-- volume 4. Ennead III, Part 1 (Books I-IV) -- volume 5. Ennead III, part 2 (Books V-IX) and Ennead IV.

This first complete study of Marsilio Ficino’s _Commentary on Plotinus_, published in 1492, will serve as the definitive analysis of Ficino’s late philosophy and also as an essential companion to Gersh’s edition-translation of the same work.

Plotinus (204/5-270 C.E.) is a central figure in the history of Western philosophy. However, during the Middle Ages he was almost unknown. None of the treatises constituting his Enneads were translated, and ancient translations were lost. Although scholars had indirect access to his philosophy through the works of Proclus, St. Augustine, and Macrobius, among others, it was not until 1492 with the publication of the first Latin translation of the Enneads by the humanist philosopher Marsilio Ficino (1433-1499) that (...) Plotinus was reborn to the Western world. Ficino's translation was accompanied by a long commentary in which he examined the close relationship between metaphysics and anthropology that informed Plotinus's philosophy. Focusing on Ficino's interpretation of Plotinus's view of the soul and of human nature, this book excavates a fundamental chapter in the history of Platonic scholarship, one which was to inform later readings of the Enneads up until the nineteenth century. It will appeal to scholars and students interested in the history of Western philosophy, intellectual history, and book history. (shrink)

Le système métaphysique du platonicien chrétien Marsile Ficin se caractérise par une ample utilisation des analogies et, plus particulièrement, de l’analogie de la lumière. Compte tenu de l’énorme éventail de ces applications, le présent article se concentre sur une question spécifique, à savoir celle de la relation entre lumière et ombre en relation avec sa notion de matière, et sur un texte spécifique : le Commentaire sur les «Ennéades» de Plotin, que Ficin a publié vers la fin de sa carrière. (...) L’article se divise en trois sections : 1) Enquête sur une gamme d’applications de l’analogie de la lumière chez Ficin ; 2) Résumé de l’interprétation de Ficin concernant la doctrine de la matière (supérieure et inférieure) de Plotin, en particulier dans Ennéades I. 8, II. 4, et III. 6 ; 3) Discussion de la manière dont Ficin applique l’analogie de la lumière et de l’ombre à la doctrine de la matière. Un thème important de l’article est la presénce d’une tension structurelle entre les notions de matière en tant que continuum et en tant que «barrière», indiquée par l’analogie de l’ombre. Ce thème est exploité par Ficin en vue de renforcer la doctrine (dérivée de certains passages de Plotin) selon laquelle Dieu exerce la causalité sans aucune médiation entre lui et ses effets. (shrink)

This article explores Marsilio Ficino's interpretation of Plotinus's notion of tutelary daemon, as found in Enneads III.4. While Plotinus considered external daemons as philosophically insignificant and described one's personal daemon as the highest part of one's soul, Ficino placed great emphasis on the existence of outer daemonic entities which continuously interact with human beings. As a consequence, for Plotinus the soul's tutelary daemon corresponded to man's capability for intellectual knowledge, that is, to his ability to become (...) emancipated from the material world, which, from a Platonic point of view, was made of appearances. Ficino, by contrast, tends to identify the soul's daemonic power with the faculty which he saw as the gateway for the action of external entities: the imagination. The imagination – like a mirror – reflects and retains images of other levels of life and acts as the surface on which external daemons project the forms of their own imagining. Ficino provides a complex account of the relationships between the soul and various layers of daemonic interventions, in which he combines Plotinus's view on personal daemons with elements coming from later forms of daemonology, such as that of Porphyry, Iamblichus, Synesius and Proclus. (shrink)

The philosopher and humanist Marsilio Ficino (1433-1499) has attracted scholarly attention as translator of Plato, the Corpus Hermeticum, Plotinus and other Neoplatonists, and for his complex synthesis of Platonism and Christianity. While most previous studies of Ficino's reception have focussed on Italy, France, England and Spain, this book presents a comprehensive study of his reception in Germany and neighbouring areas, examining how Northern writers between the fifteenth and eighteenth centuries remembered and reinvented Ficino's person and work. Focused chapters (...) examine the ways German authors adapted his theories of the Ancient Theology, melancholia, celestial influence and poetic inspiration, and used his writings in related fields such as alchemy and witchcraft. It also studies those who rejected Ficino's work, providing context for those who embraced his ideas. The most comprehensive bibliography of printed editions of Ficino's work since Kristeller forms the basis for a bibliometric analysis"--Back cover. (shrink)

