Simple heuristics exploit basic human abilities, such as recognition memory, to make decisions based on sparse information. Based on the relative speed of recognizing two objects, the fluency heuristic infers that the one recognized more quickly has the higher value with respect to the criterion of interest. Behavioral data show that reliance on retrieval fluency enables quick inferences. Our goal with the present functional magnetic resonance imaging study was to isolate fluency-heuristic-based judgments to map the use of fluency onto specific (...) brain areas that might give a better understanding of the heuristic’s underlying processes. Activation within the claustrum for fluency heuristic decisions was found. Given that claustrum activation is thought to reflect the integration of perceptual and memory elements into a conscious gestalt, we suggest this activation correlates with the experience of fluency. (shrink)

This paper advances the research on personalization of political communication by investigating whether this process of focusing on politicians instead of political issues plays a role on Twitter. Results of a content analysis of 5,530 tweets posted in the run-up to the German federal election provide evidence that Twitter communication refers more often to politicians than to issues. However, tweets containing personal characteristics about political leaders play only a marginal role. When distinguishing among different groups of actors on Twitter (journalists, (...) politicians, citizens), we find that citizens focus more on candidates than do journalists or politicians. Investigating the impact of a televised debate on Twitter communication, we observe that this person-centered event puts the focus on individual politicians instead of issues. (shrink)

Following its publication in Germany in 1963, Otto Friedrich Bollnow's Human Space quickly became essential reading within a cross-disciplinary field of subject areas including architecture, anthropology, and philosophy. In this first English translation, Bollnow conceives the human experience of space not merely as a philosophical problem but also as an extension of his research into psychology, human behavior, and the conventional domains of architecture: living in a building, in an apartment, in a house. Human Space is a remarkable investigation (...) of space as we experience it, by a man many consider to be the father of spatial and architectural anthropology. This lush hardcover edition includes an afterword by Joseph Kohlmaier that situates the work in the context of philosophical and architectural discussion. (shrink)

In international literature of the last decade, few genres have been as widely read or as intensely discussed as autofiction. Writers of autofiction use a variety of literary means to do what the novel has always done: to illuminate the private sphere. Yet, as this article argues, the idea of the private sphere underlying autofiction structurally differs from that of the fictional novel. Starting from a reading of Sheila Heti’s 2018 novel Motherhood and an analysis of its reception in various (...) YouTube formats, this article shows that the private sphere to which autofiction grants access is no longer framed as a refuge for the individual from the public. Instead, autofiction stages and reflects a model of privacy in which intense self-observation directly serves the creation of new social ties. Autofiction aesthetically reflects on interpersonal networking. Moreover, in dramatizing the crossing of boundaries between the fictional and non-fictional, and in breaking »the fourth wall,« it aesthetically recreates the forging of new network connections. The continued success of contemporary autofiction therefore needs to be understood against the backdrop of the structural transformation of the private sphere within the network society. (shrink)

O objetivo deste artigo é relacionar o ready-made de Duchamp – uma obra de arte que é idêntica a um objeto comum – com a história da arte que o precedeu e entender de que modo sua ruptura radical já estava dentro dessa história. Inicio com uma introdução ao e interpretação do ready-made. Em seguida, me respaldando em Gombrich, Greenberg e outros, examino os três tipos de arte na história propostos por Peter Bürger, focando na questão da realidade/irrealidade da obra, (...) aos poucos me aproximando da relação da obra com seu caráter de objeto. Meu ponto principal é que a bidimensionalidade do quadro reforça a existência da tela e assim também a relação de sua experiência com o mundo concreto em que o quadro se encontra, em contraposição a ilusão dramática do quadro tridimensional. A seguir, examino os impressionistas, onde se inicia um movimento de encontro à realidade da tela, que se radicaliza depois em variadas vertentes do modernismo, onde se encontra Duchamp. Tendo feito este percurso, examino o conceito de vanguarda de Bürger e sua relação com o que ele chama de práxis vital, o mundo fora do quadro ilusionista, que explico através da ideia de distração de Walter Benjamin. Aqui, sugiro pensar o ready-made como uma proposta de transposição da arte e sua teoria ao mundo "não-artístico" das coisas comuns. (shrink)

