Résumé Dans la lettre où il demande au Landgrave de Hesse-Rheinfels de transmettre à Arnauld le sommaire du Discours de métaphysique, Leibniz, soucieux d’obtenir le sentiment de ce dernier sur ses thèses, souligne l’importance et la variété des questions qu’il y touche : la grâce, le concours de Dieu avec les créatures, les miracles, la cause du péché, l’immortalité de l’âme, etc. Il ne mentionne pas dans cette liste la doctrine de la notion complète, bien qu’elle ne soit étrangère à (...) aucune de ces questions. C’est pourtant à elle qu’Arnauld va immédiatement s’en prendre en demandant comment cette doctrine peut éviter les conséquences nécessitaristes qui en découlent apparemment. Il ouvre ainsi une discussion qui est une des plus approfondies de celles auxquelles Leibniz s’est prêté. (shrink)

This study proposes that Moses’ agape and storge love of his people was the motivation for his adoption of fatherly leadership style. The study relies on a direct reading of Hebrew language version of the relevant books of the Old Testament. We provide examples that anchor Moses fatherly leadership style in biblical texts, and reference it to modern leadership thoughts and practical wisdom. Moses’ traits, such as humility, gratitude, forgiveness, and altruism, and his unparalleled grit provided him with the capabilities (...) required to perform as a father leader. This leadership style is characterized by availability (awareness), building community, commitment to the growth of people, disciplining, foresight, healing, involvement, listening, persuasion, providing, relinquishing control, role modeling, showing empathy, stewardship (serving), supporting, and teaching. We provide leaders with a list of fatherly leadership behaviors that lacks the authoritarian component of eastern paternalistic leadership style, and that may be well practiced in the health care, social work, education, sport management and other people service industries. (shrink)

Os últimos textos de Althusser defendem a existência de um materialismo chamado materialismo do encontro ou aleatório. Esse materialismo se distingue do idealismo, do materialismo da necessidade e do materialismo dialético. Ele recusa as noções de Origem, de Fim, de Sujeito, a teleologia, o princípio de razão e recusa a negatividade dialética e a contradição. Recorrendo ao léxico de Epicuro-Lucrécio, ele coloca a contingência dos encontros que constituem o mundo (a história, as instituições, os dispositivos). Fortemente inspirado por Maquiavel, Althusser (...) coloca esse materialismo “sob a conjuntura” que abre o pensamento a seu exterior (as lutas de classe). Ele decorre de novas categorias, o vazio, o centro e suas margens, o encontro, os deslocamentos, o todo sob a contingência. Quero mostrar que esse materialismo é mais do que um novo materialismo. Aanalisando a metáfora do “prato” utilizada por Althusser, compreendo que ele constitue uma lógica para o materialismo e para o marxismo, apartada de suas teses necessitaristas. (shrink)

Félix Guattari, a French philosopher and psychotherapist often recognized for his collaboration with Gilles Deleuze, also published important work of his own. The way he conceptualizes subjectivity and schizoanalysis (later developed into institutional analysis) can incite us to interpret our social contexts differently and to help frame an emancipatory path in nursing. At La Borde, a psychiatric clinic, subjectivity was seen as the real power that lies within the institutions; invisible and flowing through all levels of the hierarchal structure—like waves—each (...) of them unique but still part of the same ocean. Even with its elusive character, this concept can be wielded through psychotherapeutic techniques of analysis which aim to reduce hierarchies, encourage collaborations, decentralize levers of power and promote initiatives that arise from the base. These concepts deserve further exploration when it comes to modern institutional issues like the ones present in Quebec's (Canada) healthcare system. Therefore, this article borrows theorizations elaborated through psychotherapy and applies them to the hospital institution which is seen as an organized, stable structure (the molar line), while paying attention to fluid, changing processes and the multiplicity of desires for transformation (the molecular line), to promote nursing movements that escape and abolish these structures, creating new possibilities and new forms of thinking (the line of flight). (shrink)

The cheerleader effect describes the phenomenon whereby faces are perceived as being more attractive when flanked by other faces than when they are perceived in isolation. At least four theories predict the cheerleader effect. Two visual memory processes could cause a cheerleader effect. First, visual information will sometimes be averaged in the visual memory: the averaging of faces could increase the perceived attractiveness of all the faces flanked by other faces. Second, information will often be combined into a higher-order concept. (...) This hierarchical encoding suggests that information processing causes faces to appear more attractive when flanked by highly attractive faces. Two further explanations posit that comparison processes cause the cheerleader effect. While contrast effects predict that a difference between the target face and the flanking faces causes the cheerleader effect due to comparison processes, a change in the evaluation mode, which alters the standard of comparison between joint and separate evaluation of faces, could be sufficient for producing a cheerleader effect. This leads to the prediction that even when there is no contrast between the attractiveness of the target face and the flanking faces, a cheerleader effect could occur. The results of one experiment support this prediction. The findings of this study have practical implications, such as for individuals who post selfies on social media. An individual’s face will appear more attractive in a selfie taken with people of low attractiveness than in a selfie without other people, even when all the faces have equally low levels of attractiveness. (shrink)

