Sibilla Aleramo (1876-1960) est considérée en Italie et à l’étranger comme une héroïne du féminisme italien, tant pour certains épisodes de sa vie personnelle que pour son activité de journaliste et de romancière. Si ce statut d’héroïne n’est pas usurpé, il doit néanmoins beaucoup à la pratique autobiographique de Sibilla Aleramo : en (ré)écrivant son histoire dans le roman Une femme (1906), elle a construit son propre mythe, se posant comme une figure héroïque du féminisme, valorisée notamment par les féministes (...) italiennes dans les années 1970. (shrink)

The article provides a review of the book "Italian Feminist Theory and Practice: Equality and Sexual Difference", edited and published by Graziella Parati and Rebecca West in 2002.

This article describes the political practices of a part of the Italian women’s movement that, as of the 1980s, gave way to the sexual difference thought. Through a political analysis of their own experience, which removed any humanist identity assumptions, the women’s movement generated new practices and discourses. With these, women were able to exert self-criticism, and simultaneously to produce new subjectivities articulated around the sexual difference concept. The difference thought helped highlight the limits of institutional policy, renewing the (...) premises of political analysis and redefining the borders of what was deemed to be ‘political’. Intended to foster dialogue with other feminist proposals, the article underlines the situated nature of this political experience and focuses on the method, the political praxis and the process rather than the outcome, the conclusions or the theory. (shrink)

Introduction Without a leg to stand on Sandra Kemp and Paola Bono The project that became The Lonely Mirror had been to edit an international collection of ...

In 1970, the Italian feminist Carla Lonzi published her now-classic polemic urging women to “spit on Hegel”. Disregarding her advice, many subsequent feminist theorists and philosophers have engaged substantially with Hegel's thought, and a wide variety of feminist readings of Hegel have sprung up. The aim of this paper is to provide an overview of these different feminist criticisms and interpretations of Hegel. In introducing these various interpretations, I will show how they reflect a range of divergent feminist approaches (...) to the history of philosophy as a whole. My aim is not only to describe but also to evaluate these approaches, with respect to their capacity to generate insightful and productive readings of Hegel's philosophy. I shall argue that what I will call the “essentialist” feminist approach to Hegel is the most fruitful, doing most to illuminate the contours of his thought and to open up new and creative ways of reading his works.To anticipate, in surveying the various feminist interpretations of Hegel, I will classify them as reflecting four different types of feminist approach to the history of philosophy. The first, “extensionist” approach draws upon the history of philosophy for conceptual resources to understand and explain women's social situation. The second approach is more critical, tracing the pervasiveness of “masculinist” assumptions and biases in the history of philosophy. To call views “masculinist” is to say that they uphold systematic and hierarchical contrasts between masculinity and femininity, contrasts which need not be explicit but may be sustained through contrasts between other ostensibly neutral concepts which actually have tacit gender connotations. This critical approach generates an overwhelmingly negative picture of the philosophical tradition. The third, “essentialist” approach complicates this picture, recovering and highlighting the strands within historical texts which revalorise concepts or items that are given feminine connotations. These often overlooked strands oppose the dominant masculinist tendencies in texts by assigning equal importance and value to “symbolically feminine” concepts. However, proponents of the fourth, “deconstructive” approach object that essentialist readings of philosophical texts accept and reinforce patterns of gender symbolism which feminists ought to challenge. Deconstructive feminists seek to expose and exacerbate the instability within these patterns of gender symbolism by tracing how philosophical texts continuously undermine the gender contrasts present within them. (shrink)

The article explores the place of women and migrants in Italian Neorealist and New Migrant cinema, arguing that New Migrant cinema continues and reworks key Neorealist tropes and tendencies. It intends to render explicit how an ensemble of films challenge the stereotypes concerning gender, national and cultural identities. Among the figures that are scrutinized are the borgatari, extracomunitari, popolane and terrone. Its main objective is to demonstrate how the cinematic expression of these figures in Italian Neorealist and New (...) Migrant cinema enhanced the reinvention of italianità and the generalised understanding of gender. It also aims to explain why the cross-fertilisation between migration studies, urban studies and gender studies is indispensable for comprehending this reinvention. Particular emphasis is placed on the shared interest of Roberto Rossellini’s Roma città aperta and Vittorio De Sica’s Il tetto in the plight over housing and the special character of the urban landscape of Rome. The article also sheds light on certain common concerns of Italian Neorealist and New Migrant cinema, especially as far as national and gender narratives are concerned. Pivotal for the reflections developed here are the roles of Anna Magnani in Roberto Rossellini’s Roma città aperta, Luchino Visconti’s Bellissima and Pier Paolo Pasolini’s Mamma Roma. (shrink)

