Emotion-processing impairment represents a risk factor for the development of somatic illness, affecting negatively both health-related quality of life and disease management in several chronic diseases. The present pilot study aims at investigating the associations between alexithymia and depression, anxiety, and HRQoL in patients with Hashimoto’s thyroiditis ; examining the association between these three psychological conditions together with HRQoL, and thyroid autoantibodies status as well as thyroid echotexture in patients with HT; and comparing the intensity of all these clinical psychological (...) features in patients with HT versus controls. Twenty-one patients with serologically or ultrasonographically verified HT and 16 controls with non-toxic goiter or postsurgical hypothyroidism were recruited for this study. Serum thyrotropin and free thyroxine, as well as thyroid autoantibodies, were assayed. Alexithymia, depression, anxiety, and HRQoL were assessed with Toronto Alexithymia Scale; Beck Depression Inventory, second edition; Hamilton Anxiety Rating Scale; and Health Survey Short-Form 36, respectively. A negative relationship between the difficulty to describe feelings and the cognitive component of depression was found. Besides, patients with seronegative HT had lower somatic anxiety than patients with HT who tested positive. Besides, no statistically significant difference was found between patients with HT and controls with regard to somatic anxiety. The present study suggests the relevance of alexithymia in patients suffering from HT, which may be intertwined with a possible state of underreported depression that is mainly expressed through physical complaints. Promoting the capability to describe and communicate feelings could contribute to psychological elaboration and coping with the disease and, consequently, to the improvement of self-management and perceived HRQoL. (shrink)

Most scholars point out that Ricœur’s itinerary ends with a “phenomenology of the capable human being”. In this paper, I will try to propose a different hypothesis and explain why Ricœur’s last writings can be considered the starting point of a second Copernican revolution within phenomenology. A revolution of both method (from the analytic to the a-logical) and contents (from the theme of intersubjectivity to the theme of “giving” and loving), which, already in the Preface of Le volontaire et l’involontaire, (...) Ricœur wished could follow after the first revolution of the reflexive phenomenology: a hermeneutic poetic phenomenology that develops the project that the early Ricœur had drafted, but not completed in the 1950s. This is the project of a Poetics of the Gift, in which is hidden, in my opinion, the fecundity of Ricœurian philosophy and the possibility for it to become paradigmatic for the philosophy to come. (shrink)

In Ricoeur’s last works, we can find what he calls a poetics of love. Choosing the “dialectic” path of a comparison between love and justice, Ricoeur claims that justice lies in the rule of equivalence (give to each his own); the disorientation of love, instead, suspends the return, the equivalence, the exchange. Love does not say: “do ut des”, but rather (if we can transform the expression) it says “do ut dem”, to offer without expecting anything in return: this is (...) what Ricoeur calls a “first gift”. However, it is an expectation that is always open to the possibility of a “surprise”: the surprise of a “second first gift” able to fulfill the gratuity of the original act of donation. This essay questions this possibility of “mutual gift”. (shrink)

Co-authored by a Computer Scientist and a Digital Humanist, this article examines the challenges faced by cultural heritage institutions in the digital age, which have led to the closure of the vast majority of born-digital archival collections. It focuses particularly on cultural organizations such as libraries, museums and archives, used by historians, literary scholars and other Humanities scholars. Most born-digital records held by cultural organizations are inaccessible due to privacy, copyright, commercial and technical issues. Even when born-digital data are publicly (...) available, users often need to physically travel to repositories such as the British Library or the Bibliothèque Nationale de France to consult web pages. Provided with enough sample data from which to learn and train their models, AI, and more specifically machine learning algorithms, offer the opportunity to improve and ease the access to digital archives by learning to perform complex human tasks. These vary from providing intelligent support for searching the archives to automate tedious and time-consuming tasks. In this article, we focus on sensitivity review as a practical solution to unlock digital archives that would allow archival institutions to make non-sensitive information available. This promise to make archives more accessible does not come free of warnings for potential pitfalls and risks: inherent errors, "black box" approaches that make the algorithm inscrutable, and risks related to bias, fake, or partial information. Our central argument is that AI can deliver its promise to make digital archival collections more accessible, but it also creates new challenges - particularly in terms of ethics. In the conclusion, we insist on the importance of fairness, accountability and transparency in the process of making digital archives more accessible. (shrink)

Applying basic concepts of Logic-Based Therapy (LBT), this paper addresses the author’s own struggle with demanding perfection, and seeks to provide a model for others to emulate.

This article is divided into two parts. In the first one, we will ask what place Ricœur reserves for art works within his philosophical path. We will try to show how this issue is only apparently minor and unimportant. In fact, the language of figurative art, totally other than the conceptual/argumentative language of the logos, is that which more than any other experience can allow philosophy to reflect on otherness, and to discover ‘itself as another.’ In the second part, starting (...) with this acquisition, we will ask ourselves what constitutes the singularity of artistic language and the particular communication specific to works of art. This will allow us to circle back to the initial question and ask ourselves, therefore, what figurative language can teach philosophical communication and what the arts can offer philosophy. (shrink)

Conrad-Martius’ philosophy can be defined as a non-orthodox position in phenomenological ontology. This position can be considered such in a different sense from Heidegger’s ontology and may be treated as an extension of Husserl’s phenomenology in view of the following three elements. (1) Seiendes (entity) is considered anything that has consistence in the larger sense of the word, including all entities, such as fantastical entities (spirits, fairy-tale beings), soul, ideas and others, that can be used to obtain the phenomenological description. (...) (2) The phenomenological description that occurs through a new definition of “phenomenological reduction” and epoché, in such a way that a realistic solution is emphasized in the analysis of being; being is not considered as the residuum of a system of noema, but, following medieval philosophy, as having the eminent character of reality, through which any of the others can be derived. (3) The analysis of being gives a stratification of various entities, through which each finds definition by means of its relative allocation in an “ontological space”. (shrink)