Better known as a poet and dramatist, Johann Wolfgang von Goethe was also a learned philosopher and natural scientist. Astrida Orle Tantillo offers the first comprehensive analysis of his natural philosophy, which she contends is rooted in creativity. Tantillo analyzes Goethe’s main scientific texts, including his work on physics, botany, comparative anatomy, and metereology. She critically examines his attempts to challenge the basic tenets of Newtonian and Cartesian science and to found a new natural philosophy. In individual chapters devoted (...) to different key principles, she reveals how this natural philosophy—which questions rationalism, the quantitative approach to scientific inquiry, strict gender categories, and the possibility of scientific objectivity—illuminates Goethe’s standing as both a precursor and critic of modernity. Tantillo does not presuppose prior knowledge of Goethe or science, and carefully avoids an overreliance on specialized jargon. This makes _The Will to Create_ accessible to a wide audience, including philosophers, historians of science, and literary theorists, as well as general readers. (shrink)

Among the political changes brought about by the First World War was the formation of new countries, including Latvia. This in turn resulted in a strong need for the first national legislative acts and thus a substantial amount of effort to develop Latvian legal terminology which dates back to the beginning of the 19th century. The purpose of the paper is to study the development of Latvian terminology of marriage in the 20th century through analysis of the relevant body of (...) laws. The paper focuses on marriage-related terms extracted from the major legislative acts governing the institution of marriage in the 20th century. The present study adopts the qualitative research approach which constitutes data collection and data analysis. For the purposes of a comprehensive and efficient analysis of the extracted legal terms, marriage terms are divided into the following five thematic groups: 1) engagement; 2) entering into marriage; 3) nullity of marriage; 4) dissolution of marriage ; and 5) consequences of dissolution or nullity of marriage. The paper suggests that the core of the Latvian terminology of marriage has remained stable, as entering into marriage is a solid procedure where two interested parties give notice to a public or religious institution in order to officially register their relationship. Similarly, both parties often feel the need to terminate this relationship just as officially. This stability of fundamental processes contributes to terminological continuity. (shrink)

Water is the element that, more than any other, ties human beings in to the world around them - from the oceans that surround us to the water that makes up most of our bodies. Exploring the cultural and philosophical implications of this fact, this book develops an innovative new mode of posthuman feminist phenomenology that understands our bodies as being fundamentally part of the natural world and not separate from or privileged to it.

A consensus is building that our planet has entered the so-called age of the Anthropocene—a post-Holocene epoch defined by the significant impact of humans on geological, biotic and climatic planetary processes. On the one hand, there is good reason to exercise caution in relation to this concept of the “Age of Man.” At a time when immoderate anthropogenic impact poses a serious threat to ecological integrity and balance, calling an epoch after ourselves does not necessarily demonstrate the humility we may (...) need to espouse. Moreover, discourses of the Anthropocene risk overwriting important differences among human.. (shrink)

Responding to Rosi Braidotti's call for more ‘conceptual creativity’ in thinking through contemporary feminist subjectivity, this paper proposes the figuration of the body of water. It begins with a critical materialist enhancement of Adrienne Rich's concept of a politics of location, followed by a schematised description of the various ‘hydro-logics’ in which our bodies partake. The ways in which these logics already inform diverse modes of feminist scholarship are then explored. The objective of this paper is to locate, at the (...) confluence of these discourses and descriptions, an invigorated figuration of the feminist subject as body of water. This subject is posthumanist and material, both real and aspirational. Most importantly, she is responsively attuned to other watery bodies—both human and more-than-human—within global flows of political, social, cultural, economic and colonial planetary power. (shrink)

