Aunque la cuestión de la licitud de la guerra no se plantee para Maquiavelo, como no lo hace para la mayoría de los pensadores italianos de principios del siglo XVI, el componente ético no está ausente de la reflexión maquiaveliana en El arte de la guerra. De hecho, junto al aspecto técnico de la creación de una milicia de ordenanza y sus diversos modos de combatir en el campo, sin embargo, se encuentran estrechamente vinculadas a los requisitos políticos de una (...) república virtuosa las fundamentales exigencias éticas tanto en las cualidades morales de los ciudadanos-soldados como en la virtud de los comandantes y en la rectitud de los dirigentes políticos que los reclutan y emplean en las operaciones militares. Esto se evidencia, particularmente, en las partes introductoria y final del tratado. (shrink)

The dawn of music semiology showcases the work of ten leading musicologists inspired by the work of Jean-Jacques Nattiez. Reflecting the energy and diversity of the young field of music semiology, chapters in this volume discuss music and gesture, the psychology of music, and the role of ethnotheory, and offer new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, and modernism from Wagner to Boulez.

Contents include a note on the translation, introduction by Peter Gay, and a bibliography.

Jean Jack (1915) The Political Writings of Jean Jacques Rousseau, Translated: Charles Edwyn Vaughan, M.A., Litt.D., Cambrige at the Unıversıty Press, , in two volumce, volume one,.

In his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with unique insight the relationship between an (...) elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement, and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence. (shrink)

In the form of few notes around an anthropology of the imagination, the article questions the complex relationships between imagination and perception, by carrying out a synthesis of the great traditions which concern the image. Between perceptual consciousness and imaging consciousness, the line of demarcation remains problematic, depending on whether the imagination draws from the senses the material of its images or produces new representations giving substance to an unreal, or even a surreal. Impoverished derivation and misleading revival of perception (...) in the empiricist tradition, it precedes experience for Kant. Imagination has at least three functions: replacement, amplification and revelation of reality, each corresponding to differentiated intentions: to image, imagine, “imaginalise”. The imaginal, as a correlate of creative imagination, actualizes epiphanic images, allowing itself to be reduced neither ton reproduction nor to fiction. These are primordial images with a universal scope, not depending on the subjective conditions of the perceiver. (shrink)

La réforme des établissements pour mineurs sous main de justice entreprise en 1945 exclut tout usage de la violence physique. Les textes officiels, les articles de la presse généraliste ou professionnelle relèvent tous ce rejet de la manière forte et vantent la nouvelle pédagogie. Si l’on délaisse ces sources imprimées et que l’on explore les archives comme les rapports d’inspection, les comptes rendus d’activité, les dossiers des personnels et ceux des mineurs, on perçoit alors l’écart entre les pratiques effectives et (...) les nouvelles normes promues par les autorités. L’auteur a mené l’enquête à l’« internat approprié de Chanteloup », la structure de l’éducation surveillée la plus susceptible de rejeter les « violences pédagogiques ». Pourtant, là aussi elles subsistent et l’on mesure la force de l’habitude et la lenteur de certaines transformations dans le champ de l’éducation. (shrink)

In his Discourses, Rousseau argues that inequalities of rank, wealth, and power are the inevitable result of the civilizing process. If inequality is intolerable - and Rousseau shows with unparalledled eloquence how it robs us not only of our material but also of our psychological independence - then how can we recover the peaceful self-sufficiency of life in the state of nature? We cannot return to a simpler time, but measuring the costs of progress may help us to imagine alternatives (...) to the corruption and oppressive conformity of modern society. Rousseau's sweeping account of humanity's social and political development epitomizes the innovative boldness of the Englightment, and it is one of the most provocative and influential works of the eighteenth century. This new translation includes all Rousseau's own notes, and Patrick Coleman's introduction builds on recent key scholarship, considering particularly the relationship between political and aesthetic thought. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

Jean-Jacques Rousseau's ideas about society, culture, and government are pivotal in the history of political thought. His works are as controversial as they are relevant today. This volume brings together three of Rousseau's most important political writings -- The Social Contract and The First Discourse (Discourse on the Sciences and Arts) and The Second Discourse (Discourse on the Origin and Foundations of Inequality) -- and presents essays by major scholars that shed light on the dimensions and implications of (...) these texts. Susan Dunn's introductory essay underlines the unity of Rousseau's political thought and explains why his ideas influenced Jacobin revolutionaries in France but repelled American revolutionaries across the ocean. Gita May's essay discusses Rousseau as cultural critic. Robert N. Bellah explores Rousseau's attempt to resolve the tension between the individual's desire for freedom and the obligations that society imposes. David Bromwich analyzes Rousseau as a psychologist of the human self. And Conor Cruise O'Brien takes on the "noxious, " "deranged" Rousseau, excoriated by Edmund Burke but admired by Robespierre and Thomas Jefferson. Written from different, even opposing perspectives, these lucid essays convey a sense of the vital and contentious debate surrounding Rousseau and his legacy. (shrink)

