Results for 'Iannis Spahos'

20 found
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  1.  12
    Amathonte : deux ans de prospection géophysique.Christos Parhas, Iannis Spahos & Pierre Aupert - 1979 - Bulletin de Correspondance Hellénique 103 (2):756-762.
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  2.  91
    Arts-sciences, alloys: the thesis defense of Iannis Xenakis before Olivier Messiaen, Michel Ragon, Olivier Revault d'Allonnes, Michel Serres, and Bernard Teyssèdre.Iannis Xenakis - 1985 - New York: Pendragon Press. Edited by Olivier Messiaen.
    PRELIMINAR Y STA TEMENT BY IA NNIS XENA KIS Subtended Philosophy* The worlds of classical, contemporary, pop, folk, traditional, avant-garde, etc., ...
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  3.  11
    Formalized music.Iannis Xenakis - 1971 - Bloomington: Indiana University Press.
    Pendragon Press is proud to offer this new, revised, and expanded edition of Formalized Music, Iannis Xenakis's landmark book of 1971. In addition to three totally new chapters examining recent breakthroughs in music theory, two original computer programs illustrating the actual realization of newly proposed methods of composition, and an appendix of the very latest developments of stochastic synthesis as an invitation to future exploration, Xenakis offers a very critical self-examination of his theoretical propositions and artistic output of the (...)
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  4.  6
    What to expect when expecting: waiting for the Russians in the eighteenth century Ottoman Empire.Iannis Carras - 2022 - History of European Ideas 48 (8):1074-1088.
    ABSTRACT This article surveys recent work on oracular prophecies and their role in Greek perceptions of Russia in the early modern period. Drawing on this survey, the article provides a critical assessment of the historiographical paradigm of the ‘Russian Expectation’ offered by Paschalis Kitromilides for the analysis of Greek-Russian relations. Finally, the article proposes that scholars should focus on the concept of protection as an aspect of political language, this providing an explanation for particular Greek and also Russian interpretations of (...)
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  5.  6
    Relações de vontade a vontade.Ianni Barros Luna - 2011 - Revista Sul-Americana de Filosofia E Educação 1.
    Este artigo tem como intenção investigar as maneiras segundo as quais as inter- relações didático-pedagógicas nas "comunidades de investigação filosófica", possam ser lidas a partir de uma ótica que enfatize os processos de (auto)construção subjetiva constantemente realizados por seus/suas participantes. Utilizando a noção de ―relação de vontade a vontade‖ articulada por Jacques Rancière, procurarei desenvolver algumas possíveis interpretações das interações entre pensamento e afetos, em especial, sua condição latente de ocupar posição privilegiada nas dinâmicas de auto-percepção e hetero-reconhecimento intelectuais. A (...)
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  6.  6
    Wittgenstein, les règles et les accords.Antonio Ianni Segatto - 2022 - Philosophiques 49 (2):477-498.
    Antonio Ianni Segatto Dans cet article, je veux montrer quel est le malentendu commun aux lectures opposées des remarques wittgensteiniennes sur « suivre une règle », notamment la lecture sceptique de Kripke et la lecture de Baker et Hacker. Je crois que caractériser correctement le malentendu de ces dernières nous permet de voir la bonne façon de lire ces remarques, dans la mesure où ces lectures sont toujours soumises à une confusion philosophique que Wittgenstein veut dissoudre. Ensuite, je présente un (...)
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  7.  12
    Combining answer set programming with description logics for the Semantic Web.Thomas Eiter, Giovambattista Ianni, Thomas Lukasiewicz, Roman Schindlauer & Hans Tompits - 2008 - Artificial Intelligence 172 (12-13):1495-1539.
  8.  12
    Habermas e a tensão entre facticidade e validade imanente à linguagem.Antonio Ianni Segatto - 2022 - Dois Pontos 18 (2).
    Pretende-se é elucidar alguns aspectos da teoria pragmática da linguagem de Habermas tal como apresentada no primeiro capítulo de Facticidade e validade relacionando as teses apresentadas nessa parte do livro a teses apresentadas sobretudo na segunda parte de Pensamento pós-metafísico a fim de elucidar com como a teoria discursiva do direito e da democracia apresentada em 1992 tem seu ponto de apoio em uma concepção específica da linguagem. Essa estratégia permite examinar os pressupostos normalmente deixados à sombra nas discussões da (...)
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  9.  6
    Por qué leer a Hegel.Vanna Ianni Ayuso - 1976 - Santo Domingo, R.D.: [Universidad Autónoma de Santo Domingo].
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  10.  5
    Les Juifs, victimes de la mémoire de la Shoah?Iannis Roder - 2021 - Cités 87 (3):19-32.
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  11.  21
    An interactive windscape.Tania Tsiridou, Iannis Zannos & Mariana Strapatsakis - 2012 - Technoetic Arts 9 (2-3):153-162.
