Resumen. Este documento reconoce el sentido del liderazgo ético en las transformaciones empresariales actuales, siendo el gerente forjador de cambios transcendentales, donde el direccionamiento integral es su mayor finalidad, para lo cual, pone en practica una cultura organizacional, donde prevalece el sentido de la visión sistemática de la ética, como lo deja entrever el Modelo Spenta, cuyo eje central es el fortalecimiento de los valores éticos y la consolidación del arte de negociar, todo ello en una filosofía de buena mente (...) y buen pensamiento, de compromiso administrativo, rectitud, movilidad virtual y responsabilidad social.Palabras claves. Liderazgo ético, transformaciones empresariales, jerarquización de valores, el arte de negociar, líder gerencial, tendencias sociales, rectitud, buena mente y buen pensamiento, interconexión, globalización, movilidad virtual, responsabilidad social.. This document recognizes the sense of ethical leadership in today's business transformation, with the momentous changes smith manager, where addressing is the most comprehensive purpose for which it puts into practice an organizational culture where the prevailing sense of vision systematically of ethics, as the model suggests Spenta, whose centerpiece is the strengthening of ethical values and consolidation of the art of negotiation, all in a philosophy of good mind and good thinking, administrative commitment, honesty, virtual mobility and social responsibility.Keywords. Ethical Leadership, Business Transformation, hierarchy of values, the art of negotiation, a leading management, social trends, righteousness, good mind and good thinking, networking, globalization, virtual mobility, social responsibility. (shrink)

The present paper seeks, from the political realism of Hinkelammert and the politics of the liberation of Dussel, to identify the initial limits that delineate the framework of political action. The political action framework delimits the space of empirical possibility. For it, the definition of politics is adopted as “art of the possible”, explicitly accepted by Hinkelammert and developed implicitly by Dussel. Three limits are identified that outline the framework of political action: 1) the natural environment as a condition of (...) existence of living corporality, 2) the satisfaction of physical needs as a condition to preserve living corporality, 3) intersubjective experiences as a condition to maintain the human life. Propose these limits allows to establish the bases of the utopia of the political realism of Hinkelammert and of the politics of the liberation of Dussel. (shrink)

