Basic course of study of elementary Buddhist logic and dialectical studies.

Compilation of some important works on basic course of study of elementary Buddhist logic and dialectrical studies of Bkra-śis-lhun-po Monastery, a college of Buddhist studies in Bylakuppe, Karnataka, India.

On Buddhist logic and dialectical studies.

History and development of Buddhism in general and Tibet in particular; includes comparative philosophy of Buddhism with Hinduism.

Elementary Buddhist logic and dialectical studies.

Literal explanation of the ʼJam-dbyaṅs-bźad-pa Ṅag-dbaṅ-brtson-ʼgrus's text Grub mthaʼi rnam par bźag pa ʼkhrul spoṅ gdoṅ lṅaʼi sgra dbyaṅs kun mkhyen lam bzaṅ gsal baʼi rin chen sgron me, deals on comparative study of the philosophical systems (siddhānta) of Buddhism and Hinduism.

Critical study predominantly on Budhist philosophy; includes some artciles on Tibetan literary criticism.

Collected writings chiefly on Buddhist philosophy; includes Buddhist doctrines.

Study on Madhyamakālaṅkāra text by Śāntarakṣita, 705-762.

Elucidation of some important passages of Buddhist philosophy from various sources with Sanskrit equavalent.

Study on Tibetan Buddhist logic and dialectical method.

Study on the commentary of seven pramāṇaśastra (Buddhist logic) by Acharya Dharmakīrti, 7th century.

Study on fundamental of Buddhist logic and dialectical studies explaining the difficult points.

Study on the commentary of seven treatises of Buddhist logic (sapta pramanaśastra) of Dharmakīrti, 7th cent.

Explanation of the philosophical position (siddhānta) of the Vaibhāṣika, Sautrāntika, Yogācārya, and Mādhyamika schools of Buddhism.

Basic course of study of elementary Buddhist logic and dialectical studies.

Study on Pramnānabhūta, Buddhist logic of authoritative.

Collected works of the author on Buddhism and Dge-lugs-pa doctrines; includes biography.

Dhammapada. Chos kyi tshigs su bcad pa. Ed. and tr. by Chhi Med Rig Dzin Lama. (The Dalai Lama Tibeto-Indological Studies Series Vol. IV), Central Institute of Higher Tibetan Studies, Sarnath 1982. V + 432 pp. Hbk Rs 75, pbk Rs 55. Dhammapada. (Tr. into Tibetan from the Pali by dGe-'dun Chos-'phel; tr. into English from the Tibetan by Dharma Publishing Staff). Dharma Publishing, Berkeley 1985. xii + 381 pp., including four drawings in the style of traditional Tibetan religious art (...) and one specimen of Tibetan calligraphy. Pbk $12.95. (shrink)

Collected works of Shes-rab-rgya-mtsho, 1884-1968 on Gelukpa doctrines etc.

Philosophy of Tsong-kha-pa Blo-bzang-grags-pa's Lam rim chen mo.

Corpus of treatises of Gelukpa doctrines, philosophies, rituals etc.

