique As we can see, a significant number of elements of rhythmanalysis had already been outlined in the 1970s. This should be emphasized because it provides a better understanding of its strengths but also of its weaknesses. But before looking into Lefebvre's last book published posthumously in 1992, we need to consider its transformation into a sheer empirical method that has accompanied its recent - Sociologie – Nouvel article.

Previous chapter The Recent Transformation of Rhythmanalysis into an Observation Technique As we can see, a significant number of elements of rhythmanalysis had already been outlined in the 1970s. This should be emphasized because it provides a better understanding of its strengths but also of its weaknesses. But before looking into Lefebvre's last book published posthumously in 1992, we need to consider its transformation into a sheer empirical method that has accompanied its recent - Sociologie – Nouvel article.

When he reached his late fifties, Henri Lefebvre's life took a remarkable turn: in 1958, he was expelled from the French Communist Party, after thirty years being a committed member. He then became close to the Situationists, and finally was chosen as a mentor by the French students who launched the rebellion movement in 1968 at the University of Nanterre, where he had been appointed in 1965. Naturally, his thought followed a similar pattern. His kind of Marxism became more and (...) - Sociologie – Nouvel article. (shrink)

When he reached his late fifties, Henri Lefebvre's life took a remarkable turn: in 1958, he was expelled from the French Communist Party, after thirty years having been a committed member. He then became close to the Situationists, and finally was chosen as a mentor by the French students who launched the rebellion movement in 1968 at the University of Nanterre, where he had been appointed in 1965. Naturally, his thought followed a similar pattern. His kind of Marxism became more (...) - Sociologie – Nouvel article. (shrink)

This article has already been published in, and is available in open access from Time and Society, 0, 2017, pp. 1-29. We thank Stanley Blue for his permission to republish it here.: The practice turn in social theory has renewed interest in conceptualising the temporal organisation of social life as a way of explaining contemporary patterns of living and consuming. As a result, the interest to develop analyses of time in both practice theories and practice theory-based - Sur le concept (...) de rythme. (shrink)

Name der Zeitschrift: Semiotica Jahrgang: 2016 Heft: 210 Seiten: 1-34.

This introduction charts several of rhythm's various returns as a way of laying out the theoretical and methodological field in which the articles of this special issue find their place. While Henri Lefebvre’s rhythmanalysis is perhaps familiar to many, rhythm has appeared in a wide repertoire of guises, in many disciplines over the decades and indeed the centuries. This introduction attends to the particular roles of rhythm in the formation of modernity ranging from the processes of industrialization and the (...) proliferation of new media technologies to film and literary aesthetics as well as conceptualizations of human psychology, social behaviour and physiology. These are some of the historical antecedents to the contemporary understandings of rhythm within body studies to which most of the contributions to this issue are devoted. In this respect, the introduction outlines recent approaches to rhythm as vibration, a force of the virtual, and an intensive excess outside consciousness. (shrink)

In an example of Enlightenment ‘engaged research' and public intellectual practice, Euler established the basis of topology and graph theory through his solution to the puzzle of whether a stroll around the seven bridges of 18th-century Königsberg was possible without having to cross any given bridge twice. This ‘Manifesto' argues that, born in a form of cultural studies, topology offers 21st-century researchers a model for mapping the dynamics of time as well as space, allowing the rigorous description of events, situations, (...) changing cultural formations and social spatializations. Law and Mol's network spaces, Serre's folded time, Massey’s ‘power geometries’, Lefebvre's ‘production of space’ and ‘rhythmanalysis’ can be developed through a cultural topological sensitivity that allows time to be understood as not only progressive but cyclical, relationships and the ‘reach’ of power can be understood through ‘knots', and a topology of experience to model the ‘plushness of the Real' via extra- and over-dimensioned time-spaces that capture nuance while drawing on systematic conceptual resources. (shrink)

The purpose of this article is to explore the concept of rhythm as enabling relations and thus as an appropriate mode of analysis for digital sound art installation. In particular, the article argues for a rhythmanalysis of the sonic event as a ‘vibrating sensation’ (Deleuze and Guattari) that incorporates the virtual without necessarily actualizing it. Picking up on notions such as rhythm, time, affect, and event, particularly through their discussion in relation to Susanne Langer’s work, I argue for the (...) consideration of the sonic event as an instance of a different kind of temporality subsisting underneath clock-time and sense perception. Ultimately, and this is the position of this essay, an investigation into experimental projects that interweave digital, sound, and aesthetic dimensions enables the articulation of a rhythmic time that helps account for the unknown, indeterminate, and unintentional forces immanent to the sonic. (shrink)

