This new, comprehensive study of Leibniz's system of thought reveals a philosopher equally intrigued by the complexity of physical reality and the fascinations of his metaphysical laboratory. Many of his most important, but never previously published papers are evaluated in this book. Too often put down as an arch-metaphysician, Leibniz is seen in these pages as a venturer of breathtaking boldness, his ambition being nothing less than to actually solve the enigma of existence. Accordingly his system embraced science equally with (...) metaphysics; they complement and pollinate each other. The outcome is a view of his system as a double ontology. Reality is the domain of the actual; metaphysics the laboratory of the possible. Metaphysics springs to life with his scintillating detective work on force, motion, time, space, limits, infinity, folds, fractals and many other issues that are 'hot' again today; while in all these a direct line is kept open to their impact on physical existents and our understanding of reality. This book is equally suited to expert Leibnizians as to students of Early Modern philosophy; and it may be read with profit by anyone interested in this thinker, whom Bertrand Russell called "one of the supreme intellects of all time". (shrink)

Spengler’s Untergang des Abendlandes (The Decline of the West) (1918–22) was a sensational success in its own time, but has since slipped into oblivion. In this article I attempt to restore those aspects of his doctrine which could speak to us today and alert us to a crisis of the European Geist and its survival exigencies. This involves a reorientation on several issues on which our present perspectives differ from those that were current 100 years ago, such as the precedence (...) of his philosophical approach over the historical approach; the diminished importance of his extensive analysis and depiction of defunct civilisations, which serve at best as illustrative material rather than as direct comparisons on a somewhat risky notion of “simultaneity.” I also propose more relevant criteria in justification of his Faustianism (its sources and inception), and, not least, point to a differentiation between prediction and prognosis. The intention is to highlight the rationale behind Spengler’s enquiries into history—namely to situate Western civilisation in the overall scheme of human civilisations by alerting us to a decisive crossroads. This required of its author a means of identifying the symptoms that we must be aware of in order to sustain our world without tumbling unawares into a major catastrophe. The Untergang does not compulsorily wipe our civilisation out unless we provoke this to occur; instead, our civilisation may merge or blend peacefully with whatever culture(s) may be waiting to inaugurate a new cycle. (shrink)

“When a scientist speaks, it behoves us to attend with respectful silence.” This precept could be written over our whole era, beginning with the middle of the nineteenth century. Some readers may r...

Although Western and Chinese philosophy evolved from disparate doctrinal foundations, the department of ethics is a notable exception. “How to live the good life” is a subject treated by Confucius and Aristotle in a manner that exhibits many surprising points of coincidence, not least in the colossal influence of both these philosophers on the social and political shape of their respective civilisations. This article is an attempt to correlate the relevant ideas which, as it were, build a bridge between East (...) and West on the perennial issues that affect all mankind in the context of a civil society. (shrink)

For two millennia philosophy has restlessly stalked a fundamental problem the answer to the question "what is art, really?" Aesthetic discourse, focused on the Platonic Matrix of truth and beauty, arthood and object, imitation and representation, form and idea, has not delivered on its promise, leaving us in bewilderment over principles that are either ignored or contradicted by the arts themselves. In this searching critique, some astonishing faux pas are brought to light. Notably that aesthetics makes do without a knower, (...) the heuristics of art, and the dynamics of self-exploration that are central to the aesthetic experience. What this book seeks to accomplish is a thorough reformulation of the terms of reference, based on the actual "form of life" that is art. This amounts to a framework for a wholly new philosophy of art. It demonstrates that art is quintessentially involved in the meaning of life, and through its heuristic dimension serves our impulse for self-knowledge and an understanding of the human condition. The book is in the first instance a philosophical treatise and therefore suitable for academic study in all grades, though perhaps with greatest benefit at post-graduate level. But it has been written in an approachable style to encourage a wider audience to engage with its tenets: accordingly it seeks also to address art aficionados, whether professional or dilettante, as well as general readers with an interest in these ever perplexing and profoundly intriguing issues of our human estate. (shrink)

