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  1.  34
    The Ages of Man: Medieval Interpretations of the Life Cycle.Elizabeth Sears, Patrick Mckee & Heta Kauppinen - 1989 - Journal of Aesthetics and Art Criticism 47 (2):194-196.
  2.  46
    Unpacking the warburg library.Anthony Grafton, Jeffrey F. Hamburger, Peter Mack, Michael Baxandall, Elizabeth Sears, Georges Didi-Huberman, Carlo Ginzburg, Joseph Leo Koerner, Christopher S. Wood & Jill Kraye - 2012 - Common Knowledge 18 (1):117-127.
    Against the backdrop of Walter Benjamin's famous essay, “Unpacking My Library”, this article, by the Librarian of the Warburg Institute, tells the story of the many times that the Warburg Library has been packed and unpacked. First it was the private collection of Aby Warburg, later a public institution, originally in Hamburg and then in London from 1933 to the present. This essay also explores the various ways in which books have been — and continue to be — acquired by (...)
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  3. Keepers of the flame : Bing, Solmitz, Klibansky, and the continuity of the Warburg tradition.Elizabeth Sears - 2018 - In Philippe Despoix & Jillian Tomm (eds.), Raymond Klibansky and the Warburg Library Network: Intellectual Peregrinations From Hamburg to London and Montreal. Chicago: Mcgill-Queen's University Press. pp. 29-57.
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  4. The Iconography of Auditory Perception in the Early Middle Ages: On Psalm Illustration and Psalm Exegesis.Elizabeth Sears - 1991 - In Charles Burnett, Michael Fend & Penelope Gouk (eds.), The Second Sense. Warburg Institute.
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  5.  21
    Warburg Institute Archive, General Correspondence.Elizabeth Sears - 2012 - Common Knowledge 18 (1):32-49.
    Aby Warburg's Nachlass, the heart of the Warburg Institute Archive, is complemented by other large holdings which are no less remarkable. Quietly accumulating over the decades, still only provisionally cataloged, the vast corpus of letters filed as “General Correspondence” reveals itself to be a spectacularly rich resource for twentieth-century cultural and intellectual history. The secretariat was efficient: most everything was kept, letters received as well as copies of letters sent, meaning that the visitor to Woburn Square can sit in a (...)
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  6.  14
    Jérôme Baschet, L'iconographie médiévale.(Folio Histoire, 161.)[Paris]: Gallimard, 2008. Paper. Pp. 468 plus 48 black-and-white and color figures; 11 diagrams.€ 9.90. [REVIEW]Elizabeth Sears - 2010 - Speculum 85 (2):361-363.