We interviewed Galileo Morandi, a young Italian architect working in a research project on architecture and new technologies and author of several publications about the relation between city, territory and project. The discussion starts and finishes in a place where Morandi studied and worked, Dubai – example of a city in rapid growth and in its way iconic representation of the new globalized cities – passing through Milan and Los Angeles, the new Chinese town and a village in (...) the mountains. The role played by city plans allows to discuss the contemporary city between an architectural perspective and a political awareness. The result is a first partial experiment to connect different urban perspectives. (shrink)

When we interpret modal ◊ as the limit point operator of a topological space, the Gödel-Löb modal system GL defines the class Scat of scattered spaces. We give a partition of Scat into α-slices S α , where α ranges over all ordinals. This provides topological completeness and definability results for extensions of GL. In particular, we axiomatize the modal logic of each ordinal α, thus obtaining a simple proof of the Abashidze–Blass theorem. On the other hand, when we interpret (...) ◊ as closure in a topological space, the Grzegorczyk modal system Grz defines the class HI of hereditarily irresolvable spaces. We also give a partition of HI into α-slices H α , where α ranges over all ordinals. For a subset A of a hereditarily irresolvable space X and an ordinal α, we introduce the α-representation of A, give an axiomatization of the α-representation of A, and characterize H α in terms of α-representations. We prove that ${X \in {\bf H}_{1}}$ iff X is submaximal. For a positive integer n, we generalize the notion of a submaximal space to that of an n-submaximal space, and prove that ${X \in {\bf H}_{n}}$ iff X is n-submaximal. This provides topological completeness and definability results for extensions of Grz. We show that the two partitions are related to each other as follows. For a successor ordinal α = β + n, with β a limit ordinal and n a positive integer, we have ${{\bf H}_{\alpha} \cap {\bf Scat} = {\bf S}_{\beta+2n-1} \cup {\bf S}_{\beta+2n}}$ , and for a limit ordinal α, we have ${{\bf H}_{\alpha} \cap {\bf Scat} = {\bf S}_{\alpha}}$ . As a result, we obtain full and faithful translations of ordinal complete extensions of Grz into ordinal complete extensions of GL, thus generalizing the Kuznetsov–Goldblatt–Boolos theorem. (shrink)

To foster an adequate understanding of relational sociology, it is necessary to consider the theoretical grounds upon which it is based. The first aspect to highlight is the realist assumption of social relations as the causal force from which society originates. It is upon this decisive dimension that the difference between non-contingent and contingent aspects of the social is founded. Overlooking this difference issues in an inadequate understanding both of the autonomy of, and of the interaction between, actors and social (...) structures. Moving from these considerations, in the second part of this essay I will consider a third foundational aspect of social relations: social relations as ‘determination’ of reciprocity, and conclude my investigation by tackling the crucial theme of the social time of change and its connection to social relations. (shrink)

Departing from the considerations of Part 1, in the second and final Part of this essay I consider a third foundational aspect of the social relation: the social relation as ‘determination’ of reciprocity, and conclude my investigation by tackling the crucial theme of the social time of change and its connection to the social relation.

In this review, we discuss the functional equivalence of the avian and mammalian hippocampus, based mostly on our own research in domestic chicks, which provide an important developmental model. In birds, like in mammals, the hippocampus plays a central role in processing spatial information. However, the structure of this homolog area shows remarkable differences between birds and mammals. To understand the evolutionary origin of the neural mechanisms for spatial navigation, it is important to test how far theories developed for the (...) mammalian hippocampus can also be applied to the avian hippocampal formation. To address this issue, we present a brief overview of studies carried out in domestic chicks, investigating the direct involvement of chicks’ hippocampus homolog in spatial navigation. (shrink)