In the dominant “climate change” imaginary, this phenomenon is distant and abstracted from our experiences of weather and the environment in the privileged West. Moreover, climate change discourse is saturated mostly in either neoliberal progress narratives of controlling the future or sustainability narratives of saving the past. Both largely obfuscate our implication therein. This paper proposes a different climate change imaginary. We draw on feminist new materialist theories—in particular those of Stacy Alaimo, Claire Colebrook, and Karen Barad—to describe our relationship (...) to climate change as one of “weathering.” We propose the temporal frame of “thick time”—a transcorporeal stretching between present, future, and past—in order to reimagine our bodies as archives of climate and as making future climates possible. In doing so, we can rethink the temporal narratives of climate change discourse and develop a feminist ethos of responsivity toward climatic phenomena. This project reminds us that we are not masters of the climate, nor are we just spatially “in” it. As weather-bodies, we are thick with climatic intra-actions; we are makers of climate-time. Together we are weathering the world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Speculative ReproductionBiotechnologies and Ecologies in Thick TimeAstrida NeimanisEveryone loves me, Frida and the Abortion that fetus So Much Larger Than Life. Everyone loves that one. irrigation channelsthese waters as thick as blood (There is another painting I did, I called it “Roots.”) You the golden beets the potato bugs We are eating our young. Signed,—Frida Kahlo, Posthuman Gardener1 [End Page 108]IntroductionBirth has never been a “natural” matter. In the (...) context of proliferating new reproductive biotechnologies, we might be tempted to reconstitute a past when ushering new lives into this world only ever happened “naturally.” Yet reproduction has always been more than a simple question of fertilization, gestation, and delivery, whereby bodies might enact some natural biological destiny.2 Every reproduction is what we might call, after Donna Haraway, a “naturalcultural” one: that is, an inextricable entanglement of “natural” forces, matters, and processes, with “cultural” systems, values, and institutions (Haraway 2004, 2, 212–18) that together constitute a birthing ecology. Every human reproduction is thus not only a birthing of a human body, but also an event within certain conditions of possibility—a reaffirmation of, challenge to, and/or intervening otherwise in the structures, institutions, cultures, and ecologies of human and more-than-human bodies and technologies. On this view, a failure to birth, a decision not to birth, or a direction of one’s reproductive body or matter toward other kinds of births (not necessarily of one’s “own” child) are also “reproductions” within birthing ecologies. This is not at all to say that the reproductions we facilitate are always deliberate political choices or purposeful acts of compliance/subversion, even if in some cases they might be. Rather, it is to underline that all births are a co-configuration of naturalcultural bodies in context. What is birthed is also the affirmation of certain kinds of births, certain kinds of life, and certain value systems according to which life and reproduction are understood. Within this frame, we might also understand birth as the creation or reproduction of certain social and cultural imaginaries within which our values are oriented. Concomitant with such naturalcultural reproductions, then, might also be a speculation about what other sorts of births and birthing ecologies are possible—ones that might engender values and relations in which the technologies and naturecultures of reproduction can be imagined anew.In this paper, I contrast two very different versions of a reproductive imaginary—both birthed through the matter of our reproductive tissues, and both worth our consideration in the present moment. The first is the birthing of a neoliberal, individualistic reproductive imaginary of commodification and amnesiac bioscientific progress. Using terminology unpacked in more detail below, we might call this an autologous imaginary, where reproduction is disentangled from any obligation to other bodies in a polity of mutual care and concern. This imaginary promotes an erasure of the thick past of bodies and labors that produce reproductive tissues, and is focused primarily on preservation of the self and direct kin. This is what we find in dominant contemporary biobanking trends that divert human reproductive matter (here, [End Page 109] embryos, amniotic fluid, and umbilical cord blood) in the service of speculative “biological venture capital[ism]” (Waldby and Mitchell 2006, 123).In contrast, I consider a different kind of contemporary birthing imaginary, wherein one invests one’s reproductive matter in the service of both human and more-than-human reproductive ecologies. Drawing on two different artworks, I suggest that these creative interventions offer alternative “speculative reproductions.” Like contemporary biobanking regimes, these artworks speculate on what new kinds of bodies the reinvestment of reproductive matter (in this case, amniotic fluid and menstrual blood) might engender. Unlike the neoliberal regimes, however, these artworks confirm rather than repudiate a feminist ethics of corporeal generosity, and in fact, extend this ethics even further, through an imaginary of what I call posthuman gardening. Here, the literal resowing and reseeding of one’s reproductive matter establishes an extended, more-than-human birthing ecology that includes not only human bodies, but ecological bodies of various kinds. In this productive troubling of our commonplace Western and humanist understandings of the spacetimes of birth, we... (shrink)