This guide accompanies the following article: Matthew Kieran, ‘Art, Morality and Ethics: On the (Im)moral Character of Art Works and Inter‐Relations to Artistic Value’. Philosophy Compass 1/2 (2006): pp. 129–143, doi: 10.1111/j.1747‐9991.2006.00019.x Author’s Introduction Up until fairly recently it was philosophical orthodoxy – at least within analytic aesthetics broadly construed – to hold that the appreciation and evaluation of works as art and moral considerations pertaining to them are conceptually distinct. However, following on from the idea that artistic value is (...) broader than aesthetic value, the last 15 years has seen an explosion of interest in exploring possible inter‐relations between the appreciative and ethical character of works as art. Consideration of these issues has a distinguished philosophical history but as the Compass survey article suggests (‘Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter‐Relations to Artistic Value.’Philosophy Compass 1.2 (2006): 129–43), it is only very recently that figures in the field have returned to it to develop more precisely what they take the relationships to be and why. Consensus is, unsurprisingly, lacking. The reinvigoration of the issues has led sophisticated formalists or autonomists to mount a more considered defence of the idea that aesthetic and literary values are indeed conceptually distinct from the justification or otherwise of the moral perspective or views endorsed in a work (Topic I). The challenges presented by such a defence are many but amongst them are appeals to critical practice (Lamarque and Olsen), scepticism about whether or not art really can give us bona fide knowledge (Stolnitz) and the recognition that truth often seems to be far removed from what it is we value in our appreciation of works (Lamarque). One way to motivate consideration of the relevance of a work’s moral character to its artistic value concerns the phenomena of imaginative resistance. At least sometimes it would seem that, as Hume originally suggested, we either cannot or will not enter imaginatively into the perspective solicited by a work due to its morally problematic character (Topic II). In some cases, it would seem that as a matter of psychological fact, we cannot do so since it is impossible for us to imagine how it could be that a certain attitude or action is morally permissible or good (Walton). The question then is whether or not this is a function of morality in particular or constraints on imaginative possibility more generally and what else is involved. At other times, the phenomena seem to be driven by a moral reluctance to allow ourselves to enter into the dramatic perspective involved (Moran) or evaluation of the attitude expressed (Stokes). Nonetheless, it is far from obvious that this is so of all the attitudes or responses we judge to be morally problematic. After all, it looks like we can and indeed often do suspend or background particular cognitive and moral commitments in engaging with all sorts of works (Nichols and Weinberg). If the moral character of a work interacts with how we appreciate and evaluate them, then the pressing question is this: is there any systematic account of the relationship available to us? One way is to consider the relationship between our emotional responses to works and their moral character (Topic III). After all, art works often solicit various emotional responses from us to follow the work and make use of moral concepts in so doing (Carroll). Indeed, whether or not a work merits the sought for emotional responses often seems to be internally related to ethical considerations (Gaut). Yet, it is not obvious that we should apply our moral concepts or respond emotionally in our imaginative engagement with works as art as we should in real life (Kieran, Jacobson). A different route is via the thought that art can convey knowledge (Topic IV). There might be particular kinds of moral knowledge art distinctively suited to conveying (Nussbaum) or it may just be that art does so particularly effectively (Carroll, Gaut, Kieran). Either way where this can be tied to the artistic means and appreciation of a work it would seem that to cultivate moral understanding contributes to the value of a work and to betray misunderstanding is a defect. Without denying the relevance of the moral character of a work some authors have wanted to claim that sometimes the immoral aspect of a work can contribute to rather than lessen its artistic value (Topic V). One route is to claim that there is no systematic theoretical account of the relationship available and what the right thing to say is depends on the particular case involved (Jacobson). Another involves the claim that this is so when the defect connects up in an appropriate way to one of the values of art. Thus, it has been claimed, only where a work reveals something which adds to intelligibility, knowledge or understanding in virtue of its morally problematic aspect can this be so (Kieran). The latter position looks like it could in principle be held whilst nonetheless maintaining that the typical or standard relationship is as the moralists would have it. Yet perhaps allowing valence change for such reasons is less a mark of principled explanation and more a function of downright inconsistency or incoherence (Harold). The topics themselves and suggested readings given below follow the structure articulated above as further amplified in the Compass survey article. The design and structure given below can be easily compressed or expanded further. Author Recommends 1 Carroll, Noël. ‘Art, Narrative and Moral Understanding.’Aesthetics and Ethics: Essay at the Intersection. Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998. 126–60. 2 This article develops the idea that engaging with narrative art calls on moral concepts and emotions and can thereby clarify our moral understanding. 2 Carroll, Noël. Beyond Aesthetics: Philosophical Essays. Cambridge: Cambridge UP, 2009. 4 Part IV consists of six distinct essays on questions concerning the inter‐relations between art and morality including the essay cited above and the author’s articulation and defence of moderate moralism. 3 Gaut, Berys. ‘The Ethical Criticism of Art.’Aesthetics and Ethics: Essay at the Intersection. Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998. 182–203. 4 Gaut, Berys. Art, Emotion and Ethics. Oxford: Oxford UP, 2007. 7 This monograph provides the most exhaustive treatment of the issues and defends the claim that, where relevant, whenever a work is morally flawed it is of lesser value as art and wherever it is morally virtuous the work’s value as art is enhanced. Chapters 7 and 8 defend concern ethical knowledge and chapter 10 is a development of the article cited above concerning emotional responses. Chapter 3 also gives a useful conceptual map of the issues and options in the debate. 5 Jacobson, Daniel. ‘In Praise of Immoral Art.’Philosophical Topics 25 (1997): 155–99. 9 A wide ranging and extended treatment of relevant issues which objects to generalising moral treatments of our responses to art works and defends the idea that particular works can be better because of rather than despite their moral defects. 6 Kieran, Matthew. ‘Forbidden Knowledge: The Challenge of Cognitive Immoralism.’Art and Morality. Ed. Sebastian Gardner and José Luis Bermúdez. London: Routledge, 2003. 56–73. 11 A general argument for immoralism is elaborated by outlining when, where and why a work’s morally problematic character can contribute to its artistic value for principled reasons (through enhancing moral understanding). 7 Kieran, Matthew. Revealing Art. London: Routledge, 2005. Chapter 4. 13 This chapter argues against both aestheticism and straightforward moralism about art, elaborating a defence of immoralism in relation to visual art whilst ranging over issues from pornographic art to the nature and demands of different genres in art. 8 Lamarque, Peter. ‘Cognitive Values in the Arts: Marking the Boundaries.’ Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006, 127–39. 15 This article concisely outlines and defends a sophisticated aestheticism that denies the importance of truth to artistic value. 9 Stolnitz, Jerome. ‘On the Cognitive Triviality of Art.’British Journal of Aesthetics 32.3 (1992): 191–200. 17 This article articulates and defends the claim that no knowledge of any interesting or significant kind can be afforded by works appreciated and evaluated as art. 10 Walton, Kendall. ‘Morals in Fiction and Fictional Morality, I.’Proceedings of the Aristotelian Society, Suppl. 68 (1994): 27–51. 19 This article builds on some comments from Hume to develop the idea that when engaging with fictions it seems impossible imaginatively to enter into radically deviant moral attitudes. Online Materials ‘Aesthetics and Ethics: The State of the Art.’American Society of Aesthetics online (Jeffrey Dean):. ‘Art, Censorship and Morality’ downloadable podcast of Nigel Warburton interviewing Matthew Kieran at Tate Britain (BBC/ou Open2.net as part of the Ethics Bites series):. ‘Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter‐Relations to Artistic Value.’Philosophy Compass 1.2 (2006): 129–43 (Matthew Kieran):. ‘Ethical Criticism of Art.’Internet Encyclopedia of Philosophy (Ella Peek):. ‘Fascinating Fascism.’New York Review of Books Piece Discussing Leni Riefenstahl (Susan Sontag):. ‘The Beheading of St. John the Baptist (1450s), Giovanni de Paolo’ (Tom Lubbock):. Vladimir Nabokov and Lionel Trilling discuss Lolita (CBS):. Sample Syllabus Topic I Autonomism/aestheticism • Anderson, James C. and Jeffrey T. Dean. ‘Moderate Autonomism.’British Journal of Aesthetics 38.2 (1998): 150–66. • Beardsley, Monroe. Aesthetics: Problems in the Philosophy of Criticism. New York: Harcourt, Brace and World, 1958. Chapter 12. • Kant, Immanuel. The Critique of Judgement.Trans. James Creed Meredith. Oxford: Oxford UP, 1952 [1790]. • Lamarque, Peter. ‘Cognitive Values in the Arts: Marking the Boundaries.’Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006, 127–39. • ——. ‘Tragedy and Moral Value.’Australasian Journal of Philosophy 73.2 (1995): 239–49. • Lamarque, Peter and Stein Olsen. Truth, Fiction and Literature. Oxford: Clarendon Press, 1994. Chapter 10. • Stolnitz, Jerome. ‘On the Cognitive Triviality of Art.’British Journal of Aesthetics 32.3 (1992): 191–200. Topic II Imaginative Capacities, Intelligibility and Resistance • Moran, Richard. ‘The Expression of Feeling in Imagination.’Philosophical Review 103.1 (1994): 75–106. • Nichols, Shaun. ‘Just the Imagination: Why Imagining Doesn’t Behave Like Believing’. Mind & Language 21.4 (2006): 459–74. • Stokes, Dustin. ‘The Evaluative Character of Imaginative Resistance’. British Journal of Aesthetics 46.4 (2006): 387–405. • Tanner, Michael. ‘Morals in Fiction and Fictional Morality, II’. Proceedings of the Aristotelian Society, Suppl. Vol. 68 (1994): 51–66. • Walton, Kendall (1994). ‘Morals in Fiction and Fictional Morality, I’. Proceedings of the Aristotelian Society, Suppl. Vol. 68 (1994): 27–51. • Weinberg, Jonathan. ‘Configuring the Cognitive Imagination.’New Waves in Aesthetics. Eds. K. Stock and K. Thomson‐Jones. London: Palgrave Macmillan, 2008. 203–23. Topic III Moralism and Emotions • Carroll, Noël. ‘Moderate Moralism.’British Journal of Aesthetics 36.3 (1996): 223–37. • Carroll, Noël. ‘Art, Narrative and Moral Understanding.’Aesthetics and Ethics: Essay at the Intersection. Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998.126–60. • Gaut, Berys. Art, Emotion and Ethics. Oxford: Oxford UP, 2007. Chapter 10. • ——. ‘The Ethical Criticism of Art.’Aesthetics and Ethics: Essay at the Intersection. Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998. 182–203. • Hume, David. ‘Of the Standard of Taste.’Selected Essays. Oxford: Oxford UP, 1993 [1757]. 133–53. • Kieran, Matthew. ‘Emotions, Art and Immorality.’Oxford Handbook to the Philosophy of Emotions. Ed. Peter Goldie. Oxford: Oxford UP, 2009. 681–703. • Tolstoy, Leo. What is Art?. London: Penguin, 2004. Chapters 5 and 15. Topic IV Moralism and Knowledge • Aristotle. Poetics. Trans. M. Heath. London: Penguin, 1996 [367–322 BC]. • Carroll, Noël. ‘The Wheel of Virtue: Art, Literature and Moral Knowledge.’Journal of Aesthetics and Art Criticism 60.1 (2002): 3–26. • Gaut, Berys. Art, Emotion and Ethics. Oxford: Oxford UP, 2007. Chapters 7 and 8. • Gaut, Berys. ‘Art and Cognition.’Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006. 115–26. • Kieran, Matthew. ‘Art, Imagination and the Cultivation of Morals.’Journal of Aesthetics and Art Criticism 54.4 (1996): 337–51. • Nussbaum, Martha. ‘Finely Aware and Richly Responsible: Literature and the Moral Imagination.’Love’s Knowledge. New York: Oxford UP, 1990. 148–68. • Plato. The Republic. Trans. D. Lee. Harmondsworth: Penguin, 1974. Book 10. Topic V Immoralist Contextualism • Harold, James. ‘Immoralism and the Valence Constraint.’British Journal of Aesthetics 48.1 (2008): 45–64. • Jacobson, Daniel. ‘In Praise of Immoral Art.’Philosophical Topics 25 (1997): 155–99. • ——. ‘Ethical Criticism and the Vices of Moderation.’Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006. 342–55. • John, Eileen. ‘Artistic Value and Moral Opportunism.’Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006. 331–41. • Kieran, Matthew. ‘Forbidden Knowledge:The Challenge of Cognitive Immoralism.’Art and Morality. Ed. Sebastian Gardner and José Luis Bermúdez. London: Routledge, 2003. 56–73. • Kieran, Matthew. Revealing Art. London: Routledge, 2005. Chapter 4. • Patridge, Stephanie. ‘Moral Vices as Artistic Virtues: Eugene Onegin and Alice.’Philosophia 36.2 (2008): 181–93. Focus Questions 1 What is the strongest argument for the claim that the moral character of a work is not relevant to its artistic value? Does artistic or literary criticism tend to concern itself with the truth or morality of works? If so, in what ways? If not, why do you think this is? 2 What different explanations might there be for difficulty with or resistance to imaginatively entering into attitudes you take to be immoral? How might this relate to the way our imaginings work as contrasted with belief? How might different literary or artistic treatments of the same subject matter make a difference? 3 How do narrative works draw on our moral concepts and responses? Can we suspend our normal moral commitments or application of moral concepts in responding emotionally to art works? Should we respond emotionally to art works as we ought to respond to real world events we witness? Why? Why not? 4 How, if at all, do art works convey moral understanding? How, if at all, is this related to the kinds of moral knowledge art works can teach or reveal to us? When, where and why might this be tied to the artistic value of a work? How can we tell where a work enhances our moral understanding as opposed to misleading or distorting it? 5 What art works do you value overall as art which commend or endorse moral values and attitudes that you do not? Is appreciation of them always marred or lessened by the morally dubious aspect? If not, what explains the differences in evaluation? What, if anything, might you learn by engaging with works which endorse moral attitudes or apply moral concepts different from those you take to be justified? How, if at all, might this connect up with what makes them valuable as art? (shrink)