    The main object of this project is how it can become possible to sense an invisible element such as the air. An installation will be created that will aim to provide a sensorial way of dealing with the air and the wind – that is air in motion – with the help of a computer-assisted environment. The objective is to engage the spectator in the navigation of semantic and sensual space that has its own quasi-mythical structure. The attention is focused (...)
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  12.  29
    Cartesian Skepticism, Kantian Skepticism, and the Dreaming Hypothesis.Antonio Ianni Segatto - 2023 - Principia: An International Journal of Epistemology 27 (1):101-116.
    Based on the distinction drawn by James Conant between Cartesian skepticism and Kantian skepticism, I intend to show that Wittgenstein’s remarks on dreaming should not be understood as a direct attack on the former, as commonly held, but as an indirect attack on it, for Wittgenstein approaches Descartes’ dreaming hypothesis by changing the very problematic at stake. Wittgenstein’s attack on skepticism takes one step back from a question about how to distinguish between dreaming that one is experiencing something and actually (...)
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  13.  57
    Wittgenstein on Dreaming and Skepticism.Antonio Ianni Segatto - 2022 - Topoi 41 (5):1033-1042.
    In this paper I aim to elucidate Wittgenstein’s claim that the so-called dream argument is senseless. Unlike other interpreters, who understand the sentence “I am dreaming” as contradictory or self-defeating, I intend to elucidate in what sense one should understand it as senseless or, more precisely, as nonsensical. In this sense, I propose to understand the above-mentioned claim in light of Wittgenstein’s criticism of skepticism from the _Tractatus logico-philosophicus_ to his last writings. I intend to show that the words “I (...)
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  14.  16
    Honneth e o debate entre liberais e comunitaristas.Antonio Ianni Segatto & Matheus Garcia De Moura - 2021 - Veritas – Revista de Filosofia da Pucrs 66 (1):e39807.
    Neste artigo pretende-se discutir a dimensão política presente na origem da teoria do reconhecimento de Axel Honneth, partindo da constatação de que durante a reelaboração de sua tese de habilitação, publicada em 1992 com o título de Luta por reconhecimento, o autor se posiciona pela primeira vez diante do debate entre liberais e comunitaristas e elabora seu conceito formal de eticidade como uma resposta às limitações de cada uma dessas correntes da teoria política contemporânea.
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  15.  5
    O Ceticismo Não É Irrefutável, Mas Manifestamente Um Contrassenso.Antonio Ianni Segatto - 2022 - Revista Guairacá de Filosofia 38 (1).
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  16. Wittgenstein e o problema da harmonia entre pensamento e realidade.Antonio Ianni Segatto - 2015 - Sao Paulo, SP: Editora UNESP Digital.
    Harmonia, m etodo e filosofia -- Intencionalidade -- Regras e acordos.
     
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  17.  5
    Metaqueries: Semantics, complexity, and efficient algorithms.Rachel Ben-Eliyahu-Zohary, Ehud Gudes & Giovambattista Ianni - 2003 - Artificial Intelligence 149 (1):61-87.
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  18.  29
    The Architectures of Iannis Xenakis.Elizabeth Sikiaridi - 2003 - Technoetic Arts 1 (3):201-207.
    Iannis Xenakis (1922–2001), composer, architect, engineer and media artist, designed together with Le Corbusier the Philips-pavilion for the 1958 Brussels World Fair. This pavilion is an early example of (“hybrid”) combined media and architectural space as it contained a Poème Électronique, an electronic synthesis of visual projections (conceived by Le Corbusier ) and acoustic events (composed by Varèse). The pavilion's architecture with its hyperbolic-paraboloid shells had a dynamic expression. Xenakis continued this research into complex material architectural forms. He also (...)
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  19.  7
    Gearing Time Toward Musical Creativity: Conceptual Integration and Material Anchoring in Xenakis’ Psappha.José L. Besada, Anne-Sylvie Barthel-Calvet & Cristóbal Pagán Cánovas - 2021 - Frontiers in Psychology 11.
    Understanding compositional practices is a major goal of musicology and music theory. Compositional practices have been traditionally viewed as disembodied and idiosyncratic. This view makes it hard to integrate musical creativity into our understanding of the general cognitive processes underlying meaning construction. To overcome this unnecessary isolation of musical composition from cognitive science, in this conceptual analysis, we approach compositional processes with the analytic tools of blending theory, material anchoring, and enaction. Our case study is Iannis Xenakis’ use of (...)
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  20.  9
    Bouwsma's Notes on Wittgenstein's Philosophy, 1965-1975.O. K. Bouwsma - 1995 - Edwin Mellen Press.
    This fully revised new edition re-establishes Paul Griffiths's survey as the definitive study of music since the Second World War. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical reforming of compositional technique and in John Cage's move into zen music, in Milton Babbitt's settling of the serial system and in Dmitry Shostakovich's unsettling symphonies, in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's (...)
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