Les conceptions de l’imaginaire propres à la tradition française sont souvent assimilées aux théories de la représentation, conformes au paradigme sémiotique. Il s’agit de montrer que l’imaginaire s’en distingue par une approche d’anthropologie générale qui inscrit le plan de la représentation dans un schématisme corporel, le confronte à une transcendance du sens et l’implique dans une logique figurative autopoïétique, qui ne se laisse pas réduire aux formalismes des structuralismes dominants dans la linguistique et la sémiotique. Conceptions about the Imaginary specific (...) to the French tradition are often assimilated to the theories of representation, accorded to the semiotic paradigm. This paper aims to demonstrate that the Imaginary involves an approach of general anthropology which supposes a body schematic representation plan, confronts him to a transcendence of meaning and implies him in a logic figurative autopoetics, which cannot be reduced to the formalism of the dominant structuralisms in linguistics and semiotics. (shrink)

Les modèles de l’imaginaire issus de l’école française bachelardienne et durandienne ont permis de mieux appréhender l’étude des mythes, des religions et des arts. Non seulement les imaginaires obéissent à une logique symbolique, mais celle-ci s’enracine dans des soubassements corporels, comportementaux et même neurobiologiques, qui sont au cœur des neurosciences. Dans quelle mesure peut‑on transférer ces résultats de manière plus systématique aux milieux des artefacts techniques, et même aux nouvelles innovations technologiques aujourd’hui? L’article tente de dégager quelques orientations programmatiques qui (...) devraient permettre de comprendre combien la liberté d’innovation se conjugue avec des contraintes neuromotrices et symboliques. Models of Bachelard’s and Durand’s persuasion for the imagination faculty offered a more comprehensive approach for the study of myths, religions and arts. Imaginaries do not only obey a symbolic logic, since such a logic is deeply grounded in physical, behavioral and even neural roots, which are now key issues at stake in neuroscience. To what extent can we transfer these results in a more systematic way to technical environments for artifacts and to the more advanced technological innovations of today? This contribution attempts to devise a set of programmatic guidelines which could bring about a better understanding of how the synergy strengthens between freedom in technological innovation and constraints imposed by neuromotor control and symbolic logic. (shrink)

The imaginary has been inseparable, since prehistoric times, from technical artefacs, their forms, functions and uses. Gilbert Durand’s typologies can help to understand better the different technologies, their success, their effects, etc. Can we not go further by looking in the imaginary for one of the keys to technological innovation today which would allow an anthropological renovation of theoretical tools?

L’intelligence des pratiques sociales passe généralement par des catégories binaires, qui découpent le réel en moitiés égales ou inégales, mais qui prétendent épouser une totalité de comportements ou de vécus. Ces binômes classiques ont pourtant servi autant de leviers que d’obstacles épistémologiques. Le profane et le sacré, le privé et le public, le travail et la fête, le...

La question des frontières des arts plastiques et littéraires contemporains peut être approchée à travers l'exemple de la géopoétique de Kenneth White. Renonçant à réduire l'art à la production d'une représentation dominée par le plaisir de la vue, le mouvement esthétique de la géopoétique cherche à faire de la création artistique un geste de participation aux matières de la terre sur fond d'une expérience polysensorielle où la marche et le nomadisme constituent des explorations d'un proto-monde. L'oeuvre écrite ou plastique est (...) destinée à conserver des fragments et traces de cette aventure sensible, ouvrant ainsi la voie à une rencontre qui n'est plus un spectacle mais une expérience quasi chamanique. Reste à savoir dans quelle mesure on peut s'émanciper totalement de la représentation pour accéder à une auto-présentation du cosmos dont l'artiste serait le médium. (shrink)

La pensée met en œuvre des entités, matérielles ou immatérielles, et leurs relations. Dès lors apparaît la catégorie de l’entre-deux, qui renvoie à des significations spatiales et temporelles, statiques et dynamiques. La typologie des usages permet de distinguer une variété qui va d’un sens faible, comme intervalle neutre, à un sens fort, supposant un tiers inclus. On étudie ces différents emplois dans des domaines qui vont du sacré à la sexualité. Thought implements material or immaterial entities, and their relations. From (...) then on appears the category of in-between, which sends back to spatial and temporal, static and dynamic meanings. The typology of uses allows to distinguish a variety which goes of a weak sense, as neutral interval, to a strong sense, supposing a third party. We study these various uses in domains which go of the sacred to the sexuality. (shrink)