En los últimos tiempos el derecho ambiental ha ganado un puesto importante en el ámbito jurídico, hecho que refleja la preocupación que hoy se tiene por la relación del hombre con su entorno. Desde hace quince años, la Universidad Colegio Mayor de Nuestra señora del Rosario, por intermedio de su Facultad de Jurisprudencia y concretamente de la Especialización y la línea de investigación en Derecho Ambiental, ha propuesto a través de diversos proyectos avanzar en el conocimiento y análisis del ordenamiento (...) jurídico ambiental, aportando así al desarrollo, estructura y consolidación de esta rama jurídica. Bajo estos parámetros, el objetivo de esta publicación es hacer algunas reflexiones en torno a distintos temas que dentro del derecho público impactan o influyen al derecho ambiental y responder a los enormes desafíos que se presentan en la materia. Por tanto, el programa quiere contribuir desde la academia al diálogo crítico y propositivo que permita dar solución a los problemas encontrados en la aplicación del derecho ambiental. En el primer capítulo, Gloria Amparo Rodriguez describe los ordenamientos jurídicos constitucionales de Colombia, Ecuador y Bolivia a fin de analizar la forma en que cada uno de ellos consagra el derecho a un ambiente sano. A continuación, Martha Ovalle y Zelba Nidia Castro de Perez realizan un estudio de los principios de precaución y prevención, exponiendo su alcance, su fundamento desde el derecho internacional y cómo vienen siendo entendidos por nuestro ordenamiento jurídico, tanto jurisprudencial como legal. Luis Adolfo Diazgranados se ocupa de la responsabilidad de los funcionarios públicos en materia ambiental, para lo cual realiza un análisis de los deberes consagrados en la normatividad vigente. Continuando con esta temática, el profesor Jorge Agudo Gonzalez, de la Universidad Autónoma de Madrid, explora la incidencia del ambiente y los recursos naturales en los procesos contractuales, a fin de mostrar cómo estas materias se han constituido en variable fundamental en el devenir de la formación, celebración y ejecución de los contratos, desde un punto de vista crítico, los aspectos importantes del proceso sancionatorio ambiental, evidenciando las falencias y vacios del a Ley 1333 de 2009. Jairo Cabrera plantea algunas reflexiones sobre la responsabilidad, valiéndose de la doctrina internacional, sobre la problemática de la reparación por daño ambiental. Por su parte, Leonardo Güiza Suárez explica el régimen general de la responsabilidad ambiental en el ordenamiento jurídico a partir del daño de los bosques naturales y su incidencia sobre los derechos humanos. Andres Gomez Rey, desde la teoría del acto administrativo, desarrolla el análisis crítico del régimen jurídico de las aguas superficiales en el derecho ambiental. Giovani J. Herrera Carrascal realiza una disertación sobre los recursos naturales y el ambiente como elementos del espacio público que a su vez constituye en un componente del medio ambiente urbano a partir de la jurisprudencia y de las competencias respectivas. Por último, Marybell Ochoa Miranda trate el tema de los residuos hospitalarios en Colombia, exponiendo su régimen jurídico, las competencias de las autoridades ambientales, los deberes que en estos asuntos tienen los ciudadanos, proponiendo lineamientos para avanzar en la consolidación de la gestión integral de residuos hospitalarios y similares. (shrink)

