Glazbena djela skladateljica važan su, ali nedovoljno obrađen segment glazbeno-povijesne baštine te u nedovoljnoj mjeri zastupljen element suvremene glazbene kulture. Djeca se s djelima skladateljica u prvom redu upoznaju u okviru osnovnoškolske nastave glazbe. U radu je prikazano istraživanje kojemu je cilj bio utvrditi zastupljenost djela skladateljica namijenjenih za slušanje i pjevanje u udžbenicima za Glazbenu kulturu koji su u uporabi u Hrvatskoj, a posebno djela hrvatskih skladateljica. U istraživanju je analiziran 21 udžbenik triju hrvatskih nakladničkih kuća. Rezultati ukazuju na (...) to da su u udžbenicima najviše zastupljena djela skladatelja, potom tradicijske skladbe, dok su djela skladateljica zastupljena u bitno manjoj mjeri. Autori predlažu revidiranje popisa djela za slušanje i pjevanje u udžbenicima za Glazbenu kulturu kako bi se u njih u većoj mjeri uvrstilo stvaralaštvo domaćih i stranih skladateljica. The female composers’ musical pieces are an important but relatively unknown part of the musical and historical heritage. They are also underrepresented in the contemporary musical culture. Children are introduced to works of female composers mainly through the music curriculum in primary schools. This paper presents the research of the Music education textbooks that are in use in primary schools in Croatia. The main aim of the research was to establish the number of compositions by female music composers in the overall number of compositions listed for listening and singing in textbooks, especially the presence of pieces authored by Croatian female composers. We have analyzed 21 textbooks from three Croatian publishing houses. Results show that compositions by male compositors are most often, and then follow traditional compositions, while the compositions of female composers are significantly less present. We propose the revision of the compositions for listening and singing that are included in the Music education textbooks in a way that would enable greater participation of work by both Croatian and other female composers. (shrink)

The female composers’ musical pieces are an important but relatively unknown part of the musical and historical heritage. They are also underrepresented in the contemporary musical culture. Children are introduced to works of female composers mainly through the music curriculum in primary schools. This paper presents the research of the Music education textbooks that are in use in primary schools in Croatia. The main aim of the research was to establish the number of compositions by female music composers in the (...) overall number of compositions listed for listening and singing in textbooks, especially the presence of pieces authored by Croatian female composers. We have analyzed 21 textbooks from three Croatian publishing houses. Results show that compositions by male compositors are most often, and then follow traditional compositions, while the compositions of female composers are significantly less present. We propose the revision of the compositions for listening and singing that are included in the Music education textbooks in a way that would enable greater participation of work by both Croatian and other female composers. (shrink)

When bodies are conceived as permeable fields our physical forms become inseparable from each other and the world from which they manifest. The extension of one’s subjectivity to include cosmological divinities emphasizes the many other bodies which, in some cultural contexts, may overlap and unite with the world. In this article I explore how narratives of a Tibetan Buddhist high-lama’s death and trajectory of lives contain complex formulations of Tibetan theories of embodiment. An ethnographic attendance to biographical writings and teachings (...) at the time of his funerary ceremonies reveals not only how trikaya, or the notion of three bodies, coheres in Tibetan conceptual frameworks, but also how the articulation of these bodies affects new ways to intersubjectively engage with the deceased. (shrink)

The aim of this research is to contribute to the understanding of the concept of satisfaction with life by determining the relationship between personality traits and the subjective experience of satisfaction with life in students—recreational athletes. This research is based on the biological theory of personality by Hans Eysenck and it attempts to offer explanations of a possible change in satisfaction with life in the period of great social deprivation caused by the Covid-19 pandemic. The sample of subjects consisted of (...) 120 undergraduate students of all years and both sexes, 55 males and 65 females, at the Faculty of Sport and Physical Education, the University of Nis. The average age of the subjects was 23.63 years. Eysenck's personality questionnaire was used for the operationalization of personality structure. The SWLS scale was used for estimating satisfaction with life. A significant regression model, which explains 11% of variance in the subjective experience of satisfaction with life in recreational athletes, was obtained. In the model, extraversion stands out as a significant predictor from the group of personality traits. Neuroticism and psychoticism did not prove to be significant predictors of satisfaction with life in the structural model regardless of there being a significant negative correlation between neuroticism and satisfaction with life. The more extraverted participants had a keener subjective sense of satisfaction with life. (shrink)

Tibetan understandings about the bodies of spiritual teachers or lamas challenge the idea of a singular and bounded form. Tibetan Buddhists believe that the presence of the lama does not depend on their skin-encapsulated temporal body, or a singular lifespan. After death, it is not uncommon for a lama to materialize in other appearances or to become incorporated into the bodies of others through devotees’ consumption of their bodily remains. In this article, I discuss how the European ingestion of the (...) holy bodies of Tibetan lamas creates new possibilities for embodied intersubjectivity, and also how this practice repositions bodily substance in cannibal discourse. (shrink)