This article challenges a series of assumptions associated with abstract painting, arguing that this type of art makes one understand a visual manifestation which does no longer refer to the visible world only, but also to an intelligible world, accessible to the senses. Non-figurative painting abandons the reproduction of the visible, in order to present us with the invisible, and in order to account for this phenomenon the author elaborates three types of philosophical decision to interpret the mode of being (...) of the image. The comprehension of this original experience of abstract art is then compared to the relations between the visible and the invisible, as Christian theology delineates them. Christianity is defined first by the experience of the figuration of God, by His embodiment, which actually enables one to conceive of certain images, such as the icon of the Orthodox liturgy, but at the same time it also bestows, for the first time, an incredible status to the disappearance of the visible divine body, when it returns to the invisible, while remaining present in the visible. (shrink)

Qu'est-ce que le langage? Un système de signes fixé, par exemple, dans les traités de grammaire. Mais, ne l'oublions pas, son existence est aussi conditionnée par les manières toujours variées, souvent fautives, dont les sujets parlants se l'approprient : c'est la dialectique du système et du style. Jean-Jacques Lecercle la place au cœur de sa linguistique alternative, dont il livre ici un exposé aussi succinct que lumineux. La langue, jamais totalement systématique, consiste en un ensemble de normes plus (...) ou moins stabilisées, soumises aux changements que leur impose le 'hors-norme' stylistique. Dès lors, elle n'est pas essentiellement un système idéal abstrait qui s'impose à nous de l'extérieur, mais une partie de la praxis, un phénomène à la fois historique, social, matériel et politique. Les signes et la grammaire sont d'abord des produits de l'activité humaine, faits et défaits en permanence par les locuteurs individuels. Si le sujet est effectivement 'interpellé' par des règles qui lui préexistent, il a aussi la possibilité de 'contre-interpeller' la langue et, ainsi, d'y introduire une dose irréductible de singularité et de variation."--Page 4 of cover. (shrink)

Originally published in 1941, this book contains the French text of Jean-Jacques Rousseau's 1755 treatise Discours sur l'origine et les fondements de l'inégalité parmi les hommes, in which he examines the artificial origins of human social structures designed to keep one group elevated above another. The preface by F. C. Green provides the historical context for Rousseau's essay and explains its influence on the authors of the French Revolution. This book will be of value to anyone with an (...) interest in French history or political philosophy. (shrink)

Jean-Jacques Lavoie L’auteur présente un état de la recherche des critiques textuelles et des sources de Qohélet 7,15-18 et propose une analyse structurelle et littéraire de ces quatre versets, afin de montrer que Qohélet souligne les limites de la sagesse et de la justice et dénonce toute forme de démesure, car celle-ci ne peut garantir le succès et peut même conduire à la ruine. Craindre Dieu est le contraire de la démesure ; c’est reconnaître que l’on ignore tout (...) de la manière dont Dieu agit et c’est accepter de vivre dans un monde absurde. (shrink)

Jean-Jacques Lavoie | : L’auteur présente un état de la recherche des critiques textuelle et des sources de Qo 2,25 et propose une analyse structurelle de Qo 2,24-26 ainsi qu’une analyse littéraire de Qo 2,25, afin de montrer que le propos de la péricope qui conclut la fiction royale est de nature théologique : rien n’est possible pour l’être humain — pas même pour le roi Qohélet! — sans l’intervention divine. Autrement dit, le Dieu qui donne est également (...) celui qui détermine les conditions de l’existence humaine, aussi bien celles qui sont heureuses et avantageuses que celles qui sont malheureuses et désavantageuses. | : The author presents the state of research regarding textual criticism as well as source criticism concerning Qo 2,25, and then offers a structural analysis of Qo 2,24-26, and a literary analysis of Qo 2,25, in order to show that the subject of the section that concludes the royal fiction is of theological nature : nothing is possible for the human being — not even for the king Qohelet! — without divine intervention. In other words, the God who gives is also the one who determines the conditions of human existence, both the happy and advantageous ones, as well as the unhappy and disadvantageous ones. (shrink)