It is a classic result in modal logic, often referred to as Jónsson-Tarski duality, that the category of modal algebras is dually equivalent to the category of descriptive frames. The latter are Kripke frames equipped with a Stone topology such that the binary relation is continuous. This duality generalizes the celebrated Stone duality for boolean algebras. Our goal is to generalize descriptive frames so that the topology is an arbitrary compact Hausdorff topology. For this, instead of working with the boolean (...) algebra of clopen subsets of a Stone space, we work with the ring of continuous real-valued functions on a compact Hausdorff space. The main novelty is to define a modal operator on such a ring utilizing a continuous relation on a compact Hausdorff space.Our starting point is the well-known Gelfand duality between the category ${\sf KHaus}$ of compact Hausdorff spaces and the category $\boldsymbol {\mathit {uba}\ell }$ of uniformly complete bounded archimedean $\ell $ -algebras. We endow a bounded archimedean $\ell $ -algebra with a modal operator, which results in the category $\boldsymbol {\mathit {mba}\ell }$ of modal bounded archimedean $\ell $ -algebras. Our main result establishes a dual adjunction between $\boldsymbol {\mathit {mba}\ell }$ and the category ${\sf KHF}$ of what we call compact Hausdorff frames; that is, Kripke frames equipped with a compact Hausdorff topology such that the binary relation is continuous. This dual adjunction restricts to a dual equivalence between ${\sf KHF}$ and the reflective subcategory $\boldsymbol {\mathit {muba}\ell }$ of $\boldsymbol {\mathit {mba}\ell }$ consisting of uniformly complete objects of $\boldsymbol {\mathit {mba}\ell }$. This generalizes both Gelfand duality and Jónsson-Tarski duality. (shrink)

This short essay is an introduction to Emmanuele Morandi streams of research, which aimed at recreating a new connection between social sciences and metaphysics, empirical research and moral reflections. After a brief introduction, the kind of anthropological critical metaphysical realism fostered by Morandi is outlined. The third paragraph addresses some foundational aspect of his social ontology; lastly, the complex distinction between social, political and economic spheres will be presented.

This article’s assumption is that ordinary aesthetics does not necessarily imply a distancing from art and artists; rather, it can benefit from the input of creators when they use everyday scenes or objects as their theme. This approach focuses on the practice of twentieth-century Italian painter Giorgio Morandi, who depicted compositions of common objects such as bottles, jars, and vases. Through Morandi’s meditative and artistic search, these objects are given value and aesthetic elevation in his paintings. Thomas Leddy’s (...) aesthetics of everyday life will also be called upon in my analysis, insofar as the author recognizes a continuity between the ordinary and the extraordinary, through auratic experiences. If Morandi discovers the extraordinary in the trivial, this is achieved through a gradual process of selection regarding the objects he favoured, which allows for the interaction of various levels of aesthetic intensity. Morandi’s objects and models and their preparation suggest a circulation between aesthetic degrees that, in turn, suggests a timeless “language of things” fixed through the discourse of the paintings. Along these lines, it will be necessary to address the enchantment related to common things, a mesmerizing presence of which we became more aware through Morandi compositions. (shrink)

En la conquista, colonización y evangelización de las Indias se dio una estrecha colaboración y alianza Iglesia-Estado, amalgama que reforzaba a ambas instituciones, aunque siempre bajo el control estatal, supervisada y coordinada por el Consejo de Indias. Las relaciones Iglesia-Estado en América pasaron por diversas modalidades: Patronato, Vicariato y Regalismo. En el siglo XVI rige el Patronato, basado en las concesiones Pontificias que ponía en manos de la Corona española el ‘cuidado’ sobre la Iglesia americana. Desde fines del XVI, religiosos (...) y juristas españoles elaboraron la teoría del Vicariato, según la cual los reyes, en virtud de la donación papal, eran Vicarios de la Santa Sede en las Indias y adquirían competencias en materia de disciplina eclesiástica. En el siglo XVIII el Regalismo asume ambas posiciones y las convierte en jurisdicción civil al considerar que los derechos esenciales del Patronato y el Vicariato no se basan en concesiones papales sino que son prerrogativas inherentes a la Corona, regalías o atributos del poder real. (shrink)

Este ensayo es producto de una investigación en el campo de la teoría e historia del arte y se concentra en el análisis de la pintura inédita Escena de dormitorio (c.1985-86) del destacado escritor y pintor chileno Adolfo Couve Rioseco (1940-1998). La obra salió a la luz en 2021, y su estudio no solo permite abordar problemas relativos a autoría, data, técnica y gestos pictóricos, sino también comentar los espacios domésticos y las relaciones familiares del autor. Sobre todo, permite profundizar (...) en sus filiaciones visuales; en este caso puntual, su interés por óleos tales como Jeremías lamentando la destrucción de Jerusalén (1630) de Rembrandt van Rijn; una de las cuatro versiones de El muchacho del chaleco rojo (c.1889-90) de Paul Cézanne, y las naturalezas muertas del italiano Giorgio Morandi, a partir de los cuales probablemente Couve construyó el cuadro hasta ahora no documentado que aquí se somete a escrutinio. (shrink)

