Results for 'Feni Betriana'

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  1.  16
    Relating Mori’s Uncanny Valley in generating conversations with artificial affective communication and natural language processing.Feni Betriana, Kyoko Osaka, Kazuyuki Matsumoto, Tetsuya Tanioka & Rozzano C. Locsin - 2021 - Nursing Philosophy 22 (2):e12322.
    Human beings express affinity (Shinwa‐kan in Japanese language) in communicating transactive engagements among healthcare providers, patients and healthcare robots. The appearance of healthcare robots and their language capabilities often feature characteristic and appropriate compassionate dialogical functions in human–robot interactions. Elements of healthcare robot configurations comprising its physiognomy and communication properties are founded on the positivist philosophical perspective of being the summation of composite parts, thereby mimicking human persons. This article reviews Mori's theory of the Uncanny Valley and its consequent debates, (...)
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  2.  15
    Treatise on the influence of theism, transhumanism, and posthumanism on nursing and rehabilitation healthcare practice.Ryuichi Tanioka, Feni Betriana & Rozzano C. Locsin - 2021 - Nursing Philosophy 22 (3):e12350.
    Reservations concerning the ontologies of theism, transhumanism and posthumanism compel an explicatory discourse on their influences on Nursing and rehabilitation healthcare. Key journals in Nursing and health sciences have recently devoted themed issues on intelligent machine technologies such as humanoid healthcare robots and other highly technological healthcare devices and practice initiatives. While the technological advance witnessed has been a cause for celebration, questions still remain that are focused on the epistemological concerns. The purpose of this article is to discuss theistic (...)
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  3.  31
    Intelligent humanoid robots expressing artificial humanlike empathy in nursing situations.Joseph Andrew Pepito, Hirokazu Ito, Feni Betriana, Tetsuya Tanioka & Rozzano C. Locsin - 2020 - Nursing Philosophy 21 (4):e12318.
    Intelligent humanoid robots (IHRs) are becoming likely to be integrated into nursing practice. However, a proper integration of IHRs requires a detailed description and explanation of their essential capabilities, particularly regarding their competencies in replicating and portraying emotive functions such as empathy. Existing humanoid robots can exhibit rudimentary forms of empathy; as these machines slowly become commonplace in healthcare settings, they will be expected to express empathy as a natural function, rather than merely to portray artificial empathy as a replication (...)
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  4. Hatar - Hallgatas - Titok - A zartsag utjai a filozofiaban es a letben.Kiraly V. Istvan - 1996 - Cluj, Romania: Komp-Press, Korunk Barati Tarsasag.
    TARTALOM Előszó 5 Módszer és problémái "A tiszta ész kritikájá"-ban 12 Kari Jaspers Nyugat és Kelet között 28 A szent, avagy a fény csendes hangjai 51 "A lélek és a formák"-tól az Ontológiáig 67 Georg Simmel és a titok szociológiája 89 Beavatás, hallgatás, álarc 117 A titok és kategoriális szerkezete 134 Titok és tilalom 154 Az összeesküvés 167 A "volt titkok" 196 Elzártság, elfedettség és rejtőzködés Heideggernél 223 Utószó 307 Jegyzetek 313.
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  5. La conciencia err�nea. De S�crates a Tom�s de Aquino The Erroneous Conscience. From Socrates to Thomas Aquinas.Alejandro Vigo - 2013 - Signos Filosóficos 15 (29):9-37.
    Resumen En el �mbito de la acci�n moral, el principio socr�tico de que nadie yerra voluntariamente implica que toda vez que un agente elige algo lo hace por considerarlo, al mismo tiempo, como bueno o, al menos, preferible a otra cosa: su elecci�n es internamente racional. La tesis socr�tica sobre la conexi�n estructural entre error y autoenga�o constituye, sin duda, uno de los aportes m�s decisivos al pensamiento filos�fico occidental. De esta concepci�n en torno a la naturaleza y estructura del (...)
     
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  6.  13
    La disolución de la obra de arte.Gustavo Leyva Martínez - 1999 - Signos Filosóficos 1 (1):82-102.
    "œLa disoluci�n de la obra de arte"El llamado arte de vanguardia realiz� un cuestionamiento radical del concepto tradicional de arte, en particular, del concepto de obra de arte, de las relaciones de �sta con la verdad, de la instituci�n del "œarte" concebida como una esfera separada y destacada del mundo de la vida, del sentido en que deb��a entenderse la autonom��a del arte, etc. Se ha hablado en este sentido de la disoluci�n de las fronteras entre el arte y la (...)
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