Biological organisms appear to have agency, goals, and meaningful behaviour. One possibility is that this is mere appearance, where such properties are not real, but only ‘as if’ consequences of the physiological structure of organisms. Another possibility is that these properties are real, as emerging from the organism's structure and from how the organism interacts with its environment. Here I will discuss a recent theory showing that the latter position is most likely correct, and argue that the theory is largely (...) consistent with the basics of the field of biosemiotics. The theory can be represented as a triad that resembles the semiotic triad proposed by Peirce, which connects a sign with its object through a process of interpretation. In the theory presented, the sign is an internalized version of fitness which refers to the true fitness through a feedback loop that in effect produces interpretation. The feedback loop entangles deterministic and stochastic forms of causation in such a way that genuine agency, goal-directedness, and their associated meaning emerge. It produces a strong form of emergence not reducible to its constituents. The result is that novel phenomena arise that are real and necessary components for a complete understanding of living organisms. (shrink)

In Posterior Analytics II 19 Aristotle likens the way in which sense perception gives rise to knowledge of the universal to the way in which one soldier’s ceasing his flight from the enemy leads other soldiers to do the same ‘heôs epi archên êlthen.’ Although the remark seems intended to characterize knowledge as the end result of an accumulative process, the concluding reference to ‘a starting point’ or archê has no clear meaning. I argue that the phrase can be plausibly (...) understood in light of Aristotle’s explanation of how a single calm thought can spread calm to other thoughts (Problems 917a29-33) and a single cloud can serve as a starting point (archê) for a revival of stormy weather (Problems 941a9-13). In addition, Aristotle elsewhere (e.g. Generation of Animals 788a13-16) speaks of the archê as the person or thing which initiates a process. Thus, when one soldier’s stopping causes another soldier to stop, this process can continue ‘until they come to the one who initiated the process.’ . (shrink)

Professor Richmond's reply t o m y article on Palatine Apollo is argued with his usual enthusiasm and cogency. This reply to him, which has been delayed by my departure for Australia, must begin with an expression of the respect that I feel for an antagonist far more able and experienced than I can claim to be. Indeed, it was while lecturing on Ovid, Tristia 3 that I first met Professor Richmond's masterly article on the Augustan Palatium . From this (...) article my enthusiasm for the subject began, and I know that Professor Richmond has always welcomed discussion and argument about the famous Augustan temple of Apollo on the Palatine. I can but join him in urging any who may have been interested by our discussion to study his original article which contains much more besides a discussion of the site of Apollo's temple. (shrink)

Reid’s philosophy is an attempt to describe the operations of the mind. The author is less concerned with objects than with the power or faculty by means of which the mind is furnished with objects. This faculty he calls conception or apprehension or understanding, and he is careful always to distinguish it from the power of judgment by means of which we come to possess belief or knowledge. Much of what is most distinctive in Reid’s philosophy is to be found (...) in his account of these two faculties and of the way in which they are related to each other. (shrink)

The application of λκθος ànd its derivatives and the Latin terms ampullae and ampullari to the turgid or elevated style of poetry or oratory has provoked such a variety of explanations amongst modern and ancient commentators that it would be a tedious business to examine them all in detail. The ancient commentators on Horace, Ars Poetica, 11. 93–7 interdum tamen et vocem comoedia tollit, iratusque Chremes tumido delitigat ore; et tragicus plerumque dolet sermone pedestri Telephus et Peleus, cum pauper et (...) exsul uterque proicit ampullas et sesquipedalia verba… were not even in agreement on the question of the precise correspondence of the two words, for while Porphyrion said that proicit ampullas was imitated directly from the ληκθειος Mοcomflex;σα of Callimachus, Pseudacron's note makes no reference to ληκθζειν at all, but merely connects the metaphor with the inflated appearance of the Roman ampulla. And though modern scholars do not question the fact that the two words do correspond in some degree, there has been a wide divergence of opinion on the derivation and meaning of the metaphor. Ritter and Wilkins, for example, held that the meaning ‘paint-pots’ was indicated by the conjunction of ληκθος with pingere in one of Cicero's letters to Atticus, and that in Horace, Epistles 1. 3. 12–14. (shrink)