This groundbreaking work considers one of the central themes of archaeology, time, which until recently has been taken for granted. It considers how time is used and perceived by archaeology and also how time influences the construction of identities. The book presents case studies, eg, transition from hunter gather to farming in early Neolithic, to examine temporality and identity. Drawing upon the work of Martin Heidegger, Thomas develops a way of writing about the past in which time is seenm as (...) central to the emergence of the identities of peoples and things. He questions the modern western distinction between nature and culture, mind and body, object and subject, and argues that in some senses the temporal structure of human beings, artefacts and places are similar. (shrink)

This is the first book-length study to explore the relationship between archaeology and modern thought, showing how philosophical ideas that developed in the seventeenth to nineteenth centuries still dominate our approach to the material remains of ancient societies. It discusses the modern emphasis on method rather than ethics or meaning, our understanding of change in history and nature, the role of the nation-state in forming our views of the past, and contemporary notions of human individuality, the mind, and materiality. Julian (...) Thomas also addresses the modern preoccupation with depth, which enables archaeology to be used as a metaphor in other disciplines. The book concludes by advocating a "counter-modern" archaeology that refuses to separate material evidence from political, moral, rhetorical, and aesthetic concerns, as well as meaning. (shrink)

We discuss the cities of the future, and how they might co-habit with the biosphere in a more mutually beneficial way. Mutualistic cities would blend with their local ecology, co-existing with the immediately available resources of water, life, energy and materials, and enhancing the biosphere so that many species can thrive, including people. Such cities can make a significant contribution to stabilizing the Earth System by sustaining and nurturing life in tune with the evolving local ecology through cyclic economies and (...) values prioritizing mutually supportive communities over economic growth. The term “mutualism” comes from biology, referring to inter-species relationships that are beneficial. Mutualistic cities would benefit human and non-human inhabitants by recycling materials, clean air, and water, and providing habitats for many species. (shrink)

This volume gathers together a series of the canonical statements which have defined an interpretive archaeology. Many of these have been unavailable for some while, and others are drawn from inaccessible publications.

Is seeing a matter of nature? Does perspective show things as they really are? Can we read an image in the same way as a text? This book draws together essays that attempt to answer these questions but in a variety of ways and from the different theoretical positions offered by psychoanalysis, semiotics, poststructuralism and postmodernism. The anthology opens up a dialogue between seeing and the seen, text and image, theory and practice. By discussing a range of visual material, from (...) advertising and architecture to painting and photography, it crosses generic and disciplinary boundaries and suggests ways in which vision and visuality are related to questions of textuality, subjectivity, race, and gender. (shrink)

"The Cage of Nature" focuses on the concept of nature as a way to rethink Japanese and European versions of modernity and the historical tropes that distance "East" from "West." This essay begins by comparing Japanese political philosopher Maruyama Masao and his contemporaries, Max Horkheimer and Theodor Adorno. Both sets of authors define modernity as the moment when humanity overcomes nature, but Maruyama longs for this triumph while Horkheimer and Adorno deplore its consequences. Maruyama insists that Japan has failed to (...) attain the freedom promised by modernity because it remains in the thrall of nature defined in three ways: as Japan's deformed past, as the mark of Japan's tragic difference from "the West," and as Japan's accursed sensuality, shackling it to uncritical bodily pleasures. In short, Maruyama sees Japan as trapped in the cage of nature.My argument is that Maruyama's frustration arises from the trap set by modern historiography, which simultaneously traces the trajectory of modernity from servile Nature to freedom of Spirit and at the same time bases the identity of the non-Western world on its closeness to nature. In other words, nature represents both the past and the East, an impossible dilemma for an Asian nationalist desirous of liberty. By revising our historical narratives to take into account the ways in which Western modernity continued to engage versions of nature, it becomes possible to reposition Japan and "the East" within modernity's history rather than treating them as the Other. (shrink)

In The Archaeology of Knowledge, Michel Foucault focuses on excavating discursive formations, but he acknowledges that a pre-discursive reality, “the enigmatic treasure of ‘things’ anterior to discourse,” also exists. This divide between the pre-discursive and the discursive is straddled, I argue, by photographs as historians use them. The reason for photography’s dual capacity lies with the complex nature of sight, which is both precognitive , and also culturally encoded. Historians most commonly rely on mute sensuality; they place photographs in books (...) with little comment, implying that some form of unmediated recognition is possible. Used in this way, photographs cannot serve as the basis for new analyses but may underscore the affective stance of historians toward their topics. Less commonly, historians interrogate photographs much like texts, locating them within the discourses through which they emerged. This strategy treats the experience of sight, in Joan Scott’s words, as “an interpretation that needs to be interpreted.” Photographs seen as discursive objects may provide understanding of past political and social relations, but we lose any assurance that we can recognize and intuitively understand their subjects. In short, we risk blindness. I explore these two fundamentally different strategies for approaching photographs, using the concepts of recognition and excavation to examine an image made in 1946 by Japanese photographer Hayashi Tadahiko. Photographs, I argue, expose our dual relationship with the past, both visceral and cultural. (shrink)

The biosphere coevolves with the atmosphere, hydrosphere and lithosphere to maintain a habitable space on Earth. Over billions of years – and despite periodic setbacks – it has evolved increasing complexity, from its microbial beginnings to the complex interactions between animals, plants, fungi and unicellular microscopic life that sustain its present state. Recently, the biosphere has been profoundly changed by humans. In part, this includes increased rates of extinction that are reminiscent of past fundamental perturbations to life. But the change (...) is even more profound, resulting from a combination of marked translocations of species beyond their indigenous ranges, overt concentration of biomass in humans and their farm animals, reconfiguration of landscape habitats and over-utilisation of ocean life, excessive appropriation of energy from the biosphere (including its fossilised component), and increasing interconnectivity between technology and life. (shrink)