In Israel, whistleblowing in the nursing profession has been largely ignored. This topic is neither part of the professional—ethical discourse nor a subject for research. Focusing on the divide between internal and external whistleblowing, this article presents a study that explores nurses’ willingness to disclose an act that could jeopardize the rights or safety of patients. Internal disclosure entails reporting wrongdoing to an authority within the organization. External disclosure involves reporting the offense to an outside agency, such as a professional (...) organization or the press. The study’s findings indicate that the nurse respondents viewed both the harmful misconduct of a colleague and that of a manager as being very serious. In such dilemmas the nurses reported a desire to correct the wrongdoing and a concomitant willingness to act. They were, however, much more likely to whistleblow internally rather than externally. This study revealed a pattern of nurses’ progressive retraction as the circle of disclosure widened. (shrink)

Machine generated contents note: 1 The Problem of Subjectivism -- 2 The Self: Dispersion and Constancy -- 3 Decentering the Subject: Works of Art as Heroes -- 4 Practice, Language, and Poetry -- 5 Language: The Transcendental Path -- 6 Language as a Web -- 7 The Human Being as Speaker and Mortal -- 8 Being Human in the Age of Technology.

In this paper I argue that although Heidegger’s Being and Time and ‘The Origin of the Work of Art,’ seem to deal with different topics, there is continuity between these two texts. In the latter Heidegger was trying to solve a central problem that arose in the former: how to account for authentic existence and at the same time overcome the anthropocentrism of traditional philosophy.In Being and Time Heidegger tries to overcome traditional philosophy, by redefining human existence in non‐Cartesian terms. (...) Yet, his treatment of the problem of the Self preserves one of the main tenets of that tradition: its anthropocentrism. This anthropocentrism is implicit in Dasein and further reinforced by the notion of the hero as the paradigm and channel of authentic existence.In ‘The Origin of the Work of Art,’ Heidegger solves that problem. Placing man at the periphery and the work of art at the centre of his endeavours, gives works of art a special status similar only to that of heroes. Works of art open up new horizons for generations to come by drawing in advance the paths for authentic behaviour.This shift is more than merely methodological. Heidegger overcomes not only the anthropocentrism of his previous analysis but also the instrumentality that derived from that anthropocentrism, thus revealing the essence of things. (shrink)

Heidegger is one of the few Western thinkers to have succeeded in going beyond the Western philosophic tradition. Because his radical criticism is believed to have fractured the foundations of modern philosophy, his thinking is usually at the center of the controversy between the defenders of the tradition and those who wish to break with it and start afresh. In the heat of this debate, the question of Heidegger's place in relation to that tradition in general and to Cartesianism in (...) particular has been neglected. I wish to address the question by focusing on the major aspects of Heidegger's critique of Cartesian philosophy and the modern tradition. I will first show that the strength of his criticism lies in its all-encompassing penetration of the foundations of modern philosophy, running through both the ontological and epistemological channels. Ontologically, Heidegger presents a critique of subjectivism; epistemologically, he discredits the correspondence conception of truth and its underlying visual metaphor. I will then look at his view of history and the meaning of his concept of "overcoming" in order to show that his aim is not to destroy the tradition, but to provide a wider basis for it by rescuing forgotten elements imbedded in the tradition itself. Finally, I will show that in this process of "overcoming," Heidegger did not really depart from the tradition, but absorbed some of its basic tenets, as his concept of death echoes major elements of Cartesian doubt. (shrink)

In this paper I argue that although Heidegger’s Being and Time and ‘The Origin of the Work of Art,’ seem to deal with different topics, there is continuity between these two texts. In the latter Heidegger was trying to solve a central problem that arose in the former: how to account for authentic existence and at the same time overcome the anthropocentrism of traditional philosophy.In Being and Time Heidegger tries to overcome traditional philosophy, by redefining human existence in non‐Cartesian terms. (...) Yet, his treatment of the problem of the Self preserves one of the main tenets of that tradition: its anthropocentrism. This anthropocentrism is implicit in Dasein and further reinforced by the notion of the hero as the paradigm and channel of authentic existence.In ‘The Origin of the Work of Art,’ Heidegger solves that problem. Placing man at the periphery and the work of art at the centre of his endeavours, gives works of art a special status similar only to that of heroes. Works of art open up new horizons for generations to come by drawing in advance the paths for authentic behaviour.This shift is more than merely methodological. Heidegger overcomes not only the anthropocentrism of his previous analysis but also the instrumentality that derived from that anthropocentrism, thus revealing the essence of things. (shrink)

A collection of essays in French or English on the reception of Cartesian philosphy.