In Postsocial History: An Introduction, historian Miguel A. Cabrera points to the crisis of modernity as a locus for the collapse of social historical models. Previously established theories of social change and social relations are proving insufficient, calling for the emergence of a new social historical theory. By arguing convincingly for the inclusion of language in that model, Cabrera awakens a revolutionary new approach to historiography. The book will prove indispensable to historians, and to social scientists in general, who are (...) dissatisfied with the old paradigms and seek new ways of addressing the challenges of social research. (shrink)

In Postsocial History: An Introduction, historian Miguel A. Cabrera points to the crisis of modernity as a locus for the collapse of social historical models. Previously established theories of social change and social relations are proving insufficient, calling for the emergence of a new social historical theory. By arguing convincingly for the inclusion of language in that model, Cabrera awakens a revolutionary new approach to historiography. The book will prove indispensable to historians, and to social scientists in general, who are (...) dissatisfied with the old paradigms and seek new ways of addressing the challenges of social research. (shrink)

The book focuses on three interrelated issues: the relationship between modernism and postmodernism; visuality and visual culture; and the relation between the East (former European socialist countries) and the West as regards aesthetics, globalization, culture, and the mechanisms of the presentation and representation of contemporary visual art. In the first part the author reflects upon some of the less noticed issues of modernism and its dominant theoretical narratives regarding art: its privileging of truth and its obfuscation of some segments of (...) European art. One of his central tenets is that recent postsocialist politicized postmodern visual art contradicts Peter Bürger's canonical theory about the avant-garde art of the previous century. The art and culture discussed throughout this volume predominantly concern the visual. For this reason, in the second part visual culture and its uneasy relationship with art and art history are an object of reflection, a topic which is then complemented with that of the embodied eye in the philosophy of Merleau-Ponty. Photography, its relation to truth, and the problematic expectation that an ontology of photography is possible or necessary is the theme of the closing chapter of this part of the book. In the third part the author offers a global view on philosophy of art, visual culture, and the institutions that disseminate them. (shrink)

In Postsocial History: An Introduction, historian Miguel A. Cabrera points to the crisis of modernity as a locus for the collapse of social historical models. Previously established theories of social change and social relations are proving insufficient, calling for the emergence of a new social historical theory. By arguing convincingly for the inclusion of language in that model, Cabrera awakens a revolutionary new approach to historiography. The book will prove indispensable to historians, and to social scientists in general, who are (...) dissatisfied with the old paradigms and seek new ways of addressing the challenges of social research. (shrink)

In Postsocial History: An Introduction, historian Miguel A. Cabrera points to the crisis of modernity as a locus for the collapse of social historical models. Previously established theories of social change and social relations are proving insufficient, calling for the emergence of a new social historical theory. By arguing convincingly for the inclusion of language in that model, Cabrera awakens a revolutionary new approach to historiography. The book will prove indispensable to historians, and to social scientists in general, who are (...) dissatisfied with the old paradigms and seek new ways of addressing the challenges of social research. (shrink)

This volume consists of selected essays on the art and aesthetics of the avantgarde, contemporary art, and postsocialist culture by the internationally renowned Slovenian philosopher and art theorist Aleš Erjavec.

Over three decades after China ventured onto the market path, the Chinese state’s reform programme, which was intended to invigorate socialism, has instead led the country down a capitalist path. This paper situates China’s post-Mao transition in the context of the crisis of the party-state during the Cultural Revolution. Using Gramsci’s idea of ‘passive revolution’, it examines the state’s tactics of crisis management aiming to contain and neutralise emergent opposition and pressure from below. As the combined result of state repression, (...) ideological appropriation and socioeconomic incorporation, a new reform paradigm emerged to rearticulate popular demands and initiatives to an official socialism centring on economic modernisation and market liberalisation. (shrink)

Purpose This paper aims to propose a theoretical arrangement for the study of applied computer and information ethics carried out in an interdisciplinary and a democratic manner by which the information and communications technologies are seen as an ethical environment, and human-computer couplings are seen as hybrid moral agents. Design/methodology/approach New ethical issues emerge dynamically in such environment which must be interpreted according to human sentience and computer ontology. To attribute moral meaning to acts perpetrated by human-computer hybrids, a hybrid (...) of two semiotics must be likely used that bridge the gap between signs and things from opposite directions. Findings The author argues that ecosocial dynamics and material semiotics can be harnessed together as in a theoretical mashup for that purpose, and that such harnessing will allow us to engage with a posthumanist/post-social ethics here and now. Originality/value The originality of the proposal resides in bringing hybridity to the center of the picture, forcing interdisciplinary teams to engage with one unified, even if hybrid, agency regardless of conflicting ontologies and epistemologies. (shrink)

