Results for 'Phineas Baxandall'

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  1.  10
    Three Worlds of Working Time: The Partisan and Welfare Politics of Work Hours in Industrialized Countries.Phineas Baxandall & Brian Burgoon - 2004 - Politics and Society 32 (4):439-473.
    This article argues that annual hours per employed person and per working-age person capture important dimensions of political-economic success that should be weighed against aggregate employment and wealth patterns. It also argues that partisan-driven work-time policies and welfare-regime institutions give rise to diverging Social Democratic, Liberal, and Christian Democratic “worlds” of work time in terms of these two measures. Descriptive statistics for eighteen Organization for Economic Cooperation and Development countries reveal broad clustering and trends suggestive of the Three Worlds, while (...)
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  2.  52
    Marx's Interpretation of History.Lee Baxandall - 1982 - Journal of Aesthetics and Art Criticism 40 (3):338-340.
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  3.  9
    Marxism and aesthetics: a selective annotated bibliography; books and articles in the English language.Lee Baxandall - 1968 - New York,: Humanities Press.
  4. Proof in mathematics ("if", "then" and "perhaps"): a collection of material illustrating the nature and variety of the idea of proof in mathematics.P. R. Baxandall (ed.) - 1978 - [Keele]: University of Keele, Institute of Education.
     
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  5.  5
    The Aesthetics of Georgy Lukacs.Lee Baxandall - 1976 - Journal of Aesthetics and Art Criticism 34 (4):496-497.
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  6. Philosophers in Conversation: Interviews From the Harvard Review of Philosophy.S. Upham Phineas (ed.) - 2002 - Routledge.
    This volume brings together 13 interviews with some of the brightest names in contemporary philosophy, including W.V.O. Quine, Richard Rorty, Stanley Cavell, Hilary Putnam, as well as John Rawls. Covering a wide range of topics from the philosophy of law and logic to metaphysics to literature, the interviews in this text provide an introduction to some of the most influential thinkers of the day.
     
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  7. Patterns of Intention: On the Historical Explanation of Pictures.Michael Baxandall - 1986 - Journal of Aesthetics and Art Criticism 45 (1):94-95.
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  8. Marx and Engels on Literature and Art. A Selection of Writings; Edited by Lee Baxandall and Stefan Morawski; Introd. By Stefan Morawski. --.Karl Marx, Lee Baxandall, Stefan Morawski & Friedrich Engels - 1973 - Telos Press.
     