English description: Red mda' ba gZhon nu blo gros (1348-1412) played a pivotal role in the history of Tibetan Buddhists' engagement with Indian Madhyamaka, especially with regard to Candrakirti's interpretation of Nagarjuna. The lasting impact of this historical figure on the shape of Buddhist philosophy in Tibet - and particularly that of Madhyamaka - has been highly underestimated to date. Red mda' ba was an important teacher of scholastic Buddhist philosophy to the three main founders of Tibetan dGe lugs tradition. (...) On the basis of this biography, Red mda' ba's contribution to the spiritual culture of Buddhism at his time can now be analyzed. It elucidates his influence in upgrading philosophical studies and dialectics, and expanding scholastic education in the monasteries, as well as his contribution to Tsong kha pa's foundation of the dGe lugs pa school, the lineage to which the Dalai Lamas belong. This work therefore aims to present the first detailed exposition of this crucial figure of Tibetan culture. The thesis presents a critical edition and English translation of the biography of Red mda' ba. German description: Red mda' ba gZhon nu blo gros (1348-1412) spielte eine entscheidende Rolle in der Geschichte der Beschaftigung tibetischer Buddhisten mit der indischen Madhyamaka Philosophie, insbesondere hinsichtlich Candrakirtis Auslegung von Nagarjuna. Der nachhaltige Einfluss dieser historischen Figur auf die Form der buddhistischen Philosophie in Tibet - vor allem die des Madhyamaka - wurde bislang wesentlich unterschatzt. Red mda' ba war ein wichtiger Lehrer fur scholastische Buddhismus-Philosophie der drei Grundergestalten der tibetischen dGe lugs-Tradition. Auf der Grundlage dieser Biografie kann nun Red mda' bas Beitrag zur geistigen Kultur des Buddhismus seiner Zeit untersucht werden. Sie zeigt beispielsweise, wie Red mda' ba den Ausbau der philosophischen Studien und der Dialektik beeinflusste, die scholastische Ausbildung in den Klostern erweiterte und massgeblich an Tsong kha pas Grundung der dGe lugs pa-Schule mitwirkte, einer Richtung, der auch die Dalai Lamas angehoren. Daher ist es Ziel dieser Arbeit, eine erste umfassende Darstellung des Lebenswerkes und Vermachtnisses dieser Schlusselfigur tibetischer Kultur und Geistesgeschichte zu geben. Sie umfasst die kritische Edition und die englische Ubersetzung der Biografie von Red mda' ba. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:470 HISTORY OF PHILOSOPHY of fundamental notions (e.g.,"creator" and "demiurge") are omnipresent. Sometimes even a confusion happens of Anaxagoras with Democritus when the "atom" is ascribed to Anaxagoras (p. 48). And the author does not seem to feel the fatal inadequacy of merely second-hand knowledge. While he in longura et latum argues with Aristotelian presentations and misrepresentations of Anaxagorean tenets, there is good reason for the suspicion that he (...) might never have read even one authentic sentence written by Anaxagoras himself. For those interested in general cultural history, this book, the religious diatribe of a modem Zoroastrian believer, is very worthwhile reading. For the historian of philosophy, itis of rather modest value. P-~LIX M. CLEVE New School for Social Research New York City The Esthetics of the Middle Ages. By Edgar De Bruyne. Trans. Eileen B. Hennessy. (New York: Frederick Uugar, 1969. Pp. viii+232. $6.50) This book has a very complex character. It is the English translation of a French work, L'Esth~tique du moyen dge,I which, in turn, is a one-volume abridged version by Edgar De Bruyne of his own original three-volume work, I~tudes d'Esth~tique M~di~vale.2 Thus, one may evaluate this book either as a translation or, presupposing the faithfulness and correctness of the translation itself,as a relatively short work by E. De Bruyne, or else in its relation to or as compared with the original three-volume work. I will confine myself here to the lattertwo considerations.3 First, considering this book in comparison with the three-volume original work, one of the principal writings of De Bruyne and one of the most significant contemporary contributions to the history of medieval aesthetics, we can find both quantitative and qualitative differences between the original work and its abridged version. The quantitative difference is considerable. While the abridged work, at least in its English translation, is less than a quarter of a thousand pages in length, the original work includes altogether 1,224 pages 4 and is thus more than five times longer than thc translated abridged version of it. The qualitative or methodological difference is at least equally great. In the original work, each of the three volumes deals primarily with the various medieval authors of aesthetic works and doctrines in a chronological order.5 In contrast, the contents of the translated abridged version follow a topical arrangement with chronology playing only a subordinate role, if any at all, within Louvain. L'InstitutSupdrieur de Philosophic, 1947. Brugge: De Tempel, 1946. s I have had no access to the abridged French original. 9 Vol. I, xiv+370; II, x-{-420; III,x-F400. 