La question des frontières des arts plastiques et littéraires contemporains peut être approchée à travers l'exemple de la géopoétique de Kenneth White. Renonçant à réduire l'art à la production d'une représentation dominée par le plaisir de la vue, le mouvement esthétique de la géopoétique cherche à faire de la création artistique un geste de participation aux matières de la terre sur fond d'une expérience polysensorielle où la marche et le nomadisme constituent des explorations d'un proto-monde. L'oeuvre écrite ou plastique est (...) destinée à conserver des fragments et traces de cette aventure sensible, ouvrant ainsi la voie à une rencontre qui n'est plus un spectacle mais une expérience quasi chamanique. Reste à savoir dans quelle mesure on peut s'émanciper totalement de la représentation pour accéder à une auto-présentation du cosmos dont l'artiste serait le médium. (shrink)

One of Rousseau’s later and most puzzling works and never before available in English, this neglected autobiographical piece was the product of the philosopher’s old age and sense of persecution. Long viewed simply as evidence of his growing paranoia, it consists of three dialogues between a character named “Rousseau” and one identified only as “Frenchman” who discuss the bad reputation and works of an author named “Jean-Jacques.” Dialogues offers a fascinating retrospective of his literary career.

The dawn of music semiology showcases the work of ten leading musicologists inspired by the work of Jean-Jacques Nattiez. Reflecting the energy and diversity of the young field of music semiology, chapters in this volume discuss music and gesture, the psychology of music, and the role of ethnotheory, and offer new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, and modernism from Wagner to Boulez.

The book narrates the ups and downs of Rousseau and follows his life from streets to stardom. It provides a deep insight into the personality of the philosopher and the vision that got him exiled and persecuted. It relates his pride in his individual existence. The assortment of events and emotions presented here is timeless....

Ecrits entre 1772 et 1776, les trois dialogues de Rousseau juge de Jean-Jacques apparaissent à première lecture comme une extension délirante des derniers livres des Confessions. Cette écriture du cauchemar repose en réalité sur une structure idéologique d'une extrême rigueur et révèle une logique fantasmatique d'une effrayante complexité, que l'on pourra comparer avec cet autre texte au sujet " abominable " qu'est Le Lévite d'Ephraïm, poème en prose composé par Rousseau sur la route de l'exil en juin 1762.

Jean-Jacques Rousseau's ideas about society, culture, and government are pivotal in the history of political thought. His works are as controversial as they are relevant today. This volume brings together three of Rousseau's most important political writings -- The Social Contract and The First Discourse (Discourse on the Sciences and Arts) and The Second Discourse (Discourse on the Origin and Foundations of Inequality) -- and presents essays by major scholars that shed light on the dimensions and implications of (...) these texts. Susan Dunn's introductory essay underlines the unity of Rousseau's political thought and explains why his ideas influenced Jacobin revolutionaries in France but repelled American revolutionaries across the ocean. Gita May's essay discusses Rousseau as cultural critic. Robert N. Bellah explores Rousseau's attempt to resolve the tension between the individual's desire for freedom and the obligations that society imposes. David Bromwich analyzes Rousseau as a psychologist of the human self. And Conor Cruise O'Brien takes on the "noxious, " "deranged" Rousseau, excoriated by Edmund Burke but admired by Robespierre and Thomas Jefferson. Written from different, even opposing perspectives, these lucid essays convey a sense of the vital and contentious debate surrounding Rousseau and his legacy. (shrink)

The work of Jean-Jacques Rousseau is presented in two volumes, together forming the most comprehensive anthology of Rousseau's political writings in English. Volume II contains the later writings such as The Social Contract and a selection of Rousseau's letters on important aspects of his thought. The Social Contract has become Rousseau's most famous single work, but on publication was condemned by both the civil and the ecclesiastical authorities in France and Geneva. Rousseau fled and it is during this (...) period that he wrote some of his autobiographical works as well as political essays such as On the Government of Poland. This volume, like its predecessor, contains a comprehensive introduction, chronology and guide to further reading, and will enable students to obtain a full understanding of the writings of one of the world's greatest thinkers. (shrink)

