On Christian philosophy in comparison with philosophies of other religions.

Tamil Love Poetry: The Five Hundred Short Poems of the Aiṅkurunūru. By Martha Ann Selby. Translations from the Asian Classics. New York: Columbia University Press, 2011. Pp. 195 + xii. $84.50 cloth; $27.50.

On the contribution of Tamils to Indian philosophy.

Articles on philosophy of Tamil society based on Tamil literature, by a Marxist author and critic.

Illustrations: 14 B/w Illustrations Description: Tamil Siddhas hav ebeen known as iconoclastic in their writings and tendencies. Here this misunderstanding is cleared and correct knowledge of the writings is given. For the first time also, the writings is given. For the first time also, the das adiksa and gymnosophy of the Tamil Siddhas are adumberated here in a new light, which the students of the Tamil Siddhas will appreciate. The author has attempted, successfully to prove some of (...) the concepts and the Yogic practices of the Siddhas by quoting from the Upanisads and explaining them. The modern discoveries and medicla science have helped him to assert the scientific and medical qualities of the prescriptiosn of the Siddhas for perfect health and steady spiritual progress. If the world of humanity today still carried a semblance of peace and well-being. It is by the Grace and Guidance of these Elders, the Siddha Brotherhood. May their Grace continue to guide humanity is the prayer in this study. (shrink)

Lectures on Hindu philosophy; with reference to Tamil literature.

Tamil: A Biography. By David Shulman. Cambridge, Mass.: Belknap Press of Harvard University Press, 2016. Pp. xii + 402.

Study on elements of Hindu philosophy and ethics in Tamil Vaishnava and Saivite literature.

The Purūravac-cakkiravartti-katai, “The Story of Emperor Purūravas,” is a pre-modern Tamil folk telling of the ancient Urvaśī-Purūravas legend. The classical narrative of King Purūravas of the Lunar Dynasty tells about his love affair with the celestial nymph Urvaśī, their tragic separation, and final reunion. The PCK follows the classical narrative closely, but interposes a long account of other exploits of Purūravas, which do not appear in any of the Sanskrit tellings of the story. In this supplement, which I call (...) “The Tamil Life of Purūravas,” Purūravas faces a tragic chain of unavoidable events, but eventually restores his former status through meditation and devotion. A comparative examination of the two parts of the text, that is, the classical narrative and the Tamil Life, shows that the latter generates an inverted mirror image of the fundamental notions implied in the classical narrative. The outcome of this structure is a shift in the ideological tendencies of the narrative toward a local ethos and popular religious notions. The PCK is thus shown to be a field of cultural negotiations, in which opposing ideologies contend for superiority, and its structure can be regarded as a transformative mechanism applied by local and popular cultural forms to enable appropriation of classical narrative traditions. (shrink)

On philosophy and intellectual tradition of Tamils.

The writing of literary histories of Tamil literature coincided with the practice of history itself as a discipline starting in the late nineteenth century. The historiographical practices conflated Tamil literary history, religious history, as well as notions of the Tamil nation, which led to such works becoming vitally important legitimising narratives that established the claim of self-defining groups within a new Tamil modernity. The absence of such a narrative also meant the erasure of a particular group, (...) identifying itself as a caste or religious unit, or both, from Tamil history. It is in the light of these cultural and political stakes that we must view the textual and hermeneutical strategies of an old, Tamil, religious group, the Śrīvaiṣṇavas, to position themselves anew in the mid-twentieth century, in what they saw with anxiety as a Tamil, Ṡaiva Age. (shrink)

Having shown previously how a culture type can be given a unitary description in terms of a semiotic “lens” constrained by one of the Peircean Categories (“Shamanic” culture, by Firstness), we apply this methodology to a more “fine-grained” level of analysis, by comparing the Tamil and Sinhalese cultures under the assumption that one of them (Sinhalese) is in fact a “hybrid” culture-sign. Having shown in previous work that the greater South Asian microculture may be characterized as a Firstness of (...) Thirdness (13), in this paper we provide evidence from a variety of semiotic contexts, including language, art, and religion, that the novel or “intrusive” sign in Sinhalese culture is Firstness of Secondness (12), resulting in a hybrid culture sign that may be described as 12 × 13. (shrink)

Philosophy of Tamils in the context of Indian philosophy.