The burgeoning field of economic theology constitutes primarily a critical device against the Nachleben of medieval providential theology in modern economic governance. Especially Agamben has highlighted the role of the notion of oikonomia in providential and modern economic thought to promote humble acceptance in light of the problem of evil. I show how economic theology can also be a vantage point for affirmative critique. I discuss Negri’s interpretation of the Book of Job and the Italian feminist appreciation of the (...) Virgin Mary as responses to the problem of evil. Both emphasize the ineradicable potential for resistance to oikonomia in human life instead of merely lamenting humanity’s submission to God’s providential economy, like Agamben. For Negri, this potential is located in humankind’s capacity to protest against God-given evil and re-appropriate God’s potential for creating the world, while the feminists point toward the human ability to care for the vulnerable. (shrink)

Toward a Feminist Ethics of Nonviolence brings together three major feminist thinkers to discuss Cavarero's call for a postural ethics of nonviolence. The book consists of three longer essays by Cavarero, Judith Butler, and Bonnie Honig, followed by shorter responses by a range of scholars that widen the dialogue, drawing on post-Marxism, Italian feminism, and queer theory. Together, the authors contest the boundaries of their common project for a pluralistic, heterogeneous, but urgently feminist ethics of nonviolence."--Back cover.

A new feminist ideology can be outlined by examining the magazine “Lotta Continua”, official newspaper of the homonymous Italian extra-parliamentary group. Riots in factories and universities were closely reported in the magazine, which painted a society still affected by strong gender inequalities. Split between an opposition to official communism and the spontaneity of the working class conflict, women emerged from family isolation. The great achievements of the Italian feminist movement were reported according to the point of view of (...) the dissident communism. While in Italy the feminist movement was on the rise, the organisation was approaching its end, also due to its conflict with feminist protests. This paper wants to re-construct the image and the representation of left-wing feminism, in a crucial moment for the history of Italian society and communism. (shrink)

In light of John Fekete's account of the effects of radical feminism, it is difficult to characterize what is going on in Canada and, to a lesser extent, the US. Perhaps a new hybrid — petty totalitarianism — is needed to comprehend this phenomenon. It is commonplace to refer to Italian Renaissance principalities as petty absolutisms. The princes were all-powerful within their small domains. Similarly, in its elitism, ideological dogmatism, intolerance, and punitiveness, Canadian radical feminism exhibits totalitarian (...) characteristics. But this totalitarianism remains petty because of its limited range of available punitive sanctions and its narrow institutional scope. Fekete has written an important book, perhaps an indispensable one, but what he writes about is rather unpleasant. (shrink)