Em Sobre o conceito de história, Walter Benjamin procura entender como foi possível a ascensão do fascismo durante toda a década de 1930 na Europa. Disputando com a socialdemocracia e o stalinismo o uso do “método” marxista de conhecimento do presente, o materialismo histórico, Benjamin procura uma filosofia da história que seja capaz de entendê-la para além da ideia burguesa de progresso, que teria sido responsável pela incompreensão sobre o fascismo. Nosso artigo procura esclarecer essa concepção estabelecendo uma relação entre (...) ela e as ideias de narração, experiência, memória e modernidade, presentes no ensaio O Narrador, de 1936, além de alguns pontos da teoria do conhecimento de Benjamin. O objetivo é compreender o fascismo não como mero oposto do progresso, mas fruto dele mesmo, parte da época denominada modernidade, em que o individualismo impossibilita experiências em comum e uma memória partilhada. (shrink)

Este artigo apresenta um panorama científico da pandemia da COVID-19 no Brasil e discute questões bioéticas e avalia as possíveis soluções dos problemas morais no contexto atual. Primeiramente, apresentamos a literatura da comunidade médico-farmacológica sobre tratamentos eficientes contra a doença, levantando também dados do governo brasileiro sobre saúde pública. Então, investigamos as questões éticas sobre os fatos apresentados. Uma breve discussão dessas questões sob a perspectiva do enfoque dos quatro princípios foi realizada. Concluiu-se que as medidas de isolamento social tomadas (...) pelo governo brasileiro são moralmente justificadas. Considera-se também moralmente permissível o uso de seres humanos nos testes clínicos desses medicamentos, desde que a autonomia deles seja resguardada e a análise de riscos e benefícios mostrar-se positiva. Por fim, evidencia-se a relação entre ciência e filosofia no âmbito ético, político e biomédico. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Routledge is now re-issuing this prestigious series of 204 volumes originally published between 1910 and 1965. The titles include works by key figures such asC.G. Jung, Sigmund Freud, Jean Piaget, Otto Rank, James Hillman, Erich Fromm, Karen Horney and Susan Isaacs. Each volume is available on its own, as part of a themed mini-set, or as part of a specially-priced 204-volume set. A brochure listing each title in the "International Library of Psychology" series is available upon request.

In this article I try to investigate the possible insights one may reach by considering the development on the level of socio-philosophical theories as a symptom of the development taking place on the level of social practice.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This essay comprises two chapters from the first part of Bollnow’s book on moods, namely the second chapter on the concept of Stimmung and the third chapter on Stimmungen as the sustaining foundation of the soul. It argues that moods constitute the simplest and most original form in which human life comes to know itself. Moods are understood as a specific harmony between, first, the inner and outer world; second, the states of the body and the soul; and, third, the (...) individual faculties of the soul. Moods differ from emotions in the narrow sense, which are always intentionally directed towards a specific object, whereas moods do not have any specific object; they are states of being, structuring and coloring human existence as a whole. Hence, no system of moods is provided, but their extensive diversity is indicated. Furthermore, transient, unsteady, or “moody” moods are distinguished from persistent or basic moods. (shrink)

Dans ce texte paru en 1927 dans l’organe principal de la social-démocratie autrichienne Arbeiter-Zeitung, et traduit pour la première fois en français, Otto Bauer, alors principal leader du Parti socialdémocrate autrichien dont il s’efforce de préserver l’unité en dépit des divisions aggravées par le conflit mondial et ses conséquences, dissipe les malentendus et les imprécisions entourant la dénomination d’« austromarxisme », et présente de manière vivante et singulière les différents déclinaisons de ce courant à l’heure où l’Autriche entre dans (...) une période de profonde turbulence politique. (shrink)