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  1.  20
    A Peircean typology of cultural prime symbols: Culture as category.Steven Bonta - 2015 - Semiotica 2015 (207):251-277.
    Name der Zeitschrift: Semiotica Jahrgang: 2015 Heft: 207 Seiten: 251-277.
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  2.  18
    The lens of firstness: Shamanic/Aboriginal culture as cosmos-sign.Steven Bonta - 2018 - Semiotica 2018 (221):143-173.
    Having identified previously the Peircean Category Firstness as the semiotic basis for Australian Aboriginal culture, this paper examines the “lens” of Firstness as it is manifest in a variety of aboriginal cultures worldwide. By studying the semiotic contours of religion, language, social organization, and art, we find systemic prioritization of Firstness in its various manifestations, across a wide range of aboriginal cultures from Australia to the Indian Subcontinent to aboriginal Siberia and the New World. Shamanic culture, despite its ethnic and (...)
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  3.  4
    The dagoba and the gopuram: A semiotic contrastive study of the Sinhalese Buddhist and Tamil Hindu cultures.Steven Bonta - 2020 - Semiotica 2020 (236-237):167-197.
    Having shown previously how a culture type can be given a unitary description in terms of a semiotic “lens” constrained by one of the Peircean Categories (“Shamanic” culture, by Firstness), we apply this methodology to a more “fine-grained” level of analysis, by comparing the Tamil and Sinhalese cultures under the assumption that one of them (Sinhalese) is in fact a “hybrid” culture-sign. Having shown in previous work that the greater South Asian microculture may be characterized as a Firstness of Thirdness (...)
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  4.  12
    Towards a semiotic theory of historico-cultural cycles: The semiotic contours of Spengler's “prime symbols”.Steven Bonta - 2014 - Semiotica 2014 (202).
    Name der Zeitschrift: Semiotica Jahrgang: 2014 Heft: 202 Seiten: 589-607.
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  5.  12
    The primordiality of representation.Steven Bonta - 2023 - Semiotica 2023 (250):191-233.
    The ontological implications of the Peircean Categories, as set forth most clearly in Peirce’s summative architectonic statement, “New Elements,” and referenced elsewhere in Peirce’s body of writings, are examined with reference to the existent or physical universe. The Peircean universal ontological Categories Firstness, Secondness, and Thirdness are shown to give rise to a cosmos that is triadic and representational in essence. This immanently representational cosmos, denominated the “Book Universe,” is shown to be evidenced by the representational contours of both the (...)
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