Werner Herzog’s documentary film Grizzly Man about the life and death of Timothy Treadwell invites us to consider the relation between Deleuze and Guattari’s concept of becoming-animal and phenomenological accounts of lived embodiment. In this paper I begin with a general account of becoming-animal and suggest that this concept is helpfully elucidated by considering the ways in which some aspects of Deleuze and Guattari’s practice can be understood as a rhizomatic phenomenology of our lived experience that in part extends the (...) work of Merleau-Ponty. What emerges between the two philosophies is the possibility of bodily "molecularity" as a mode of lived embodiment. I argue that this molecularity is what enables the potential interpermeation of bodies across their differences, such as occurs in the event of becoming-animal. Alphonso Lingis’s descriptions of our becoming-animal as lived experience serve here as an evocative source for clarifying this proposition further. I conclude by returning to Herzog’s film to consider the risks and consequences of becoming-animal--not only for the human who becomes, but also for the animal who, as Deleuze and Guattari note, is no less transformed. (shrink)

In this paper, I sketch out the way our bodies are engaged while commuting in order to elucidate several key aspects of the bodily experience of “in-between-ness.” I discover that within the rhythm and movement of the in-between, our bodies can open to a specific kind of conceptual creativity—an insight that I unfold in reference to the unanticipated innovation and transformation that accompanies other bodily experiences of in-between-ness more generally. This sketch, however, also demands that I reflect on phenomenological methodology, (...) and our ontological presuppositions about the “things” that we intend to “go back to.” I conclude by suggesting that while Deleuze and Guattari’s rhizomatic ontology helps us explain the findings of my phenomenological sketch of commuting, Merleau-Ponty’s embodied phenomenology can help to flesh out (quite literally) Deleuze and Guattari’s suggestion that all the work happens in “the logic of the AND” ( A Thousand Plateaus 25). While the method I call on in this paper is decidedly phenomenological, the conclusions I reach invite me to explore further the promise of a more “rhizomatic phenomenological” practice. (shrink)

In this paper, I sketch out the way our bodies are engaged while commuting in order to elucidate several key aspects of the bodily experience of “in-between-ness.” I discover that within the rhythm and movement of the in-between, our bodies can open to a specific kind of conceptual creativity—an insight that I unfold in reference to the unanticipated innovation and transformation that accompanies other bodily experiences of in-between-ness more generally. This sketch, however, also demands that I reflect on phenomenological methodology, (...) and our ontological presuppositions about the “things” that we intend to “go back to.” I conclude by suggesting that while Deleuze and Guattari’s rhizomatic ontology helps us explain the findings of my phenomenological sketch of commuting, Merleau-Ponty’s embodied phenomenology can help to flesh out Deleuze and Guattari’s suggestion that all the work happens in “the logic of the AND”. While the method I call on in this paper is decidedly phenomenological, the conclusions I reach invite me to explore further the promise of a more “rhizomatic phenomenological” practice. (shrink)

In this paper, we consider climate change as a systemic respiratory crisis, and explore how breath can function as a mode of witnessing climate catastrophe. We build on feminist environmental humanities methodologies of embodied attunement to advance a more-than-human witnessing of climate change. We suggest that a feminist “conspiratorial” witnessing of breath(lessness) can afford an embodied, situated, empathetic and systemic mode of witnessing. In this approach, the witness (e.g., “the human”) is part of what is witnessed (the climate crisis). As (...) such, breathing climate catastrophe can reveal the intimate, visceral and personal violences of global climate change, and develop empathetic approaches to climate injustice. Nevertheless, as breath’s social and multispecies differentiation reveals, no-one can witness the entirety of climate catastrophe with their own bodies. We thus advocate for collective, more-than-individual modes of knowing, such as science, art and critical analysis, to augment our own sensorial experiences of witness. (shrink)

Bridging feminist new materialism and feminist phenomenology, Astrida Neimanis’s volume, Bodies of Water, discusses water in terms of nurturing maternality based on a figural reservoir of what she terms “amniotics” and “planetary breastmilk” in order to posit this maternality as the material condition of the embodiment of life. In this article I show that this imagery is a construction consistently haunted by figures of anxiety and loss. I do this by first revisiting earlier interventions in deconstruction concerning materiality and (...) feminist theory as follows. First, pointing out a resonance between this figuration of wateriness and Kant’s notion of the dynamic sublime, I turn to Paul de Man’s reading of materiality in the Kantian sublime in order to suggest that Neimanis’s figuration of maternal water is an effect of an aesthetic ideology. Subsequently, I will revisit Diana Fuss’s reading of Irigaray – Neimanis’s main feminist resource – to show that the ontological status of water as maternal is constructed via an Irigarayan distinction between metaphor and metonymy. Finally, in order to show ways in which the maternal materiality of water is haunted by figures of anxiety and loss, I will consult Elissa Marder’s more recent work on the maternal function. (shrink)