Frederick Watkins’ 1953 edition of Rousseau’s _Political Writings_ has long been noted for being fully accurate while representing much of Rousseau’s eloquence and elegance. It contains what is widely regarded as the finest English translation of _The Social Contract_, Rousseau’s greatest political treatise. In addition, this edition offers the best available translation of the late and important _Government of Poland_ and the only published English translation of the fragment _Constitutional Project for Corsica_, which, says Watkins, provides the clearest possible demonstration (...) of the practical implications of Rousseau’s political thought. (shrink)

Jean-Jacques Rousseau’s ideas about society, culture, and government are pivotal in the history of political thought. His works are as controversial as they are relevant today. This volume brings together three of Rousseau’s most important political writings—_The Social Contract and The First Discourse _and_ The Second Discourse _—and_ _presents essays by major scholars that shed light on the dimensions and implications of these texts. Susan Dunn’s introductory essay underlines the unity of Rousseau’s political thought and explains why his (...) ideas influenced Jacobin revolutionaries in France but repelled American revolutionaries across the ocean. Gita May’s essay discusses Rousseau as cultural critic. Robert N. Bellah explores Rousseau’s attempt to resolve the tension between the individual’s desire for freedom and the obligations that society imposes. David Bromwich analyzes Rousseau as a psychologist of the human self. And Conor Cruise O’Brien takes on the “noxious,” “deranged” Rousseau, excoriated by Edmund Burke but admired by Robespierre and Thomas Jefferson. Written from different, even opposing perspectives, these lucid essays convey a sense of the vital and contentious debate surrounding Rousseau and his legacy. For this edition Susan Dunn has provided a new translation of the _Discourse on the Sciences and Arts _and_ _has revised a previously published translation of _The Social Contract._. (shrink)

The perfect books for the true book lover, Penguin’s Great Ideas series features twelve more groundbreaking works by some of history’s most prodigious thinkers. Each volume is beautifully packaged with a unique type-driven design that highlights the bookmaker’s art. Offering great literature in great packages at great prices, this series is ideal for those readers who want to explore and savor the Great Ideas that have shaped our world.

Discourse on the sciences and the arts -- Discourse on inequality -- On the social contract.

The work of Jean-Jacques Rousseau is presented in two volumes, together forming the most comprehensive anthology of Rousseau's political writings in English. This second volume contains the earlier writings such as the First and Second Discourses, the publication of which signalled the power and challenge of Rousseau's thinking. Rousseau's influence was wide reaching and has continued to grow since his death: major landmarks in world history, such as the American and French Revolutions, were profoundly affected by Rousseau's writing, (...) as were cultural and intellectual movements such as Romanticism and Idealism. This volume, like its successor, contains a comprehensive introduction, chronology and guide to further reading and will enable students to obtain a full understanding of the writings of one of the world's greatest thinkers. (shrink)

Dans Emile Rousseau expose ses idées sur l’éducation des enfants, idées révolutionnaires pour l’époque : il faut éviter les contraintes, laisser l’enfant développer librement ses talents naturels et son sens inné de la morale, ne pas l’obliger à apprendre quoi que ce soit ni à respecter les règles sociales et morales, mais lui donner l’envie de le faire. Ce livre n’est pas un manuel théorique, mais le récit de l’enfance et de l’adolescence d’un jeune homme, Emile, qui reçoit l’éducation que (...) Rousseau juge idéale. (shrink)

In his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with unique insight the relationship between an (...) elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement, and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence. (shrink)

In his Discourses, Rousseau argues that inequalities of rank, wealth, and power are the inevitable result of the civilizing process. If inequality is intolerable - and Rousseau shows with unparalledled eloquence how it robs us not only of our material but also of our psychological independence - then how can we recover the peaceful self-sufficiency of life in the state of nature? We cannot return to a simpler time, but measuring the costs of progress may help us to imagine alternatives (...) to the corruption and oppressive conformity of modern society. Rousseau's sweeping account of humanity's social and political development epitomizes the innovative boldness of the Englightment, and it is one of the most provocative and influential works of the eighteenth century. This new translation includes all Rousseau's own notes, and Patrick Coleman's introduction builds on recent key scholarship, considering particularly the relationship between political and aesthetic thought. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

A discourse on the arts and sciences -- A discourse on the origin of inequality -- A discourse on political economy -- The general society of the human race -- The social contract.

