This paper describes availability of personal Web-pages and a prototype development for Decision Support for Internet Users, called DSIU, which is an area of research for decision support by using information on the Internet. The availability of Web-pages concerns usage of formal pages, which are provided by companies and so on, and personal pages, which are provided by private persons. Web-pages are gathered by using an Internet search engine to determine destinations for travel and personal pages are confirmed to provide (...) much subjective information than formal pages. The prototype development concerns a travel recommendation system, which is a kind of decision support systems. The prototype uses subjective and objective information on the Internet to select several destinations for users and to provide explanations the reason why the destinations are recommended. This paper also describes our perspective of DSIU researches. (shrink)

The purpose of this study is to make clear the relationships between student’s self-efficacy and learning experience of information education in case of junior high school. Two investigations were implemented in this study. The aim of first investigation was to grasp the present status of students’ feeling of effectiveness of their learning experience in information education. Also, the aim of second investigation was to verify the relationships between students’ self-efficacy and the abilities for information utilizing that promoted in information education. (...) The first investigation with a question: “What kind of a learning experience do you feel is useful in your life?” was conducted on 426 junior high school students. As a result, almost half of the students feel effectiveness of gaining computer-operating skills in “Information and Computer” class. Also, it is suggested that utilization of Internet could promote the feeling of effectiveness in current daily lives. In second investigation, the relationship between self-efficacy and abilities for information utilizing was examined by using multi-regression analysis on 544 junior high school students. As a result, abilities for information utilizing were affected from self-evaluation of “social position of abilities” and “positive attitude to activities” in self-efficacy. Also, self-efficacy was affected from “processing ability of information” and “creation ability of information” in abilities for information utilizing. By the results of these investigations, it is suggested that these two factors are formed as a gradual cycle which promote each other. From these results, some suggestions for improvement of classroom activities in information education were proposed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Artist as Professional in JapanKazuyo Nakamura and Akio OkazakiThe Artist as Professional in Japan, edited by Melinda Takeuchi. Stanford, Calif.: Stanford University Press, 2004, 262pp., $45.00 cloth.With the increase of cross-cultural academic exchange in our time, more accurate information on art from other cultures has become more easily available, and curriculum development of art education directed toward multiculturalism has been brought to realization. There is need emerging (...) among art educators for academic resources for teaching cross-cultural subject matters, and The Artist as Professional in Japan provides historical information helpful in gaining a critical understanding of the nature of Japanese art discourse. The volume is edited from a fresh sociocultural perspective by Melinda Takeuchi, professor of Japanese art at Stanford University.Takeuchi, noticing that few scholarly books on the profession of Japanese artists are available to students of art history in the United States, set about the volume in concerted efforts with her colleagues. The volume consists of individual case studies on different Japanese artists; they are well-known sculptors, painters, potters, printmakers, and architects and are recognized in Japan as representative in different eras from the seventh to the twentieth century. Running through the individual studies, there is a concern for political forces that shaped art discourse and the identity of the Japanese artist. The following questions are asked: What degree of control did the artists exercise over their métier? What were some of the dynamics operating in the production, consummation, and evaluation of art and artist? How was the image of the artist formed during various periods? Working with these questions, seven case studies address issues of canon formation of art by looking into the terrain of the meaning of a critical word, Shoku-nin; it literally means people (nin) with an occupation (shoku) and denotes the collective artisan class.Different art historians and art theorists take a unique approach for developing each case study in the volume. Donald F. McCallum's study in chapter 2 is on the Buddhist Icons of the Shaka Triad during the Asuka Period (ca.590-ca.650), and it is asked what were the political forces working on the production of the [End Page 118] icons. In contrary to orthodox view, it is argued that the icons were produced not by an individual sculptor named Tori-busshi but by the guilds of which the supervisor was Tori. Also, it is argued that the icons were produced with the patronage of soga clan, the dominant political force of the time, not by the imperial family, including Shotoku Taishi.Karen L. Brock in chapter 3 examines the case of E'nichibo Jonin (active ca.1211-ca.1243), the painter of Saint Myoe. The case shows that the ateliers of temples, such as Kozanji in Kyoto, played a central role in producing and distributing sacred images. This study makes clear that few individual painters, such as those named ebusshi, participated in the formation of the canon of Japanese painting, but collective political forces, such as Kozanji ateliers, exercised power in bringing out sacred objects.In chapter 4 Melinda Takeuchi takes up the case of Tosa Mitsunobu (1434-ca.1523), an artisan painter active in Kyoto court circles. It shows a historical fact particular to Japanese art discourse—that later artists manipulated the names of earlier ones for professional or cultural merits. Taking notice of the fact that Mitsunobu's name late became synonymous with a production unit that shares secret techniques of products, Takeuchi concludes, "In the end, the name of an artist transcends time, space, materiality, and ultimately discourse itself" (101).The study of Louise Allison Cort in chapter 5 is on the case of Morita Kyuemon in the seventeenth century, a warrior trained as a potter and running the Odo pottery in the Tosa domain. By exploring the motivations of the Tosa domain in trying to transform local products into refined and stylish pottery worthy of formal presentation to other domain rulers (daimyo), to government officials, and to the shogun in Edo, this chapter demonstrates how both the potter and the ruler actively sought to join the aesthetic mainstream of their own day.In... (shrink)

This book is a collection of the selected proceedings of the 4th International Conference "Human Being in Contemporary Philosophical Conceptions," which was held under the patronage of UNESCO at Volgograd State University (Russia) on May 28-31, 2007. In the letter to the organizers, Mr. Koïchiro Matsuura wrote: "I should like to congratulate you on this important initiative to promote philosophical reflection, which is one of the central objectives of UNESCO's Intersectoral Strategy on Philosophy." There is an interesting fact: the (...) 19th World Congress of Philosophy in Moscow (1993) had no session on philosophical anthropology, the next Congress in Boston (1998) had one such session, the 21st Congress of Philosophy in Istanbul (2003) had already four sessions, and the 22nd World Congress of Philosophy in Seoul (2008) had six sessions on philosophical anthropology. Obviously, we may observe a new anthropological renaissance in contemporary thought. This book serves the philosophical anthropology becoming as well. Perhaps an idea of integral studies is the most attractive trend in the contemporary philosophy and science. The book presents an experience in integral philosophy of human being. Also, the development of philosophical anthropology is closely connected with practical tasks. Our political activities, welfare projects and educational programs can become really useful only when we are guided by knowledge of what human being is, what we are able to do, what are own needs, and what we must become. Philosophical anthropology could correctly define the research purposes of all human sciences. This volume includes various reflexions and styles of thinking. By this, all the papers demonstrate metaphysics of respect for human being. The contributors, scholars from the different countries, are open for free discussions and fresh ideas. (shrink)