Au xvie siècle, l’autobiographie et le récit de voyage étaient étroitement liés et suivirent pendant quelques décennies une évolution parallèle. Thomas Platter l’aîné essaya de fournir dans sesMémoires la description d’une vie exemplaire retraçant ses expériences multiples sur les routes d’Europe. Son fils Felix nous laissa un ouvrage disparate (un mélange de journal, de récit de voyage et de mémoires) où l’auteur paraît omniprésent. Sa conception de l’écriture autobiographique rappelle celle de Montaigne. Le jeune frère Thomas suivit rigoureusement les (...) règles émises par les théoriciens du voyage, condamnant toute opinion subjective. Les ouvrages des Platter nous donnent le meilleur exemple de l’évolution du genre (auto-)biographique entre la Renaissance classique et le Baroque dit sauvage. (shrink)

No one before Platter and Kepler proposed retinal reception of an inverted visual image. The dominant tradition in visual theory, especially that of Alhazen and his Western followers, subordinated the intra-ocular geometry of visual rays to the requirement for an upright image and to preconceptions about the precise nature of the visual spirit and its part in vision. Henry of Langenstein and an anonymous glossator in the late Middle Ages proposed alternatives to Alhazen, including the suggestion of double inversion (...) of the image. Leonardo da Vinci was aware of both Alhazen's theory and Henry's contradiction, but perhaps not of the anonymous hypothesis of double inversion. Leonardo's visual ‘theory’ has more the character of a critique than of a theoretical alternative, and he did not transcend the medieval concept of visual spirit. (shrink)

In the mid-1990s the recession is turning to a recovery. Around the world corporate bodies which fell victim to structural changes and high interest rates finally get buried. However, many feel that corporate funerals are not enough to clear away the litter of the past, crucifying people is required too.In the common law countries, where the treatment of bankrupts is tougher than in the U.S., and in continental Europe, where discharge of debts has been virtually unheard of until recently, the (...) failed entrepreneurs' heads are wanted on the platter. A high level of debt and an extravagant lifestyle combine to provoke most demands for reprisals. (shrink)

