By and large, contemporary news stories are stories about a particular nation, told to an audience that is seen and addressed in national terms. However, the understanding of the exact ways in which national imagination becomes engrained in the narrative conventions of news reporting is still rather limited, in particular when it comes to audiovisual genres. This article aims to fill a part of this blank by examining the links between national imagination and the narrative conventions of television news. Building (...) on existing debates about different modes of news reporting, the article distinguishes two distinct sets of narrative conventions at work in television news: one typically found in routine reporting, the other characteristic of crisis and celebratory reporting. It is argued that each of these two sets of conventions is tied to a different form of nationalism, and normally arises in a different political climate. Links between national imagination and narrative conventions vary accordingly. To demonstrate this, the article provides a comparative analysis of narrative structures in selected samples of television news bulletins broadcast in the early 1990s in the Socialist Federal Republic of Yugoslavia. The concluding section reflects on the external validity of the chosen case study and surveys supportive evidence from four other relevant cases, drawn from the UK and Israel. (shrink)

The concept of cuteness, which can evoke positive emotions in people, is an essential aspect to consider in artificial intelligence design. This study aimed to investigate whether the use of baby schema designed avatars in computer-mediated communication elicits higher positive attitudes than neutral avatars and whether the ethnicity of the cute avatars influences individuals' perceived level of cuteness. 485 participants from Israel and Japan viewed six avatar images, including three baby schema avatars of different visual characteristics and ethnicities (Caucasian, Asian, (...) and Black) and three neutral avatars. Participants rated their attitudes on each avatar, and the results revealed that the baby schema designed avatars were rated cuter, more likable, approachable, and pleasant than the neutral mature avatars. Cultural differences were also evident, as the Caucasian baby schema avatar was rated cuter among Japanese participants, while the Asian and Black baby schema avatars were rated cuter among Israeli respondents. The study findings suggest that cute avatar design can serve as a powerful tool for promoting positive interactions in computer-mediated communication, especially in cultures that highly value cuteness, such as Japan. However, the subjective nature of cuteness is evident as attitudes toward cuteness varied significantly across cultures and individuals. This research highlights the significance of cultural diversity and emphasizes the importance of considering cuteness as a crucial aspect of artificial intelligence design, particularly when creating avatars intended to elicit positive emotions from users. Therefore, designers should be mindful of potential cultural and individual differences in the perception of cuteness while developing avatars for various applications. (shrink)

In this paper, we will try to confront Quine’s and Davidson’s holistic position through Davidson’s thesis of the mental as a non-ontological category. In this regard, since Davidson came to this position through the thesis of the mental as a decidedly conceptual category, we will try to show how this approach does not, nevertheless, rule out the possibility of its interpretation in ontological terms. However, in what follows we will draw attention to the fact that the mental can be interpreted (...) so that it proves to be immune to ontologizing in Quine’s sense. This would be the evidence of different ways, which are not necessarily compatible, to argue for Davidson’s central thesis - the thesis about holistic character of the mental - as well as, which is closely related, a certain difference that exists between Davidson’s view of the mental as a conceptual category on the one hand, and a holistic category on the other. (shrink)

Terms do not always cover the same meaning all the time. While translating into another language we have to take care of possible shifts in meaning in each of both languages. Some examples have been shown here from the new translation of Locke‘s Essay into Czech.

Terms do not always cover the same meaning all the time. While translating into another language we have to take care of possible shifts in meaning in each of both languages. Some examples have been shown here from the new translation of Locke‘s Essay into Czech.

Tento článok pojednáva o Watkinsovom útoku na Popperovu teóriu vedy . Watkins tvrdí, že Popperova teória pravdeblízkosti zavádza do PTV justifikacionistické a induktivistické prvky. Cieľom článku je ukázať nepravdivosť Watkinsovej obžaloby. V PTV niet žiadneho dobrého dôvodu pre žiadnu domnienku. Podobne, neexistuje tu ani žiadny „induktívny spôsob“ získavania domnienok.

Connaissez-vous Daniel S. Milo? Il dit lui-même être « le seul témoin ici de [ses] propres exploits ». Il conviendrait donc de faire les présentations d’usage. Mais suffit-il de dire que l’homme est historien, romancier et philosophe, maître de conférences à l’École des hautes études en sciences sociales à Paris? Difficile, car malgré tout on en vient vite à s’écrier, sur le ton de parents excédés par l’insubordination de leur rejeton : « Qu’est-ce qu’il...

