This article situates current debates about transdisciplinarity within the deeper history of academic disciplinarity, in its difference from the notions of inter- and multi-disciplinarity. It offers a brief typology and history of established conceptions of transdisciplinarity within science and technology studies. It then goes on to raise the question of the conceptual structure of transdisciplinary generality in the humanities, with respect to the incorporation of the 19th- and 20th-century German and French philosophical traditions into the anglophone humanities, under the name (...) of ‘theory’. It identifies two distinct – dialectical and anti-dialectical, or dialectical and transversal – transdisciplinary trajectories. It locates the various contributions to the special issue of which it is the introduction within this conceptual field, drawing attention to the distinct contribution of the French debates about structuralism and its aftermath – those by Serres, Foucault, Derrida, Guattari and Latour, in particular. It concludes with an appendix on Foucault’s place within current debates about disciplinarity and academic disciplines. (shrink)
This piece reconstructs and reflects upon the terms of the theoretical projection underlying Max Tomba’s book,Marx’s Temporalities, with particular reference to his use of the concepts of multiple temporalities and temporal layers. Tomba’s use of these concepts, it is argued, productively relocates Marx’s writings within the framework of the twentieth-century philosophy of time. However, Tomba’s dependence upon received versions of these concepts, untransformed, reproduces theoretical problems implicit within them, which have been intensified by recent developments within global capital. The application (...) of these concepts to an understanding of the historical present, understood as a situation of globally disjunctive contemporaneity, is seen to be, in part, vitiated by their embeddedness within an increasingly exhausted past. (shrink)
What happens to the form of the biennial when biennials become part of a world system of art institutions, subject to the historical temporality of a global contemporaneity? In particular, what happens when the periodic rhythms of national narratives of biennial exhibitions are overcoded by a serial sequence of international biennials – competing for contemporaneity – seemingly without end? This essay approaches these questions via a consideration of the debate about the transitional symbolic significance of the 1989 Third Havana Biennale. (...) It contrasts three historical problematics of ‘the contemporary’ as models through which to think the cultural function of biennials: the critique of anthropology, or, the coeval; socialist post- coloniality, or the avant-garde construction of traditions; the historical contemporaneity of a global capitalist modernity. (shrink)
Reflections on the relationship of aesthetics to politics tend to circle, almost compulsively, around a relatively stable set of conceptual oppositions, inherited from German philosophies of the late 18th century. This essay proposes an expansion of the theoretical terms of the debate by extending the field of transcendental aesthetics into the domain of historical temporalization. Fundamental art-historical categories may thereby be incorporated, philosophically transformed, into ‘aesthetics’ as forms of historical temporalization: avant-garde, modern, contemporary. The essay expounds two theses, in particular: (...) 1. The historical subsumption of the temporality of the avant-garde by the temporality of the modern: the modern stands to the avant-garde as the negation of its politics by the repetition of the new –‘the new as the ever–same’; 2. the historical subsumption of the temporality of the modern by ‘the contemporary’: the contemporary stands to the modern as the negation of the dialectical logic – and hence specifically developmentalist futurity – of the new by a spatially determined, but imaginary co-presencing. One effect of this latter subsumption, it is argued, is a particular, regressive ‘repetition of the national’, at the level of cultural representation, on the terrain of the global. (shrink)
This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
_Philosophy in Cultural Theory_ boldly crosses disciplinary boundaries to offer a philosophical critique of cultural theory today. Drawing on the legacy of Walter Benjamin, Peter Osborne looks critically at central philosophical debates in cultural theory, such as: * the relationship between sign and image * the technological basis of cultural form * the conceptuality of art * the place of fantasy in human affairs. It will appeal to those in philosophy, cultural studies and art theory.