Neuroscientists have long sought to study the dynamic activity of the human brain—what's happening in the brain, that is, while people are thinking, feeling, and acting. Ideally, an inside look at brain function would simultaneously and continuously measure the biochemical state of every cell in the central nervous system. While such a miraculous method is science fiction, a century of progress in neuroimaging technologies has made such simultaneous and continuous measurement a plausible fiction. Despite this progress, practitioners of modern neuroimaging (...) struggle with two kinds of limitations: those that attend the particular neuroimaging methods we have today and those that would limit any method of imaging neural activity, no matter how powerful.In this essay, I consider the liabilities and potential of techniques that measure human brain activity. I am concerned here only with methods that measure relevant physiologic states of the central nervous system and relate those measures to particular mental states. I will consider in particular the preeminent method of functional neuroimaging: BOLD fMRI. While there are several practical limits on the biological information that current technologies can measure, these limits—as important as they are—are minor in comparison to the fundamental logical restraints on the conclusions that can be drawn from brain imaging studies. (shrink)

Cognitive Science, Volume 46, Issue 2, February 2022.

En el presente artículo se busca describir el rol fundamental que juega la experiencia estética en los procesos de significación de lo que se suele denominar “religión popular”. Para esta labor, tomamos como objeto de estudio la fiesta religiosa que, junto con hacer referencia a una determinada realidad empírica, nos provee de dos mediaciones conceptuales para el desarrollo de nuestro análisis: la fiesta y la imagen. De este modo, después de contextualizar nuestra reflexión en el marco de los estudios culturales (...) y la estética, procedemos a definir la lógica estético-sacramental de la fiesta religiosa a partir de los conceptos de “fiesta” e “imagen”, abordados desde el enfoque de la New Material Culture. (shrink)

Resumen: En el presente artículo se busca describir el rol fundamental que juega la experiencia estética en los procesos de significación de lo que se suele denominar “religión popular”. Para esta labor, tomamos como objeto de estudio la fiesta religiosa que, junto con hacer referencia a una determinada realidad empírica, nos provee de dos mediaciones conceptuales para el desarrollo de nuestro análisis: la fiesta y la imagen. De este modo, después de contextualizar nuestra reflexión en el marco de los estudios (...) culturales y la estética, procedemos a definir la lógica estético-sacramental de la fiesta religiosa a partir de los conceptos de “fiesta” e “imagen”, abordados desde el enfoque de la New Material Culture.: The aim of this article is to describe the fundamental role of the aesthetic experience in the processes of signification of what is usually called “popular religion”. In order to achieve this, we define as the object of our study the religious feast, which, apart from referring to a concrete empirical reality, provides us with two conceptual mediations for our analysis: feast and image. Thus, following a contextualization of our reflection on the field of cultural studies and aesthetics, we proceed to define the aesthetic-sacramental logic of the religious feast on the basis of the concepts “feast” and “image”, from the perspective of the New Material Culture approach. (shrink)

Se examinan las dificultades que tiene la propuesta de Jürgen Habermas sobre el papel de la religión en la esfera pública, para dilucidar y analizar sus presupuestos filosóficos. Una vez presentada la propuesta habermasiana, se presentan cinco objeciones, tomando como base el debate sobre los matrim..

Grotius’s theory of the foundations of law and morality follows a sort of middle way between rationalism and voluntarism. Grotius, far from both extremes, defends both the normative force of the will and the directive power of practical reason. On this basis, he explains that reason serves as the formal cause of law and the will as the efficient cause. Now, the command of the will alone is not yet valid as a law. It must conform to reason. Reasoning so, (...) Grotius places himself within the scholastic-Aristotelian tradition. Accordingly, he holds the primacy of reason over the will and defends the eminently practical, i.e., non-mathematical, character of morality and law. (shrink)

El pensamiento de Derrida sobre el amor no suele ser estudiado porque, al parecer, el mismo autor no ha sido tan claro al respecto. Este artículo pretende aportar a este vacío usando como documento de estudio el libro Éperons del autor, que pretende ser una ponencia sobre Nietzsche. A partir de una interpretación de los pasajes en los que Derrida se refiere al amor, encontramos casi siempre se trata de una cita de Nietzsche. Esto parece caracterizar un acto de ventriloquia (...) que subyace a la estrategia del autor. El problema surge cuando nos percatamos de que Derrida no da cuenta de la intromisión del amor en las citas que usa. Derrida prefiere evadir el problema del amor porque está en el núcleo de su propuesta de deconstrucción. (shrink)

This article examines the legitimization process of the public health preventive measures implemented in many Western countries following the SARS-CoV-2 outbreak. Through concepts such as governmentality, disciplinarization and security mechanisms proposed by Foucault, we trace some of the basic principles and implications of the relationship between biopower and medicine, as well as the media dissemination of an official narrative on scientific truth. These reflections are complemented by the contributions of Francois Lyotard and Jean Baudrillard. Lyotard reflects on the relationship between (...) science and a “performative game”, whose own staging is the core of its criteria of truth. Baudrillard shows the relevance of a “hyperreality” in which the signs presented by the media take precedence over the experience of the subjects. We argue that a mediatized version of science, defined through a strong disciplinarization of knowledge and the censorship of dissident voices, played a key role in the establishment of consensus and the legitimization of policies that granted extraordinary power to governments and transnational elites. Although the work of Foucault in this demonstration is essential, the contributions of Lyotard and Baudrillard provide additional elements to understand a fundamental problem: the public acceptance of “truth” as an instrument of governmentality on a global scale. (shrink)

To explain the contribution of new media to political participation it need to be distinguished the types of participation; displayed limits participation and overcoming traditional with new media; distinguish between e-government and e-democracy; promote new instruments mediatically of influence with the State and assess the boundaries of participation in social networks.