Cimatti and Salzani have put together a rich collection of essays on animal studies that provides an exhaustive overview of how Italian contemporary philosophers are engaging with animal ethics, antispeciesism, posthumanism, ecofeminism, and biopolitics. This edited volume represents an important development in the “animal turn” in the humanities, particularly because it is published in English, allowing for a more efficient dialogue between “Italian theory” and philosophers around the world. This is, in fact, the first collection that will give (...) an international audience access to the rich and varied contribution of Italian contemporary philosophy in the burgeoning field of animal studies. It is also important to point out that all the authors—who are either well-established erudite thinkers or bright and innovative new voices in the panorama of Italian philosophy—effectively engage with recent and prominent scholarship in the fields of animal studies, posthumanism, and biopolitics, such as the work of Zizek, Esposito, Hardt, Calarco, Braidotti, and Wolfe.The volume is clearly intended for an academic audience: professors, scholars, and graduate students studying not only philosophy, Italian studies, environmental humanities, and animal ethics, but also political science, ethology, comparative literature, art history, and religious studies. In addition, the book could also find an audience in animal rights and environmental activists who are interested in the philosophical aspects and ethical and political implications of their actions.The division of the book into three sections (“Animality in the Italian Tradition,” “Animality in Perspective,” and “Fragments of a Contemporary Debate”) provides the reader a clear trajectory from the Italian philosophical tradition to the current debate on “animality.” In the first section, in fact, the authors engage with the rich and complex tradition of both Italian animal philosophy and advocacy. In the three essays that make up this section, the authors provide a compelling historical perspective of the anti-Cartesian and antidualistic aspects of Italian thought, tracing its pre-Cartesian origin and post-Cartesian developments through the work of Francis of Assisi, Dante Alighieri, Giordano Bruno, Giambattista Vico, and Giacomo Leopardi, among others. This section also includes essays outlining the development of animal bioethics in Italy, which emerged from the work of animal advocacy pioneer Aldo Capitini and continued to have an important impact on Italian culture thanks to the antispeciesist movement and debate, of which the third essay of this section provides an exhaustive intellectual history.The second section of the volume, comprised of six essays, provides an overall view of the ongoing philosophical debate on animality that traverses Italian posthumanism, feminism, theology, biopolitics, environmental ethics, and Marxist thought. Here the authors engage with some of the prominent voices in the contemporary Italian philosophical landscape, such as Giorgio Agamben, Roberto Esposito, Roberto Marchesini, Antonio Negri, Maria Turchetto, Adriana Caravero, Luisa Muraro, and Paolo De Benedetti. As pointed out by the editors in their introduction, this section does not intend to offer a complete account of the extensive and heterogenous exchanges occurring inside the Italian biological turn, but instead aims at investigating its most compelling approaches and effectively links them to the ongoing transnational debate.The rich historiography and analysis of the first two sections is complemented, in the third section of the volume, by the speculative approach that strongly characterizes all five final essays. Here we can find some of the most exciting and original developments in Italian scholarship on animal philosophy. This section is, therefore, the most effective in presenting the distinctive approach of contemporary Italian philosophers in rethinking animality and the human-animal interplay, in particular inside the historical and epistemological frame of the Anthropocene. For instance, Massimo Filippi explores how slaughterhouses have become exemplary spaces to investigate the calculation that adds, subtracts, multiplies, and divides humans and animals, which removes animality and excises the other, which forcefully bans any imagining of the monstrously other, of the other-than-human, and that produces, among others and besides It-Self, the Woman, the Homosexual, the Abnormal, the Migrant, the Criminal, and the Animal. (p. 225)Structuring his argument on the real and metaphorical “mathematics of sacrifice” at work in the slaughterhouse (p. 226), Filippi engages with the processes that enable human ontological privilege, with intraspecific and interspecific mechanisms of discrimination, and with philosophical, political, and ethical implications of meat production.For a second and final example, ethologist Roberto Marchesini—one of the most original and prominent voices in animal studies—focuses on redefining the paradigm of “animality.” In his essay, Marchesini questions behaviorism and the automatism of learning, key aspects that have been prominent in defining animality in many fields, from biology to philosophy. Building from his groundbreaking and extensive work in ethology and zooanthropology, he argues for an “elaborative model” of animality (animal as subject) against the fallacy of the “automatism-based model” (animal as mechanism): Subjectivity is the implicit condition of the animal being, an expressive dimension that may also be unconscious but that precedes from (i) a constructivist conception of behavior, which we could explain by considering it a work in progress, always open and never predetermined, but equally never imposed and nonetheless always co-factorial to external contributions, and (ii) a propositional view of the individual, or rather from being supported by verbal structures such as to delight, to fear, to want, which join themselves to modal predicates declined according to context, but which likewise render the individual the protagonist. (p. 247)Animal studies has established itself as one of the most exciting areas of research inside the biological turn of the humanities worldwide and, by collecting such a large number of compelling and provocative theories from Italian contemporary philosophy, the impact of Cimatti and Salzani's volume will be twofold: It will enrich and expand a developing discussion in the environmental humanities and in animal studies while establishing the centrality of Italian thought in such an important and, in the Anthropocene era, necessary debate. (shrink)

This glossary is both an introduction to the key words of feminist critical theories and a guide to their origins. Acknowledging the variety of contemporary feminist theories, the glossary includes entries on black, post-colonial, Italian, and French feminisms, and draws on a wide range of fields including semiotics, psychoanalysis, structuralism, poststructuralism, and deconstruction.