No other single author has so commanding a critical presence across so many disciplines within the arts and humanities, in so many national contexts, as Walter Benjamin (1892-1940). The belated reception of his work as a literary critic (dating from the late 1950s) has been followed by a rapid series of critical receptions in different contexts: Frankfurt Critical Theory and Marxism, Judaism, Film Theory, Post-structuralism, Philosophical Romanticism, and Cultural Studies. This collection brings together a selection of the most critically important (...) items in the literature, across the full range of Benjamin's cultural-theoretical interests, from all periods of the reception of his writings, but focusing upon the most recent, to produce a comprehensive overview of the best critical literature. (shrink)
In the English-language context, Benjamin's influence continues to grow, along with the already massive secondary literature on his writings. This collection brings together a selection of the most critically important items published in the literature on Benjamin, across the full range of his cultural-theoretical interests, from all periods of the reception of his writings, but focusing upon the most recent, to produce a near-definitive overview of the best critical literature. The main national contexts of reception represented are German, French and (...) Anglo-American, but also included are some important items from Italy, Spain, Portugal, Latin America and East-Asia. These are mainly in English translation, with many new translations appearing here for the first time. (shrink)
This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
_A Critical Sense_ brings together in a single volume the leading figures of contemporary radical theory. Moving freely between philosophy, politics and cultural studies, it offers a fascinating overview of the lines of thought of today's intellectual left. Marxism, feminism, psychoanalysis and critical theory, literary studies, deconstruction, pragmatism, postcolonial and queer theory are discussed in a series of interviews from the journal _Radical Philosophy_. Those interviewed are: Judith Butler Cornelius Castoriadis Drucilla Cornell Axel Honneth Istvan Meszaros Edward Said Renata Salecl (...) Gayatri Chakravorty Spivak Cornel West Slavoj Zizek For those unfamiliar with the often daunting work of some of today's most important thinkers, _ACritical Sense_ will offer an ideal introduction; for those already acquainted with the writings of the theorists interviewed here, the collection will throw new - and often surprising - light on familiar ground. (shrink)
_A Critical Sense_ brings together in a single volume the leading figures of contemporary radical theory. Moving freely between philosophy, politics and cultural studies, it offers a fascinating overview of the lines of thought of today's intellectual left. Marxism, feminism, psychoanalysis and critical theory, literary studies, deconstruction, pragmatism, postcolonial and queer theory are discussed in a series of interviews from the journal _Radical Philosophy_. Those interviewed are: Judith Butler Cornelius Castoriadis Drucilla Cornell Axel Honneth Istvan Meszaros Edward Said Renata Salecl (...) Gayatri Chakravorty Spivak Cornel West Slavoj Zizek For those unfamiliar with the often daunting work of some of today's most important thinkers, _ACritical Sense_ will offer an ideal introduction; for those already acquainted with the writings of the theorists interviewed here, the collection will throw new - and often surprising - light on familiar ground. (shrink)
Contemporary visual art stands on the ruins of beauty. What is the place of aesthetic in the experience of such art? And how has it changed in the two hundred years since the emergence of the modern conception of art as the object of a distinctive kind of pleasure? The essays in this volume, by philosophers and art theorists from Britain, France, Germany and the USA, investigate the changing role of the aesthetic in art. In writing that is both lucid (...) and challenging, the contributors make clear that the importance a society places on art and aesthetic is a barometer of its very health. (shrink)
This book offers an exciting look at the important and often uneasy place of philosophy in cultural theory today. In the United States and Britain, cultural studies has taken a largely non-philosophical form. Yet, in its hostility to disciplinary boundaries and its search for theoretical generality, cultural studies has much in common with a philosophical tradition of totalization from which it has historically distanced itself. Throughout, Osborne shows how and why concepts currently popular in cultural theory have brought philosophical questions (...) to center stage. He discusses many important thinkers who have straddled the philosophy-cultural divide such as Benjamin, Adorno, Jameson, and Clement Greenberg. (shrink)
_Philosophy in Cultural Theory_ boldly crosses disciplinary boundaries to offer a philosophical critique of cultural theory today. Drawing on the legacy of Walter Benjamin, Peter Osborne looks critically at central philosophical debates in cultural theory, such as: * the relationship between sign and image * the technological basis of cultural form * the conceptuality of art * the place of fantasy in human affairs. It will appeal to those in philosophy, cultural studies and art theory.
Introduction: philosophies of race and ethnicity / Peter Osborne, Stella Sandford -- pt. 1. Ch. 1. Philosophy and racial identity / Linda Martin Alcoff -- ch. 2. Fanon, phenomenology, race / David Macey -- Ch. 3. Primordial being: enlightenment and the Indian subject of postcolonial theory / Chetan Bhatt -- Ch. 4. Race and language in the two Saussures / Robert J.C. Young -- pt. 2. Ch. 5. Unspeakable histories: diasporic lives in old England / Bill Schwarz -- Ch. 6. (...) Race, colonialism and history: China at the turn of the twentieth century / Rebecca E. Karl -- Ch. 7. Ethnicity and species: on the philosophy of the multi-ethnic state in Japanese imperialism / Naoki Sakai -- Ch. 8. On Chineseness as a theoretical problem / Rey Chow -- Ch. 9. Race and slavery: the politics of recovery and reparation / Fran¸ coise Vergés -- Ch. 10. Rewriting the black subject: the black Brazilian emancipatory text / Denise Ferreira da Silva. (shrink)
Since 1972, the journal _Radical Philosophy_ has provided a forum for the discussion of radical and critical ideas in philosophy. It is the liveliest and probably the most widely read philosophical journal in Britain. This anthology reprints some of the best articles to have appeared in the journal during the past five years. It covers topics in social and moral philosophy which are central to current controversies on the left, focusing on theoretical issues raised by the socialist, feminist and environmental (...) movements. Topics covered include feminist perspectives on a range of traditional philosophical issues and contemporary problems; theoretical questions involved in the rethinking of socialism and Marxism; and questions about the relation between humanity and nature raised by environmental debates. The pieces included engage with contemporary issues in critical terms, and represent the best of recent philosophical work on the left. The book is essential reading for anyone interested in the current state of radical thought. (shrink)