An important place in the creative work of thinkers of the Orthodox tradition in the broad occupied the philosophical understanding of religion. However, the national religious and philosophical heritage of Orthodoxy of the past is mainly studied in the history of philosophy, but not in religious studies. Therefore, according to the author, for modern academic religious studies one of the urgent tasks is to study the philosophy of religion in its theological paradigm, which is expressed in its various confessional variants. (...) While there are still no fundamental works in this field, but to create them it is necessary to take into account the experience of theological-philosophical thought and to critically revise it. (shrink)

"The vigilant worm" about G.S. A frying pan, having deeply become entrenched in human nature, having come to an understanding of the anthropological crisis, as a result of surviving, is now very technogenic in civilization. For the vigilance of the “vigilant worm”, the culturologist beat the humanistic instrument with the visionary philosophies, religion, morality, mystery, art, praise to the faithful, holy, kind, good-natured. For the sake of meticulous law є zernennya of today’s suspension thoughts to the historical access to their (...) predecessors, who should take revenge on their spacious human potential potential. Yogi osmislennya zalysha naysuttvіshe zavdannya, scho stand in front of the philosophical attainment. At this zv'yazku vivchennya creative creativity Spadshchiny G.S. The frying pans look like they are more relevant than those of the philosopher, but they are also wider - the most humanistic. (shrink)

The theory of pramonotheism is an important part of the theological conception of religion. Its founder is an Austrian theologian of the twentieth century. W. Schmidt. However, this theory was advanced and developed even before Schmidt in the Orthodox thought of the twentieth century, in which it was called "the doctrine of the original monotheism." The theory of pramonotheism was developed in the field of basic theology with the task of comprehending the emergence and evolution of religion in the paradigm (...) of Christian monotheism, as well as to refute views of religion only in the context of the natural laws of human consciousness and social life. (shrink)

In his article ‘Art and Time’ Patočka argues that Hegel rightly recognized a fundamental difference between classical and contemporary art. In developing Hegel’s insight he offers a conception of two eras of art, the ‘artistic’ era and the era of ‘aesthetic culture’. Patočka supposes that artworks of both the artistic era and the aesthetic era always open up a certain ‘meaning’ that gives human existence its fundamental points of reference. The status of this world, however, radically changed from one era (...) to the next. The art of the artistic era offered objective and binding meaning, whereas aesthetic art offers personal or individual meaning. The current article points to an important discrepancy in Patočka’s treatment of the relation between the two eras, and presents Patočka’s later reading of Hegel’s notion of the past character of art. From the perspective of this interpretation, art reveals temporality as such, that is, as the ontological basis of the revelation of meaning. The article emphasizes that such an interpretation demonstrates the ontological relevance of the artwork in greater detail. Yet Patočka continued to use the concepts of the artistic era and the aesthetic era, without sufficiently clarifying the relationship between the two eras. Finally, the author argues that the discrepancy in the concept can be resolved with the help of Patočka’s later reflections on the ‘problematic nature’ of meaning. The article argues that in classical art such a nature is concealed, whereas in modern art it is revealed again. The article includes an English translation of Patočka´s ‘Art and Time’. (shrink)

DRAGAN BULATOVIĆ, UMETNOST I MUZEALNOST: ISTORIJSKO-UMETNIČKI GOVOR I NJEGOVI MUZEOLOŠKI ISHODI, GALERIJA MATICE SRPSKE, NOVI SAD, 2016.Miloš Ćipranić.

This is a companion to a paper by the authors entitled “Gödel’s natural deduction,” which presented and made comments about the natural deduction system in Gödel’s unpublished notes for the elementary logic course he gave at the University of Notre Dame in 1939. In that earlier paper, which was itself a companion to a paper that examined the links between some philosophical views ascribed to Gödel and general proof theory, one can find a brief summary of Gödel’s notes for the (...) Notre Dame course. In order to put the earlier paper in proper perspective, a more complete summary of these interesting notes, with comments concerning them, is given here. (shrink)

Miloš Ćipranić Punoletstvo misli: Trivo Inđić.