Radical feminist Carla Lonzi is regarded as a founding mother of Italian feminism in the early 1970s. Italian feminists look at her diaries and pamphlets as historical testimony, or as tools of self-identification. Very little work engages Lonzi’s feminist thought in its critique of psychoanalytic constructs of female sexuality, such as the forced sexual coincidence between vaginal sexuality and masculine pleasure. While reappropriating the clitoris as the site of female autonomy, Lonzi invents the ‘donna clitoridea,’ whose authenticity (...) opposes heteronormativity. This article examines Lonzi’s theory of the clitoris and the donna clitoridea, arguing that Lonzi’s clitoris is not so much a site of pleasurable authenticity, but a phallic instrument of domination among women. (shrink)

Maggie Günsberg explores the intersection between gender portrayal and other social categories of class, age and the family in the Italian theatre from the Renaissance to the present day. She examines the developing relationship between patriarchal strategies and the formal properties of the dramatic genre such as plot, comedy and realism. She also considers conventions specific to drama in performance, including images of both femininity and masculinity. An interdisciplinary approach, drawing on semiotics, psychoanalysis, philosophy, theories of spectatorship and dramatic (...) theory from a feminist perspective, informs Günsberg's critique of landmarks in Italian theatrical history, including work by Machiavelli, Ariosto, Goldoni, D'Annunzio and Pirandello. The book concludes with a chapter on the plays of Franca Rame, assessing the impact of this important figure on contemporary Italian theatre. (shrink)

This article focuses on the gap and conflicts in Italy between the so-called ‘historical feminists’ of the 1960s and 1970s, and the generation of young women who entered the public and political arena from 1990 onwards. It discusses the absence of a critical and self-critical perspective within the Italian historical feminist tradition, the various political conflicts that emerged before and during the Berlusconi right-wing government at the beginning of 2000 and the absence of an active visible presence of young (...) women in the media and in politics. (shrink)

This essay focuses on the first wave of COVID-19 pandemic in Italy. We show that neoliberalization and the dismantling of community health services played a major role in turning Northern Italy into a shattered “lazaret”. Moreover, considering Italian activists’ responses to the pandemic, we suggest that they point toward a reinvention of reproduction along two main axes. First, they bring feminist insights to bear with the ecological crisis that created the conditions for COVID-19. In so doing, they direct attention (...) to reproduction as a multidimensional matrix of power relations involving both social and ecological aspects. Second, activists have strived to build infrastructures for the redistribution of care from below. Creating and developing mutual aid networks, activist groups designed a feminist logistics, that is central for creating alternatives to prevalent neoliberal models of circulating care whose flaws have fully emerged during the COVID-19 pandemic. (shrink)

This author reviews some of the issues on which legal feminism has worked as well as the current status of the discussion, especially in Italian feminism. This is the case of family relationships, procreation and abortion, violence against women and security policies, prostitution, work in the labour market, the limits to citizenship and the confluence of feminism and the claims of cultural identities. With the assumption that legal feminism does not mean only “studies on women” (...) but involves a crucial perspective to discuss any subject, the author also reviews the relationship between feminism, law and gender. (shrink)

This essay engages the work of Italian feminist philosopher Adriana Cavarero and her concept of the narratable self. Her relational humanism, rooted in our exposure to others, offers an ontology of uniqueness whose critique of abstraction, masculinism, and identity politics still resonates today where the meaning of a unique “you” is negotiated in embodied exchanges that may offer care or wounds. Cavarero develops an altruistic ethics that cultivates this humanism. I argue that her work should be extended to better (...) capture the political purchase of the narratable self that interacts dynamically and often ambiguously with the “we” of collective politics. Putting her work into conversation with the nineteenth‐century abolitionist and women's rights advocate Sojourner Truth, I suggest that Cavarero's work illuminates Truth as a philosopher of the narratable self. Moreover, Truth's work extends Cavarero's concerns with exposure that may do violence or offer care by making explicit the challenges of narration in the context of inequality, especially in terms of race and class. Exposure as an ontological and phenomenological condition then needs to take account of a broader publicity of textual, individual, and collective exposure to others to develop the critical, ethical, and political purchase it offers. (shrink)

