For the very first time, Russian readers are offered the translation of one of the most rarely published (in the Arab world) and practically unknown (everywhere else) works of Abū Ḥayyān al-Tawḥīdi (930-1023), “[An Epistle] on Penmanship (Arabic Calligraphy)” (982). As one of those who popularized knowledge, an encyclopedist, an unrivaled master of style and a Mu’tazilite scholar Al-Tawḥīdi, using Adab literature, shares all that was known to him about this form of Arabic literature up until its compilation. In (...) an elegant manner, he reveals its secrets, gives us valuable recommendations, and conveys the universal admiration of the famous sages, writers, scribes, and court secretaries of that time. This epistle is considered the first professional work of this art form in the Arab tradition. At the time this piece was written, the seven “canonical” types of Arabic writing were not yet developed in the form and with the names, we are familiar with now. Nevertheless, this is what makes this treatise even more precious in raising the Adībs as well as the well-educated urban youths of those days. It sheds light on the history of their creation at the initial and, perhaps, the most crucial stage. The theoretical basis and the most important rules of proportional writing were formed back then and remain unshakable to this day. (shrink)

At Epistles 2.2.87–9 Horace introduces an argument against writing poetry based on the unpleasant mutual admiration required in poetic society with an anecdote about an orator and a jurisconsult: †frater erat Romae† consulti rhetor, ut alter alterius sermone meros audiret honores, Gracchus ut hic illi, foret huic ut Mucius ille.

The Epistle of Forgiveness or A Pardon to Enter the Garden, by Abū l-ʿAlāʾ al-Maʿarrī, vol. 1: A Vision of Heaven and Hell Preceded by Ibn al-Qāriḥ’s Epistle. Edited and translated by Geert Jan van Gelder and Gregor Schoeler. Library of Arabic Literature. New York: New York University Press, 2013. Pp. xxxviii + 423. $40.

The Epistle on Legal Theory: Muḥammad ibn Idrīs al-Shāfiʿī. Edited and translated by Joseph E. Lowry. Library of Arabic Literature. New York: New York University Press, 2013. Pp. xl + 501. $40.

This is the first critical edition of a fascinating medieval work on music, written in Iraq in the tenth century. It is accompanied by an English translation and full annotation. The Epistle examines not just the technical, scientific, and mathematical aspects of music, but its cosmic, psychological, and spiritual dimensions.

The Ikhwan al-Safa' (Brethren of Purity), the anonymous adepts of a tenth-century esoteric fraternity based in Basra and Baghdad, hold an eminent position in the history of science and philosophy in Islam due to the wide reception and assimilation of their monumental encyclopaedia, the Rasa 'il Ikhwan al-Safa' (Epistles of the Brethren of Purity). This compendium contains fifty-two epistles offering synoptic accounts of the classical sciences and philosophies of the age; divided into four classificatory parts, it treats themes in mathematics, (...) logic, natural philosophy, psychology, metaphysics, and theology, in addition to didactic fables. Epistles 6 to 8 are from the first division of the Epistles, on the propaedeutical and mathematical sciences. Epistle 6 develops ideas concerning natural numbers and their arithmetic, geometric, and harmonic ratios, marked by the influence of Nicomachus of Gerasa and of Euclid. The Brethren here emphasize practical applications of proportionality in music, medicine, and alchemy. Epistle 7 addresses theoretical scientific knowledge as directed towards the spiritual realities of souls, the goal of which is to actualize human potential; this epistle also presents a remarkable classification of sciences. Epistle 8 surveys material cultures in the Islamic mediaeval milieu, embellished by a consideration of the effects of the heavenly bodies on the predisposition of individuals to follow specific trades. These three epistles are, of course, underpinned by the Brethren's perennial tropes of the microcosm/macrocosm analogy and the emanative hierarchy of existents. (shrink)

