Interpersonal responsibility is an indigenous Chinese personality construct, which is regarded to have positive social functions. Two studies were designed to explore the relationship among interpersonal responsibility, proposal allocation ratio, and responders’ hostile decisions in an ultimatum game. Study 1 was a scenario study using a hypothetical ultimatum game with a valid sample of 551 high school students. Study 2 was an experimental study which recruited 54 undergraduate students to play the incentivized ultimatum game online. The results of the two (...) studies showed a significantly negative correlation between interpersonal responsibility and responders’ rejection responses only when the proposal allocation ratio was 3:7. In addition, in study 2, interpersonal responsibility had negative effects on responders’ rejection responses under the offer of 3:7, even after controlling for the Big Five personality traits. Taken together, proposal allocation ratio might moderate the effects of interpersonal responsibility on hostile decision-making in the ultimatum game. The social function of interpersonal responsibility might be beyond the Big Five. Keywords: interpersonal responsibility, proposal allocation ratio, hostile decision-making, moderator, ultimatum game, Big Five personality. (shrink)

During the excavation of the Tuyoq Grottoes from 2015 to 2016, a new Sogdian frament was unearthed. This paper aims to provide an edition of the Sogdian fragment and to identify it with the Chinese parallels in the Taishō Tripiṭaka.

本书从商品拜物教这一特殊理论视角对现代性的成因、流变、类型及其在当代中国的表现形式做了独特而深入的阐述和分析.

“Qiuchi” 仇池 recurs as an enigmatic proper name in Su Shi’s 蘇 軾 later poetry. While scholars have treated Qiuchi primarily as the poet’s name for strange rocks, I argue that it is in the first place a metaphorical topos for him—it is a heterotopia, a counter-site to reality for this nonconformist. As a poetic image, Su Shi’s Qiuchi is a composite motif that allows for diverse interpretations. It is a hallucinatory dreamscape at the outset; the vision then turns out (...) to be Mount Qiuchi, a historical spot and Daoist “grotto heaven” near Su’s hometown in Sichuan so that Qiuchi becomes a macro-micro-equation of landscape; finally, the poet analogizes his Qiuchi to Tao Qian’s 陶潛 Peach Blossom Spring while denying its transcendency by bringing it down to earth. Qiuchi also inhabits various roles in Su Shi’s different life stages. It appears in matching poems among scholar-officials as the antithesis of bureaucratic service and an expression of longing for seclusion when the poet was in office. During his banishment, the inaccessible Qiuchi is the prototypical home topos and projected on other sites of exile as mirror images, which I call “heterotopia and its paratopia.” In this way, the Qiuchi trope contributes to Su Shi’s self-identity and public image, crystallized in the poet’s posthumous appellation. (shrink)

The subject of metaphysics and traditional logic of confrontation is the subject of alienation - the object opposing the inevitable consequences of the theory, the tension between the two depends on the maintenance of the spirit of the times since the Enlightenment, that is the subject of support for the abstract. Once the main body of the abstract is dissolved, the main myth was exposed, the alienation of the natural transgression of ontological existence. Only out of Marx's historical dialectic to (...) the main body of subject-object dichotomy of alienation logic of confrontation with the traditional paradox. In the "Economic and Philosophical Manuscripts of 1844", Marx has been the traditional logic of alienation made ​​the initial breakthrough. The antinomy between the traditional theory of alienation and the metaphysics of subjectivity is the inevitable theoretic aftermath rooted into the dichotomy of subject-object, whose tension depends on the pure subjectivity-so called the spirit of time that initiated from the era of enlightenment. Once the pure subjectivity was cleared up and the myth of subject was exposed, the alienation must arrogate the reality. Only ground on the historical creation and transcendent of the capitalism mode of production exposed by Marx can we walk out the paradox of the dichotomy of subject- object. (shrink)