The role and status of the Egyptians in the army of Hellenistic Egypt (323–30b.c.) has been a debated question that goes back to the position within Late Period Egyptian society (664–332b.c.) of the Egyptian warriors described by Herodotus asmachimoi. Until a few decades ago, Ptolemaic military institutions were perceived as truly Greco-Macedonian and the presence of Egyptians in the army during the first century of Ptolemaic rule was contested. The Egyptians were thought of as being unfit to be good soldiers. (...) Egyptians would have been hired only as late as 217b.c.to fight against the Seleucid king Antiochus III in Raphia. The Ptolemaic victory (in fact rather a status quo) was made possible thanks to the addition of twenty thousand Egyptians to reinforce the Greek army. For a long time the subsequent role of Egyptians in the Ptolemaic army in the second and first centuriesb.c.did not attract much attention. One usually assumed that they were ‘second-rate soldiers’ calledmachimoi. In recent decades, the scholarship on Ptolemaic Egypt, notably Demotic studies, reasserted the role of Egyptians in the Ptolemaic army from the late fourth century onwards. (shrink)

The intelligibility of a performance of improvised dance does not reside in the rehearsed execution of a pre-existing script, nor does it result from a sustained verbal interaction between the dancers. Many aspects of the speechless performance obviously play an important role in the achieved intelligibility of the dance: a dancer is seen moving on and from a ground, on a stage, in a space delimited by walls, illuminated by spotlights, sounded by music, in front of an audience. And of (...) course with other dancers, whose joint gestures and moves give shape to a choreography by providing pace, rhythm and sequences, thereby constituting a narrative or fragments thereof. This paper addresses the manufacture of this witnessable order, by presenting some results of an ethnographic inquiry. The investigation will be focused on how, in an improvised duet, each dancer interacts with the other, and more specifically how she or he positions her- or himself in relation to the other, from distance to proximity and touch. This work of distance management is the dance, whose choreographic accountability is produced and structured by dancers staying at a distance, getting closer and touching each other. The analysis shows that distance management is oriented to as relevant by the dancers and that it has consequences on their improvised duet. It is also what makes their performance analyzable by distant observers. (shrink)

The species concept is one of the oldest and most fundamental in biology. And yet it is almost universally conceded that no satisfactory definition of what constitutes a species has ever been proposed. The present article is devoted to an attempt to review the status of the problem from a methodological point of view. Since the species is one of the many taxonomic categories, the question of the nature of these categories in general needs to be entered into.

Au plan européen, la réflexion sur le rôle de la religion dans la société dite sécularisée ou libérale reste embryonnaire. Toutefois, les trois principes classiques de l’éthique sociale chrétienne se reflètent dans les objectifs de l’Union européenne. L’article rappelle d’abord l’histoire souvent conflictuelle des rapports Église-État en Europe. Il évoque également le débat entre Jürgen Habermas et le Cardinal Joseph Ratzinger, consacré à la pertinence d’une approche de la religion et des principes d’une éthique sociale chrétienne au sein de l’État (...) libéral et sécularisé. Il esquisse enfin quelques conséquences pour un renouveau de la théologie morale. (shrink)

Excerpt from Le Dieu de Platon: D'Apres l'Ordre Chronologique des Dialogues Le sujet que nous abordons est un des plus interessants que puisse se proposer un historien de la philosophie. Comment Platon a-t-il concu la divinite? Repondre a cette question ce serait mettre en lumiere la solution donnee par le plus grand peut-etre des philosophes a un probleme qui depasse sans doute en gravite et en profondeur tous ceux que l'homme a vu se poser devant son intelligence. Peu de recherches (...) pourraient etre plus captivantes et d'un plus haut interet pour quiconque aime a scruter et a comprendre la sagesse des temps passes. Aussi cette etude a-t-elle ete deja tres souvent entreprise, si souvent qu'on pourra nous trouver pretentieux de penser y apporter quelque chose de nouveau. Et pourtant la question n'a pas encore recu de reponse definitive; pour s'en convaincre, il suffirait de constater a quel point sont contradictoires, aujourd'hui comme autrefois, les resultats auxquels arrivent les interpretes de Platon. Il y a place pour une tentative de plus et, puisque le debat est reste ouvert, l'on ne saurait interdire a personne d'exposer son opinion motivee. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.". (shrink)