_ Source: _Volume 54, Issue 1, pp 46 - 107 The present paper discusses the question of Marsilio Ficino’s lost translations of Proclus’ _Elements of Physics_ and _Elements of Theology_. It reviews all known evidence for Ficino’s work on the _Elements of Physics_ and _Elements of Theology_, examines new references and fragments of these texts in Ficino’s manuscripts, especially in his personal manuscript of Plotinus’ _Enneads_, and studies how they fit within the Florentine’s philosophical oeuvre. The present case (...) studies of manuscript evidence demonstrate how Proclus accompanied Ficino from his early ‘scholastic background’ through to his mastery of the Platonic tradition late in his career, especially, as is shown, in his study of Pseudo-Dionysius and Plotinus. Despite the fact that scholarship at times pits scholasticism and Renaissance Platonism against each other, in this sense Proclus—largely due to the _Elements_—bridges the two cultures. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Marsilio Ficino’s Critique of the Lucretian AlternativeJames G. SnyderIntroductionMarsilio Ficino is perhaps most widely remembered by historians of philosophy today as a fifteenth-century Platonist and Hermeticist who advocated the soul’s flight from the sordid world of matter and body. Ficino’s major contributions to philosophy include his Latin translations of Plato and Plotinus, as well as his voluminous and encyclopedic Platonic Theology, where he argues that the immortal (...) soul occupies a privileged midpoint between God and inchoate prime matter. It therefore comes as a surprise to learn that Ficino, for a time in his early twenties, was drawn to the Roman poet Lucretius, who believed that most people are plagued by the superstitions of religiously-minded fable mongers. During this time Ficino composed a short commentary on Lucretius’ didactic Epicurean poem, On the Nature of Things. In 1417 one of the last surviving manuscript copies of this poem was found in a German monastery by the humanist Poggio Bracciolini after several centuries of dormancy.1 Also, in an early treatise on pleasure, Ficino [End Page 165] argues that the Epicurean emphasis on pleasure as the removal of pain is superior to the crass and vulgar hedonism of Aristippus.2 In time, however, Ficino developed into the Platonist that historians of philosophy are more familiar with today. He turned his back on Lucretius, destroyed his commentary on him, and he became a rigid opponent of those philosophers who, as Plato describes them in his Sophist, “insist that only what offers tangible contact is, since they define being as the same as body.”3Despite the fact that Ficino ultimately rejected Lucretius, and in a letter to the poet Angelo Poliziano claimed to have “followed the divine Plato from my youth,” it appears that he was never able to successfully put the Epicurean poet completely out of his mind.4 The specter of Lucretius—that is, the specter of a potent and fully-articulated materialism and what it entails—casts a long shadow across the eighteen books of Ficino’s Platonic Theology. This work, which was printed in 1482 and remains his most extensive philosophical treatise, gives the impression that Ficino considered Lucretius a relevant and un-eliminated alternative to his own mature philosophical vision. The Lucretian alternative, as it will here be called, aspires to show that anything that exists is a composite of matter and void alone, and that there is no need to countenance the existence of some ghostly third constituent, such as soul, in order to explain adequately the phenomena of nature or consciousness.5 Ficino’s Platonic Theology argues for a profoundly different metaphysical picture of the nature of things. There Ficino wanted to demonstrate the essential immortality of the soul, and to further clarify the best way that it can, as he puts it, “cast off the bonds of our terrestrial chains” so that it may “fly unhindered to the ethereal abode.”6 However, in order for Ficino to accomplish this, he first had to show that the Lucretian alternative is not a living hypothesis, but a dead one. Refuting Lucretius, therefore, is central to the polemical aims and aspirations of this [End Page 166] work, and it is to this end that Ficino addresses several chapters to refuting the materialism of the “vulgar” and “impious” Epicurean poet and philosopher. The Lucretian alternative also explains in part why Ficino discusses, sometimes at great length, the nature of matter and body, especially in the early books of his Platonic Theology. The core argument that Ficino brings against the Lucretian alternative is that its materialist ontology is at best incomplete, and that something else—some ghostly incorporeal principle— is in fact necessary in order to adequately explain the nature of things.Both the Renaissance recovery of On the Nature of Things, and the subsequent role that it played in the advancement of early modern philosophy and science, are familiar to historians of philosophy today.7 Ficino’s fifteenth-century critique of Lucretius, however, is not. Nearly half a century ago Paul Oskar Kristeller noted that in the 1450s Ficino came under the influence of Lucretius, and he further speculated that “a trace... (shrink)