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  9.  51
    Guarino, pisanello and Manuel chrysoloras.Michael Baxandall - 1965 - Journal of the Warburg and Courtauld Institutes 28 (1):183-204.
  10. Karl Marx / Frederick Engels on Literature and Art.Lee Baxandall & Stefan Morawski - 1975 - Journal of Aesthetics and Art Criticism 34 (1):84-85.
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  11.  21
    Marxism and Aesthetics: A Selective Annotated Bibliography.Kenneth Marantz & Lee Baxandall - 1970 - Journal of Aesthetic Education 4 (1):157.
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  12.  11
    The Scientific Spirit in England in Early Modern Times.Raymond Phineas Stearns - 1943 - Isis 34 (4):293-300.
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  13.  3
    Tom Wolfe.S. Phineas Upham - 2000 - The Harvard Review of Philosophy 8 (1):101-108.
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  14. Bartholomaeus facius on painting: A fifteenth-century manuscript of the de viris illustribus.Michael Baxandall - 1964 - Journal of the Warburg and Courtauld Institutes 27 (1):90-107.
  15.  58
    A dialogue on art from the court of leonello d'este: Angelo decembrio's de politia litteraria pars LXVIII.Michael Baxandall - 1963 - Journal of the Warburg and Courtauld Institutes 26 (3/4):304-326.
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  16.  38
    Beroaldus on Francia.Michael Baxandall & E. H. Gombrich - 1962 - Journal of the Warburg and Courtauld Institutes 25 (1/2):113-115.
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  17.  23
    “Is durability itself not also a moral quality?”.Michael Baxandall - 2012 - Common Knowledge 18 (1):22-31.
    Centering on his relationship with Gertrud Bing from 1958 until her death in 1964 — as well as, to a lesser extent, on his relationship with Ernst Gombrich — the author recalls his informal induction during those years into a tradition of thought and an intellectual climate that Aby Warburg had embodied in the Institute and Library that he founded in Hamburg. The Institute is described as existing, during the late 1950s and early 1960s in London, less as a formal (...)
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  18.  32
    Marxism and aesthetics: A critique of the contribution of George Plekhanov.Lee Baxandall - 1967 - Journal of Aesthetics and Art Criticism 25 (3):267-279.
  19.  24
    Re-Visioning the Women's Liberation Movement's Narrative: Early Second Wave African American Feminists.Rosalyn Baxandall - 2001 - Feminist Studies 27 (1):225-245.
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  20.  20
    The Reformation of the Image (review).Michael Baxandall - 2005 - Common Knowledge 11 (3):497-497.
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  21.  38
    Vanities of the Eye: Vision in Early Modern European Culture.Michael Baxandall - 2008 - Common Knowledge 14 (2):319-319.
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  22.  16
    The course of Capt. Edmond Halley in the year 1700.Raymond Phineas Stearns - 1936 - Annals of Science 1 (3):294-301.
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  23.  13
    The production of sugar in Barbados c. 1667.Raymond Phineas Stearns A. M. PhD - 1936 - Annals of Science 1 (2):173-181.
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  24.  3
    Editor's Note.S. Phineas Upham - 1999 - The Harvard Review of Philosophy 7 (1):2-2.
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  25.  23
    Freedom for the Future: The Independent Value of Freedom in Light of Uncertainty.S. Phineas Upham - 2009 - Critical Review: A Journal of Politics and Society 21 (4):437-446.
    ABSTRACT Both classical and modern liberals tend to treat freedom of choice as if it is intrinsically valuable—regardless of what is chosen. They fear that treating freedom as, instead, instrumental only to good choices might open the door to paternalism if a polity were to decide that people were making bad choices. A middle course would be to treat freedom as independently valuable. On the one hand, the independent value of freedom does not treat all choices as good as long (...)
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  26.  37
    Tom Wolfe.S. Phineas Upham - 2000 - The Harvard Review of Philosophy 8 (1):101-108.
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  27.  21
    Is economics scientific? Is science scientific?S. Phineas Upham - 2005 - Critical Review: A Journal of Politics and Society 17 (1-2):117-132.
    The usefulness of models that describe the world lies in their simplicity relative to what they model. But simplification entails inaccuracy, so models should be treated as provisional. Nancy Cartwright's account of science as a modeling exercise, in which fundamental laws hold true only in theory—not in reality, given the complexities of the real world—suggests that Rational Choice Theory (RCT) should not be rejected on the traditional basis of its lack of realism: that, after all, is to be expected of (...)
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  28.  37