Albert Einstein je svojom specijalnom teorijom relativnosti definitivno opovrgao svaku mogućnost znanstvenog legitimiranja mehanicističkog pogleda na svijet, što implicira i opovrgnuće one metafizike materijalističkog predznaka koja se temelji na koncepciji razdvojenosti prostora i vremena. On je u specijalnoj teoriji relativnosti zasnovao pojam vremena i prostora kao jedinstvenog zbivanja, a taj je pojam oslobođen i od ravne metrike kakva obilježuje još i koncepciju Hermanna Minkowskog. Mnoštvenost jedinstvena vremena-prostora ukida i Galilejeve i Newtonove pojmove kao što su: apsolutni prostor, apsolutno vrijeme, apsolutno (...) mirovanje, te nepromjenjivost mase, a jednako tako i apsolutnost činjenice koja sadrži istodobnost dva prostorno udaljena zbivanja. Time su uspostavljene pretpostavke za razvoj tzv. postmoderne kozmologije. Autor postavlja pitanje otvara li postmodernizam ukozmologiji put za obnovu raznovrsnih onto-teokozmo-antropologija kojima je zajedničko htijenje da se ukine ideja povijesnosti, ili pak, naprotiv, Einsteinovo ukidanje pravocrtnosti otvara prostor afirmacije autentične povijesnosti. A upravo se u toj antitezi između metafizike i povijesnog mišljenja sastoji temeljni prijepor današnje filozofije,suočene i s lažnom alternativom iracionalizma i hiperracionalizma.Albert Einstein hat durch seine Spezielle Relativitätstheorie jegliche Möglichkeit der wissenschaftlichenLegitimierung einer mechanizistischen Weltanschauungdefinitiv widergelegt.Diesimpliziert ebenfalls die Widerlegungeiner Metaphysik materialistischer Art,die auf derKonzeptionder getrenntenExistenz von Zeit und Raum begründet ist. In der Speziellen Relativitätstheoriehat Einstein den Begriff der Einheitlichkeit von Zeit und Raum als einheitlichenGeschehensgeprägt. Dieser Begriff ist befreitvon platter Metrik, die noch die Konzeption vonHermannMinkowski charakterisiert. Durchdie Vielfältigkeitder Einheitlichkeit von Zeit undRaumentfallen die Begriffe von Galilei und Newton . Damitwerdendie Voraussetzungenfür die Entwicklung der sog. postmodernen Kosmologie aufgestellt.Der Autorfragt, ob der Postmodernismus in der Kosmologie einen Wegzur Erneuerungdifferenzierter Onto-Theo-Kosmo-Anthropologieneröffnet, dergleichartigdem Verlangenist, die Idee der Geschichlichkeit aufzuheben, oder ob EinsteinsAufhebungder Linearität einen Raum für die Affirmierungauthentischer Geschichlichkeit eröffnet. Gerade in dieserAntithesezwischen Metapysik und geschichtlichem Denken liegt eine wichtige StreitfragederzeitgenössischenPhilosophie, die auch durchdie falsche Alternativezwischen Irrationalismusund Hyperrationalismus gekennzeichnet wird. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Mikhail Bakhtin, Vyacheslav Ivanov, and the Rhetorical Culture of the Russian Third RenaissanceFilipp SapienzaAlthough Mikhail Bakhtin figures centrally in multiculturalism, community, pedagogy, and rhetoric (Bruffee 1986; Welch 1993; Zebroski 1994; Zappen, Gurak, and Doheney-Farina 1997; Mutnick 1996; Halasek 2001, 182; see also Bialostosky 1986) many of his major ideas remain enigmatic and controversial. The elusive aspects of Bakhtin's theories exist in part because rhetoricians know little about Bakhtin's own (...) rhetorical culture. Theorists recognize this problem and call for a reworking of Bakhtin more on his own terms. This call has been made to resolve concerns about Bakhtin's ambivalence toward rhetoric. Since Bakhtin disliked rhetoric, any use of Bakhtin in rhetorical theory is largely a hybrid synthesis of his distinct ideas on poetics, prose, satire, the epic, the novel, and so forth. John Murphy proposes a reconception of Bakhtin closely built around his ambivalence and guided by the question, "what do we [rhetoricians] mean by the concept of a rhetorical tradition?" (2001, 259). The suggestion encourages rhetoricians to take Bakhtin more on his own terms than has been done in the past. Unfortunately, as the word "we" indicates, Murphy reworks Bakhtin primarily in terms of Western ideas about rhetoric. Slavists and "Bakhtinologists" in Russia argue that when talking about Bakhtin, "we" has often meant Western, obscuring the Russian cultural roots of his theories (Kozhinov 1993; Miller and Platter 1993, 118). The privileging of Western perspectives has also been criticized by scholars of other discourse cultures. Discussing American Indian rhetoric, Malea Powell argues that "we" means a Rhetorical Tradition that begins "with the Greeks, goes Roman, briefly sojourns in Italy, then shows up in England and Scotland, hops the ocean to America and settles in" (2002, 397). Differences in interpreting Bakhtin also proceed from translation difficulties between Russian and English. The Russian reader views Bakhtin in more essentialist ways as opposed to the "post-modern give-and-take" theorist of many Western [End Page 123] interpretations (Emerson 1990, 113). Read in the Russian language and from that cultural context, Bakhtin's vocabulary contains "conspicuous" elements of Orthodox Christianity and Slavic nationalist ideas (Kozhinov 1993; Mihailovic 1997) that reveal a Russian theological subtext to his ideas about community and dialogue.In this essay, I provide a reading of Bakhtin against the background of his own rhetorical culture. More specifically, I offer an analysis of an intertextual dialogue about language and community between Bakhtin and the symbolist writer Vyacheslav Ivanov. Scholars identify Ivanov as a poet, philosopher, and teacher who profoundly impacted Bakhtin (Mal'chukova 1992, 55). The Russian symbolists upheld strong nationalist ideals and a linguistic theory rooted in metaphysics (Mirsky 1972, 188). Many Slavists and Russian readers of Bakhtin suspect that Ivanov strongly influenced Bakhtin's rhetoric even though, for reasons unknown but that are suspected to be political, Bakhtin understates his debt to him (Ivanov 2001, 3). Bakhtin was not unlike his contemporaries in sharing an interest and vocabulary that addressed the major threads of symbolism. Read side by side with Ivanov's essays in Russian, Bakhtin's rhetoric displays a mixture of the European, Slavic, and Christian ideals that were in parlance among many Russian theorists in early twentieth-century Russia. Bakhtin and Ivanov give us a glimpse of this rhetorical culture. More specifically, they help us to better understand our appropriations of Bakhtin based on an elucidation of the meaning of specific terms as they existed among Bakhtin's contemporaries.The method that I use requires translation of specific Russian passages into English. Terms and phrases are interpreted against the usage background of others in early twentieth-century Russia. Bakhtin's Slavic-theological connections become evident through the elucidation of these intertextual references. Through this method, a common and accepted practice in Slavic literary studies, the use of key words and phrases are traced in and among texts to identify a discourse among authors and explicate its meaning.1 As Steven Mailloux points out, a "rhetorical hermeneutics" focuses on "the historical sets of topics, arguments, tropes, ideologies, and so forth" that give meaning to rhetoric (1988, 15-16). The approach is necessary due to the unique political and artistic circumstances during the early... (shrink)

“Holdings” was written for the 2011 Reading Artifacts Summer Institute at the Canada Science and Technology Museum. I spent a week “embedded” with the group, attending workshops and instructional sessions, mostly in a warehouse filled with curious objects from the museum’s collection: a gigantic hard drive platter, an egg-sorting machine, fire engines, iron lungs, a scale model of a Babbage Difference Engine (which had been used to weigh down the back of somebody’s rear-wheel-drive car). Some of the artifacts were (...) historically important, and some were disarmingly ordinary. Others had come loose from their stories, and were just mystifying. The group spent five days exploring the innumerable intersections between these solid things and the people who lived, and live, among them. At the end of the week, during the closing presentations, I read this poem to the group about what I’d seen and felt as I watched them work. (shrink)

Betr. den Drucker Michael Martinus Stella und seine Beziehung zu Basel, speziell zu Thomas und Felix Platter, Johannes Oporin, Andreas Vesalius.

Betr. den Drucker Michael Martinus Stella und seine Beziehung zu Basel, speziell zu Thomas und Felix Platter, Johannes Oporin, Andreas Vesalius.