The extensive influence of Plotinus, the third-century founder of 'Neoplatonism', on intellectual thought from the Renaissance to the modern era has never been systematically explored. This collection of new essays fills the gap in the scholarship, thereby casting a spotlight on a current of intellectual history that is inherently significant. The essays take the form of a series of case-studies on major figures in the history of Neoplatonism, ranging from Marsilio Ficino to Henri-Louis Bergson and moving through Italian, (...) French, English, and German philosophical traditions. They bring clarity to the terms 'Platonism' and 'Neoplatonism', which are frequently invoked by historians but often only partially understood, and provide fresh perspectives on well-known issues including the rise of 'mechanical philosophy' in the sixteenth century and the relation between philosophy and Romanticism in the nineteenth century. The volume will be important for readers interested in the history of thought in the early-modern and modern ages. (shrink)

Marsilio Ficino was not only the first translator and commentator of Plato's and Plotinus's Opera omnia. He also developed a fascinating and highly complex synthesis of Platonism, Christian doctrine, Renaissance magic, and medicine. Well beyond the sixteenth century, Ficino's texts were very influential. Over the past four decades, authors like Michael Allen, Brian Copenhaver, James Hankins, and Valery Rees have substantially increased our awareness of Ficino's intricate and substantial contributions to the Platonic tradition and...

SUMMARYThis essay provides a contextualised analysis of a set of texts that Marsilio Ficino collected in one of his extant working notebooks—Florence, Biblioteca Riccardiana, MS 92—and probably used as a textual basis for his Commentary on Plato's Symposium. In this context, I will discuss Ficino's treatment of his sources, investigating specific facets of his reading and excerpting practices. Special emphasis will be placed on the Latin section of the manuscript, containing a set of hitherto unexplored excerpts from Plotinus's (...) Enneads. The study of this aspect of Ficino's work aims to shed light on his methodology as well as on his philosophical outlook. More generally, the article will provide further information on Renaissance reading practices. More specifically, it will offer new insight into the study of the genesis of Ficino's commentary. (shrink)

It is commonly known that ancient schools of ethics were revived during the Renaissance: The texts pertaining to Platonic, Aristotelian, Stoic and Epicurean ethics were edited, translated and discussed in this period. It is less known that the Renaissance also witnessed a revival of Plotinian ethics, by then perceived as a legitimate form of Platonic ethics. Plotinus' ethics had been transmitted through the Middle Ages through Macrobius' Latin treatise In somnium Scipionis I.8, which relied heavily on Plotinus' student, (...) Porphyry, and his report of Plotinus' ethics. In this article it is argued that the Florentine humanist and philosopher Marsilio Ficino carried on this tradition of Platonic, or rather Plotinian, ethics. He was familiar with Plotinus' Enneads, since he had had access to it through Greek manuscripts from around 1462; his Latin translation of the Enneads was published in 1492. The article argues that in his commentary on Plato's Symposium, completed in 1469, Ficino made use of Plotinian ethi.. (shrink)