The issue of a generational exchange in Italian feminism has been crucial over the last decade. Current struggles over precariousness have revived issues previously raised by feminists of the 1970s, recalling how old forms of instability and precarious employment are still present in Italy. This essay starts from the assumption that precariousness is a constitutive aspect of many young Italian women's lives, young Italian feminist scholars have been discussing the effects of such precarity on their generation. (...) This article analyses the literature produced by political groups of young scholars interested in gender and feminism connected to debates on labour and power in contemporary Italy. One of the most successful strategies that younger feminists have used to gain visibility has involved entering current debates on precariousness, thus forcing a connection with the larger Italian labour movement. In doing so, this new wave of feminism has destabilized the universalism assumed by the 1970s generation. By pointing to a necessary generational change, younger feminists have been able to mark their own specificity and point to exploitative power dynamics within feminist groups, as well as in the family and in the workplace without being dismissed. In such a layered context, many young feminists argue that precariousness is a life condition, not just the effect of job market flexibility and not solely negative. The literature produced by young feminists addresses the current strategies engineered to make ‘their’ precarious life more sustainable. This essay analyses such strategies in the light of contemporary Italian politics. The main conclusion is that younger Italian women's experience requires new strategies and tools for struggle, considering that the visibility of women as political subjects is still quite minimal. Female precariousness can be seen as a fruitful starting point for a dialogue across differences, addressing gender and reproduction, immigration, work and social welfare at the same time. (shrink)

In this article I rethink death and mortality on the basis of birth and natality, drawing on the work of the Italian feminist philosopher Adriana Cavarero. She understands birth to be the corporeal event whereby a unique person emerges from the mother’s body into the common world. On this basis Cavarero reconceives death as consisting in bodily dissolution and re-integration into cosmic life. This impersonal conception of death coheres badly with her view that birth is never exclusively material but (...) always has ontological significance as the appearance of someone new and singular in the world of relations with others. This view of birth calls for a relational conception of death, which I develop in this article. On this conception, death is always collective, affecting all those with whom the one who dies has maintained relations: As such, our different deaths shade into one another. Moreover, because each person is unique in virtue of consisting of a unique web of relations with others, death always happens to persons as webs of relations. Death is relational in this way as a corporeal, and specifically biological, phenomenon, to which we are subject as bodily beings and as interdependent living organisms. I explore this with reference to Simone de Beauvoir’s memoir of her mother’s death from cancer. Finally I argue that, on this relational conception, death is something to be feared. (shrink)

This article provides an introduction to Irigaray's work, dealing with the questions of cultural difference that a culture of sexual difference raises. It sets out the main elements of Irigaray's thought and work without assuming any prior knowledge of it. It discusses her status as a French thinker and her reception in Anglo-academia, emphasizing the influence of Heidegger and Hegel on her thinking, and questioning her categorization as a `French feminist' and exponent of `feminine writing'. It highlights Irigaray's work in (...) the 1990s, particularly its more political aspects. Her proposals for a democracy based on the man-woman couple are discussed, as is her relation to Italian feminism and her work within the European Parliament to bring about a sexed definition of citizenship. Irigaray is presented as a political philosopher of change who is concerned with a future of justice for everyone. (shrink)

This paper dialogues with the contributions included in Francesco Fiorentino and Domenico Firomonte’s edited volumes and Massimo Riva’s book from the point of view of feminist literary criticism. This diverse positioning in relation to the work of women writers has allowed feminist criticism to develop a path that has deconstructed the Italian literary canon and the promotion of critical stances that are no longer abstract or monologic, but rather situated in the point of view of the subject and its (...) relational component. Works by Italian women writers present themselves as a body of texts of high material density that transfer questions of textual mobility both within digital and print culture onto the subject and its style of enunciation. L’intervento dialoga con i contributi dei volumi a cura di Francesco Fiorentino e Domenico Fiormonte e con il libro di Massimo Riva a partire dall’esperienza della critica letteraria femminista italiana. Il suo diverso posizionamento rispetto alle opere delle scrittrici ha permesso l’articolarsi di un percorso che ha decostruito il canone della tradizione letteraria italiana e l’affermarsi di posizioni critiche non più astratte e monologiche, ma situate a partire dal soggetto e dalla sua componente relazionale. Le opere delle scrittrici italiane si rappresentano infatti come un corpo testuale dall’alta densità materica, che sposta sul soggetto e sul suo stile dell’enunciazione le questioni di mobilità del testo, sia esso virtuale o cartaceo. (shrink)