9 VoL I: Boethius to Erigena; II. "L'l~poque Romane," from the Carolingian period to the schools of Chartres and St. Victor; and Ill:the thirteenthcentury, from St. Bernard to Duns Scotus. BOOK REVIEWS 471 each topic. The six chapters are entitled, "'The Sources," "The Fundamental Principles," "Various Esthetic Systems," "The Esthetic Experience," "Art," and "The Fine Arts." To this may be added a third difference that is the result of the first two differences. There is virtually neither any direct quotation from any author on any topic, nor a~y direct reference to texts in the works of medieval authors mentioned or discussed. While the quantitative difference in itself is understandable, since only a scholar specializing in this field would read over 1,200 pages on medieval aesthetics, and while the qualitative difference is perfectly justified in terms of an intelligent summary, the absence especially of direct references to discussed texts is, as will be shown below, deeply regxettable. So much for the relative consideration of this translated abridged work. Let us next consider the abridged work in itself in the form of a positive and a negative evaluation. Second, despite the relative brevity of the work, one finds this book extremely valuable both in terms of the quantity and the quality of the data it contains. As to quantity, De Bruyne manages to compress an enormous amount of information about medieval aesthetic thought into this book. The significance of this, to confine ourselves at this point only... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:470 HISTORY OF PHILOSOPHY of fundamental notions (e.g.,"creator" and "demiurge") are omnipresent. Sometimes even a confusion happens of Anaxagoras with Democritus when the "atom" is ascribed to Anaxagoras (p. 48). And the author does not seem to feel the fatal inadequacy of merely second-hand knowledge. While he in longura et latum argues with Aristotelian presentations and misrepresentations of Anaxagorean tenets, there is good reason for the suspicion that he (...) might never have read even one authentic sentence written by Anaxagoras himself. For those interested in general cultural history, this book, the religious diatribe of a modem Zoroastrian believer, is very worthwhile reading. For the historian of philosophy, itis of rather modest value. P-~LIX M. CLEVE New School for Social Research New York City The Esthetics of the Middle Ages. By Edgar De Bruyne. Trans. Eileen B. Hennessy. (New York: Frederick Uugar, 1969. Pp. viii+232. $6.50) This book has a very complex character. It is the English translation of a French work, L'Esth~tique du moyen dge,I which, in turn, is a one-volume abridged version by Edgar De Bruyne of his own original three-volume work, I~tudes d'Esth~tique M~di~vale.2 Thus, one may evaluate this book either as a translation or, presupposing the faithfulness and correctness of the translation itself,as a relatively short work by E. De Bruyne, or else in its relation to or as compared with the original three-volume work. I will confine myself here to the lattertwo considerations.3 First, considering this book in comparison with the three-volume original work, one of the principal writings of De Bruyne and one of the most significant contemporary contributions to the history of medieval aesthetics, we can find both quantitative and qualitative differences between the original work and its abridged version. The quantitative difference is considerable. While the abridged work, at least in its English translation, is less than a quarter of a thousand pages in length, the original work includes altogether 1,224 pages 4 and is thus more than five times longer than thc translated abridged version of it. The qualitative or methodological difference is at least equally great. In the original work, each of the three volumes deals primarily with the various medieval authors of aesthetic works and doctrines in a chronological order.5 In contrast, the contents of the translated abridged version follow a topical arrangement with chronology playing only a subordinate role, if any at all, within Louvain. L'InstitutSupdrieur de Philosophic, 1947. Brugge: De Tempel, 1946. s I have had no access to the abridged French original. 9 Vol. I, xiv+370; II, x-{-420; III,x-F400. 9 VoL I: Boethius to Erigena; II. "L'l~poque Romane," from the Carolingian period to the schools of Chartres and St. Victor; and Ill:the thirteenthcentury, from St. Bernard to Duns Scotus. BOOK REVIEWS 471 each topic. The six chapters are entitled, "'The Sources," "The Fundamental Principles," "Various Esthetic Systems," "The Esthetic Experience," "Art," and "The Fine Arts." To this may be added a third difference that is the result of the first two differences. There is virtually neither any direct quotation from any author on any topic, nor a~y direct reference to texts in the works of medieval authors mentioned or discussed. While the quantitative difference in itself is understandable, since only a scholar specializing in this field would read over 1,200 pages on medieval aesthetics, and while the qualitative difference is perfectly justified in terms of an intelligent summary, the absence especially of direct references to discussed texts is, as will be shown below, deeply regxettable. So much for the relative consideration of this translated abridged work. Let us next consider the abridged work in itself in the form of a positive and a negative evaluation. Second, despite the relative brevity of the work, one finds this book extremely valuable both in terms of the quantity and the quality of the data it contains. As to quantity, De Bruyne manages to compress an enormous amount of information about medieval aesthetic thought into this book. The significance of this, to confine ourselves at this point only... (shrink)

