The LBS National Academy of Administration, Government of India, had invited the authors to present before 30 officers of the Indian Administrative Service their views regarding the role of ethics in public administration as part of a five-day training programme on the subject. The participants' experience ranged from 12 to 31 years. The paper seeks to bring home to administrators that for carrying out the responsibilities that the Constitution of India has entrusted to the civil services there is no option (...) but to subscribe to a sound ethical framework of reference. (shrink)

The values framework of a society is best reflected in contemporary literature. This essay is an attempt to identify the values that influenced the socio-political behaviour of the people of times of Kālidāsa. How relevant are those values now? Nature plays an important role in Kālidāsa's plays. Part I of this essay deals with this aspect of his plays. This value is certainly coterminous with the growing consciousness about protection of ecology in modern times. Part II of the essay deals (...) with another important aspect of Indian philosophy—with out sorrow, without pain, pleasure cannot be achieved. Part III of the essay discusses general social values which emerge from the plays. Part IV describes the political and administrative values that guided the actions of the kings and rulers. (shrink)

According to Yoga Philosophy though the right knowledge of any phenomena is based on direct cognition, inference or testimony but the cognizance conjured up by words without any substance is devoid of objectivity. The consciousness is an aspect of the ultimate reality or substance, which is functioning, and manifesting itself in five progressive stages at five levels. What we experience or sense as consciousness is the first to five level experiences and the phenomenal cognizance in these stages, which can be (...) described in words, is instrumental one and modification of our mind. Therefore the state of consciousness as we experience is an out come of the five mental modes, viz. valid knowledge, error, imagination, deep sleep and recollection. So cognizance conforming to a word/language is devoid of a phenomenal object. Since we may speak of the unicorn though there is no real phenomenal object as such and thus the word/words may produce cognition, even though its object is nonexistent. The real consciousness and the study of consciousness cannot be instrumental one. The Yoga Sūtra suggests that the direct and unwavering awareness is required and that pure consciousness is devoid of any thing known by way of perception, memory, imagination, reasoning and intuition. The Consciousness in Yoga Sūtra is characterized as one of the four states of consciousness namely Vitarka accompanied by reasoning, Vicāra accompanied by reflection, Ānanda accompanied by bliss and Asmitā accompanied by sense of pure being. And then, after transcending these states of consciousness the one enters into the realm of real consciousness, that is the purest and non-intentional state of the self or the Knower or the Consciousness itself. (shrink)

Summary An attempt is made in this book to expound the Buddhist theory of perception as conceived by Dinnaga and Dharmkirti, especially as presented in Pramanavarttika of the latter. The study is divided into nine chapters. The first chapter deals with the Dinaga-Dharmakirti logico-epistemological sub-system within the overall system of Buddhist philosophy. The second chapter brings out the unique contribution of Pramanavarttika as a commentary to Pramanasamuccaya of Dinnaga. The third and fourth chapters are focused on the pre-Dinnaga and non-Buddhist (...) theories of perception. The fifth chapter deals with Dharmkirti’s well- reasoned addition of the term ‘non-illusive” to the definition of perception as given by Dinnaga. The sixth chapter is devoted to the main theme freedom from conceptual construction or kalpnapodham as the definiens of the term pratyaksha. The seventh chapter is about the four kinds of perception. The eighth chapter deals with the nature of the object of perception, the criteria of valid perception along with a discussion on illusion. The ninth chapter sums up the relevance of Pramanavarttika’ s contribution to Buddhist philosophy. (shrink)

As James Chapman has famously put it in National Identity and the British Historical Film, historical films are “as much about the present in which they are made as they are about [the] past in which they are set.” This article discusses Shekhar Kapur’s aesthetically ground-breaking Elizabeth and its sequel Elizabeth: The Golden Age focusing on two main aspects, namely national identity issues and the representation of the enemy. Kapur’s Elizabeth films will first be placed within the larger context (...) of Elizabeth’s film and television appearances. Informed by Giroux’s critical methodology guidelines, in an attempt to “historize” the films under scrutiny and so foster “sane historical sense,” a se­miotic analysis will then be offered. Largely inspired by the tenets of Fairclough’s critical discourse analysis and Kress and Leeuwen’s visual grammar, this will draw a parallel between the verbal and visual discourses in both films. Data will finally be discussed and the contention will be made that England’s religious heritage has left indelible traces which remain latent in the English imagination, for which historical evi­dence will be presented. The article’s ultimate aim will be to provide evidence suggesting that, in the English case, religious and national discourses merged from the late 16th century onwards, clearly influ­en­cing not only the perception that the English had of themselves but also and crucially the image they may still have of “Other” nations. (shrink)