Originally published in 1941, this book contains the French text of Jean-Jacques Rousseau's 1755 treatise Discours sur l'origine et les fondements de l'inégalité parmi les hommes, in which he examines the artificial origins of human social structures designed to keep one group elevated above another. The preface by F. C. Green provides the historical context for Rousseau's essay and explains its influence on the authors of the French Revolution. This book will be of value to anyone with an (...) interest in French history or political philosophy. (shrink)

Revolutionary in its own time and controversial to this day, this work is a permanent classic of political theory and a key source of democratic belief. Rousseau's concepts of "the general will" as a mode of self-interest uniting for a common good, and the submission of the individual to government by contract inform the heart of democracy, and stand as its most contentious components today. Also included in this edition is Rousseau's Discourse on Political Economy", a key transitional work between (...) his Discourse on Inequality and The Social Contract. This new translation offers fresh insight into a cornerstone of political thought, which is further illuminated by a comprehensive introduction and notes. (shrink)

L'Essai sur l'origine des langues (dont le titre complet est Essai sur l'origine des langues où il est parlé de la mélodie et de l'imitation musicale) est une œuvre posthume de Jean-Jacques Rousseau dans laquelle il réfléchit sur les langues et la musique, mais aussi complète le Discours sur l'origine et les fondements de l'inégalité parmi les hommes. Il fut commencé vers 1755 mais resta inachevé et fut publié par Pierre-Alexandre Du Peyrou, exécuteur testamentaire de Rousseau, en 1781.

Contents include a note on the translation, introduction by Peter Gay, and a bibliography.

Discourse on the sciences and the arts -- Discourse on the origin and foundations of inequality among men -- Discourse on political economy -- On the social contract -- The state of war.

Physique des phénomènes vibratoires, dynamique des systèmes non linéaires, neurosciences, chronobiologie, chronopharmacologie, psychologie, psychiatrie, poétique, musique danse, sociologie, anthropologie, sciences de l'éducation, économie, histoire, géographie, architecture, urbanisme, constituent une liste non exhaustive des disciplines qui ne peuvent plus faire l'économie de la notion de rythme. Cependant, l'ample diffusion de la notion de rythme dans divers champs de recherches ne signifie pas pour autant que cette notion soit déjà reconnue dans son rôle heuristique, ni qu'elle fonctionne comme un paradigme commun. Prise (...) de manières très diverses, elle manque encore souvent de consistance conceptuelle, au risque parfois de perdre en compréhension ce qu'elle gagne en extension. L'objectif principal de cet ouvrage collectif dirigé par Jean-Jacques Wunenburger (Université Jean Moulin Lyon 3 et Université de Bourgoge) & Julien Lamy (Université Jean Moulin Lyon 3) est de faire un état des lieux des études sur le rythme et de fournir, dans le sillon des travaux de Bachelard, des repères théoriques, à la fois historiques et conceptuels, qui permettront de mieux comprendre la cohérence propre de cette notion complexe, aux significations et aux usages multiples... (shrink)

Eranos Tagung 2020 “Rinascere : la vita minacciata e la passione della vita” Casa Eranos, Ascona-Moscia, 3-5 settembre 2020 Prof. Jean-Jacques Wunenburger 4 settembre 2020 - Philosophie – Nouvel article.

In the form of few notes around an anthropology of the imagination, the article questions the complex relationships between imagination and perception, by carrying out a synthesis of the great traditions which concern the image. Between perceptual consciousness and imaging consciousness, the line of demarcation remains problematic, depending on whether the imagination draws from the senses the material of its images or produces new representations giving substance to an unreal, or even a surreal. Impoverished derivation and misleading revival of perception (...) in the empiricist tradition, it precedes experience for Kant. Imagination has at least three functions: replacement, amplification and revelation of reality, each corresponding to differentiated intentions: to image, imagine, “imaginalise”. The imaginal, as a correlate of creative imagination, actualizes epiphanic images, allowing itself to be reduced neither ton reproduction nor to fiction. These are primordial images with a universal scope, not depending on the subjective conditions of the perceiver. (shrink)