Based on a psychobiographical approach, this study addresses magical thinking across the life span of Paulo Coelho. Paulo Coelho, who was born in Brazil in the 1940s, has become one of the most sold and famous contemporary authors in the world. In his life, as well as in his books, which are mainly autobiographical accounts, magic and magical thinking, spirituality, meaningfulness, and the living of one’s dream, are key themes. The aim of this study was to explore magic and magical (...) thinking in Paulo Coelho’s life and creative works. The study uses a psychobiographical single case study approach within the methodological frame of Husserl’s phenomenology. The author, Paulo Coelho, was chosen as the subject of research. Documents providing both first person and third person perspectives were subjected to content analysis. The findings show that magical thinking played an important role in Coelho’s creative works and in his life, in the form, for example, of ascriptions of magic to key situations in his life, the performance of daily rituals, mystic interpretations of life events, and his deep religious faith. Magical thinking is usually regarded as indicative of pathological and inappropriate cognitive and psychological behaviour, especially when found in adults in a westernised culture. However, the analysis of Coelho’s life and works shows that magical thinking can be utilised creatively and be integrated into one’s life to enable personal development and growth while simultaneously providing fertile ground for creative production. In Paulo Coelho’s case, the intertwining of religion and magical thinking provided deep meaning that guided his personal development. (shrink)

The aim of this paper is to set out some features of Kant’s conception of transcendental philosophy. I would like to argue that this philosophy, although it is situated at a higher level of discourse than common knowledge, does not essentially transcend the limits that it sets to this knowledge. In order to achieve this, I stress the fact that Kant regards experience as a mere “possibility.” Now, the Critique of Pure Reason explains that the human understanding cannot conceive of (...) an absolute possibility, but only a relative one, namely a possibility that is tied to conditions. And possible experience as a whole is no exception here. Hence the expression “conditions of the possibility of experience” which designates the topic of the Transcendental Analytic. This also means that experience is “contingent”. It is not in itself necessary; rather, it is dependent upon certain conditions. But then we learn that the most important transcendental conditions for this experience, i.e., the dynamic principles, are themselves “contingent”. Consequently, these transcendental conditions are not unconditioned; they in turn depend on empirical conditions, over which they have no control. (shrink)

Schelling fait remarquer que la théorie kantienne du mal radical repose fondamentalement sur un acte de liberté, ce qui n’est pas le cas chez Fichte. Dans cet article, nous voulons examiner le bien-fondé de la thèse de Schelling selon laquelle les conceptions kantienne et fichtéenne du mal moral présentent d’importantes divergences. Pour I’essentiel, en effet, la position de Fichte s’éloigne de celle de Kanten ce qu’elle réhabilite une certaine forme d’humanisme en réduisant le mal à l’inertie de l’être raisonnable fini (...) et à l’ignorance dans laquelle il a tendance à se maintenir. Contrairement à Kant donc, jamais Fichte ne pourra admettre que la pleine conscience de la loi morale laisse encore. ouverte la possibilité de choisir délibérément le mal.Shelling contends that Kant’s theory of radical evil, unlike Fichte’s, is fundamentally based on liberty. In this article, we wish to examine the relevance of Schelling’s thesis according to which the Kantian and Fichtean conceptions of moral evil bear important differences. Essentially, in deed, Fichte’s position differs from that of Kant in that it restores a certain form of humanism by reducing evil to the inertia of a finite rational being and to the ignorance in which it tends to persist. Thus, unlike Kant, Fichte could never admit that full consciousness of the moral law allows the possibility to choose evil deliberately. (shrink)

Name der Zeitschrift: Kant-Studien Jahrgang: 106 Heft: 3 Seiten: 371-397.

Fichte caractérise la seconde partie de sa Doctrine de la science de 1804 à l’aide du terme «phénoménologie», auquel il assigne une double signification: théorie de l’apparence et théorie du phénomène. Si le premier volet de sa définition rappelle la conception de Lambert, inventeur de la phénoménologie comme discipline philosophique, le second volet correspond à l’idée que se fait Kant de la phénoménologie, notamment dans les Premiers principes métaphysiques de la science de la nature. La question qui se pose est (...) alors la suivante: est-il possible d’intégrer dans une même discipline l’apparence et le phénomène? Si Fichte parvient à réunir ces deux volets dans sa phénoménologie, c’est peut-être parce qu’en cela il suit le chemin frayé par Reinhold dans ses Beyträge de 1802-1803. (shrink)

The aim of this paper is to demonstrate that aesthetics had its place in Fichte’s early system of the WL, and that due to contingent circumstances he did not have the chance to expound it. But we can reconstruct the main lines of what his aesthetics would have looked like if we pay attention to the article sent to Schiller in 1795 on the “spirit” and the “letter” in philosophy, completing it with the courses he gave in the preceding months (...) on that topic and with other sources. We discover not only that aesthetics is an important part of the philosophical system but that art stands close the act of philosophising itself. In fact, both the philosopher and the artist draw from the same original source: “spirit” as defined in Kant’s third Critique. For the philosopher as well as for the artist the central faculty is then “imagination”, an imagination that relies on “feeling”. In the end Fichte sketches an aesthetics based on the creative genius of the artist, leaving little room for the faculty of judgment and for taste, that is: the receptive attitude toward beauty, that play a prominent role in Kant’s aesthetics. (shrink)