This essay recognizes that the interactions that define medical care are problematic and that narrative is invoked to overcome these strains. Being grounded in science, medicine, too, might be influenced by a particular world-view that arose in the natural philosophy of the Scientific Revolution. If narrative responds to this sort of medicine, it may retain traces of this mindset. A feminist approach responds to this viewpoint and may used beneficially to analyze both the story of medicine and the stories within (...) medicine. Tensions discussed from this perspective are those between sickness and health and those between patient and provider; also questioned are suitable form(s) of narrative and whose narratives are valued. Suggestions for broadening narrative to address these issues include letting the body speak for itself, overcoming the power differential in the patient/provider interaction and using standpoints to foster a more equal and just medical system. (shrink)

In the first decade of the twentieth century, the foundation for the science of genetics was set. In 1900, the data of Gregor Mendel were rediscovered. By 1915, a community of scientists accepted that there were entities on chromosomes that controlled the development of observable traits. During the intervening period, Thomas Hunt Morgan was one of the major skeptics regarding the chromosomal location of the genes. His acceptance may have been the turning point for the flowering of American genetics. This (...) paper will discuss the reasons for Morgan's recalcitrance, his conversion to belief, and the nature of the scientific evidence that led to his acceptance. (shrink)

Donna Haraway, one of the premier feminist science theorists of our generation, is a trained biologist who has used a menagerie of creatures—the cyborg, the vampire, OncoMouse™, and primates—as markers to analyze the intersections among nature, culture, gender, and science. Her writing about these creatures is unique: dense, circling around, doubling back to move forward. This book, a conversation with Thyrza Nichols Goodeve, uses a more informal voice to discuss the intellectual, professional, geographical, and personal influences that shaped Haraway's singular (...) vision.A most surprising influence is the Catholicism of her upbringing—she was schooled by nuns and considered becoming a medical missionary. Although she no longer adheres to the tenets of the religion, Haraway attributes her linking of the figurative and the material to an indelible impression of the Eucharist. Place has also been defining: Denver, where she grew up, as a borderland; California, as a blend of agriculture and technology, populated by “Californios” , as the location of the history of consciousness program of the University of California at Santa Cruz, where she was appointed to the first position in feminist theory in the United States and where she has trained multitudes of students, both graduates and undergraduates.Haraway's background in the life sciences permeates this conversation. Architecture and its emergence in embryonic development stimulated her initial interest in biology, and the title How Like a Leaf stems from Haraway's attempt to compare her own structure to that of a leaf. Biology, with all of its subdisciplines, is the foundation for her analysis of nature‐culture, using one to inform the other. “We live intimately ‘as’ and ‘in’ a biological world” , but it is a world that is historically contingent on and tied to culture. Her theory is relational, seeking to challenge boundaries, requiring responsibility for their construction, and taking in all views, simultaneously. The multiple perspectives occur horizontally and vertically, from miniatures to aggregates, zooming between them.A large portion of this slim book discusses Haraway's adult personal ties, which, like her writing, also are unique. Goodeve claims that these relationships show how Haraway “lives the theory she writes and teaches” , but Haraway does not explicitly endorse this idea, saying that the relationships were only possible at a particular point in time. Without linking them to the body of work, the assertions run the risk of resembling gossip. The conversation is stilted at times, the flow interrupted when Goodeve quotes material from other writers whom Haraway does not immediately acknowledge as influential. A complete bibliography of Haraway's writings, easily accessible citations for works discussed during the talks, and more careful copyediting would have been helpful. Readers of this book will also find worthwhile dialogue between Haraway and Constance Penley and Andrew Ross .Those who come to this book looking for the canvas on which Haraway has painted an uncommon picture of our world will be enlightened. Those who come looking for clues to unravel the density of the words in her texts may be disappointed. But who would want directions for reading Haraway? Part of the joy is finding something new each time we read an essay “with passion and irony, where passion is as important as irony”. (shrink)