This essay counters the claim, made by Arnold Isenberg, Mary Mothersill, and others, that there can be no straightforward justification of critical evaluations of artworks, because there can be no critical laws. My argument is that if we adopt an Aristotelian view of the value of artworks, the problem of critical laws is reduced to a mere problem of scope and is easily solved. An Aristotelian system of kind classification, which groups artworks according to common formal and narrative purposes, provides (...) the mechanism by which we can limit the scope of critical laws in a non-arbitrary way, one that is in keeping with the actual practices of art historians and critics. (shrink)

In his latest book, Realistic Rationalism (Cambridge, MA: MIT Press, 1998), Jerrold J. Katz proposes an ontology designed to handle putative counterexamples to the traditional abstract/concrete distinction. Objects like the equator and impure sets, which appear to have both abstract and concrete components, are problematic for classical Platonism, whose exclusive categories of objects with spatiotemporal location and objects lacking spatial or temporal location leave no room for them. Katz proposes to add a “composite” category to Plato’s dualistic ontology, which is (...) supposed to include all those objects with both abstract and concrete components.But every concrete object stands in an indefinite number of relations to abstract ones. Thus, Katz must offer principled criteria describing just those relations that produce a composite object, lest all concrete objects turn out to be composite. The trouble that he has in specifying such a “creative” relationship results from his clinging to the traditional definitions of “abstract” and “concrete.” The substance dualism that results renders the articulation of any relations between abstract and concrete difficult, and a category such as Katz’s “composite objects” impossible. (shrink)

In this essay, I discuss philosophy's decline, in the context of disciplinization, scientism, and specialization, as well as possible ways in which it might renew itself.

The overarching thesis of this essay is that despite the etymological relationship between the word ‘philosophy’ and wisdom—the word ‘philosophos’, in Greek, means ‘lover of wisdom’—and irrespective of the longstanding tradition of identifying philosophers with ‘wise men’—mainline philosophy, historically, has had little interest in wisdom and has been preoccupied primarily with knowledge. Philosophy, if we are speaking of the mainline tradition, has had and continues to have more in common with the natural and social sciences than it does with the (...) humanities and liberal arts. In advancing this thesis, I divide the history of philosophy into three competing traditions: the mainline tradition of philosophy and two philosophical ‘countercultures,’ one conservative the other radical. At issue between these rival traditions is precisely the relative significance of knowledge and wisdom and their respective places in inquiry. I also provide an account of the distinction between knowledge and wisdom—which I argue is greater than has perhaps been appreciated—and between the natural and applied sciences, on the one hand, and the humanities and liberal arts on the other. (Published Online February 27 2006). (shrink)

Peter Kivy has maintained that the Wittgensteinian account of ‘art’ ‘is not a going concern’ and that ‘the traditional task of defining the work of art is back in fashion, with a vengeance’. This is true, in large part, because of the turn towards relational definitions of ‘art’ taken by philosophers in the 1960s; a move that is widely believed to have countered the Wittgensteinian charge that ‘art’ is an open concept and which gave rise to a ‘New Wave’ in (...) aesthetic theorizing. So successful has this New Wave been that today the philosophy of art is awash with relational definitions, which are increasingly characterized by their technical sophistication and logical complexity. The aim of this essay is to oppose this trend; to demonstrate that relationalist definitions cannot avoid the problems which provided the impetus for the Wittgensteinian view and to show that the New Wavers cannot explain why anyone would want the definitions which they are offering, irrespective of their success or failure. I will also explore, in detail, the uses, as well as the limitations, of the Wittgensteinian approach to the concept of art. (shrink)

Angelaki, Volume 17, Issue 1, Page 3-12, March 2012.

A collection of essays by fifteen philosophers presenting a thoughtful, introductory guide to choosing a philosophy for living an examined and meaningful life.

A collection of essays by fifteen philosophers presenting a thoughtful, introductory guide to choosing a philosophy for living an examined and meaningful life.

In this essay, I explain why the traditional liberal consensus is needed now as much as it ever was.

This essay is intended as a companion‐piece to my article, “Reality in Common Sense: Reflections on Realism and Anti‐Realism from a ‘Common Sense Naturalist’ Perspective.” (Philosophical Investigations, Vol. 25, No. 4 (October 2002). It explores the epistemological dimension of the Common Sense Naturalism that I developed in that earlier, predominantly metaphysical essay; a position that combines the views of David Hume, Thomas Reid, and the Wittgenstein of On Certainty. My ultimate aim is to produce a comprehensive philosophy of common sense, (...) one that with future installments, will come to include an ethical and social‐political philosophy as well. “Between Reason and Common Sense” offers a common sense naturalist reply to the skeptic. My basic argument is that the skeptic makes a Rylean category mistake, when he applies the concept of warrant to epistemologically basic beliefs, such as the belief in the external world or in the continued and distinct existence of bodies. He misidentifies these beliefs as being ordinary, when they are really a part of the framework that make the practices of believing and justifying possible. As a result, they are not themselves open to confirmation or disconfirmation. I also try to characterize the nature of the necessity carried by framework beliefs, in a way that avoids the charge that the common sense naturalist is simply a closet foundationalist. (shrink)

The Seventeenth century is one of the most important periods in the history of Western philosophy, witnessing philosophical, scientific, religious and social change on a massive scale. In spite of this, there are remarkably few comprehensive, single volume surveys of the period as a whole. The Routledge Companion to Seventeenth Century Philosophy is an outstanding and comprehensive survey of this momentous period, covering the major thinkers, topics and movements in Seventeenth century philosophy. It is divided into seven parts: Historical Context (...) Metaphysics Epistemology Mind and Language Moral and Political Philosophy Natural Philosophy and Mathematics Philosophical Theology. An outstanding team of international contributors provide students and scholars of philosophy and related disciplines with a superb guide to Seventeenth century philosophy. Additional features include annotated further reading at the end of each chapter and biographical entries on the most important philosophers. (shrink)