One of the main features of Italian feminism of "difference," as seen from an international perspective, is its distinctly political vocation. This vocation is not only, nor especially, limited to the perimeter of a gender politics, but is to be found in the radical critique or in the rethinking of traditional political categories, in the invention of new practices, in the redefinition of the very sphere of politics and in the modes of its transformation. The Italian case, (...) as far as feminism is concerned, is also characterised by the fact that this feminist political critique has been carried on for more than three decades alongside a crisis of traditional politics. The aim of this essay is twofold: one the one hand I analyse the relationship between political crisis and a critique of politics as seen in the larger framework of the relationship between the demise of patriarchy and the end of modern politics; on the other, I examine the resources which may derive from a feminist thought and practice in the present season, which, in Italy, seems marked not only by a crisis but by the collapse of democratic politics. (shrink)

The article explores the living legacy of Carla Lonzi for Italian feminism. In so doing, it highlights some key contributions made by Lonzi, in particular focussing on the necessity of taking leave of patriarchy (thanks to the invention of self-awareness), the critique of the universal (beyond the false alternative between female identity and equality with man), and the dogma of the heterosexual couple and clitoral pleasure.

A critical, philosophical engagement of the psychological structures that propagate the continued oppression of women. In this book, the Italian feminist thinker Lea Melandri argues that systemic violence against women has deep psychoanalytic roots. Drawing inspiration from the work of Freud and the psychiatrist and psychoanalyst Elvio Fachinelli, along with feminist practices of consciousness-raising, Melandri demonstrates how male dominance and female subservience are established by society through a binary and oppositional understanding of sex and gender. This understanding—and the oppression (...) and violence against women that results—is inscribed in the psyches of both men and women, and is replicated anew from generation to generation. Melandri analyzes women in media, politics, philosophy, and literature to show how this plays out, and calls for awareness of these deep psychic structures and expectations formed within the dynamics of society and primary family relations. Lea Melandri is one of Italy’s best-known feminist thinkers and activists. She is the author of many books and continues to write and advocate for women’s rights. In 2012, she was awarded by the city of Milan the Ambrogino d’oro, one of the city’s highest honors. Antonio Calcagno is Professor of Philosophy at King’s University College at Western University, Canada. He the editor of Contemporary Italian Political Philosophy and the coeditor (with Inna Viriasova) of Roberto Esposito: Biopolitics and Philosophy, both also published by SUNY Press. (shrink)

In this essay I analyze citational practices around Heinrich von Kleist in Italian postmodern theater and Italian feminist biopolitics. In this realm, the reference to Kleist performs a gesture of interruption of traditional eroticism (Catholic, modern, based on women’s sexual slavery), in particular, by using and rewriting Kleist’s narrative of the Amazons, the legendary tribe of women who would cut their breast to embrace the art of war. Postmodern citations of Kleist introduce a new language around sexuality instead (...) of reenacting the ferocious narrative embedded in the ancient icon. The essay conducts a contrastive reading of two postmodern versions of the Kleistian Amazon in Italy: the first version is Lina Mangiacapre’s and Angela Putino’s philosophical conversation in “Androgina/Amazzone” as well as in Mangiacapre’s stage plays; the second version is Carmelo Bene’s cycle of performances on Achilles’s “necrophilia.” While intellectuals like Laura Mulvey in the UK and Gilles Deleuze in France tend to condemn Kleist for his necrophiliac account of romantic love, in Italy Kleist’s pessimistic image of romantic relationships offers a queer standpoint to develop a sustained critique of violent forms of desire. (shrink)