Arthur Danto’s Transfiguration of the Commonplace is a new theory of art, seeking to catch the flavour and essence of its contemporary phenomenology. It is obliged, however, to pit itself in toto against aesthetic philosophy, leaning on the derivatives from deuteropraxis and institutional definition while committing itself to a concept of arthood extracted from exoteric ideas, which are held to comprise the artworks’ individuation and identity. This paper examines the principal notions in support of his contentions and contrasts them to (...) the chief principles of aesthetic philosophy. In this juxtaposition, it transpires that conviction eludes Danto, as his suppression of aesthetic criteria yields unsuspected aporias from a disconjugate amalgam of inherence, ontology, epistemology and concept integration. Thus the leap from “mere real things” to the plateau of arthood is never accomplished, as it falters at the step where a perceiving subject has a stake in, and the power of authorisation, of this co... (shrink)

Although the emlocus classicus /emof the concept of recognition is the master/slave episode of the Phenomenology, it is readily portable into the emPhilosophy of Right/em. However, the fact that the term occurs only six times in the 400 pages of the emPhilosophy of Right/em has obscured its structural role, and accordingly scholarly effort is scant on the concept as it might pertain to this work. It is the argument of this paper that despite its lsquo;invisibilityrsquo; it governs foreground proceedings as (...) if from behind a curtain, for it cannot be gainsaid that the conceptual foundation of the Rights empresupposes/em the principle of recognition. The suspicion has been voiced that Hegel deliberately emsuppressed/em reminders of the presence of emAnerkennung/em in his philosophy of rights in order to distance himself from the perceived limitations of the Fichtean exposition of the concept. Accordingly this paper brings up the background of Fichte and examines the PhR in its strategic dispositions to uncover the recognitive structure implied in it. (shrink)

This article examines the rift in Leibniz’s conception of determinism after being rebuffed by the Parisian theologian Antoine Arnauld in their correspondence of 1686. As, in addition, his study of surds infracted his confidence in the “complete concept,” Leibniz embarked on a new, dynamic doctrine of substance or “law of the series.” In the literature, this strategy has been widely understood as “tweaking” the system to allow some self-assertion of free will. But as this article will show, it amounts to (...) a revolutionary conception that culminates in the unmasking of determinism as an insupportable, indeed incoherent doctrine. As all forms of determinism are profoundly entangled with human self-perception, the Leibnizian Kehre invites us to a new engagement with human freedom and autonomy and the disentanglement from a philosophical position for which neither a metaphysical nor an empirical proof can be given. (shrink)

In the mid-eighteenth century music underwent a sudden and drastic revolution when composers “discovered” a new dimension to their art. This had immense repercussions on the philosophy of art, for the music created before and after this divide represents two different species of aesthetic experience, which in due course affected our understanding of the meaning and import of the other arts as well. Despite the immense aesthetic repercussions of this Copernican revolution in music, philosophers of art seem not to have (...) taken much notice of it. This essay details the emergence of the relevant musical criteria during the eighteenth century and dwells on their long-term impacts on the philosophy of art. (shrink)

In this article we confront the ineffability of music to seek out a tenable conception of profound depths being plumbed in many such works. We take our initial bearings from the writings of the late Peter Kivy, who was a musically trained thinker and tackled the subject no less than four times. Our main interest lies in his outright dismissal of the idea. However, the scaffolding of his arguments reveals that he privileges the discursive metier without any evidence in his (...) support. Hence the bulk of the article is devoted to an analysis of the criteria relevant to this form of experience and to the construction of a more tenable perspective. It will be shown that the issue of profundity in music cannot be segregated from the implications of our reactions and responses to literature and, by extension, to the arts as a whole. (shrink)

Volume 25, Issue 1, February 2020, Page 111-114.

“There are more things in heaven and earth,Horatio, than are dreamed of in your philosophy.”—Shakespeare, HamletDeacon’s incompleteness thesis refers to hidden causal features of nature that are ab...

All the way back in 1916, in the middle of the Great War, the prominent Homer scholar Ulrich Wilamowitz-Moellendorf wrote: “More and ever more the challenge narrows down to the crucial issue for me...

This is a nicely packaged book for readers with an interest in its subject matter. Written in an informal style, it touches on all the issues that comprise the hurdles and stumbling blocks to the a...

Volume 25, Issue 1, February 2020, Page 111-114.