The writing of literary histories of Tamil literature coincided with the practice of history itself as a discipline starting in the late nineteenth century. The historiographical practices conflated Tamil literary history, religious history, as well as notions of the Tamil nation, which led to such works becoming vitally important legitimising narratives that established the claim of self-defining groups within a new Tamil modernity. The absence of such a narrative also meant the erasure of a particular group, (...) identifying itself as a caste or religious unit, or both, from Tamil history. It is in the light of these cultural and political stakes that we must view the textual and hermeneutical strategies of an old, Tamil, religious group, the Śrīvaiṣṇavas, to position themselves anew in the mid-twentieth century, in what they saw with anxiety as a Tamil, Ṡaiva Age. (shrink)

Between Preservation and Recreation: Tamil Traditions of Commentary. Edited by Eva Wilden. École Française d’Extrême-Orient Collection Indologie, vol. 109. Pondichéry: Institut Français de Pondichéry / École Française d’Extrême-Orient, 2009. Pp. xiv + 319.

Ancient Fortifications of the Tamil Country as Recorded in Eighteenth-Century French Plans. By Jean Deloche. Collection Indologie, vol. 120. Pondicherry: Institut Français De Pondichery, École Française D’Extreme-Orient, 2013. Pp. 139, 111 photos, 41 figs., 6 pls.

The Tirumantiram, believed to have been written in midfirst millennium CE, is regarded as the tenth of the twelve volumes of the Śaiva Tamil canon Paṇṇiru Tirumuṟai used in worship in Śiva temples all over Tamilnadu. The Tirumantiram is a collection of approximately 3100 verses in lucid Tamil written by Tirumūlar, regarded variously as a ŚaivaSiddhānta yogi, a nātha yogi, and a tāntric. Tirumūlar’s verses form the basis of the Tamil ŚaivaSiddhānta philosophy; they also deal with tantra (...) and yoga. Unlike other ŚaivaSiddhānta texts, the Tirumantiram elaborates on aṣṭāṅga yoga like in the yoga sūtras of Patañjali; it further goes on to describe several āsanas and prāṇāyāma in elaborate detail. Acknowledging that classical and modern scholarship on yoga have paid scant attention to the work of Tirumūlar, this essay provides an insight into Tirumūlar’s legacy. It compares the aṣṭāṇga yoga of Tirumūlar framed in the context of ŚaivaSiddhānta with the approach of Patañjali. It also shows the continuity of the Tirumūlar tradition in the framework of bhakti literature and in the context of the earlier Tamil approach to āsanas. It establishes that no narrative on yoga is complete without acknowledging the enduring contribution of Tirumūlar. (shrink)

The Jains and their texts play a key role in the literary histories of the Tamil-speaking region. However, in their modern form, dating from 1856 to the present, these histories have been written almost exclusively by non-Jains. Driving their efforts have been agendas such as cultural evolutionism, Dravidian nationalism or Śaiva devotionalism. This essay builds on ideas articulated by the contemporary Tamil theorist K. Civatampi, examining how various models of periodization have frozen the Jains in the ancient past. (...) Further, it will explore how this unfolding historical drama, which gloriously climaxes in Tamil literature, has attributed the Jains, as dramatis personae , merely a role in early Jain texts; their role as communities transmitting these texts has been ignored. In contrast to this typical pattern, this article will also introduce a literary history written in 1941 by the Jain A. Cakravarti Nāyaṉār (1880–1960). It will explore whether or not his voice, which emerged from within the same academic community contributing to the strange absence of Jains in the contemporary awareness of Tamil literary, was successful in finding another way for Jains of being heard, and for non-Jains, of listening. (shrink)