The museum of the colonial moment fused the expansion of knowledge and global contact of North Atlantic powers with the aggressive nationalist pride of their hegemonic positions, building national, cultural, and racial identity through framing. How does Black Panther use the museum scene to illustrate a fear of Black museums and the problems of existence observed through the philosophies of Black existentialism and Africana phenomenology? Killmonger's questioning of Wakanda reveals the truth and effect of Wakanda's isolationist history. Yet, Wakanda is (...) nevertheless shown as a representation of African history, not just in the tribal nature of Wakanda's social structure or in the clothing and physical adornments and jewelry, but also in the rituals and spirituality. (shrink)

The most recent attempt to explain Aristotle's use of in Poetics 13 is that of T. C. W. Stinton , 221–54). Stinton insists that must not be restricted to any one definition, but should be understood to include a ‘range of applications’ embracing both moral error and ‘ignorance of fact’.

This book interrogates the nature and state of African American citizenship through the prism of Social Contract Theory. Challenging the United States’ commitment to African American citizenship, this book explores the idea of Social Nullification, the decision to reject, revoke and re-define the social contract with a state and society. Charles F. Peterson surveys the history of Social Contract Theory, examines Nullification as political and legal theory, argues public policy as a measure of the state’s commitment to the contractarian relationship (...) and frames the writings and activism of Martin R. Delany, Ida B. Wells-Barnett and the African American Reparations Movement as examples of Social Nullification and challenges to the terms of Black life in America. (shrink)

DuBois, Fanon, Cabral is an examination of the overlap of culture, class, and political leadership in the Africana liberation struggle. Focusing on the writings and activism of W.E.B. DuBois, Frantz Fanon, and Amilcar Cabral, this book explores the three theorists' articulation of the relationship between acculturation and mass popular leadership among colonized elites in the African diaspora.

Introductions and Histories: How, When, and Where of Race in Philosophy Africana Philosophy has successfully argued itself to be an important area of philosophical discourse. Fundamental to this effort is Africana Philosophy's work to bring race, race thinking, and racism to the fore of philosophical examination. In the wake of Africana Philosophy's influence, discussions of race, race thinking, and racism are becoming central to regular philosophical discourse. The production of introductory works on race and philosophy and works examining the place (...) of race and race thinking in the history of European canonical philosophy points to philosophy's growing self awareness of race as foundational to what philosophy as a body of knowledge is and its self awareness of how race and race thinking informed the development of the field. These types of texts contribute to the normalization of race as a subfield of philosophy. Specifically, this essay will analyze four contemporary texts that exemplify this trend and what they contribute to mainstream philosophy's evolution as a site that understands race and race's role as a part of human experience and a necessary part of the larger philosophical project. (shrink)

Willem II van Haecht?s panel of the Cabinet of Cornelis van der Geest (1628), introduces the viewer to the theme of the Five Senses by including five prominently displayed paintings, each corresponding to one of the senses, in the foreground. The paper offers a new reading of the panel, suggesting that this image may be read as an allegory of the Five Senses, proposing this theme as a key to the rhetorical performance the collector, van der Geest, is shown undertaking, (...) and connecting the senses to the picture?s punning motto: Vive l?Esprit. (shrink)