The Future of the World Is Open examines the work and thought of three prominent Italian feminist philosophers, Lea Melandri, Luisa Muraro, and Adriana Cavarero, as it delves into the significant experiences that shaped them, highlighting their converging and diverging positions. Also appearing here for the first time in English translation are three essays by renowned author, journalist, and political figure Rossana Rossanda. Rossanda's essays offer a critical perspective on some of the contentious theoretical nodes with which Italian (...) feminist thought has wrestled. Written in terse and engaging language, this book explores challenging philosophical and political questions, with themes including masculine domination; the body as the site of sedimented lived experience; sexual difference; the symbolic; the imaginary; feminine political authority; feminine subjectivity; and material humanism. A vivid picture of the socio-political context of Italian feminism emerges—illuminating its strong commitment to practice—and informing and enriching contemporary discussions at the intersection of different disciplinary perspectives. (shrink)

Adriana Cavarero has been, and continues to be, one of the most innovative and influential voices in Italian political and feminist thought of the last forty years. Known widely for her challenges to the male-dominated canon of political philosophy (and philosophy more broadly construed), Cavarero has offered provocative accounts of what constitutes the political, with an emphasis on embodiment, singularity, and relationality. Political Bodies gathers some of today’s most prominent and well-established theorists, along with emerging scholars, to contribute their (...) insights, questions, and concerns about Cavarero's political philosophy and to put her work in conversation with other feminist thinkers, political theorists, queer theorists, and thinkers of race and coloniality. A new essay by Adriana Cavarero herself closes out the volume. Political Bodies ventures beyond the familiar boundaries of Cavarero's own writing and is a testament to the generative encounters that her philosophy makes possible. (shrink)

Filosofia delle donne (Philosophy of Women) is a book written in Italian in which authors Pieranna Garavaso (University of Minnesota, Morris, USA) and Nicla Vassallo (University of Genoa, Italy) claim that a greater interaction between analytic philosophy and feminist philosophies can generate philosophical theories that are more accessible and relevant to a broader range of people. This interaction can also produce richer solutions to traditional philosophical problems. The authors' main interests are in metaphysics and epistemology; thus the two main (...) issues discussed in the book are women's identity and women's knowledge. (shrink)

This collectively written article aims to offer a bird's eye view of the Italian debates about precarity in employment and life, as captured in discussions among participants in a focus group held in Milan in 2006. The chief topics that emerged from this discussion include the feminization of labour, feminist practices and methodologies, representation/participation, and guaranteed income. Here, we give as much space as possible to the diverse voices of participants and their strategies for transformation.

Fraser is one of the most important American philosophers and one of the leading figures of contemporary critical theory. From the 1980s to the present, Fraser has published on political philosophy and social theory, reflected upon feminism, justice, and capitalism, and has participated in public debates on current issues. The interview aims at retracing the main themes of her thought, underlining the persisting link which joins her understanding of political philosophy with social critique and public engagement. The interview also (...) emphasizes the developments of her thought, starting from her formation in the American New Left, the encounter with feminism and the neo-Marxist cultural critique of capitalism, and the discussion of Habermas’s thought. Also discussed is Fraser’s complex feministic theory and her post-Westphalian and three-dimensional model of global justice. Another crucial topic is the recent elaboration of an enlarged view of capitalism, based on a combination of Karl Marx and Karl Polanyi, aimed at highlighting its structural crisis tendencies: not only economic, but also ecological, political, and social. The recent debate on the crisis of liberal democracy, the emergence of populism, the Covid-19 pandemic, as well as the Ukrainian war, become an opportunity to test how a renewed critical theory of society can develop a social diagnosis of the time, without abandoning the task of a reconstruction of the emancipatory potential present in the existing social reality. Finally, Fraser recalls her link with the Italian philosophical tradition, stressing in particular her debt to Antonio Gramsci. (shrink)

This essay examines Italian philosopher Adriana Cavarero's ontology of uniqueness through a reading of Alex Haley's novel Roots, and the recent television adaptation of that book. If Cavarero has insisted throughout her work that we need to challenge the philosophical privileging of abstract universality and focus instead on the irreducibility of embodied singularity, and if such a move in her work has always relied on a feminist analysis of the role women play in such a drama, I argue that (...) attention to issues of race and the institution of slavery both supports and complicates her analysis in meaningful ways. (shrink)