The epistle to Florus has usually been grouped with the epistle to Augustus and the Ars Poetica, partly because of its length, which sets it, like the other two, apart from the letters of the first book, and partly because of the common interest in literary theory which is manifested in all three. These poems have always been the subject of controversy; but 2. 2 has received less attention than the others, perhaps because the elegance and humour of (...) the poem, which have been so often praised, have eclipsed the possibility that it may have something to say, especially about Horace himself, his personality and his changing allegiances to philosophy and poetry. The object of this paper is to offer a reading of 2. 2, not as a piece of autobiography, nor as a mosaic of conventional motifs, but as an examination by Horace of his own poetry and poetic aims, in which he is testing and criticizing his own achievement, and himself. In this he continues one of the most attractive and impressive practices of the earlier book of epistles. Horace here abnegates his role as a lyric poet, and this is generally taken literally as placing the poem quite precisely between the completion of Epistles 1 and Horace's resumption of lyric writing in the Carmen Saeculare and Odes 4. But more important is the way in which Horace in Ep. 2. 2 itself expresses a judgement about his own poetic ambitions. The philosophic themes of the Epistles and the more frivolous lyric subjects which he presents as the essence of his Odes, are both aspects of Horace's poetry and personality; the question is whether one should be considered more valid than the other in the poet's own mature judgement, whether Horace should in fact have outgrown either or both kinds of poetry. In this poem, then, it is important not only that he renews the renunciation of poetry and the gay life which he made at Ep. 1. 1. 10–11, but also that this decision is to some extent forced on him, and reluctantly made. (shrink)

This is the first critical edition of Epistles 15-21 of the Brethren of Purity, which explore the natural sciences and correspond to Aristotle's great works on philosophy of nature. Along with Epistle 22, "On Animals," Epistles 15-21 correspond to the corpus of Aristotle's great works on the philosophy of nature: Physica , De caelo , De generatione et corruption , and Meteorologica I-III . Meteorologica IV may correspond to Epistle 19 "On Minerals" (though no such Aristotelian work has (...) reached us), and Epistle 21 is a reminder of the works on plants written by Theophrastus, Aristotle's pupil, and onwards. Epistle 20, "On the Quiddity of Nature," is an exposition of Aristotelian doctrines, as well as of those of Neoplatonic origin; it opens the angelologic tradition, whose main representatives in Islamic philosophy were Ibn Sina (d. 1037) and Suhrawardi (d. 1191). Besides providing the necessary references to the works by Aristotle and other Greek authors, this book deals with various doctrines of Ismaili origin echoed in the treatises, foremost of which is the hierarchical representation of the three natural kingdoms, which corresponds to the hierarchy of human beings. The basis of human salvation is here seen in the relation between divine Artisan and human artisan, both of whom accomplish their works by actualizing their knowledge. As is known, although moral behaviour is one necessary condition, salvation cannot be reached without a thorough knowledge of the sciences described in the encyclopaedia. (shrink)

Ikhwan al-Safa' (The Brethren of Purity) were the anonymous adepts of a tenth-century esoteric fraternity of lettered urbanites that was principally based in Basra and Baghdad. This brotherhood occupied a prominent station in the history of science and philosophy in Islam due to the wide reception and assimilation of their monumental encyclopaedia: Rasa'il Ikhwan al-Safa' (The Epistles of the Brethren of Purity). This compendium contained fifty-two epistles that offered synoptic explications of the classical sciences and philosophies of the age. Divided (...) into four classificatory parts, it treated themes in mathematics, logic, natural philosophy, psychology, metaphysics and theology, in addition to moral and didactic fables. The Ikhwan were learned compilers of scientific and philosophical knowledge, and their Rasa'il constituted a paradigmatic legacy in the canonization of philosophy and the sciences in mediaeval Islamic civilization. -/- This present volume gathers studies by leading philosophers, historians and scholars of Islamic Studies, who are also the editors and translators of the first Arabic critical editions and first complete annotated English translations of the Rasa'il Ikhwan al-Safa', which will be published in the OUP Series that this present volume initiates, as well as being members of the Editorial Board. -/- The chapters of this present volume explore the conceptual and historical aspects of the philosophical and scientific contents of the Rasa'il and their classification, as well as investigating the authorship and dating of this corpus and the impact that the Ikhwan's intellectual tradition exercised in the unfolding of the history of ideas in Islam. (shrink)

As a literary genre and practice, philosophical and political epistolography seems to have been alive and well in the fourth-century Roman empire. We have fragments of twenty letters of the late third- and early fourth-centuryc.e. Platonist philosopher Iamblichus of Chalcis to former students and other contemporaries, some of whom appear to have been imperial officeholders ; theEpistle to Himeriusof Sopater the Younger to his brother Himerius on the latter's assumption of an unknown governorship in the East, probably sometime in the (...) 340s or 350s ; the Emperor Julian'sEpistle to Themistius, which was likely written and publishedc.December 361/early 362; and theEpistle to Julianof the Aristotelian philosopher Themistius on proper rule, which seems to have been a response, in part, to Julian'sEpistle to Themistiusand perhaps was written to the emperor when both men likely resided in Constantinople at the same time. These philosophical and political letters are but a few examples from this period. All four authors mentioned above, who are representative of intellectual life in the East during the fourth century, produced epistles which reflect Greek political theory in a Roman imperial context. (shrink)