An English translation of John Duns Scotus's The Questions on Aristotle's "De Interpretatione" including an extensive commentary on some of Scotus's more difficult ideas.

Self learning book for beginner on Buddhist debate and dialectic.

Collected works of ʼJam-dbyaṅs Blo-gter-dbaṅ-po on Nyingmapa and Sakyapa doctrines, philosophy, rituals etc.

Collection of writings on Buddhist logic.

On the fundamental essence of Buddhist logic and dialectical studies.

Annotations to the Dbu ma'i spyi don zab don gsal ba'i sgron me by Paṇ-chen Bsod-nams-grags-pa, 1478-1554.

The philosophical writings of Duns Scotus, one of the most influential philosophers of the Later Middle Ages, are here presented in a volume that presents the original Latin with facing page English translation._ CONTENTS: _ Foreword to the Second Edition. Preface. Introduction. Select Bibliography. I. Concerning Metaphysics II. Man’s Natural Knowledge of God III. The Existence of God IV. The Unicity of God V. Concerning Human Knowledge VI. The Spirituality and Immortality of the Human Soul Notes. Index of Proper Names. (...) Index of Subjects. (shrink)

Scotus - unlike Thomas Aquinas - never commented on Aristotle's Politics nor did he write any significant political tracts like Ockham. Nevertheless, despite his primary philosophical reputation as a metaphysician, Scotus did have certain definitive ideas about both politics and the morality of the marketplace.

Die vorliegende Studie erschließt erstmals umfassendden Zurechnungsbegriff in Kants praktischer Philosophie. Ein Zurechnungsurteil bringt zum Ausdruck, dass eine Handlung auf den freien Willen einer bestimmten Person zurückgeführt wird. Zurechnung ist ein zentraler Begriff des Rechts und von grundlegender Bedeutung für unsere alltägliche Praxis, wenn wir andere Personen loben, tadeln oder dankbar sind. Eine fundamentale Relevanz des Zurechnungsbegriffs zeigt die Autorin auch für Kants praktische Philosophie auf. Ausgehend von Kants Definition des Zurechnungsbegriffs in der Metaphysik der Sitten wird deutlich, wie Zurechnung (...) mit anderen zentralen Begriffen von Kants Handlungs- und Moraltheorie verknüpft ist: sowohl für die Auflösung der Freiheitsantinomie als auch für den Begriff der Person als freiem, moralischem Subjekt und Träger eines Gewissens ist Zurechnung ein Schlüsselbegriff. Am Leitfaden des Zurechnungsbegriffs entsteht ein differenziertes Bild der praktischen Philosophie Kants, das diese auch aus heutiger Sicht attraktiv und tragfähig erscheinen lässt. In systematischer Hinsicht schlägt die Arbeit einen Bogen zu aktuellen Debatten und zeigt, dass Kants Theorie in zentralen Punkten anschlussfähig ist. (shrink)

I. Quaestiones in librum Porphyrii Isagoge ; et , Quaestiones super Praedicamenta Aristotelis -- II. Quaestiones in libros Perihermenias Aristotelis ; Quaestiones super librum Elenchorum Aristotelis ; Theoremata -- III. Quaestiones super libros Metaphysicorum Aristotelis, libri I-V -- IV. Quaestiones super libros Metaphysicorum Aristotelis, libri VI-IX -- V. Quaestiones super secundum et tertium De anima.