Few countries have been so transformed in recent decades as China. With a dynamically growing economy and a rapidly changing social structure, China challenges the West to understand the nature of its modernization. Using postmodernism as both a global frame of periodization and a way to break free from the rigid ideology of westernization as modernity, this volume’s diverse group of contributors argues that the Chinese experience is crucial for understanding postmodernism. Collectively, these essays question the implications of specific phenomena, (...) like literature, architecture, rock music, and film, in a postsocialist society. Some essays address China’s complicity in—as well as its resistance to—the culture of global capitalism. Others evaluate the impact of efforts to redefine national culture in terms of enhanced freedoms and expressions of the imagination in everyday life. Still others discuss the general relaxation of political society in post-Mao China, the emergence of the market and its consumer mass culture, and the fashion and discourse of nostalgia. The contributors make a clear case for both the historical uniqueness of Chinese postmodernism and the need to understand its specificity in order to fully grasp the condition of postmodernity worldwide. Although the focus is on mainland China, the volume also includes important observations on social and cultural realities in Hong Kong and Taiwan, whose postmodernity has so far been confined—in both Chinese and English-speaking worlds—to their economic and consumer activities instead of their political and cultural dynamism. First published as a special issue of boundary 2, Postmodernism and China includes seven new essays. By juxtaposing postmodernism with postsocialism and by analyzing China as a producer and not merely a consumer of the culture of the postmodern, it will contribute to critical discourses on globalism, modernity, and political economics, as well as to cultural and Asian studies. Contributors. Evans Chan, Arif Dirlik, Dai Jinhua, Liu Kang, Anthony D. King, Jeroen de Kloet, Abidin Kusno, Wendy Larson, Chaoyang Liao, Ping-hui Liao, Sebastian Hsien-hao Liao, Sheldon Hsiao-peng Lu, Wang Ning, Xiaobing Tang, Xiaoying Wang, Chen Xiaoming, Xiaobin Yang, Zhang Yiwu, Xudong Zhang. (shrink)

This article focuses upon the construction of wants and the embodying of the market in the work routines of workers on the Swiss foreign exchange market. The authors are particularly concerned with the role of the computer screen within the establishment of postsocial relations around a sense of embodied lack. The screen does not provide access to the market but is the market as an exteriorized assemblage of practices brought together in one place. The screen is the market rather than (...) its representation into which traders immerse themselves. Traders engage with this market in their daily work practices through a constructed sense of lack that requires them to act passionately within the market in order to satisfy the self understood as a structure of wanting. While Knorr Cetina and Bruegger draw on a Lacanian understanding of the self as lack, rather than focus on the formation of direct human social relations around this issue, they look instead at the materiality of lack and its position within the postsocial relations constituted through trading online in the foreign exchange market. Desire is constituted and realized here through the object of the computer screen rather than with other people directly. In this way relations between persons are mediated by real objects that constitute persons virtually. (shrink)

Résumé Comment s’est-il autonomisé de la fonctionnalité sociale pour devenir l’institution dominante du capitalisme contemporain? Cet article examine deux performances. La première est celle de l’artiste australien Michael Goldberg : installé dans une galerie de Sydney pendant trois semaines, il spécule artistiquement sur des produits dérivés de News Corp., l’empire médiatique de Rupert Murdoch. La deuxième est un projet du collectif ephemera — theory & politics in organization : après avoir identifié le « pouvoir arbitraire » du capitalisme financier, environ (...) quarante participants tentent de créer collectivement un autre imaginaire, via une conférence / événement artistique organisée dans le Transsibérien. L’article emprunte à la sociologie lacanienne de Karin Knorr Cetina pour décrire le « rapport postsocial » des courtiers de bourse aux « objets en cours de déroulement » qui prennent forme sur leurs écrans. Il fait ensuite appel aux Cartographies schizoanalytiques de Guattari pour cerner la manière dont les éléments matériels et discursifs d’un imaginaire extériorisé peuvent se recombiner pour créer le miroir déroulant, à multiples facettes, où une subjectivité se réfléchit en mouvement. (shrink)

