The publication of the following four articles is the result of a Colloquium on Violence and Religion session at the American Academy of Religion annual meeting in Baltimore, Maryland, on November, 24, 2013.It is unbelievable, but on February 27, 2014, Raymund Schwager, SJ, the Innsbruck dogmatics professor and first president of the COV&R, will have been dead already for ten years. Sometime after his sudden death in 2004, his office had to be cleared out, and when this sad work was (...) begun, it soon became clear that there was a treasure to be retrieved: letters, typescripts, drafts for a book, and several articles, along with other academic material. Józef Niewiadomski, who was Schwager’s successor as .. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:"CONCUPISCIENCE" AND "MIMETIC DESIRE": A DIALOGUE BETWEEN K. RAHNER AND R. GIRARD Nikolaus Wandinger Innsbruck University Since Augustine "concupiscence" has been the theological technical expression for the consequences that remain in all human persons subject to original sin. These consequences were often described as involuntary and uncontrollable desires or passions, especially in the realm ofsexuality. In the 1940s Karl Rahner revised that concept, freeing it from its narrow (...) sexual connotations and opening it up, so that concupiscence can be construed as a force in all intentional human action. In 1954 Rahner expanded the scope ofthis revision still further, situating concupiscence in the theological framework of grace. While the mimetic theory does not use the concept of"concupiscence," "mimetic desire" is the core ofthat theory. The mimetic nature of desire accounts for involuntary and uncontrollable passions, in sexuality or otherwise. René Girard's mimetic theory goes a step further than Rahner in that it explains how this power of passion can arise. However, it does not link its results with the traditional Christian language of grace. Is there a place for grace in mimetic theory? A comparative look at Rahner's development ofconcupiscence in a framework ofgrace and Girard's theory of human desire promises richer insights into the phenomenon of involuntary and uncontrollable human desires and passionsthan each ofthe two on its own. My paper attempts to develop and explicate these insights. On the way there, differences and similarities between a more philosophical-minded theology and mimetic theory will be examined and related to each other. Nikolaus Wandinger147 1.Introduction I will try to give you a briefoutline ofRahner's theological analysis of concupiscence, already interspersed with comments from mimetic theory, as to how much the two agree or disagree. In a second step I will present to you Rahner's special emphasis on the meaning of concupiscence within a world that has already been redeemed and ask, whetherthis can be accepted by mimetic theory. It might seem strange to attempt such a dialogue with Rahner, since he is certainly one ofthe most "philosophical" theologians there are—while Girard distances himself quite clearly from philosophical thinking.5 Yet, many theologians stand in that philosophical tradition, and one obstacle for a wider acceptance of mimetic theory in theology might be its aversion against philosophical thinking. So, ifwe could contribute something to the diminishing ofthat divide on the way, it would be no small feat. 2.Rahner's "concupiscence" Commented by Girard's mimetic theory In 1941 Rahner forthe firsttime pubiished his article on the theological concept of concupiscence, which he later revised and enlarged with a chapter on grace.6 In it Rahner starts out by giving three definitions ofhow the word concupiscence is used in philosophical ortheological literature of the time. Interestingly Rahner translates the Latin concupiscentia into the German Begehren, which is desire, when he explains the meaning ofthe term. The definitions are: 1) Desire in the broadest sense is any consciousness-related reactive behavior toward any value or good, as opposed to receptive acknowledgement.7 It is characteristic for this broad concept ofconcupiscence that it pertains to voluntary as well as to involuntary acts of human reaction towards value.8 5 See Girard, 2002, 15 or Girard 1999, 16 Not contained in the English version whose foreword is much shorter. 6 Rahner 1941, 61-80. Revised version in Rahner 1954, 377-414 English version. Rahner 1961, 347-382 1 will refer here to the version contained in Rahner 1954 and moreover use my own paraphrase ofthat version in which I will bring Rahner's thoughts already into a more easily understandable English. I claim to do so without distorting Rahner's original meaning (German original given in the references). 7 Rahner 1954, 388: "Begehren im weitesten Smn istjede bewusste reaktive Stellungnahme zum Wert und Gut. im Gegensatz zu hinnehmender Kenntnisnahme " 8 Rahner 1 954, 389- "Das Charakteristische dieses weitesten Begriffes der Konkupiszenz ist dies, dass er sowohl die freien wie die unwillkürlichen Akte menschlicher Wertreaktion 148A Dialogue Between K. Rahner and R. Girard Now, here Rahner is really philosophical. What he says is that we can distinguish two types ofhuman reactive behavior towards any object in the... (shrink)