The talk deals with Aristotle’s famous sea-battle problem concerning the truth values of sentences about contingent future events: If an utterance of the sentence “There will be a sea battle tomorrow” is true, then it seems that it is determined that there will be a sea battle tomorrow. For otherwise, how could the utterance be true? If, however, an utterance of the sentence “There will be a sea battle tomorrow” is false, then it seems that it is determined that there (...) will be no sea battle tomorrow. For otherwise, how could the utterance be false? Thus, it seems that it is determined whether there will be a sea battle tomorrow or not – and so for any future event whatsoever. This, however, is in conflict with the assumption that there is such a thing as an open future, i.e., that at least for some future events, it is not determined whether they will take place or not. Some have argued, in light of this problem, that sentences about f uture events are neither true nor false. In this talk, however, it shall be argued that the sea-battle problem can be resolved in an intuitively plausible manner without giving up the principle of bivalence. (shrink)

A report on the International Congress of Aesthetics: Aesthetics Bridging Cultures, which was held in Ankara, Turkey, 9–13 August 2007.

Epicurean epistemology is usually summarised in a controversial thesis according to which all perceptions are true. Although it seems very problematic and counterintuitive, careful investigation of the main sources shows us that Epicurus ’ claim for the truth of perceptions is not so hasty but is supported with some serious arguments. In the paper, I examine the thesis according to which “all perceptions are true”, but my main focus is to analyse the content of Epicurean perception through the following questions: (...) what kind of content do Epicurean perceptions have; what are the proper objects of perception; can we ascribe to such content truth and falsity? In the first part, I say something general about the thesis and point out some basic characteristics of perceptions due to which they serve as a criterion of truth. Next I try to show that the proper objects of perceptions are eidola and not external objects because only in that case can Epicurus maintain the truth of all perceptions, including illusions, hallucinations, dreams and other misperceptions. In the third part, I argue that such Epicurean perceptual content can be explained by the modern notion of non-conceptual content, which helps us to understand the special feature of Epicurean perceptions and also the important difference between perception and belief in Epicurean epistemology. In the final part, I discuss the notion of alethes which I suggest implies that perception is “factive”. (shrink)

Contextualism and Relativism offer competing semantic accounts of personal taste predicates. I argue in this paper that Michael Glanzberg’s defense of contextualism from one relativist argument-the Lost Disagreement Argument-is not successful. I show that Glanzberg’s scalar analysis of the adjectives from which personal taste predicates are built fails to capture the characteristic subjectivity of these predicates. I propose an alternative analysis according to which each personal taste adjective denotes multiple functions from a set of objects to an ordered scale of (...) measurement of the appropriate dimensional property. This analysis succeeds where Glanzberg’s fails and it favors a relativist treatment of personal taste predicates. (shrink)

_ Source: _Volume 56, Issue 3-4, pp 241 - 271 William of Ockham and John Buridan provide different accounts of the distinction between formal and material consequences. Some consequences – in particular, enthymemes – that Ockham would classify as formal would be classified as material by Buridan. This paper explains this taxonomical discrepancy. It identifies the root of the discrepancy not in a difference between Ockham’s and Buridan’s notions of propositional hylomorphism but rather in Ockham’s endorsement of relational characterizations of (...) consequences. (shrink)

The Destructions of the Modes of Signifying (henceforth: dms) is an anonymous fourteenth-century polemic against modist speculative grammar (grammatica speculativa). Wielding Ockhamist logic and metaphysics, the dms repeatedly attacks the very root of modism: the claim that the grammatical features of language are grounded in the metaphysical properties of the world. I call this the Modist Correspondence Thesis (henceforth: mct). In its most general form, mct says that every mode of signifying exhibited by an utterance corresponds to a mode of (...) being exhibited by a thing. The Emptiness Argument of the dms tries to show that mct fails to accommodate certain special cases, such as privative, fictitious, and divine utterances, like ‘blindness’ (caecitas), ‘chimera’ (chimaera), and ‘deity’ (deitas). The modist Thomas of Erfurt directly addresses the Emptiness Argument, anticipating the anti-modist criticisms present in the dms. In doing so, he points the way to alternative formulations of mct that are immune to those criticisms. (shrink)

Planar cell polarity, the polarization of cells within the plane of the epithelium, orthogonal to the apical‐basal axis, is essential for a growing list of developmental events, and – over the last 15 years – has evolved from a little‐studied curiosity in Drosophila to the subject of a substantial research enterprise. In that time, it has been recognized that two molecular systems are responsible for polarization of most tissues: Both the “core” Frizzled system and the “global” Fat/Dachsous/Four‐jointed system produce molecular (...) asymmetry within cells, and contribute to morphological polarization. In this review, we discuss recent findings on the molecular mechanism that links “global” directional signals with local coordinated polarity. (shrink)