The Ikhwan al-Safa (Brethren of Purity), the anonymous adepts of a tenth-century esoteric fraternity based in Basra and Baghdad, hold an eminent position in the history of science and philosophy in Islam due to the wide reception and assimilation of their monumental encyclopaedia, the Rasa'il Ikhwan al-Safa ( Epistles of the Brethren of Purity ). This compendium contains fifty-two epistles offering synoptic accounts of the classical sciences and philosophies of the age; divided into four classificatory parts, it treats themes in (...) mathematics, logic, natural philosophy, psychology, metaphysics, and theology, in addition to didactic fables. The Rasa'il constitutes a paradigmatic legacy in the canonization of philosophy and the sciences in mediaeval Islamic civilization, as well as having shown a permeating influence in Western culture. The present volume is the second of this definitive series, consisting of the very first critical edition of the Rasa'il in its original Arabic, complete with the first fully annotated English translation. Prepared by Professor Carmela Baffioni, Epistles 10-14 comprise the foundations of logic, which remained a fundamental component in pedagogy until the twentieth century. The Ikhwan treat the Isagoge and the larger part of the Organon , both of which were circulating through the Islamic world at that time, as they set about detailing the ten categories of existents, the five predicables, and other such commonplaces of Aristotelian logic, including his seminal method of syllogistic inference. With the claim that logic is the noblest of man's arts, and man the noblest of creatures, the Ikhwan cast Aristotelian tropes in a spiritual light. (shrink)

At Epistles 2.2.87–9 Horace introduces an argument against writing poetry based on the unpleasant mutual admiration required in poetic society with an anecdote about an orator and a jurisconsult: †frater erat Romae† consulti rhetor, ut alter alterius sermone meros audiret honores, Gracchus ut hic illi, foret huic ut Mucius ille.

The epistle to Florus has usually been grouped with the epistle to Augustus and the Ars Poetica, partly because of its length, which sets it, like the other two, apart from the letters of the first book, and partly because of the common interest in literary theory which is manifested in all three. These poems have always been the subject of controversy; but 2. 2 has received less attention than the others, perhaps because the elegance and humour of (...) the poem, which have been so often praised, have eclipsed the possibility that it may have something to say, especially about Horace himself, his personality and his changing allegiances to philosophy and poetry. The object of this paper is to offer a reading of 2. 2, not as a piece of autobiography, nor as a mosaic of conventional motifs, but as an examination by Horace of his own poetry and poetic aims, in which he is testing and criticizing his own achievement, and himself. In this he continues one of the most attractive and impressive practices of the earlier book of epistles. Horace here abnegates his role as a lyric poet, and this is generally taken literally as placing the poem quite precisely between the completion of Epistles 1 and Horace's resumption of lyric writing in the Carmen Saeculare and Odes 4. But more important is the way in which Horace in Ep. 2. 2 itself expresses a judgement about his own poetic ambitions. The philosophic themes of the Epistles and the more frivolous lyric subjects which he presents as the essence of his Odes, are both aspects of Horace's poetry and personality; the question is whether one should be considered more valid than the other in the poet's own mature judgement, whether Horace should in fact have outgrown either or both kinds of poetry. In this poem, then, it is important not only that he renews the renunciation of poetry and the gay life which he made at Ep. 1. 1. 10–11, but also that this decision is to some extent forced on him, and reluctantly made. (shrink)

The Ikhwan al-Safa (Brethren of Purity), the anonymous adepts of a tenth-century esoteric fraternity based in Basra and Baghdad, hold an eminent position in the history of science and philosophy in Islam due to the wide reception and assimilation of their monumental encyclopaedia, the Rasa'il Ikhwan al-Safa (Epistles of the Brethren of Purity). This compendium contains fifty-two epistles offering synoptic accounts of the classical sciences and philosophies of the age; divided into four classificatory parts, it treats themes in mathematics, logic, (...) natural philosophy, psychology, metaphysics, and theology, in addition to didactic fables. Epistles 32 to 36 comprise the first five treatises in the third division of the Rasa'il, on the sciences of the soul and intellect. Combining Islamic revelation with Hellenistic philosophy, the Ikhwan delineate herein their metaphysical system. Epistles 32 and 33 present adaptations of the Pythagorean doctrines, and of Neo-Platonist leitmotifs, whereby a numerical analogy is applied to the unique and transcendent God, or the One, from whom all existence emanates. Epistle 34 takes up the pervasive theme of the correspondence between microcosm and macrocosm, situating the human being as the central link between the celestial and terrestrial realms. In Epistle 35, we find an explanation of the intellectual faculties of the individual human soul, whose ultimate aim is ascension to the timeless reality of pure intellect. Finally, Epistle 36 presents itself as the astrological epistle par excellence of the Rasa'il; from the coming-to-be of worms, to the emergence of religions and empires, nothing in the sub-lunar sphere escapes the determining influence of the celestial cycles. (shrink)