Raymund Schwager SJ suggested a dramatic way of looking at the Christ event, as recorded in the New Testament, in order to clarify the meaning of it and provide a coherent picture. Bernard Lonergan SJ developed a theological methodology for our day. In this article, the author tries to determine how Schwager's approach relates to Lonergan's methodology. He wants to investigate the question: what functional specialty is Schwager engaged in in his main work? The answer shall be that this is (...) foundations. The author of the article proceeds by (1) introducing the most important elements of Schwager's dramatic understanding of the Christ event and (2) of Lonergan's methodology, and then by linking them with one another; (3) he will try to show how Schwager's subdivision of the Christ event into five acts brings out the contours of Jesus' struggle with his opponents as an instance of dialectic in Lonergan's sense; (4) that the Easter experience will be construed as a new, foundational, act that objectifies conversion to human authenticity; and that (5) by discerning all this in the Christ event dramatic theology defines soteriology as the horizon within which Christian doctrines and systematics have to stand and elucidates the way soteriology should be construed; that way dramatic theology determines itself as a foundational enterprise. For the author of the article, this constitutes an exemplary case of the genesis of special theological categories. /// Segundo o artigo, Raymund Schwager SJ propôs um modo dramático de encarar o acontecimento crístico, tal como o mesmo nos é relatado nos textos do Novo Testamento, em ordem a clarificar o seu sentido e a oferecer-nos uma imagem coerente do mesmo. Por seu lado, Bernard Lonergan SJ desenvolveu uma metodologia teológica adequada às exigências do nosso tempo. Assim, o autor do artigo propõe-se determinar de que modo a abordagem de Schwager está relacionada com a metodologia de Lonergan. O seu objectivo é investigar a seguinte questão: qual é a especialidade funcional com que Schwager se compromete na sua principal obra? A resposta será que se trata das fundações. Com isso, o artigo desenvolve-se da seguinte maneira: (1) introdução dos elementos mais importantes na compreensão dramática de Schwager acerca do acontecimento crístico; (2) introdução dos elementos mais importantes da metodologia lonerganiana, para depois os relacionar um ao outro; (3) mostrar de que modo a subdivisão de Schwager do acontecimento crístico em cinco actos é capaz de trazer ao de cima os contornos da luta de Jesus com os seus opositores como uma instância dialéctica no sentido de Lonergan; (4) mostrar de que modo a experiência pascal pode ser construída como um novo, e fundacional, acto que objectiva a conversão à autenticidade humana; (5) mostrar até que ponto mediante o discernimento de tudo isto no acontecimento crístico, a teologia dramática define a soteriologia como o horizonte dentro do qual as doutrinas cristãs e a sistemática teológica têm de se afirmar e elucida o modo como a sotereologia tem de ser construída. Deste modo, a teologia dramática determina-se a si mesma como um empreendimento fundacional. Para o autor do artigo, trata-se aqui de um caso exemplar no que respeita à génese de categorias teológicas especiais. (shrink)

René Girard’s mimetic theory sees mimesis as the most central determinant of human behavior. According to him it also generated so much violence that it threatened the very existence of humanity. Yet, the same force also found a means to minimize and contain violence—through religion. Girard distinguishes between archaic and Biblical religion and finds criteria for this distinction and the anthropology and theology of a religion. This article tries to give an overview of Girard’s theory with special consideration to the (...) role of religion. (shrink)

René Girard and his mimetic theory have undergone an interesting development with respect to the category of sacrifice. While the early Girard saw sacrifice as a development within the scapegoat mechanism, he later came to distinguish two types of sacrifice: one being part of scapegoating and belonging to pre-Biblical religion; the other being the sacrifice of self-offering and conforming to the act of Jesus of Nazareth. That way Girard could uphold his earlier analyses about pre-Christian sacrifice and still accept the (...) Christian teaching that Jesus' death was indeed a sacrifice, yet of a different kind. As it happens, the popular Harry Potter series of novels, which was concluded in July 2007 with the publication of the seventh volume, is suffused with the language of sacrifice, beginning with Harry's mother giving her life for her son and ending with Harry "self-sacrificing" in order to end the reign of the evil Lord Voldemort. The question is, what type of sacrifice do the popular novels espouse? Are they pre-Christian, Christian, or a syncretism of any kind? Presupposing Girard's developed idea of sacrifice, I will argue that J. K. Rowling's novels do propagate a Christian conception of sacrifice, while depicting perversions of it as well. I will look at the novels from a theological perspective. By illustrating conceptions of sacrifice with pivotal scenes from the novels, I will argue that these novels indeed espouse a late-Girardian—or, if you will, Christian—view of sacrifice. (shrink)

Исследование посвящено философскому осознанию природы духовности человека. Автор рассматривает духовность внутреннего мира человека как единство высших чувств души и нравственного сознания. Для специалистов в области философии, методологии науки.