This paper contributes to non-ocularcentric theory and theorizing by way of a methodological application and extension of Henri Lefebvre’s Rhythmanalysis. It explores the cultural dynamics of echoes and history, using as an instrumental case study Steve Reich’s 1966 tape-loop composition, Come Out, to elucidate the ambivalent and contradictory relations of time, temporality, and possibility. While the focus is primarily on the text of Come Out and its context of police brutality and civil rights, it moreover contributes to an enriched (...) and historically grounded understanding of rhythmanalysis while engaging with rhythmanalysis as a methodology, based on the expanded conception of echoes proposed. (shrink)

The French Marxist philosopher and sociologist Henri Lefebvre meditates on the relationship between jouissance, space, and architecture. Commissioned as a part of a study on tourist new towns in Spain, the book identifies spaces devoted to pleasure, enjoyment, sensuality, and desire as sites where the possibilities for a society moving beyond Fordism are manifested. In order to study these possibilities, architecture needs to be redefined as a mode of imagination rather than being restricted to a specialized practice or a collection (...) of monuments. Taking the practices of habitation as the starting point of the inquiry, Toward an Architecture of Enjoyment is understood as a production of space on all scales, from the domestic interiors, through urban spaces, to landscapes. Extending the focus of the book from “architecture” to “space of jouissance” within a transdicisplinary perspective, Lefebvre opens the discussion towards questions of subversive spaces, rhythmanalysis of the body, and pedagogy of senses. He proposes a Marxist take of architecture different from and alternative to the voice of Manfredo Tafuri, which since then has dominated critical architectural theory and history. Toward an Architecture of Enjoyment not only fundamentally changes our view on French and international architecture culture after 1968 but it gives new impulses for today’s debates about architecture and the urban society. (shrink)

Although long forgotten, the sociology of Gabriel Tarde has suddenly re-emerged. This article backs up the renewed interest in Tarde in four ways. First, drawing upon the systems theory of Niklas Luhmann, it demonstrates that the usual critique of Tarde is false: Tarde’s theory of imitation is not trapped in any kind of psychologism but is, indeed, a pure sociology. Against this background, the second part of the article argues that the notion of imitation is closely tied to urbanity, which (...) brings Tarde close to the spatial turn of social thought. While Tarde’s work thus seems compatible with contemporary sociological currents, it also transcends what is presently discussed. The third part of the article therefore examines Tarde’s analysis of urban crowds, as the crowd demonstrates the paradoxical nature of the social. Finally, drawing upon Henri Lefebvre, the article outlines the contours of a particular, contemporary Tardean analysis of imitations. More specifically, the suggestion is to add a more explicitly structural dimension to Tarde’s work, which, it is argued, may be accomplished by pursuing a rhythmanalysis. The rhythmanalysis enables one to bring together Tarde’s focus on imitation, urbanity and crowds. (shrink)

To date, research examining the socio-spatial effects of smart city technologies have charted how they are reconfiguring the production of space, spatiality and mobility, and how urban space is governed, but have paid little attention to how the temporality of cities is being reshaped by systems and infrastructure that capture, process and act on real-time data. In this article, we map out the ways in which city-scale Internet of Things infrastructures, and their associated networks of sensors, meters, transponders, actuators and (...) algorithms, are used to measure, monitor and regulate the polymorphic temporal rhythms of urban life. Drawing on Lefebvre, and subsequent research, we employ rhythmanalysis in conjunction with Miyazaki’s notion of ‘algorhythm’ and nascent work on algorithmic governance, to develop a concept of ‘algorhythmic governance’. We then use this framing to make sense of two empirical case studies: a traffic management system and sound monitoring and modelling. Our analysis reveals: how smart city technologies computationally perform rhythmanalysis and undertake rhythm-making that intervenes in space-time processes; distinct forms of algorhythmic governance, varying on the basis of adaptiveness, immediacy of action, and whether humans are in-, on-, or, off-the-loop; and a number of factors that shape how algorhythmic governance works in practice. (shrink)

This article proposes that the propagation of vibrations could serve as a better model for understanding the transmission of affect than the flow, circulation or movement of bodies by which it is most often theorized. The vibrations (or idiomatically ‘vibes’) among the sound system audience (or ‘crowd’) on a night out on the dancehall scene in Kingston, Jamaica, provide an example. Counting the repeating frequencies of these vibrations in a methodology inspired by Lefebvre’s rhythmanalysis results in a Frequency Spectrogram. (...) This ranges from the sociocultural frequencies of nightly, weekly and seasonal cycles and circulations of musical style and fashion, to the material frequencies of the amplitudes and timbres of sound itself, with reggae’s signature low-pitched bass-line, to the corporeal frequencies of the flesh and blood of the dancehall ‘crowd’, pulsating with heartbeats and kinetic dance rhythms. The vibration model then addresses the intensities of affect in terms of auditory amplitudes, as with sonic dominance; feelings as frequencies; and the distinctive meaning of affect as timbre. This aims to encourage the radical impulse of the idea of affect to abandon the traditional envelope of the autonomous, self-consistent, rational individual. The meaning of affect is thus located in the ratio, proportions and patterning of vibrations, that is, outside the discourse of emotions or representation of feelings. (shrink)