In this noblest of Epistles Horace has been warning Quinctius to trust his own judgement about his happiness—is he sapiens bonusque? . The plaudits of the people are fickle and can be withdrawn overnight. Only a man who is flawed and in need of treatment is delighted by false honour or upset by untrue defamation: the philosophic man is impervious to both. Horace, prompted by the words ‘pone, meum est’, illustrates the idea of defamation by reference to a very ancient (...) and traditional form of Italian popular justice—flagitatio ordefamatory dunning.The three charges made in the Horatian passage—thieving, homosexuality, and unfilial behaviour—also appear in the classic Plautine catalogue of flagitatio at Pseud. 360 ff., where the pimp Ballio is abused: ‘fur’ , ‘impudice’ , ‘parricida’. (shrink)

Epistles 1.20, the last poem of its book, begins with an elaborate joke on the entry of Horace's book of epistles into the world and ends with a well-known σραγς describing the poet himself. It will be argued here that this final poem recalls and subverts the pretensions of two earlier final poems in Horace's own Odes, and that its good-humoured depreciation of Horace himself is matched by a similar attitude towards his previous grand poetic claims as a lyric vates.

Stephanie West suggested in a note in this journal , 280) that the presence of an anecdote in Lodovico Guicciardini's sixteenth-century L'Hore di Ricreatione furnishes a parallel for the fable alluded to by Horace, Ep. 1.2.42–3: ‘Rusticus exspectat dum defluat amnis: at ille / labitur et labetur in omne volubilis aevum.’ The parallels, and a third from nineteenth-century Sicily, allow her to imagine a tale, ‘part of Italian traditional lore’, already extant in Horace's time and presumably transmitted in rural regions (...) down to Guicciardini and the Sicilian story-teller. (shrink)

Named one of Church Times's Best Christian Books This volume provides a much-needed English translation of the sixth edition of what is considered the fundamental text for fully understanding Barthianism. Barth--who remains a powerful influence on European and American theology--argues that the modern Christian preacher and theologian face the same basic problems that confronted Paul. Assessing the whole Protestant argument in relation to modern attitudes and problems, he focuses on topics such as Biblical exegesis; the interrelationship between theology, the Church, (...) and religious experience; the relevance of the truth of the Bible to culture; and what preachers should preach. (shrink)

The Epistle of the Eloquent Clarification concerning the Refutation of Ibn Qutayba by Al-Qāḍī al-Nuʿmān b. Muḥammad. Edited by Avraham Hakim. Islamic History and Civilization, vol. 90. Leiden: Brill, 2012. Pp. xi + 22 + 175. $129, €94.

RésuméL’«Épître sur le savoir divin» d'Averroès présente quatre dialogues differents sur deux niveaux textuels. Ces dialogues, leur structure syllogistique ainsi que l'emploi des contradictions indiquent que l’«Épître» est structurée presque entièrement en accord avec les descriptions de la dialectique se trouvant dans les commentaires d'Averroès aux Topiques d'Aristote. Ainsi, la solution d'Averroès à la question de savoir comment Dieu peut avoir une connaissance universelle des particuliers passe par un compte rendu dialectique de la distinction entre le savoir divin et celui (...) des humains. De surcroît, à un point crucial de l’«Épître» Averroès se réfère à Métaphysique Β d'Aristote, qu'il considère être une exposition dialectique des questions sur la métaphysique. Cette référence suggère que l’«Épître sur le savoir divin» est, selon Averroès, une sorte d'enquête dialectique visant à répondre aux questions qui se présentent dès qu'on aborde l’étude de la métaphysique. Il en ressort que si on peut voir en l’«Épître» une interprétation dialectique de Coran LXVII, 14, son but primaire est d'introduire ses lecteurs a la spéculation métaphysique. Ainsi, il n'y a pas d'infraction de la prohibition légale d'Averroès, dans le Discours décisif, sur l'usage des interprétations dialectiques dans les oeuvres ouvertes au public général. (shrink)

Journal Name: Philologus Issue: Ahead of print.

Ukrainian translation of al-Farabi’s treatise.