Marsilio Ficino (1433-1499) was one of the luminaries of the Florentine Renaissance and the scholar responsible for the revival of Platonism. The translator and interpreter of the works of both Plato and Plotinus as well as of various Hermetic and Neoplatonic texts, Ficino was also a musician, priest, magus and psychotherapist, an original philosopher and the author of a vast and important correspondence with the intellectual figures of his day including Lorenzo the Magnificent. Professor Allen has become the (...) foremost interpreter of Ficino's metaphysics and mythology, and the ancient sources they draw upon; and this collection of essays assembles his work on Ficino's complex interrogation of Platonic 'theology' as not only a preparation for Christianity but as an enduring medium for intellectuals to explore and to express Christian truths. (shrink)

Marsilio Ficino is the best representative of Renaissance Platonism as well as the most prominent member of the Florentine Academy that he organized at the request of Cosimo de’ Medici. After he had given to the Western world the first complete Latin translation of the works of Plato and Plotinus, he wrote numerous commentaries, dialogues, and treatises, but his major work is the Theologia Platonica in eighteen books. In this treatise Ficino portrays the universe as a harmonious system (...) of beings where man occupies a central position and serves as a bond between spiritual and material substances. The main theme of the treatise is the immortality of the soul, as the subtitle De immortalitate animorum indicates. Ficino proves this doctrine by man’s inner tendency to union with God and other arguments of scholastic philosophy. Ficino’s primary concern in this treatise, however, is to reconcile Plato’s philosophy with Christian doctrine. (shrink)

This essay provides an analysis of Marsilio Ficino's doctrine of the heavens, especially as this is developed in his commentary on Plotinus' Enneads with reference to contemporary debates in Florence concerning the legitimacy of astrology and in view of new interpretations of attendant problematic issues. Particular attention is given to Ficino's early works, such as the Disputatio contra iudicium astrologorum, as well as to his commentary on Enn. 4, 4-42 and his De vita. The leading interest of the (...) essay consists in the attempt to clarify Ficino's reception of the medieval doctrine of the heavens, most pointedly the theory propounded by Peter of Abano in his Lucidator dubitabilium astronomiae of 1310. (shrink)

Plotinus was convinced of the existence of a state of supreme perfection and argued powerfully that it was necessary to guide the human soul towards this state.

The problems that taxed the minds of people during the Renaissance were much the same as those confronting us today. In their perplexity many deep-thinking people sought the advice of Marsilio Ficino, the leader of the Platonic Academy in Florence, and through his letters he advised them, encouraged them, and sometimes reproved them. Ficino was utterly fearless in expressing what he knew to be true. His letters cover the widest range of topics, mixing philosophy and humor, compassion and advice, (...) and offering a profound glimpse into the soul of the Renaissance. This is the only accessible collection of Ficino's writings available in English. (shrink)

This volume contains Ficino’s extended analysis and commentary on the Phaedrus, which he explicates as a meditation on “beauty in all its forms” and a ...

v. 1. Books I-IV. -- v. 2. Books V-VIII -- v. 3. Books IX-XI -- v. 4. Books XII-XIV -- v. 5. Books XV-XVI -- v. 6. Books XVII-XVIII.

The Enneads by Plotinus is a work which is central to the history of philosophy in late antiquity. This volume is the first complete edition of the Enneads in English for over seventy-five years, and also includes Porphyry's Life of Plotinus. Led by Lloyd P. Gerson, a team of experts present up-to-date translations which are based on the best available text, the editio minor of Henry and Schwyzer and its corrections. The translations are consistent in their vocabulary, making (...) the volume ideal for the study of Plotinus' philosophical arguments. They also offer extensive annotation to assist the reader, together with cross-references and citations which will enable users more easily to navigate the texts. This monumental edition will be invaluable for scholars of Plotinus with or without ancient Greek, as well as for students of the Platonic tradition. (shrink)

Part of a series of facsimile reprints chosen and introduced by Jonathan Wordsworth. Taylor's translation of Plotinus was originally published in 1792. Distributed by Books International. Annotation c. by Book News, Inc., Portland, Or.

Le commentaire constitue, outre une synthèse, un éclaircissement méthodique de la métaphysique et de la mystique plotinienne.

v. 1. The ethical treatises, being the treatises of the first Ennead with Porphyry's Life of Plotinus, and the Preller-Ritter extracts forming a conspectus of the Plotinian system. Psychic and physical treatises; comprising the second and third Enneads.--v. 2. On the nature of the soul [being the foruth Ennead] The divine mind, being the treatises of the fifth Ennead. On the One and Good being the treatises of the sixth Ennead.