En este texto discutiremos dos elementos de la propuestas de Habermas sobre el rol de la religión en la esfera pública: la naturaleza especial del lenguaje religioso y las posibilidades de la traducción entre un lenguaje religioso y uno secular. Esto lo haremos a partir de las reflexiones de Wittgenstein sobre la naturaleza del lenguaje y sobre los diferentes sentidos de la comprensión. Mostraremos que estas últimas pueden ser valiosas para justificar por qué el lenguaje religioso necesita un análisis diferenciado (...) y para explicar por qué y cómo, a pesar de lo anterior, la traducción es posible. (shrink)

The article examines the difficulties posed by Jürgen Habermas’s proposal regarding the role of religion in the public sphere, in order to clarify and analyze its philosophical assumptions. The article then goes on to set forth five objections on the basis of the debate over same-sex marriage, and to relate those objections to Habermas’s philosophical assumptions, in order to show the need for a more detailed review of the problem.

The present paper describes how Fernando de Roa, professor at the University of Salamanca in the 15th century, received Aristotle’s practical philosophy. This article expounds his interpretation on three main topics of classical ethics and politics: justice as a social virtue, natural servitude and happiness as the end of man. Roa, in his repetitions, as well as in his commentaries on Politics, focuses on these questions and addresses them with a renewed and modern Aristotelianism, which is based on the ideas (...) of Pedro de Osma and the great medieval thinkers. (shrink)

We study ultraproducts of finite residue rings \ where \ is a non-principal ultrafilter. We find sufficient conditions of the ultrafilter \ to determine if the resulting ultraproduct \ has simple, NIP, \ but not simple nor NIP, or \ theory, noting that all these four cases occur.

The fourteen award-winning essays in this volume discuss a range of novel ideas and controversial topics that could decisively influence the course of human life on Earth. Their authors address, in accessible language, issues as diverse as: enabling our social systems to learn; research in biological engineering and artificial intelligence; mending and enhancing minds; improving the way we do, and teach, science; living in the here and now; and the value of play. The essays are enhanced versions of the prize-winning (...) entries submitted to the Foundational Questions Institute (FQXi) essay competition in 2014. FQXi, catalyzes, supports, and disseminates research on questions at the foundations of physics and cosmology, particularly new frontiers and innovative ideas integral to a deep understanding of reality, but unlikely to be supported by conventional funding sources. (shrink)

This text addresses the problems of tragedy, invention and the colonized body in the writings of the martinican thinkers Aimé Césaire and Frantz Fanon. To do this, at first we stop at the link that exists between the tragedy of the experiences of the black bodies alluded to in the writings of the aforementioned authors with the controls and reifications of colonial modernity. In a second moment, we discuss the invention of poetic image in Césaire's Notebook of a Return to (...) Native Land and how the agency of a body of its own excels out from it through a critical rewriting of the Atlantic Triangle. Next, in a third section, we reflect on Fanon's lived experience in his work Black skin, white masks in order to trace his tragic, self-destructive nature, and his inventive power. Finally, it is concluded that Césaire and Fanon make the invention a possibility of constructing another historical imagination of the body outside of the racial orders of colonial modernity. (shrink)