Résumé Comment s’est-il autonomisé de la fonctionnalité sociale pour devenir l’institution dominante du capitalisme contemporain? Cet article examine deux performances. La première est celle de l’artiste australien Michael Goldberg : installé dans une galerie de Sydney pendant trois semaines, il spécule artistiquement sur des produits dérivés de News Corp., l’empire médiatique de Rupert Murdoch. La deuxième est un projet du collectif ephemera — theory & politics in organization : après avoir identifié le « pouvoir arbitraire » du capitalisme financier, environ (...) quarante participants tentent de créer collectivement un autre imaginaire, via une conférence / événement artistique organisée dans le Transsibérien. L’article emprunte à la sociologie lacanienne de Karin Knorr Cetina pour décrire le « rapport postsocial » des courtiers de bourse aux « objets en cours de déroulement » qui prennent forme sur leurs écrans. Il fait ensuite appel aux Cartographies schizoanalytiques de Guattari pour cerner la manière dont les éléments matériels et discursifs d’un imaginaire extériorisé peuvent se recombiner pour créer le miroir déroulant, à multiples facettes, où une subjectivité se réfléchit en mouvement. (shrink)

Correction . Online publication date: 2‐Feb‐2006. We inadvertently printed three erroneous internal cross references in S. H. Rigby's review of Miguel Cabrera's Postsocial History: An Introduction in theFebruary 2006 issue of : On p. 114, "p. 458" should read "p. 112." On p. 120, the two references to "p. 460" should both read "p. 114." Professor's Rigby's review was rescheduled from an earlier issue and unfortunately we did not notice that these references needed to be updated.

There is a widespread tendency to see the perils of postsocialism in the revival of the ghosts and myths from the past—namely ethnocentrism, nationalism, exclusiveness, bickering, collectivist-authoritarianism, expansionist chauvinism, and victimisation. I suggest that postsocialism's perils rest with a myth from the future, namely, the myth of capitalism. Those perils, I argue, are rooted in the fetishisation of capitalism by the postsocialist societies as a reflection of their deeply ingrained teleological way of perceiving the future. Political leaders are (...) taking advantage of this situation by putting themselves in the position of those who would lead toward such a utopia. As a consequence, individual freedoms are sacrificed at the altar of communitarian bliss. I suggest that the only hope that we have to secularise the newly re-religiosised postsocialist societies rests with intellectuals. (shrink)

In the past two decades academic and research literature on “corruption” has flourished. During the same period organizations and initiatives fighting against corruption have also significantly expanded, turning “anti-corruption” into a new research subject. However, despite a few exceptions there is a division of labor between scholars who study corruption itself and those who study the global anti-corruption industry. Juxtaposing corruption’s local discourses and anti-corruption international practices, this article is an attempt to bring together these two intertwined research dimensions and (...) explore how an ethnographic approach might contribute to framing them together. Firstly, it describes how corruption in Romania is often conceptualized and explained in terms of national heritage, something related to old and recent cultural history, including traditional folklore. Secondly, it explores how anti-corruption works in practice, focusing on international legal cooperation projects monitoring the progress and shortcomings both prior to and post Romania’s accession to the European Union. Finally, revealing the articulations of these two apparently unrelated research fields, the article argues that corruption’s local explanations and the circular logic of auditing observed within the anti-corruption industry share a common developmental ideology mirroring the crypto-colonialist structure of power relations and dependency among European nation-states emerging out of the Cold War. (shrink)

Based on ethnographic research done in Moscow, Russia, this article describes how some Muscovites articulate their moral consciousness, that is, the ways in which persons articulate to themselves and others how they conceptualize morality. While it may be possible, and indeed is often the case, that these concepts influence how people act and help guide individuals toward moral behavior, what is more important for our purposes is that these concepts provide a way for persons to give meaning, both for themselves (...) and for others, to their moral worlds and experience. Thus, what I hope to do in this article is describe just one of the conceptual frameworks within which moral experience is rendered meaningful for my Muscovite interlocutors. In doing so, I will consider how certain concepts of the moral person that have their origins in turn of the century Russian religious philosophy, Russian Orthodox Christianity, and Soviet ideology have all come together to make up various aspects of this moral consciousness. (shrink)

This article outlines the means of adaptation by the Polish intelligentsia to the conditions of a free-market system. The ethos of the Polish intelligentsia is at a fundamental level in conflict with the ethos of the middle class. Research conducted in the 1990s into social stratification in Poland clearly showed that it was the intelligentsia that was claiming the best new employment positions that “opened up” along with the market and democracy. Nonetheless, sociologists consider changes in consciousness to be phenomena (...) belonging to the so-called longue durée. For this reason, it has been useful to show how the beneficiaries of the new system are handling the order of norms and values that, while subject to reconstruction, has clear consequences at the level of lifestyle, way of thinking, and means of constructing one’s own biography. (shrink)