The author analyzes the origin and meaning of the expression ‘Ethics of Sexual Difference’ (ESD), contextualising it in the paradigm ‘thought of Sexual Difference’, in which the potentiality and aporias arising from the debate within the feminist movement are highlighted. Possible interpretations of these ethics, developed in the Italian philosophical context, are illustrated and evaluated. The author proposes a critical comparison with other models, for example, the queer theories, and attempts to show how the ‘Thought of Sexual Difference’ (TSD) (...) opens itself to destabilization produced by the emergence of new subjects (gay and lesbian, transgender, intersex) and their corresponding scientific knowledge. The author therefore proposes an update to the plural, ‘Ethics of Sexual Differences’ (ESDs), listing the possible methodological and content assumptions (including the development of a relational model in all scientific disciplines) and the disciplinary implications (also in the psychoanalytic field) of an ethics so defined. A reference is made to the discussion of socalled "gender ideology", in which the protagonists have often showed a certain difficulty in implementing an ESDs. (shrink)

This introduction emphasises the relevance of the theoretical feminist reflection presented by Wendy Brown in her Politics Out of History . The Italian translation of the book, which introduces Brown’s thought to the Italian public for the first time, provides the opportunity to deepen the understanding of her feminist contribution to the comprehension of the crisis of sovereignty. The book, in fact, could be investigated as a sort of link between, on the one hand, 1990s Brown’s reflection on (...) the crisis of liberal universalism, political modernity and on the gendered constructions of such concepts as State and citizenship and, on the other, her more recent analysis on the reconfiguration of power and sovereignty in the age of globalization as expressed in her 2010 Walled States, Waning Sovereignty . At the core of her reflection, a crucial role has been played by the deconstruction of the nexus freedom-power-rights that enlightens the ambiguities, the semantic ambivalences and the political-theoretical traps inherent in the linear and progressive narration of political modernity. (shrink)

This essay, translated here in Italian and preceded by the Author's inedited preface, reconstructs the trajectory of second wave feminism since the 60s, exploring its ambivalences. Shifting from an analysis focused on economic redistribution to one founded on recognition of differences, feminism has sacrificed the critique of neoliberalism on the altar of women's emancipation. In order to break the tie with neoliberalism, Fraser proposes a new conception of social justice that links the principle of non-domination with those (...) of social protection and solidarity. (shrink)

Employing insights from Italian sexual difference theory on law and rights, this article examines how both the text of the Italian Abortion Law of 1978 and its operation reveal the contradictions within liberal rights discourse on reproductive freedom. The Act itself contains traces of both Roman Catholic and liberal pluralist worldviews and has, since its introduction, been the site of conflict over competing notions of citizenship and legal identity. This article explores the impact of the Act's paradoxical nature (...) on its operation against the background of the complex debates within the different strands of feminist theory in Italy over the question of reproductive freedom. (shrink)

Relating Narratives is a major new work by the philosopher and feminist thinker Adriana Cavarero. First published in Italian to widespread acclaim, Relating Narratives is a fascinating and challenging new account of the relationship between selfhood and narration. Drawing a diverse array of thinkers from both the philosophical and the literary tradition, from Sophocles and Homer to Hannah Arendt, Karen Blixen, Walter Benjamin and Borges, Adriana Cadarero's theory of the `narratable self' shows how narrative models in philosophy and literature (...) can open new ways of thinking about formation of human identities. By showing how each human being has a unique story that can be told about them, Adriana Cavarero inaugurates an important shift in thinking about subjectivity and identity which relies not upon categorical or discursive norms, but rather seeks to account for `who' each one of us uniquely is. (shrink)

_Relating Narratives_ is a major new work by the philosopher and feminist thinker Adriana Cavarero. First published in Italian to widespread acclaim, _Relating Narratives_ is a fascinating and challenging new account of the relationship between selfhood and narration. Drawing a diverse array of thinkers from both the philosophical and the literary tradition, from Sophocles and Homer to Hannah Arendt, Karen Blixen, Walter Benjamin and Borges, Adriana Cadarero's theory of the `narratable self' shows how narrative models in philosophy and literature (...) can open new ways of thinking about formation of human identities. By showing how each human being has a unique story that can be told about them, Adriana Cavarero inaugurates an important shift in thinking about subjectivity and identity which relies not upon categorical or discursive norms, but rather seeks to account for `who' each one of us uniquely is. (shrink)