Bloch's The Spirit of Utopia, here presented for the first time in English translation, is one of the great historic books from the beginning of the twentieth-century. A peculiar amalgam of biblical, Marxist, and Expressionist turns, drawing on both Hegel and Schopenhauer for the groundwork of its metaphysics of music, but consistently interpreting the cultural legacy in the light of a certain Marxism, The Spirit of Utopia is a unique attempt to rethink the history of Western civilizations as a (...) process of revolutionary disruptions and to reread the artworks, religions, and philosophies of this tradition as incentives to continue disrupting. The first part concerns a mode of 'self-encounter' which presents itself in the history of music from Mozart through Mahler as an encounter with the problem of a community to come. The second part is entitled 'Karl Marx, Death and the Apocalypse'. (shrink)

Ernst Bloch gives a striking account of materialism that traces emancipatory elements of modern thought to medieval Islamic philosophers' encounter with Aristotle. He argues that the great medieval Islamic philosopher Avicenna (Ibn Sina) planted the seeds of a radical materialism still relevant for critical theory today.

The writings of Ernst Bloch represent one of the lasting linguistic and intellectual achievements of expressionism. What distinguishes Bloch from other expressionists is that he lived long enough to form the impulses of the expressionist break-through into an oeuvre that grew in depth and mastery across half a century. This collection, which dates from 1913 to 1964, represents a field of experiment in which a thinker of astonishing originality exposes his own thought to the provocation of literary, (...) musical, and artistic works, but also to such quasi-artistic phenomena as advertisements, landscapes, cliche;s and obsessive images, films, and forms of interaction in country and city: why does water emerging from a spring so fascinate the human imagination? What is the function of musical accompaniment in a silent film? How does a writer's birthplace imprint itself on his intellect? (shrink)

Afhandlinger om den tyske filosof Ernst Bloch's værker og idéer.

Die mit 126 Briefen und Gegenbriefen fast luckenlos erhaltene Geschaftskorrespondenz des Philosophen Ernst Bloch (1885 -1977) mit dem Aufbau-Verlag Berlin ist ein buch- und verlagsgeschichtliches Zeitdokument erster Ordnung: Es belegt alle ...

Reinicke, H. Einleitung, abenteuerliches Philosophieren für die Revolution.--Bloch, E. Vom Anbruch gemeinsamer Meinungen.--Bloch, E. Briefe an Joachim Schumacher.--Adorno, T. W. Für Ernst Bloch.--Bloch, E. Friedrich Engels als Polyhistor.--Bloch, E., Reinicke, H. Gespräch, Sokratisches zu Berufsverbot und Studentenbewegung.--Bloch, E. Offener Brief.--Schumacher, J. Erlebtes, Gespräche, das Unvergessliche (1932-77).--Schmidt, B. Über die Grundfrage Blochschen Philosophierens.

This volume contains a selection of essays in translation by the German philosopher and man of letters Ernst Bloch, on the philosophy of music. For Bloch - often simply assimilated to the Marxist tradition, but whose thought shows a strongly individual and idealist cast - music was a primary focus on reflection. His musical knowledge and expertise were of a very high order and he was well acquainted with many of the leading composers and theorists of music (...) of his time in Germany: even divorced from his philosophy his criticism remains of value and significance. Throughout, whether discussing the complex and varied relations between text and music, or questions relating to the 'expressive' as opposed to the 'descriptive' functions of music, Bloch is intent on elucidating and placing musical experience. (shrink)

This book represents a unique attempt to reconcile the traditional oppositions of the natural law and social utopian traditions, providing basic insights into the meaning of human rights in a socialist society.