Always connect—that is the imperative of today’s media. But what about those moments when media cease to function properly, when messages go beyond the sender and receiver to become excluded from the world of communication itself—those messages that state: “There will be no more messages”? In this book, Alexander R. Galloway, Eugene Thacker, and McKenzie Wark turn our usual understanding of media and mediation on its head by arguing that these moments reveal the ways the impossibility of communication is integral (...) to communication itself—instances they call excommunication. In three linked essays, _Excommunication_ pursues this elusive topic by looking at mediation in the face of banishment, exclusion, and heresy, and by contemplating the possibilities of communication with the great beyond. First, Galloway proposes an original theory of mediation based on classical literature and philosophy, using Hermes, Iris, and the Furies to map out three of the most prevalent modes of mediation today—mediation as exchange, as illumination, and as network. Then, Thacker goes boldly beyond Galloway’s classification scheme by examining the concept of excommunication through the secret link between the modern horror genre and medieval mysticism. Charting a trajectory of examples from H. P. Lovecraft to Meister Eckhart, Thacker explores those instances when one communicates or connects with the inaccessible, dubbing such modes of mediation “haunted” or “weird” to underscore their inaccessibility. Finally, Wark evokes the poetics of the infuriated swarm as a queer politics of heresy that deviates from both media theory and the traditional left. He posits a critical theory that celebrates heresy and that is distinct from those that now venerate Saint Paul. Reexamining commonplace definitions of media, mediation, and communication, _Excommunication_ offers a glimpse into the realm of the nonhuman to find a theory of mediation adequate to our present condition. (shrink)

Guy Debord, a key member of the avant garde movement known as the Situationist International, is best known for his concept of the society of the spectacle. Conceived in the sixties, the concept had at the time two variants, the concentrated and diffuse. Debord used these in those cold war times to describe the regimes of the image in both east and west under the same rubric. Later, he conceived of the rise of the integrated spectacle. Based on his experience (...) of France and Italy in the seventies, this concept explained regimes of the image that combined elements form both sides of the cold war divide, threading together the commodity fetishism of the west with the opaque actions of the state form the Soviet east. But what if a third period could be discerned, of what might be called the disintegrating spectacle? This concept might point the way to an analysis and critique of the image under twenty-first century conditions, where everyday life is super-saturated by the commodity, by digital media, and by the unravelling of the political form of social organization. (shrink)

Les différentes institutions européennes sont nées pour résoudre les problèmes de la production du stade avancé du capitaliste ainsi que de son armature géopolitique. Plus qu’un régime d’accumulation, c’est d’abord une infrastructure – au sens marxiste vulgaire – qui permettait une production et une consommation industrielles en Europe et un commerce inégal avec le Sud. Mais que se passe-t-il si ce n’est même plus du capitalisme, mais un nouveau mode de production? Celui qui extrude hors de lui-même une infrastructure très (...) différente, à une échelle planétaire? La question se pose alors de savoir si les anciennes infrastructures institutionnelles de l’Europe peuvent être adaptées à cette nouvelle réalité économique et politique, celle d’un Stack informationnel caractéristique du capitalisme de plateformes. (shrink)

As we face the compounded crises of late capitalism - environmental catastrophe, pandemics, and technological transformation - who are the thinkers with a grasp on our world? McKenzie Wark surveys three areas at the cutting edge of current critical thinking: media ecologies, postcolonial ethnography, and the design of technologies. She introduces us to the ideas of seventeen major writers who, when brought together, contribute to the common task of knowing the world. Each chapter is a concise account of an individual (...) thinker, providing useful context and opening connections to the work of the others. (shrink)