Resumen El presente artículo, inspirado en la idea de Vernant de que la razón griega es “hija de la ciudad”, aborda el vínculo existente entre las circunstancias políticas y sociales de Éfeso y el pensamiento heraclíteo. En efecto, a partir de la tensión que se produjo entre la realidad histórica en que vivió Heráclito y el resultado de su propia reflexión sobre ella, el filósofo desarrolló una idea de organización de la ciudad, según la cual una pólis debería ser gobernada (...) por el mismo principio rector del universo -i. e. el lógos-, lo cual, en términos prácticos, se traduciría en un modelo político monárquico.This paper, inspired by Vernant’s belief that Greek reason is “a creature of the city”, explores the connection linking Heraclitus’ thought to the political and social circumstances prevailing at Ephesus. Indeed, the tension arising from Heraclitus’ own historical framework and this philosopher’s resulting outlook on it led him to conceive of a rule for organizing a city, according to which a pólis should be governed by the same principle guiding the universe -i. e. the lógos-, which would materialize in concrete form as a monarchical government. (shrink)

Ante la reciente publicación de la última obra sistemática del filósofo alemán J. Habermas titulada _Auch eine Geschichte der Philosophie_ (y su pronta traducción al español), el texto se propone mostrar las características fundamentales de la comprensión habermasiana sobre la misma actividad filosófica. Para esto, primero se describe la base teórica sobre la cual Habermas construye el sentido de sus reflexiones filosóficas, esto es, el sentido posmetafísico desde el cual Habermas desarrolla su pensamiento filosófico. Posteriormente, se exponen los tres roles (...) que Habermas asigna a la actividad filosófica y se concluye evidenciando las conexiones entre la filosofía posmetafísica de Habermas y la democracia; conexiones que nos permitirían caracterizar a la filosofía posmetafísica habermasiana como una filosofía democrática y, sobre esta base, leer mejor el supuesto «giro religioso» de la filosofía de Habermas. (shrink)

Este texto explora la problematica del desencuentro entre ciudadanos religiosos y no religiosos a la luz de la perspectiva posmetafísica de Habermas sobre el rol de la religión en la esfera pública. Como telón de fondo se tendrá el reciente debate en torno al concepto emitido por un profesor de la Universidad de la Sabana como parte de la discusión constitucional sobre la adopción de parte de parejas del mismo sexo. En la introducción del artículo se describirá la propuesta de (...) Habermas sobre el rol de la religión en la esfera pública. Posteriormente se indicará lo que Habermas entiende por metafísica para así señalar los roles que una filosofía posmetafísica puede asumir, así como los principales elementos de un acercamiento filosófico posmetafísico a la religión. Finalmente, se presentarán unas conclusiones. (shrink)

There is a credibility decay on positive knowledge among the social scientists and particularly among the psychologists. Certainly different prejudices dwell upon this phenomenon. First and principal the usually made identity of positive and natural knowledge. This belief is also fed by many others such as that one which assumes that every quantification, which is a consequence of positive knowledge,follows the model of the Physical Sciences. We consider that all these prejudices do not keep in mind the work done in (...) the last decades on the Theories of Measure. We consider also that psychophysical methods which have been introduced by Stevens present a stimulating program for the behavioral sciences and they open a new frontiere to the positive knowledge. (shrink)

El objetivo de este artículo es evaluar el desempeño democratizador de las candidaturas independientes en México a partir de su adopción en el año 2014. En específico, este trabajo analiza sus fundamentos jurídicos y sus requisitos legales y económicos en comparación con las candidaturas tradicionales de los candidatos de los partidos políticos. En la segunda parte del trabajo se analiza el desempeño de los candidatos independientes en los procesos electorales llevados a cabo en los años 2015, 2016 y 2017. Finalmente, (...) se proponen algunas conclusiones que giran en torno a una cuestión central: a pesar de que las candidaturas independientes se introdujeron con la finalidad de estimular la participación ciudadana, han recibido poco apoyo electoral y, en general, han sido utilizadas de forma creciente por políticos vinculados a los partidos tradicionales que desean emprender una carrera política personal.The aim this paper is to evaluate the performance of the independent candidates in Mexico, since its legal adoption in 2014. Specifically, this paper analyses its legal foundations, the legal and the economic requirements –compared to the traditional candidacies of the political parties. The second part of the paper analyses the performance of the independent candidates in the electoral processes carried out in the years 2015, 2016 and 2017. Finally, some conclusions are proposed that revolve around a central question: although the Independents candidacies were introduced with the aim of stimulating the citizen participation, they have received generally a minor electoral support, and they have been increasingly used by politicians linked to traditional parties who wish to begin a personal political career. (shrink)