    Philosophers in conversation: interviews from the Harvard review of philosophy.S. Phineas Upham & Joshua Harlan (eds.) - 2002 - London: Routledge.
    This volume brings together for the first time thirteen recent interviews with the brightest names in contemporary philosophy, including W.V.O. Quine, Richard Rorty, Stanley Cavell, Hilary Putnam and John Rawls. The pieces are culled from the Harvard Review of Philosophy, which has operated at the core of Harvard's Philosophy Department since 1991. Covering wide range of topics from the philosophy of law to logic to metaphysics to literature, the interviews provide a fascinating introduction to some of the most influential thinkers (...)
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  29.  23
    Shadows and EnlightenmentShadows: The Depiction of Cast Shadows in Western Art.David Carrier, Michael Baxandall & E. H. Gombrich - 1996 - Journal of Aesthetics and Art Criticism 54 (2):200.
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  30.  62
    Unpacking the warburg library.Anthony Grafton, Jeffrey F. Hamburger, Peter Mack, Michael Baxandall, Elizabeth Sears, Georges Didi-Huberman, Carlo Ginzburg, Joseph Leo Koerner, Christopher S. Wood & Jill Kraye - 2012 - Common Knowledge 18 (1):117-127.
    Against the backdrop of Walter Benjamin's famous essay, “Unpacking My Library”, this article, by the Librarian of the Warburg Institute, tells the story of the many times that the Warburg Library has been packed and unpacked. First it was the private collection of Aby Warburg, later a public institution, originally in Hamburg and then in London from 1933 to the present. This essay also explores the various ways in which books have been — and continue to be — acquired by (...)
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  31.  17
    Re-Viewing the Second WaveIn Our Time: Memoir of a RevolutionThe World Split Open: How the Modern Women's Movement Changed AmericaDear Sisters: Dispatches from the Women's Liberation Movement"Rights, Not Roses": Unions and the Rise of Working-Class Feminism, 1945-1980.Sara M. Evans, Susan Brownmiller, Ruth Rosen, Rosalyn Baxandall, Linda Gordon & Dennis A. Deslippe - 2002 - Feminist Studies 28 (2):258.
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  32. Personal identity and the Phineas Gage effect.Kevin P. Tobia - 2015 - Analysis 75 (3):396-405.
    Phineas Gage’s story is typically offered as a paradigm example supporting the view that part of what matters for personal identity is a certain magnitude of similarity between earlier and later individuals. Yet, reconsidering a slight variant of Phineas Gage’s story indicates that it is not just magnitude of similarity, but also the direction of change that affects personal identity judgments; in some cases, changes for the worse are more seen as identity-severing than changes for the better of (...)
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  33.  92
    Spiking Phineas Gage: A Neurocomputational Theory of Cognitive-Affective Integration in Decision Making.Paul Thagard & Brandon M. Wagar - 2004 - Psychological Review 111 (1):67-79.
    The authors present a neurological theory of how cognitive information and emotional information are integrated in the nucleus accumbens during effective decision making. They describe how the nucleus accumbens acts as a gateway to integrate cognitive information from the ventromedial prefrontal cortex and the hippocampus with emotional information from the amygdala. The authors have modeled this integration by a network of spiking artificial neurons organized into separate areas and used this computational model to simulate 2 kinds of cognitive–affective integration. The (...)
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  34.  13
    Michael David Kighley Baxandall 1933-2008.J. Onians - 2011 - In Onians J. (ed.), Proceedings of the British Academy, Volume 166, Biographical Memoirs of Fellows, IX. pp. 27.
    Michael Baxandall was probably the most important art historian of his generation, not just in Britain but in the world. In a series of books published between 1971 and 2003 he kept expanding the frontiers of the discipline, introducing new topics, new ways of writing, and new explanatory models, always demanding of himself and his readers an undissembling clarity of thought and expression. If art history is now a field that can hold its own with more established areas of (...)
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  35.  16
    Spiking Phineas Gage: A Neurocomputational Theory of Cognitive-Affective Integration in Decision Making.Brandon M. Wagar & Paul Thagard - 2004 - Psychological Review 111 (1):67-79.
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  36.  4
    Michael Baxandall, Patterns of Intention: on The Historical Explanation of Pictures.Mary Sirridge - 1986 - Journal of Aesthetics and Art Criticism 45 (1):94-95.
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  37.  16
    Mr. Baxandall's revisionism: "Marxism and aesthetics" (a reply).Willis H. Truitt - 1970 - Journal of Aesthetics and Art Criticism 28 (4):511-514.