Jean-Jacques Lavoie | Résumé : L’auteur présente un état de la recherche de la critique textuelle de Qo 2,12 en montrant qu’il faut maintenir le texte massorétique, puisque c’est le texte le plus difficile. Puis, il présente un état de la recherche de la critique des sources ainsi que de l’analyse structurelle et littéraire, afin de montrer que ce verset doit être lu à la lumière de son contexte immédiat. En effet, la comparaison de la sagesse et de (...) la folie, au v. 12a, annonce la question de l’avantage de la sagesse sur la folie et du sage sur le fou, en 2,13-16. Quant au v. 12b, il annonce la question portant sur la valeur du successeur, en 2,19a, et souligne, non sans ironie, que la valeur du successeur est dérisoire et que celui-ci ne vaut que ce que le prédécesseur, aussi incomparable soit-il, a fait de lui. Ainsi compris, le v. 12 peut aussi se lire comme une allusion à Roboam en 1 R 12. |: The author presents a state of research about textual criticism concerning Qo 2,12 by showing that it is necessary to maintain the Masoretic Text, since it is the most difficult text. Then, he presents the state of the research about source criticism, as well as structural and literary analyses, in order to show that this verse should be read in the light of its immediate context. Indeed, the comparison between wisdom and folly, in v. 12a, announces the question of the advantage of wisdom over folly, and of the wise over the fool in 2.13-16. As to v. 12b, it announces the question concerning the value of the successor in 2.19a, and emphasizes, not without irony, that the value of the successor is derisory, and that it is worth only what the predecessor, however incomparable he may be, has made of him. Thus understood, v. 12b can also be read as an allusion to Rehoboam in 1 K 12. (shrink)

In his essay “La judéité dans la musique,” Richard Wagner’s horrid portrayal of a Jew by way of physical, economical, linguistic and musical description exposed his anti-Semitic convictions. Much of this aspect has either been forgotten or softened, however, when evoking Wagner, it is in fact the relationship between his anti-Semitism and his work that is the most problematic. This paper proposes to consider three symbolic forms through which this reticence is expressed by looking at the the theoretical writings, opera (...) booklets and their music. Using the Beckmesser character in Les Maîtres Chanteurs de Nuremberg, although Beckmesser is not introduced as a Jew but rather a good German bourgeois, one cannot deny the allegory positioning him as a Jew. First element of demonstration: the analogical resemblance between Beckmesser and the Viennese music critic Eduard Hanslick to whom Wagner accused of hiding his Jewishness. Second element: it has already been proven that Beckmesser’s serenade sung during the second act to the Master Singers was a mockery of a Jewish prayer. Third element: in Cosima’s, Wagner’s wife, diary she explains that this particular piece generated at that time a strong reaction by the Jewish community in Vienna, thus supporting the claim that his antisemitism was already known and problematic to his contemporaries. (shrink)

The work of Jean-Jacques Rousseau is presented in two volumes, together forming the most comprehensive anthology of Rousseau's political writings in English. Volume II contains the later writings such as The Social Contract and a selection of Rousseau's letters on important aspects of his thought. The Social Contract has become Rousseau's most famous single work, but on publication was condemned by both the civil and the ecclesiastical authorities in France and Geneva. Rousseau fled and it is during this (...) period that he wrote some of his autobiographical works as well as political essays such as On the Government of Poland. This volume, like its predecessor, contains a comprehensive introduction, chronology and guide to further reading, and will enable students to obtain a full understanding of the writings of one of the world's greatest thinkers. (shrink)

Physique des phénomènes vibratoires, dynamique des systèmes non linéaires, neurosciences, chronobiologie, chronopharmacologie, psychologie, psychiatrie, poétique, musique danse, sociologie, anthropologie, sciences de l'éducation, économie, histoire, géographie, architecture, urbanisme, constituent une liste non exhaustive des disciplines qui ne peuvent plus faire l'économie de la notion de rythme. Cependant, l'ample diffusion de la notion de rythme dans divers champs de recherches ne signifie pas pour autant que cette notion soit déjà reconnue dans son rôle heuristique, ni qu'elle fonctionne comme un paradigme commun. Prise (...) de manières très diverses, elle manque encore souvent de consistance conceptuelle, au risque parfois de perdre en compréhension ce qu'elle gagne en extension. L'objectif principal de cet ouvrage collectif dirigé par Jean-Jacques Wunenburger (Université Jean Moulin Lyon 3 et Université de Bourgoge) & Julien Lamy (Université Jean Moulin Lyon 3) est de faire un état des lieux des études sur le rythme et de fournir, dans le sillon des travaux de Bachelard, des repères théoriques, à la fois historiques et conceptuels, qui permettront de mieux comprendre la cohérence propre de cette notion complexe, aux significations et aux usages multiples... (shrink)

Eranos Tagung 2020 “Rinascere : la vita minacciata e la passione della vita” Casa Eranos, Ascona-Moscia, 3-5 settembre 2020 Prof. Jean-Jacques Wunenburger 4 settembre 2020 - Philosophie – Nouvel article.