Contextualising the seemingly esoteric and exotic aspects of Tibetan Buddhist culture within the everyday, embodied and sensual sphere of religious praxis, this book centres on the social and religious lives of deceased Tibetan Buddhist lamas. It explores how posterior forms - corpses, relics, reincarnations and hagiographical representations - extend a lama's trajectory of lives and manipulate biological imperatives of birth, aging and death. The book looks closely at previously unexamined figures whose history is relevant to a better understanding of how (...) Tibetan culture navigates its own understanding of reincarnation, the veneration of relics, and different social roles of different types of practitioners. It analyses both the minutiae of everyday interrelations between lamas and their devotees, specifically noted in ritual performances and the enactment of lived tradition, as well as the sacred hagiographical conventions that underpin local knowledge. A phenomenology of Tibetan Buddhist life, the book provides an ethnography and insight of the embodiment of Tibetan Buddhism in everyday life. This unusual approach offers a valuable and a genuine new perspective on Tibetan Buddhist culture, and is of interest to researchers in the fields of social/cultural anthropology, religious, Buddhist and Tibetan studies. (shrink)

This article examines an Australian campaign to increase organ and tissue donation for transplantation. It analyses the use of the gift rhetoric to promote community awareness and resources, target migrant groups, and recruit cultural and religious leaders to endorse organ and tissue donation as an altruistic act. In unpacking this ‘gift of life’ approach to organ donation, it explores the convergence of medical and religious bodies and pushes beyond uniform determinations of death to reveal how multiple deaths transpire in organ (...) donation. Drawing on recent advances in the anthropology of becoming as a critical lens to examine death and organ donation, it examines how the ‘unfinishedness’ of donor bodies produces new possibilities for understanding donation. This article thus attends to the situated, layered and contradictory sensibilities that open up multiple and malleable understandings of the donation of body parts. (shrink)

Pejović verkörpert in seiner Person das ursprüngliche philosophische Ethos und die Gelehrsamkeit. Die Stärke seines Denkens spiegelt sich in der verfeinerten Analyse des Themas wider. Sein literarisches Talent ist klar und er fühlt sich wie ein Virtuose und ein Künstler von Worten und Stil, der stellenweise poetisch ist. Er spricht leicht über die schwierigsten Themen der Philosophie. Er besitzt einen klaren, lehrreichen und enthusiastisch angemessenen, verfeinerten und raffinierten Ausdruck, der über alle unsere philosophischen Autoren hinausgeht. Dies wird bereits in den (...) Titeln seiner Bücher, Studien, Aufsätze und Artikel sichtbar, die die Tiefe seiner Bedeutung angeben, und als würde die Bedeutung des gesamten Textes in ihnen selbst liegen. Obwohl nicht der Einzige, zeigte Pejović, dass es möglich war, anders zu denken, neue Perspektiven zu öffnen, sich der Zukunft zu öffnen, indem man aus dem marxistischen Regenmantel herauskommt, in den wir fast alle gehüllt waren. Professor Pejović demonstriert, wie sich die Evolution entwickeln kann, um auf Kommendes, Neues und Andersartiges zu treffen. Natürlich ist das Neue und Andersartige allein dadurch nicht schon hier, aber um neue Horizonte zu eröffnen, müssen wir gegen die Strömung vorgehen. Das Opus von Professor Pejović sollte als eine Richtung verstanden werden, die uns auffordert, mit uns selbst umzugehen, uns vorzustellen, wie es mit uns war, wie es ist und wie es sein sollte. Seine Reflexion über das Thema des kroatischen Nationalschicksals, betrachtet durch die Reflexion über unser Erbe, unsere Kultur, unsere Geschichte und unsere Gesellschaft und Politik, hat der Fromme auf einer beneidenswerten Denkstufe eines engagierten Philosophen geschaffen, mit dem bei uns wenige zu vergleichen sind. Genau heute verdanken wir es ihm und geben ihm die Ehre, sich diesem thematischen Kreis geöffnet zu haben. Seine Gedanken sind für uns unvermeidlich und verbindlich. Wir denken, dass gerade jetzt der richtige Moment ist, um sein Werk im Allgemeinen und diesen Aspekt im Besonderen zu lesen. Mit diesem kurzen Überblick möchten wir nur auf seinen Beitrag zu unserer Philosophie und Kultur hinweisen. Er bleibt extrem aktuell und anregend. Wir hoffen, dass diese Arbeit dies ausreichend begründet hat. Wenn dieser Text unsere jungen Philosophen und Philosophinnen dazu anregt, seine Werke zu studieren, dann würde diese Arbeit seinen Zweck erfüllen. Mögen seine Worte sie erreichen, die Worte des Denklehrers, laut denen das „Denken nur auf jene Weise lebt, indem es in der Suche und in der Frage bestehen bleibt“. (shrink)