  38. Does the Phineas Gage Effect Extend to Aesthetic Value?Elzė Sigutė Mikalonytė & Clément Canonne - forthcoming - Philosophical Psychology.
    In the last twenty years, a large number of studies have investigated judgments of the identity of various objects (e.g., persons, material objects, institutions) over time. One influential strand of research has found that identity judgments are shaped by normative considerations. People tend to believe that moral improvement is more compatible with the continuity of identity of a person than moral deterioration, suggesting that persons are taken to be essentially morally good. This asymmetry is often referred to as the “ (...) Gage effect”. However, normativity extends beyond morality. In particular, it is unknown whether changes in aesthetic value have a similar impact on identity judgments. We investigate whether works of art would be analogously seen as essentially aesthetically valuable. We ran four studies (N=1264) to explore whether aesthetic considerations have a similar influence on judgments of the identity of artworks. We presented the participants with stories describing either a painting or a musical work which undergoes changes and becomes either more or less aesthetically valuable. Overall, we found only mixed evidence for the Phineas Gage effect in relation to the aesthetic value of artworks. Other factors, such as moral value, seem to have a bigger impact on judgments of persistence. (shrink)
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  39.  4
    Phineas Fletcher, Man of Letters, Science, and DivinityAbram Barnett Langdale.Charles A. Kofoid - 1939 - Isis 31 (1):86-87.
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  40.  47
    The strange case of Phineas Gage.Zbigniew Kotowicz - 2007 - History of the Human Sciences 20 (1):115-131.
    The 19th-century story of Phineas Gage is much quoted in neuroscientific literature as the first recorded case in which personality change (from polite and sociable to psychopathic) occurred after damage to the brain. In this article I contest this interpretation. From a close examination of the story of Gage I have come to conclude that first of all there was nothing psychopathic in Gage’s behavior and that changes in his life are more coherently explained by seeing them as his (...)
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  41.  12
    Neuroscience Education Begins With Good Science: Communication About Phineas Gage (1823–1860), One of Neurology’s Most-Famous Patients, in Scientific Articles. [REVIEW]Stephan Schleim - 2022 - Frontiers in Human Neuroscience 16.
    Phineas Gage is one of the most famous neurological patients. His case is still described in psychology textbooks and in scientific journal articles. A controversy has been going on about the possible consequences of his accident, destroying part of his prefrontal cortex, particularly with respect to behavioral and personality changes. Earlier studies investigated the accuracy of descriptions in psychology textbooks. This is, to my knowledge, the first analysis of journal articles in this respect. These were investigated with regard to (...)
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  42.  13
    Svetlana Alpers and Michael Baxandall, Tiepolo and The Pictorial Intelligence.David Carrier - 1995 - Journal of Aesthetics and Art Criticism 53 (4):438-440.
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  43.  9
    Science in the British Colonies of AmericaRaymond Phineas Stearns.William Powell Jones - 1971 - Isis 62 (3):411-412.
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  44. "Patterns of Intention: On the Historical Explanation of Pictures": Michael Baxandall[REVIEW]Salim Kemal - 1987 - British Journal of Aesthetics 27 (2):188.
     
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  45. "Painting and Experience in Fifteenth Century Italy": Michael Baxandall[REVIEW]Ross J. Longhurst - 1974 - British Journal of Aesthetics 14 (2):177.
     
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  46.  17
    Malcolm Macmillan. An Odd Kind of Fame: Stories of Phineas Gage. xiv + 562 pp., frontis., illus., figs., apps., bibl., index.Cambridge, Mass./London: MIT Press, 2000. $39.95. [REVIEW]Kieran O'Driscoll - 2002 - Isis 93 (1):138-138.
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  47. "Giotto and the Orators": Michael Baxandall[REVIEW]Richard Woodfield - 1972 - British Journal of Aesthetics 12 (2):199.
     
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  48. "The Limewood Sculptors of Renaissance Germany": Michael Baxandall[REVIEW]Erika Langmuir - 1981 - British Journal of Aesthetics 21 (2):172.
     
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  49. "Radical Perspectives in the Arts": Edited by Lee Baxandall[REVIEW]Ross J. Longhurst - 1973 - British Journal of Aesthetics 13 (4):417.
     
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  50. "Marxism and Aesthetics, a selected Bibliography": Leo Baxandall[REVIEW]Colin Radford - 1969 - British Journal of Aesthetics 9 (4):416.
     
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