The problems which troubled people's minds during the Italian Renaissance were much the same as today. In trying to cope with them, many deep thinking people turned to Marsilio Ficino for help. Through his letters he advised, encouraged, and occasionally reproved them. Fearlessly he expressed the truth and his wisdom influenced many of the finest Western minds. He numbered statesmen, popes, artists, scientists, and philosophers amongst his circle.

Ennead I.1 is a succinct and concentrated analysis of key themes in Plotinus' psychology and ethics. It focuses on the soul-body relation, discussing various Platonic, Aristotelian, and Stoic views before arguing that there is only a soul-trace in the body (forming with the body a "compound"), while the reasoning soul itself is impassive and flawless. The soul-trace hypothesis is used to account for human emotions, beliefs, and perceptions, and human fallibility in general. Its problematic relation to our rational powers, (...) as well as the question of moral responsibility, are explored. Plotinus develops his original and characteristic concept of the self or "we," which is so called because it is investigated as something common to all humans (rather than a private individual self), and because it is multiple, referring to the reasoning soul or to the "living thing" composed of soul-trace and body. Plotinus explores the relation between the "we" and consciousness, and also its relation to the higher metaphysical entities, the Good, and Intellect. (shrink)

_"The Essential Plotinus_ is a lifesaver. For many years my students in Greek and Roman Religion have depended on it to understand the transition from antiquity to the Middle Ages. The translation is crisp and clear, and the excerpts are just right for an introduction to Plotionus's many-layered view of the world and humankind’s place in it." --F. E. Romer, University of Arizona.

A translation and commentary on Plotinus' Ennead VI.9 on the Good, being the treatise chosen by Porphyry as the culmination of Plotinus' Collected Works.

»De amore sive in convivium Platonis«, dessen Wirkungsgeschichte bis weit ins 17. Jahrhundert reicht, ist Nachdichtung und Platon-Kommentar in einem und eines der bedeutendsten philosophischen Werke der Renaissance. - Bei einem Bankett vorgeblich anlässlich von Platons Geburtstag stellen neun Gäste, allesamt bekannte Florentiner Gelehrte, ihre Auffassungen über die Liebe in wechselnden Reden vor, indem sie Platons »Symposion« in zeitgenössischer Neuakzentuierung paraphrasieren. Dabei wird die Lehre von amor / caritas zum spekulativen Ansatzpunkt für Erkenntnislehre, Theologie, Kosmologie, Ethik und Naturphilosophie. In das (...) Grundkonzept des »Symposion« trägt Ficino als neues Element die Konvergenz des Platonismus mit dem Christentum ein, wobei er den ›Eros‹ einerseits neuplatonisch in sinnliche und himmlische Liebe differenziert, andererseits den Liebesbegriff christlich dynamisiert und erweitert. Nicht nur, wie bei Platon, bewirkt der ›Eros‹ das Streben des Sinnlichen zum Höheren, auch umgekehrt richtet sich das erotische Bestreben des Göttlichen auf das Materielle. Und schließlich ist die Liebe das Moment, das alle Dualismen, Form und Materie, Gott und Universum, zusammenhält: Der Eros wird zur Chiffre des Hervorgangs und der Rückwendung alles Seienden in Relation zu Gott – eine Relation, deren irdisches Abbild die irdische Liebe ist. Ficinos Metaphysik, die für die Philosophie der Renaissance von fundamentaler Bedeutung ist, enthält gleichzeitig auch eine für die Geschichte der Ästhetik bedeutsame Theorie des Schönen: Liebe wird als Sehnsucht nach dem Schönen verstanden, der Mensch gelangt über die Schau der körperlichen Schönheit zur geistigen Schönheit und letztlich zur Erkenntnis der Ordnung der Ideen und des Universums. Ficinos neuplatonische »Ästhetik« ist weit entfernt von subjektivistischer Kunsttheorie, enthält aber bereits Ansätze zu einer Theorie des menschlichen Liebens und Wahrnehmens. (shrink)