_"The Government of Poland_ is the only finished work in which Rousseau himself dons the mantle of legislator, applying the principles of the _Social Contract_ to the real world around him. _Poland_ teaches us much about the mysterious art of the _Social Contract's_ 'legislator,' how he transforms each individual into part of a larger whole. Only in... _Poland_ do we find what this crucial transformation entails and what it presupposes. But probably the greatest lesson to be learned from... Poland concerns (...) Rousseau's understanding of the proper relationship between theory and practice.... Time and again we see Rousseau advising the Poles to do things which are in gross violation of the strict principles of political right he had elaborated in the Social Contract." --Richard Myers in _Canadian Journal of Political Science_. (shrink)

Le prologue du livre de Ben Sira est le seul texte biblique qui nous livre une réflexion sur l’acte de traduire. Cet article vise deux objectifs : 1) mieux comprendre ce que le petit-fils de Ben Sira dit au sujet de la traduction du livre de son grand-père ; 2) comparer sa conception de la traduction avec celles que l’on trouve dans d’autres textes judéens et alexandrins relatifs à la traduction de la Bible hébraïque en grec, afin de mettre en (...) évidence le caractère singulier des propos du petit-fils de Ben Sira. (shrink)

Si en su “Discurso sobre las ciencias y las artes” (1750) y en su “Discurso sobre el origen de la desigualdad” (1755) –publicados en un solo volumen en esta colección– Jean-Jacques Rousseau (1712-1778) fue sentando las bases de su pensamiento filosófico y social, el trabajo fundamental que acabó alumbrando el autor en el campo del pensamiento político fue “Del Contrato social”, publicado en 1762. Esta obra, en la que toman cuerpo las inquietudes políticas y la fe en la (...) razón de la corriente ilustrada, puede considerarse la fundadora del derecho político. Su análisis teórico de la soberanía de los Estados como producto de la voluntad general se fundamenta en un contrato por el que el individuo enajena su libertad natural a cambio de convertirse en ciudadano, recibir los derechos inalienables de igualdad jurídica e igualdad moral, y asegurar la libertad de todos los miembros de la sociedad. “Del Contrato social” es uno de los textos capitales para entender el nacimiento de las sociedades modernas. Traducción y prólogo de Mauro Armiño. (shrink)

The perfect books for the true book lover, Penguin’s Great Ideas series features twelve more groundbreaking works by some of history’s most prodigious thinkers. Each volume is beautifully packaged with a unique type-driven design that highlights the bookmaker’s art. Offering great literature in great packages at great prices, this series is ideal for those readers who want to explore and savor the Great Ideas that have shaped our world.

First published posthumously in 1782 from an unfinished manuscript, _The Reveries of the Solitary Walker_ continues Rousseau's exploration of the soul in the form of a final meditation on self-understanding and isolation. This accurate and graceful translation by Charles Butterworth--the only English version based on Rousseau's original text--is accompanied by an interpretive essay, extensive notes, and a comprehensive index.

"Thought Projections Are Nothing but Scenarios We Construct About Others and Are the Products of Our Own Closed-Mindedness. Report on the ""Living Philosophy"" Project. This text is a reflection on Projections. The aim here is to show that it is necessary to go beyond the Freudian concept to offer a more open reading of the concept of projections. The term is taken in its true sense. Projection is mainly used today in the world of cinema and entertainment. To be victim (...) of a projection is to “make himself is proper film” of reality and live in an imaginary world. Our idea is to maintain that these projections develop in the era of the spectacle which is ours. The term “société du spectacle” is borrowed from Guy Debord. However, we distinguish ourselves from him by maintaining that the spectacle is only an epiphenomenon which is only the result of a culture of secret itself produced by contemporary narcissism. This work is the continuation of a series of conferences which are organized within the framework of a movement called Living Philosophy. This movement aims to bring philosophy back to life by leading it into living spaces and bringing it down into bodies, streets and villages. To do this, she wants to be creative and bring together the Ancients, the Moderns and the post-moderns. Living Philosophy is a movement built on the idea of dialogue and mediation. Keywords: philosophie vivante; Freud, Sigmund; projections; Debord, Guy; narcisism.". (shrink)