An important feature of so-called rational decision making, at least in times of crisis, is arational: that is, our ability to decide manifests features of our characters or the values we hold rather than our reasoning abilities.1 Such a position stands in obvious opposition to the Western philosophical tradition. Consider, by comparison, the view of Immanuel Kant, who held that reason could, and perhaps sometimes ought to, operate independently of (and in opposition to) our sentiments. Contrary to Kant, William James (...) argues in "The Sentiment of Rationality" that arational mental states and phenomena—such as feelings, emotions, values, and attitudes—are indispensable to practical rationality (317). The attempt to .. (shrink)

I reconstruct Buber’s conception of personhood and identify in his work four criteria for personhood— uniqueness, wholeness, goodness, and a drive to relation—and an account of three basic degrees of personhood, stretching, as a kind of “chain of being,” from plants and animals, through humans, to God as the absolute person. I show that Buber’s “new” conception of personhood is rooted in older Neoplatonic notions, such the goodness of all being and the principle of plenitude. While other philosophers have used (...) reason and memory to distinguish persons, I find that Buber instead takes these to be specific to humanity, and I explore Buber’s account of a “fall” from a state of nature into a historical mode, such that our humanity threatens our personhood. (shrink)

I reconstruct the aestheticism of Martin Buber in order to provide a new way of framing his moral philosophy and development as a thinker. The evolution of Buber’s thought does not entail a shift from aesthetics to ethics, but a shift from one aspect of aesthetics to another, namely, from taking genius to be key to social renewal, to taking taste to be key. I draw on Kantian aesthetics to show the connection between Buber’s aesthetic concerns and his moral concerns, (...) and to defend the notion that a certain aesthetic orientation may be just what is needed for moral response. (shrink)

Martin Buber wrote his 1904 dissertation on Nicholas of Cusa, but the relationship between the two has been little studied. This article focuses on four ways in which Buber appropriated Cusa’s ideas. (1) Cusa’s theory of participation argues for the absolute worth of the individual, foreshadowing Buber’s ethics of actualization. (2) Buber takes Cusa’s model of how one may know God as other through “learned ignorance” and applies it to how one may know and adequately respond to beings as others (...) in his distinction between “I-Thou” and “I-It” relations. (3) Buber employs Cusa’s term “coincidence of opposites” to describe what happens in dialogue. Seeing the coincidence of opposites moves subjects to adopt intersubjective perspectives and give up unhealthy relations of conflict. (4) Buber’s 1938 criticism of Cusa for maintaining that selves evolve in isolation illuminates Buber’s creation of his own dialogic philosophy. (shrink)

In this book, Sarah Mayberry Scott analyzes contemporary films to investigate how the history and values of the Deaf world provides opportunities for how the concepts of voice, silence, and listening can be expanded to include a diverse plurality of embodied experiences.

A new collection of essays highlighting the wide range of Buber's thought, career, and activism. Best known for I and Thou, which laid out his distinction between dialogic and monologic relations, Martin Buber (1878-1965) was also an anthologist, translator, and author of some seven hundred books and papers. Martin Buber: Creaturely Life and Social Form, edited by Sarah Scott, is a collection of nine essays that explore his thought and career. Martin Buber: Creaturely Life and Social Form shakes up the (...) legend of Buber by decentering the importance of the I-Thou dialogue in order to highlight Buber as a thinker preoccupied by the image of relationship as a geode to spiritual, social, and political change. The result is a different Buber than has hitherto been portrayed, one that is characterized primarily by aesthetics and politics rather than by epistemology or theology. Martin Buber: Creaturely Life and Social Form will serve as a guide to the entirety of Buber's thinking, career, and activism, placing his work in context and showing both the evolution of his thought and the extent to which he remained driven by a persistent set of concerns. (shrink)

I reconstruct Martin Buber’s conception of grace to show its importance for unifying his religious orientation and anarchist tendencies. I first lay out an Augustinian account of grace and concomitant defense of hierarchy and submission. I then examine Buber’s anarchism and previous analyses of his notion of grace, which were incomplete insofar as they ignored his redefinition of what is given by grace and who gives these gifts. The primary gifts of grace he identifies are who we are (meant to (...) be), moral norms and reality, each of which come to us not just from God, but also from relations with other creatures. Buber corrects the classic Augustinian notion of grace by replacing radical dependence on God with radical creaturely interdependence. Once hierarchy and submission to an inscrutable authority are no longer taken to be necessary for human flourishing, we are free to think along broadly anarchist lines. (shrink)