Margaret Whitford's study provides the ideal introduction to Irigaray's thought, offering a sustained interpretation of her whole corpus, including previously untranslated French texts. Whitford suggests that Irigaray's work should be seen as "philosophy in the feminine," actively opposing the complicity of philosophy with other social practices which exclude or marginalize women.

This article reviews three recent books that enhance our understanding of the work of French feminist Luce Irigaray: Marine Lover of Friedrich Nietzsche and The Irigaray Reader, and Philosophy in the Feminine, a commentary on Irigaray's work by Margaret Whitford. The author emphasizes a dynamic reading of Irigaray's philosophy and integrates theoretical concepts with poetic/utopian passages from the works.

Especially insightful are articles on ethics and gender, autonomy and pornography, feelings, and a responsible and democratic epistemology." —Choice The essays in this book introduce to American readers the work of a group of British ...

This collection is one of the first to offer feminist perspectives on epistemology from thinkers outside North America. It presents essays from an international group of contributors, including Rosi Braidotti, Gemma Corradi Fiumara, Anna Yeatman, Sabina Lovibond and Liz Stanley. Using approaches and methods from both analytic and continental philosophy, the contributors engage with questions of traditional epistemology and with issues raised by postmodernist critiques. The essays deal with the central question of difference: the difference which a feminist perspective yields (...) in relation to traditional knowledge and the effects on feminist perspectives of differences between women. This awareness of difference requires a re-evaluation of the idea of objectivity and the justification of knowledge claims in ways that focus attention on the subjects who constitute the knowledge producers. Knowing the Difference presents some of the most innovative thinking in feminist epistemology and sets the agenda for the next decade. (shrink)

Including contributions from an international list of renowned authors, this text seeks to address the controversial issue of difference in feminist philosophy, using approaches from both analytic and continental thinking.

This article recontextualizes Irigaray with reference to post-Freudian psychoanalytic theories of narcissism, and argues that a persistent theme in her work has been the diagnosis of the narcissism of Western culture. It indicates that one of the possible sources for her diagnosis of Western culture is the work of Béla Grunberger. It also argues that it is possible to make connections between Irigaray's critique of Western civilization and other related critiques. The second part of the article sketches a brief account (...) of the Kleinian and post-Kleinian concept of projective identification, and argues that reinterpreting Irigaray in the light of this concept can help to shed more light on her account of the significance of the maternal container. (shrink)

The conventional wisdom holds that U.S. political institutions are inhospitable to industrial policy. The authors call the conventional wisdom into question by making four claims: the activities targeted by industrial policy are increasingly governed by decentralized production networks rather than markets or hierarchies, “network failures” are therefore no less threatening to industrial dynamism than market or organizational failures, the spatial and organizational decentralization of production have simultaneously increased the demand and broadened the support for American industrial policy, and political decentralization (...) is therefore likely to improve the functioning of industrial policies designed to combat network failures. (shrink)

Luce Irigaray is one of the leading French feminist philosophers and psychoanalysts. _The Irigaray Reader _is a collection of her most important paeprs to date, ranging across feminism, philosophy, psychoanalysis and linguistics. A number of them appear here for the first time in English.

This semester-long research project examined the use of social studies trade books to thematically teach about six individuals who served as change agents in the United States during the late 19th century and early 20th century. Three of the individuals were African American men, Robert Smalls, Frederick Douglass, and John Roy Lynch, who took civic action to address racial discrimination faced by the Black community in the half century following the U.S. Civil War. The other three indivduals were women women, (...) Ida B. Wells, Clara Lemlich, and Jane Addams, who challenged social inequities and injustices within their communities. Over the course of the semester-long research project, sixth-grade U.S. history students read selected trade books, examined primary sources, completed graphic organizers, and crafted writing assessments about each of the six individuals. Students demonstrated complex historical thinking, integrated economic and civic thinking, and communicated thematic ideas of systemic oppression of minorities, women, and the poor. They struggled to make connections between examples of historic oppression and contemporary examples of societal oppression. (shrink)

The article uses a case study of relationships in American manufacturing industries to demonstrate the utility of documenting the “relational work” that managers do as they negotiate circumstances where either roles or norms are ambiguous. It shows that the explicit identification of the role that relational work plays in those relationships story militates for—and extends, improves upon, and arguably completes—a particular understanding of what economic sociologists should mean when they talk about the “embedding” of the economic in social relations. The (...) article hence shows the utility of jointly using otherwise disparate perspectives in the analysis of interorganizational relationships, and thus contributes to the development of a more unified paradigm in economic sociology. (shrink)

This paper explores the symbolic implications of Luce Irigaray's images of the female body, particularly the two lips and the mucous. It suggests that Irigaray's work reveals some of the problems attendant on "positive images of women.".