This article explores the ‘lack of meaning’ in contemporary society as a consequence of Western dualist thought paradigms and ontologies, via Gilles Deleuze’s concept of ‘reactive nihilism’ following the colloquial murder of God. The article then explores processual and new materialist approaches in the understanding of the lived and carnal self, arguing for immanent and senseful materiality as an ethical platform for religious, environmental, and societal solidarity for tomorrow. For the theoretical justification of the processual approach in understanding the enfleshed (...) self, the article employs John Dupré’s processual approach in the philosophy of biology, as well as Astrida Neimani’s critical posthumanism, and contextualizes these considerations with Erich Fromm’s ethical distinction of being and having. (shrink)

Much of the history of Western ethical thought has revolved around debates about what constitutes a good life, and claims that a good life is achievable only by certain human beings. In Feminist Philosophies of Life, feminist, new materialist, posthumanist, and ecofeminist philosophers challenge this tendency, approaching the question of life from alternative perspectives. Signalling the importance of distinctively feminist reflections on matters of shared concern, Feminist Philosophies of Life not only exposes the propensity of discourses to normalize and exclude (...) differently abled, racialized, feminized, and gender nonconforming people, it also asks questions about how life is constituted and understood without limiting itself to the human. A collection of articles that focuses on life as an organizing principle for ontology, ethics, and politics, chapters of this study respond to feminist thinkers such as Gloria Anzaldúa, Judith Butler, Adriana Cavarero, Simone de Beauvoir, Luce Irigaray, and Søren Kierkegaard. Divided into three parts, the book debates the question of life in and against the emerging school of new feminist materialism, provides feminist phenomenological and existentialist accounts of life, and focuses on lives marked by a particular precarity such as disability or incarceration, as well as life in the face of a changing climate. Calling for a broader account of lived experience, Feminist Philosophies of Life contains persuasive, original, and diverse analyses that address some of the most crucial feminist issues. Contributors include Christine Daigle, Shannon Dea, Lindsay Eales, Elizabeth Grosz, Lisa Guenther, Lynne Huffer, Ada Jaarsma, Stephanie Jenkins, Ladelle McWhorter, Jane Barter Moulaison, Astrida Neimanis, Danielle Peers, Stephen Seely, Hasana Sharp, Chloë Taylor, Florentien Verhage, Rachel Loewen Walker, and Cynthia Willett. (shrink)

The paper addresses some rhetorical uses of the figure of water management from the perspective of an affirmative approach to contamination which Derrida saw as constitutive of affirmation itself. Contaminated water and its discontents discussed in the text frequently appears in various kinds of writings as a frightening figure of contamination which simultaneously brings in the figure of water management as a way of controlling the purity of cultural exchanges and transmissions in which, as Caroline Petronius puts it, contagion journeys (...) out of medicine into culture. The paper also addresses water and its management from the perspective of Astrida Neimanis’s liquidizing of the border between the solid and the fluid as a border between the human and the inhuman. This perspective opens up the sphere of mutual contamination of the human and the inhuman and translates posthumanist theoretical positions into spheres of affirmative exchanges managed not by masters, but by Donna Haraway’s companion species whom, or which, we all are. (shrink)

Throughout the last decade, calls for a return to materiality have reverberated within the humanities and social sciences. Few, however, have noticed that this return has also entailed a return to fiction, as the new theoretical writings on matter regularly include elements of storytelling, fabulation or other genres of invention. This article asks why this alliance between new materialism and fiction has come about: Why do scholars united by a common interest in ‘getting real’ consistently utilize a type of discourse (...) defined precisely by not committing itself to reality? Examining works by Jane Bennett, Dominic Pettman, Stacy Alaimo, Astrida Neimanis, Donna Haraway, and Rebekah Sheldon, the article explores this question by tracing three modes of fictionality in new materialism distinguished by inventing non/human entanglements, scientific knowledge, and future societies respectively. Ultimately, the article argues that fictionality is a particularly attractive tool for attempts to transcend anthropocentric regimes of truth. (shrink)

A review of Elspeth Probyn. 2016, 'Eating the Ocean'. Durham: Duke University Press and Astrida Neimanis. 2017, 'Bodies of Water: Posthuman Feminist Phenomenology'. London: Bloomsbury.