Reading Medieval Chinese Poetry: Text, Context, and Culture. Edited, with an introduction, by Paul W. Kroll. Sinica Leidensia, vol. 117. Leiden: Brill, 2014. Pp. vi + 310. €126, $164.

This volume shows how late medieval dream-poetry explored problems arising from the reception of Aristotle's philosophical work concerning human knowledge. Marco Nievergelt explores how the work of three medieval poets in the genre of allegorical fiction addressed these problems in distinctive, non-academic terms.

Patronage and Poetry in the Islamic World: Social Mobility and Status in the Medieval Middle East and Central Asia. By Jocelyn Shariet. Library of Middle East History, vol. 24. London: I. B. Tauris, 2011. Pp. x + 326. £62.50, $105.

Among the literary arts of the Middle Ages, the creation of texts within strict parameters held a fascination for many poets. Acrostic poems, tricky meters, frequent rhyme, and other limitations often spurred those who sought expression in words.

Medieval secular poetry reflects the presence of a deep and vigorous Christian humanism concerned and critically involved with the problems of life and the contemporary world.

Machine generated contents note: Introduction: love after Aristotle; 1. Enjoyment: a medieval history; 2. Narcissus after Aristotle: love and ethics in Le Roman de la Rose; 3. Metamorphoses of pleasure in the fourteenth century Dit Amoureux; 4. Love's knowledge: fabliau, allegory, and fourteenth-century anti-intellectualism; 5. On human happiness: Dante, Chaucer, and the felicity of friendship; Coda: Chaucer's philosophical women.

A 1995 study of two important late medieval poems and their philosophical and psychological contexts.

The Performing Arts in Medieval Islam: Shadow Play and Popular Poetry in Ibn Dāniyāl’s Mamluk Cairo. By Li Guo. Islamic History and Civilization, vol. 93. Leiden: Brill, 2012. Pp. xiii + 240. $136.

A collection of essays written by pupils, friends and colleagues of Professor Peter Dronke, to honour him on his retirement. The essays address the question of the relationship between poetry and philosophy in the Middle Ages. Contributors include Walter Berschin, Charles Burnett, Stephen Gersh, Michael Herren, Edouard Jeauneau, David Luscombe, Paul Gerhardt Schmidt, Joe Trapp, Jill Mann, Claudio Orlandi and John Marenbon. It is an important collection for both philosophical and literary specialists; scholars, graduate students and under-graduates in Medieval (...) Literature and in Medieval Philosophy. (shrink)

Beholding Beauty: Saʿdi of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry. By Domenico Ingenito. Leiden: Brill, 2021. Pp. xx + 697, illus. $132, €110 (cloth).

One of the most celebrated authors of medieval Iran, Saʿdī Shīrāzī (d. 691/1292) is best known to many for his Gulistān (The Rose Garden), a prosimetrum that me.

This essay explores the utility of critical pedagogy by looking at competing definitions and considering the response of Turkish-American Afghanistan War veteran, Eymen, and his Introduction to Poetry classmates to interviews with Afghan Nobel peace laureate Malala Yousafzai and poetry written by Taliban fighters. Students develop profoundly negative feelings about the Taliban through specific sources, if they did not already feel that way; then, are exposed to a sentimental side of these fighters, who use the medieval ghazal poetry form (...) to express loss of their beloved homeland in registers that ring overtly Occidentalist and distinctly dystopic. The essay concludes with a discussion of the difficulty of teaching about the September 11th attacks, the aim being to get students to hold two contradictory viewpoints in their heads and try to retain the ability to be objective. (shrink)