It is a study of the discursive construction of high achievers’ identities in American culture. A corpus of 100 commencement speeches delivered during 2016 and 2017 graduation ceremonies in American universities has been used to analyse how commencement speakers, as a rule highly successful individuals, construct their identities through discourse. Besides celebrating academic achievements, one of the communicative purposes of the commencement speech is giving the graduates advice for the future. It has been investigated how the speakers legitimize their qualifications (...) as a role model and the source of life wisdom. Due to the specificity of the discourse to be investigated, based on the foundations of American ethos of hard work and drive for success, Critical Discourse Analysis has been chosen as a methodological approach which can most adequately help analyze the discursive formation of identity. As the discourse to be analyzed is agentive discourse, culture-specific both in its form and content, I have decided to combine Critical Discourse Analysis with cultural studies. (shrink)

The article discusses work ethos in American ceremonial discourse addressed to the young entering adult life. Its aim is to investigate whether the Protestant work ethic still pervades the American thinking about work. Through a qualitative analysis of the corpus of 100 randomly selected commencement addresses delivered during 2016 and 2017 graduation ceremonies in American universities, it is shown how work-related topics are employed by the speakers celebrating the graduates’ academic achievements and providing them with advice for the future. The (...) Discourse-Historical Approach, committed to Critical Discourse Analysis, has been chosen as a methodological approach, integrating the interpretation of discourses and texts with sociological and historical research, studies on narration, stylistics, rhetoric and argumentation theory. As the discourse to be analyzed is culture-specific, I have decided to combine the Discourse-Historical Approach with Cultural Studies. (shrink)

The author briefly summarises her considerations on the area of cosmoecology that she is developing. Therefore she has indicated the most important influences of the cosmic environment on the earthly life, a fact justifies by the hypothesis of Gaia-Uranos. She has also shortly discussed what features there must have characterised the cosmic environment so that in a place of the Universe life could begin and evolve. The problem of physical parameters of the cosmic environment necessary for life to come to (...) existence has been noticed for ages. It culminated in the anthropic principle. Here I mention the most general features in Aristotle’s understanding of the category of being which the cosmic environment had to possess: harmony, diversity, imbalance, and rhythm of phenomena. (shrink)

Engl. Zsfassung u.d.T.: Cosmoecology : image of phenomena.

The article presents findings derived from questionnaires administrated to 150 randomly selected inhabitants of Warsaw in November and early December of 1981. They were asked about their preferences concerning different rules of distributing basic supplies in time of crisis. The authors begin by saying that controlled distribution corresponds to a principle that is considered fundamental in the socialist country, namely the principle of redistribution. It determines all sorts of social exchange that may be governed elsewhere by the principle of reciprocity (...) or by market. Deteriorating Polish economy made it necessary after the Agreements of 198O and 1981 to introduce rationing of meat and fat initially and various other commodities later. This rationing is called “universal” by the authors to distinguish it from “situational” rationing that had existed earlier whenever particular sorts of commodities were in short supply and only first in line were served or whenever particular groups of people were given special entitlements to buy things that were not generally available. The authors point out that a complete collapse of the economic system, whether now in Poland or in any other case, leads to a wide acceptance of different forms of rationing. It is not expected that rationing may help to better the general level of individual needs; it is hoped only that it may ensure more equitable distribution of those goods that are supplied in minimum quantities. Just distribution stands in this case for limited egalitarianism which primarily provides for equal distribution but makes allowances for different levels of needs and endorses exclusion of certain categories of people from the distribution system. In case of grave impoverishment the rules of charity ad mutual help are called upon, or the respondents express their trust in the existence of widespread benevolent attitudes in society. (shrink)

Recent years have brought enormous growth in the number of women-only art exhibitions. These exhibitions are accompanied by discussions that concentrate on curatorial feminist activism. In this text, I propose a different perspective by taking into consideration all exhibitions where the participants were determined by social category and which were organized in one country during one year. This perspective not only allows us to remark on and analyse activities that otherwise remain unnoticed but also encourages us to extend our understanding (...) of politics behind women-only initiatives. These exhibitions are generally intended to increase the capital of women artists, and to shift forces within the art and social fields in favour of women. However, as my analysis demonstrates, the organizers of different exhibitions occupy different places both in the art field and in the social field, and it is their position that determines, to a large extent, what changes they envision, what objectives they – in consequence – have and how they formulate their politics. This text also offers a reflection on whether the objectives behind organizing women-only shows has been constant or if they are a result of the current situation of women. (shrink)

The purpose of this article is to provide a general overview of the work of Wanda Jakubowska, the first Polish, female film director to gain national and international recognition. Her career spanned over 50 years, in which she directed 14 full-length feature films, thus being the longest working film director in the history of Polish cinema. She was also one of the highest profile filmmakers to join the Polish communist party after the Second World War and in subsequent years (...) represented the ‘party line’ among her fellow film-makers, and lobbied the party on behalf of the cinema industry. The article looks at style, ideology and the most important themes of Jakubowska’s work. Its focus is on her films about concentration camps and about contemporary Poland. The article also attempts to establish whether and to what degree Jakubowska was a feminist. (shrink)