In this article I propose to reframe debates about ideals of emotion in medicine, abandoning the current binary setup of this debate as one between ‘clinical detachment’ and empathy. Inspired by observations from my own field work and drawing on Sky Gross’ anthropological work on rituals of practice as well as Henri Lefebvre’s notion of rhythm, I propose that the normative drive of clinical practice can be better understood through the notion of attunement. In this framework individual types of emotions (...) are not, as such, appropriate or inappropriate, but are evaluated depending on their synchronicity with the specific rhythms of the practice. To set up this proposal, I show how typical arguments about emotions in medicine—what I call emotion-entity focused frameworks—are insufficient. I then draw on ethnographic observations from two orthopaedic departments and interviews with medical practitioners to show (1) how clinical practice is driven by rhythmicity, shaped in the case of orthopaedic surgery by a clinical aim of efficient, controlled intervention, and (2) how clinicians continuously refer to this drive and the flow of rhythms when evaluating inappropriate or problematic emotion. I argue that the use of a rhythm framework rather than ideals of detachment or empathy allows for a sensitivity to the complexity and situation-dependent elements of emotional ideals in clinical practice; and I end by proposing the term ‘attuned concern’—which stresses the importance of regulation and adjustment to circumstances rather than of maintaining a constant distance/involvement—as a more fitting alternative to ‘clinical detachment’. (shrink)

Rudolf Bode’s text Rhythm and its Importance for Education (published by Eugen Diederich, Jena, 1920) has both a theoretical and a practical aim: to clarify the nature of the rhythm phenomenon in order to lay down the foundations of ‘Rhythmic Gymnastics’. Bode engages with the work of his contemporaries, such as Emile Jaques-Dalcroze, Karl Buecher and Ludwig Klages, and comes to identify rhythm with a continuum devoid of rationality. The text is unique in its ability to meaningfully connect such diverse (...) fields as philosophy, gymnastics, anthropology and politics and shows, in this way, the potential of ‘rhythmanalysis’. (shrink)

The COVID-19 pandemic has foregrounded the significance of time to everyday life, as the routines, pace, and speed of social relations were widely reconfigured. This article uses rhythm as an object and tool of inquiry to make sense of spatio-temporal change. We analyse the Mass Observation (MO) directive we co-commissioned on ‘COVID-19 and Time’, where volunteer writers reflect on whether and how time was made, experienced, and imagined differently during the early stages of the pandemic in the UK. We draw (...) on Henri Lefebvre and Catherine Régulier's ‘rhythmanalysis’, taking up their theorisation of rhythm as linear and cyclical and their concepts of arrhythmia (discordant rhythms) and eurhythmia (harmonious rhythms). Our analysis highlights how MO writers articulate (a) the ruptures to their everyday rhythms across time and space, (b) their experience of ‘blurred’ or ‘merged’ time as everyday rhythms are dissolved and the pace of time is intensified or slowed, and (c) the remaking of rhythms through new practices or devices and attunements to nature. We show how rhythm enables a consideration of the spatio-temporal textures of everyday life, including their unevenness, variation, and difference. The article thus contributes to and expands recent scholarship on the social life of time, rhythm and rhythmanalysis, everyday life, and MO. (shrink)

This study explores the concept of rhythm and the relation of rhythm to the environment. Rhythm is not conceived of simply as a linear sequence of beats and pauses, but as a formative dynamic principle operating in all living systems. Following the rhythmanalysis of H. Levebvre and C. Regulier, phenomenological analyses of rhythm in Schutz and Richir, and a deleuzian processual approach to rhythm and milieu, this study attempts to address rhythm in terms of polyrhythmic bundles, which may be (...) in states of eurhythmia or arrhythmia. Specifically, the study focuses on three types of polyrhythmic arrangements – individual organism, garden, and city, on which it shows several types of rhythmic formations and rhythmic principles, whose interplay or discrepancy determines the formation of distinct types of living environment. (shrink)

This article focuses on urban space and heritage. Our aim is to understand how ordinary streets in Perth respond to urban change and how much these urban streets represent Western Australia’s heritage. The intention is to eschew the dominant branding of WA as Australia’s mining state and shift the spotlight so that in addition to the economic and material, light is also shed on the socio-cultural in the everyday and the vernacular. This project uses Henri Lefebvre’s rhythmanalysis approach to (...) explore a contrapuntal reading of heritage that disrupts the deserving, dominant and fixed histories of High Road in Willetton and High Street in Fremantle. Amid the tides of migration, commerce, and cultures, heritage facades on High Street Fremantle appear singular and fixed, whereas multiple cultures have been extracted for sale on High Road. Superficially High Road seems diverse, but the overarching impulse across both sites is commerce – ‘Business as usual’ reigns. (shrink)