Za svjetlo možemo reći da je istinski razbuđivač mišljenja , kako u metafizici tako u prirodnoj filozofiji i znanosti. Želimo ukazati na posebnost Petrića kao onoga mislioca s kojim je dokončana epoha od antike nasljeđene metafizike svjetla i koji otvara put za novovjekovnu fiziku svjetla, naročito u djelu Panaugia, ali ne samo u njemu. Nakon Petrića uslijedila su brojna uzbudljiva znanstvena otkrića koja su rezultirala dubokim uvidima u narav svjetla, u geometriji, a posebice u fizikalnoj optici: svjetlo se širi konačnom (...) brzinom, složeno je, dio je elektromagnetskog spektra zračenja, djeluje na materiju , dovedeno je u svezu s masom i energijom. Ono nas začuđuje dualnošću svoje prirode čestice i vala. Istraživanjem zračenja tamnog tijela, suprotnosti vidljivog svjetla, otvorena je epoha kvantne fizike. Pitamo: Možemo li na osnovu mnoštva znanja o svjetlu do kojih su došli fizičari govoriti o bîti svjetla ? Fotonika je nova epoha u komunikacijskoj tehnologiji. Što tek treba očekivati od istraživanja fotosinteze?Light has been defined as a true instigator of thought both in metaphysicsand in philosophy of natureand science. This article focuses on the exceptional position of Frane Petrić as the philosopher with whom the epoch of metaphysics of light inherited fromantiquityended and the path for the new epoch of the physics of light started – especially inhiswork Panaugia,though not only in it. AfterPetrić, numerousexciting scientific discoveries occurred that resulted in profoundinsights into the nature of light – in geometry,and especiallyinphysical optics: light travels with finite speed, it is complex, it is part of electromagneticspecterof radiation, it has effect on matter , it has been relatedto mass and energy.Lightamazes us with the duality of its natureas both a particle and a wave. The researchon theradiationof dark objects and the contrast with visible light has opened the epoch of quantumphysics.The question this lectureposes is: Based on the body of knowledge about light accumulatedby the physicists, could we talk about the essence of light ? Photonics isanew epoch in communication technology.What then could we expect from the research on photosynthesis? (shrink)

Iako opsežan, ovaj članak ima skromnu svrhu: sažeto i što je moguće jasnije iznijeti osnovne Kantove teze za promišljanje odnosa znanosti i religije, te pozvati na pomnjivo iščitavanje njegova opusa, kako bi u promišljanje odnosa znanosti i religije išli s Kantom, a ne mimo njega. Kantov opus nudi intrigantne povode da ga se pokuša isčitavati s ovoga stanovišta. Polazište je dano rezultatima Kritike čistoga uma. U njoj treba potražiti odgovore na pitanja: Kako je moguća priroda, iskustvo, spoznaja prirode i sama (...) prirodna znanost? Nakon toga biti će potrebno u istom djelu vidjeti kako Kant zasniva praktičnu slobodu koja omogućuje moral koji je osnova religije. Konačno, trebat će vidjeti koje posebnosti ima na umu zasnovana religija.Although extensive, this aricle has a modest purpose: to summarise and clearly expose Kant’s theses on relationship between philosophy, science and religion, and to evoke for close reading of his opus. That is all made in purpose of thinking this relation along with Kant, not without him. Kant’s offers intriguing reasons to be read from this standpoint. This standpoint is given with the results of his work Critique of Pure Reason. There should be found the answers to following questions: how nature is possible, how experience is possible, as well as knowledge of nature and natural science in itself? After that, it should be noted in the same work to see how practical freedom is founded by Kant, which enables morality as foundation of religion. Finally, it should be reflected what are the characteristics of religion based on Reason. (shrink)

Between the two World Wars, in Belgrade and Serbia, seven musical journals were published:?Musical Gazette?,?Music?,?Herald of the Musical Society Stankovic?,?Sound?,?Journal of The South Slav Choral Union?,?Slavic Music? and?Music Review?. The influence of marxism can be observed in?Musical Herald?,?Sound? and?Slavic Music?. A Marxist influence is obvious through indications of determinism. Namely, some writers observed elements of musical art and its history as consequences of sociopolitical and economic processes. Still, journals published articles of domestic and foreign authors who interpreted the relation between (...) music, society and economy in a much more moderate and subtle manner. Editors and associates of these journals also had proscriptive ambitions - they recommended and even determined regulations for composers about what kind of music to write according to social goals and needs. According to tendencies in Marxism, there was a follow up of musical work in the Soviet Union. Editors tried not to be one-sided. There were writings about the USSR by left orientated associates as much as emigrants from that country, and articles of Soviet authors were translated. Also, there were critical tones about musical development in the first country of socialism. Serbian musical periodicals recognized the enormous threat from fascism. Also, there were articles about influence of Nazi ideology and dictatorship on musical prospects in Germany. Since Germany annexed Sudetenland in 1938,?Musical Herald? expressed support to musicians and people of that friendly country by devoting the October and November 1938 issue to Czechoslovak music, along with an appropriate introduction by the editor, Stana Djuric-Klajn. (shrink)