Merleau-Ponty's phenomenological ontology engages deeply with visual art, and this aspect of his work remains significant not only to philosophers, but also to artists, art theorists, and critics. Until recently, scholarly attention has been focused on the artists he himself was inspired by and wrote about, chiefly Cézanne, Klee, Matisse, and Rodin. Merleau-Ponty at the Gallery expands and shifts the focus to address a range of artists (Giorgio Morandi, Kiki Smith, Cy Twombly, Joan Mitchell, and Ellsworth Kelly) whose work (...) came to prominence in the second half of the twentieth century and thus primarily after the philosopher's death. Véronique M. Fóti does not confine her analyses to Merleau-Ponty's texts (which now importantly include his late lecture courses), but also engages directly with the art. Of particular concern to her is the art's ethical bearing, especially as related to animal and vegetal life. The book's concluding chapter addresses the still-widespread rejection of beauty as an aesthetic value. (shrink)

In this article, I argue that pictorial styles are individuated in terms of different degrees of determinacy. For example, Morandi’s still-life etchings and Monet’s cathedral paintings embody different styles in that in the former, shape properties are differentiated in a fine-grained manner, and in the latter, coarse grained. I develop this view by critically examining John Kulvicki’s analysis of how we interpret pictures. According to Kulvicki, we rarely interpret pictures as differing in terms of features that belong to the (...) vehicle of representation—that is, the design-content relation. Rather, he thinks that we individuate pictorial styles in terms of the content that each picture represents. Contra Kulvicki, I argue that we interpret the vehicular features of pictures in light of our knowledge of picture production, and that the diversity of pictorial styles involves both content and vehicle. (shrink)

This article examines the convergence between Italian relational sociology, developed by Pierpaolo Donati and introduced here by Emmanuele Morandi, and critical realism. Whilst the latter is preoccupied with relations between people and structures, Donati sees the whole social order as a relational entity sui generis. Consequently, relational sociology can provide a fuller account of ‘social integration’ than critical realism, which concentrates upon ‘malintegration’ because of its transformative potential. This difference is viewed as a potential source of synergy between these (...) two versions of realism. (shrink)

The area where literature, art, music, religion, spirituality, and philosophy split off from, run parallel to each other, and merge again is like a delta. This essay explores the complex interrelations between art and spirituality on three levels. First on the level of spiritual experience, exemplified by experiences of the art of still life (the painter Morandi, the poet Kopland). On the second level, several questions about meaning are analyzed, beginning with the question of meaning posed by the work (...) of art itself. Both art and spirituality presuppose an open and receptive attitude. In philosophical reflections on the meaning of art, some aim primarily at its relevance for our insight into the reality of things, people, and animals, while others are more concerned with its significance for human action. Thirdly, some problems on the level of research are discussed. Research invites us to come to a critical relativization of what we have seen, heard, or read and also allows us to see that the often presupposed ‘immediacy’ of our experience is in fact mediated by pre-given schemes and habits. Three reasons are given to answer the question why it is meaningful to research these mediations and to search for the authentic meanings of art works (in particular works of literature) themselves. (shrink)

This article examines the figure of Lorenzo Valla (1406-1457), and challenges his nineteenth-century interpretation as a precursor of modern critical historiography and philology, by focusing on two of his works on the ancient Roman historian Livy. The first is the Letter to King Alfonso on the Two Tarquins (1444), where Valla claimed to have discovered a mistake in Livy, and the second is the Confutation against Morandi (1455), a defence of the former work against a critic. The article has (...) two aims. The first aim is to offer a reassessment of the significance of these works, arguing against the view that Letter to King Alfonso represents the formulation of a radically new ‘critical' methodology. The second aim is to consider these works in the broader cultural context on ritualised performance in which they were conceived. Vital to their composition was the so-called ‘hour of the book’, ceremonial readings of classical authors at the court of King Alfonso, and the broader cultural context of the veneration of Livy in late medieval Italy. (shrink)

Das Buch bringt philosophische (bes. Heidegger und Merleau-Ponty) und künstlerische Positionen (Rilke, Ponge, Cézanne, Morandi u.a.) miteinander ins Gespräch und beleuchtet die Frage, ob es für den Menschen notwendig ist, den Dingen in ihrer Einzigkeit zu begegnen. Entscheidend ist die Beobachtung, dass Dingwahrnehmung auch eine ethische Komponente birgt. Ding erscheint als Ort der Begegnung gegenläufiger Bewegungen – nicht als beharrlicher austauschbarer Gegenstand, sondern in seiner Zartheit.