One of the difficulties in understanding the meaning of perception in Merleau-Ponty’s work comes from the ambiguous tone of his descriptions. Therefore, to understand it thoroughly one should question the origin of this tone and inquire about the relationship between perception and language and, more particularly, between philosophy and literature. This is what is at stake in his last courses at the Collège de France, where Merleau-Ponty envisages perception as being associated with literature and as having a special kinship to (...) the notion of “poetic vision,” which appears in Rimbaud’s first ‘Letter from the Seer’.L’une des difficultés qui se posent pour comprendre le sens de la perception chez Merleau-Ponty vient du ton ambigu de ses descriptions. C’est ainsi que pour comprendre ce qu’il entend par perception, il faudrait questionner l’origine de ce ton et interroger le rapport que la perception entretient avec le langage, et plus particulièrement celui que la philosophie entretient avec la littérature. Voilà justement l’une des questions abordées dans ses derniers cours au Collège de France, où il comprend la perception comme associée à la littérature et ayant une proximité particulière avec la notion de «vision poétique» qui apparaît dans la première «Lettre du voyant» de Rimbaud. (shrink)

This paper studies the role of faces in animal life to gain insight into Merleau-Ponty's philosophy, especially his later ontology. The relation between animal faces and moving, animal bodies involves a peculiar, expressive logic. This logic echoes the physiognomic structure of perception that Merleau-Ponty detects in his earlier philosophy, and exemplifies and clarifies a logic elemental to his later ontology, especially to his concept of an invisible that is of (endogenous to) the visible. The question why the logic of the (...) face can manifest this analogy or homology with the logic of perception and ontology is treated through a study of embryology, which suggests that the logic of the face ramifies a deeper logic of being. Methodologically, the face is taken as something like a lens into the onto-logic of being. This lens suggests that what underlies Merleau-Ponty's later ontology is a logic of animality. (shrink)

Husserlian variation, Bergsonian intuition and Peircean abduction are contrasted as methodological responses to the traditional philosophical problem of deriving knowledge of universals from singulars. Each method implies a correspondingly different view of the generation of the variations from which knowledge is derived. To make sense of the latter differences, and to distinguish the different sorts of variation sought by philosophers and scientists, a distinction between extensive, intensive, and abductive-intensive variation is introduced. The link between philosophical method and the generation of (...) variation is used to illuminate different philosophical conceptions of nature and nature's relation to meaning and sense. (shrink)

This paper sets out to demonstrate that a phenomenological reflection on language highlights the possibilities of authenticity in communication, and as such provides a very necessary complement to the dominant linguistic perspectives: the syntactic and grammatical perspective, Saussurean linguistics, and systemic functional linguistics. While the syntactic and grammatical perspective, which predominates in the educational context, presents language as an institutionalized, authoritarian and self-contained system, Saussurean linguistics provides a view of language as a complex, self-contained, technical system, as such reflecting the (...) nature of modern society. The third perspective, systemic functional linguistics, describes templates of specific genre, models which aid students to construct their own, while simultaneously discouraging individual selfexpression. In contrast, a reflective phenomenological perspective identifies and encourages authentic self-expression. The paper concludes by considering ways to reconcile the impetus in language teaching towards, on the one hand, the language of institutional authority, and, on the other, individual self-expression. Indo-Pacific Journal of Phenomenology , Volume 6, Edition 2 August 2006. (shrink)