In this paper I will explore a phenomenology of the menstrual cycle, focusing on the cycle’s rhythm as a form of lived temporality. Drawing on the work of Henri Lefebvre and Thomas Fuchs I will outline a key connection between embodiment and rhythmic temporality more generally, before applying this analysis to the rhythm of the menstrual cycle specifically. I will consider the phenomenology of the experience of cycling through the phases of pre-ovulation, ovulation, pre-menstruation and menstruation as a pattern, or (...) specifically an embodied rhythm that constitutes a form of lived temporality. I will consider a way that the subject may potentially be alienated from this rhythm as a result of a dominant cultural narrative of “linear time”. I will argue further that this dissonance between the menstrual body and the contemporary world tends to be compounded by a lack of “menstrual literacy” in education and culture. (shrink)

Seasonal and historical transformations of ice and permafrost suggest that the Mackenzie Delta in Arctic Canada can be understood as a solid fluid. The concerns and practices of delta inhabitants show that fluidity and solidity remain important attributes in a solid fluid delta. They are significant not as exclusive properties, but as relational qualities, in the context of particular human projects and activities. Indigenous philosophies of ‘the land’ and Henri Lefebvre’s notion of ‘tempo’ in Rhythmanalysis: Space, Time and Everyday (...) Life (2004) may help to illustrate the predicament of living in a world that is solid and fluid rhythmically, and in relation to particular practices. Economic, political, sociocultural and physical transformations can all be experienced as both solid and fluid, depending on the degree to which they resonate with people’s purposes. In a world where everything seems to be changed and changing, solidity and fluidity may best be seen as indications of relative differences in tempo. (shrink)

Colonisée par les activités du jour, les nuits urbaines se transforment. L’article propose d’explorer ce front pionnier autour des notions de conquête, de conflit, de discontinuité et de mouvement. La métaphore permet de dresser une géographie de l’archipel nocturne et de repérer les limites spatiales, temporelles et temporaires de la nuit espace vécu, éphémère et cyclique.As they become colonised by daytime activities, the nature of city nights is changing. In this article, we explore city nights as a pioneer front, in (...) terms of conquest, conflict, discontinuity and movement. Through this metaphor, we outline the geography of a nocturnal archipelago, drawing the spatial, temporal and temporary boundaries of night as an ephemeral and cyclical space for experiencing life. (shrink)

Previous chapter Over the past fifteen years rhythm has become the object of increasing attention in social science and cultural studies, both as a subject of research and as a tool. The number of papers and books devoted to rhythmanalysis has increased exponentially, even if one excludes studies more specifically devoted to music. A fairly broad intellectual movement is taking place, which most certainly corresponds to needs motivated by the transformations of the world that we have - Vers un (...) nouveau paradigme scientifique? – Nouvel article. (shrink)

Different groups spread around an uninhabited centre = the very principles of idiorrhythmic organizations. The disciplines have closed down upon mutilated objects. Thus, closed knowledge has everywhere destroyed or hidden the solidarities, the articulations, the ecology of beings and of acts, existence! During the past fifteen years, rhythmanalysis - Vers un nouveau paradigme scientifique? – Nouvel article.

This essay explores South African artist William Kentridge’s multimedia installation The Refusal of Time, first exhibited at documenta in 2012. In the material surrounding this installation, K...

Immunity has established itself as one of the most exciting and productive conceptual lenses being used in contemporary social theory. Ulbricht’s first book demonstrates why this is the case, through using the imaginary of immunity to explicate a selection of the features of liberal multicultural theory. Influenced by the work of Italian philosopher Robert Esposito, the book traces ideas of tolerance, consensus and rights as they appear across a selection of liberal theoretical interventions. After engaging with an impressive swathe of (...) literature throughout his book, Ulbricht’s critical arrival point is an exciting use of Lefebvrian rhythmanalysis in a bid to supplant universal theories of multiculturalism with a recognition of multiculturalism as an intensely local and ad hoc human experience. (shrink)

This presentation was made in the Seminar “Rhythmanalysis : Everything You Always Wanted to Know but Were Afraid to Ask” convened by Dr Paola Crespi and Dr Sunil Manghani at Goldsmiths College on april 25, 2017 Part 1 : On Lefebvre, Foucault, Barthes, Serres, Morin, Deleuze & Guattari IMG/mp3/-3.mp3 Part 2 : On Meschonnic IMG/mp3/-4.mp3 - Vers un nouveau paradigme scientifique? – Nouvel article.